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Starting Next Issue: THIRTY-TWO ADDITIONAL PAGES!
Vol T8, No. 1 A THRILLING PUBLICATION September, 1948
A. Complete Norel
What Nad UniTcrse
By BREDRIC BROWN
When the Grst moon rocket' fell back to earth
with a flash, Keith Winton found himself cata-
pulted into a world that couldn’t be — a fabulous
globe where men in jalopies were space masters! 1 1
A Hall of Fame Norelel
TETRAHEDRA OF SPACE P. Schuyler Miller 82
Only a quartet of Earthmen stood between the Mercurian invaders and
planetary conquest! A classic reprinted by popular demand
Short Stories
RAT RACE Dorothy and John de Courcy 72
The Rat-men’s empire spread ever outward until it engulfed the world
SHENADUN John D. MacDonald 102
Explorer Mitchell battles to conquer the challenge of the mountain
SANATORIS SHORT-CUT Jack Vance 113
Mathematics is Magnus Ridolph’s weapon against a pirate of space
Special Features
THE ETHER VIBRATES The Editor 6
A department for readers, including announcements and letters
FIRST TARGET IN SPACE R. L. Farnsworth 98
The president of the United States Rocket Society discusses the Moon
SCIENCE FICTION FAN PUBLICATIONS A Review 138
Cover Painting by Earle Bergey — Illustrating “What Mad Universe”
STABTIilNQ STORIES. Published every other month by Better Publications, Inc., N. L. Pines, President, at 4600 Diverse^
Are., Chicago 39, 111. Editorial and executive offices, 10 East 40th St., New Tork 16, N. Y. Entered as second-class matter
November 22, 1946, at the post office at Chicago, Illinois, under the act of March 3, 1879. Copyright, 1948, by Better
PublicatlMis, Inc. Snbscription (12 issues), $2.40; single copies, $.20; fweign uad Canadi^ postage extra. In cc^re-
spending with this magazine please include your postal z<xte number, if any. Manuscripts will not be returned unless
accompanied by self-addressed, stamped envelopes and are submitted at the author’s risk. Nam^ of all characters us^
^ storl^ and semi-fiction articles are fictitious. If the iMune ot any living persem or existing institution is used, it is a
coincidence. PRINTED ZN THE U. S. A.
MO SECmM SC/CC£SS /
The formula for success in industry and business
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OU ASKED for it — and you’ll get it!
a bigger and better science fiction
magazine! With the next issue, we
add 32 pages of text — making a grand total
of 180 pages of the best reading in the science
fiction field. This means 20,000 extra words
of fiction — greater variety, more and longer
stories, a much better balanced magazine!
It is our answer to those thousands of you
who have, for so long now, been requesting
that we enlarge this magazine. We started
the ball rolling earlier this year by going up
to 148 pages — and now we have taken a
further step. Our companion magazine,
THRILLING WONDER STORIES, wiU now
likewise be 180 pages, and each magazine will
cost 25c, or a nickel more, on the newsstands.
There is no extra charge to present sub-
scribers.
The first change to result from our second
step-up in size is that both magazines,
henceforth, will feature an extra department
as we will add a science fiction book review
column to this magazine and a regular com-
mentary on science fiction amateur maga-
zines in TWS.
We are now giving you readers, who never
seem to get your science fiction in large
enough doses, something really to sink your
teeth in! These successive enlargements,
with their resultant improvement in quality
as well as quantity in 1948, make this year
the most important period of progress we
have known since STARTLING STORIES
first saw the light of day nine years ago.
We wish you more and happier reading!
And we hope you will write and teU us how
you like next issue’s augmented SS.
Belated STF-Club Registrants
A NUMBER of applicants who wished to
be entered on the science fiction fan
club list we ran in the July issue of
STARTLING STORIES seem to have writ-
ten in too late. Therefore, we shall tabulate
them here as requested — ^but with a warning
that no further list will be published until
the December issue of our companion maga-
zine, THRILLING WONDER STORIES.
Since we plan to make this a semi-annual
custom, we wish that all of you club officials
who want such fisting will write in again,
well ahead of August 15th, which will give us
plenty of time to work you in. Please don’t
expect US' to count previous entries and please
fist aU changes of officers or address.
Now, the supplementary entries —
COLUMBUS SCIENCE FICTION SOCIETY
Anyone interested in joining this group should
write Richard Layman, 523% South Harris, Co-
lumbus, Ohio.
LOUISVILLE STF SOCIETY
President, Lester Fried, 2050 Midland, Louis-
ville 4, Kentucky. Telephone, Highland 5684-W.
SCIENCE FICTION, INTERNATIONAL
Secretary-Treasurer, Dan Mulcahy, 4170 Utah
Street, St. Louis, Missouri. Dues, 50c per annum.
MICHIGAN SCIENCE-FANTASY SOCIETY
Prospective members should contact Ben
Singer, 3242 Monterey Drive, Detroit 6, Michigan,
or Arthur H. Rapp, 2120 Bay Street Saginaw,
Michigan.
THE STRANGER CLUB
Contact Dave Thomas, 31 Linnaean Street,
Cambridge 38, Massachusetts.
THE TECHNOPOLARIANS
Contact Bill Groover, 113 North Porter Street,
Saginaw, Michigan.
TOPEKA SCIENCE FICTION CLUB
A new-born organization for fans in the Kan-
sas-Missouri area. Contact Linda Bowles, 931
North Jackson, Topeka, Kansas.
Let’s hope that everyone writes in in time
for the December fan-organization fisting in
the December TWS (remember the August
15th deadline) and that all of you who have
already had your group’s name in print in
this column have reaped a full reward in
broadened correspondence and membership
rosters.
(Continued on page 8)
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THE ETHEP VIERATES
(Continued from page 6)
Don’t forget, we want to hear from all of
you at least twice a year.
OUR NEXT ISSUE
WITH its featured novel in the Novem-
ber issue, AGAINST THE FALL OF
NIGHT, SS introduces an author new to
American science fiction readers although he
is already estabhshed as a bright star in the
British stf firmament — Arthur C. Clarke.
AGAINST THE FALL OF NIGHT is a
magnificent imaginative achievement, a full-
bodied tale of childhood and super-science in
a world grown old with the passing eons — a
world which has known an intergalactic em-
pire and has forfeited same to dwell in
isolated patches of its own surface which
alone will support human existence.
It is a story of a youth who resents the
physical and intellectual limitations that sur-
round him, who delves deep into the roots
of the past to create a future less hemmed in
with ancestor-created restrictions. It is a
story of human understanding and frailty
and greatness, of high adventure and deep
philosophy, of the furthest reaches of space
and time.
It is a story which none of you who read it
is likely soon to forget.
The Hall of Fame selection, according to
recent custom since we attained greater size,
is a long and epic novelet by that favorite of
old-time stf fans, Festus PragneU, entitled
THE ISOTOPE MEN.
Christopher Barlem, in the interests of
science, allows himself to be made “tem-
porarily dead,” so that he may explore the
race memory of mankind — and emerges from
his artificial catalepsy with an amazing tale
of the first colonization of Earth by refugees
from the planet that, millions of years ago,
rode its proud orbit between Mars and
Jupiter.
Today this former solar satelhte is but a
collection of asteroids wandering, dead and
aimless, on its path in space. But formerly it
was the seat of human science and civiliza-
tion. What happened? Let Christopher Bar-
lem tell the story in our November issue.
Other stories and novelets will be selected
from a list of authors that includes Noel
Loomis, Jack Vance, Rene LaFayette, Joe
Gibson, John D. MacDonald, Murray Lein-
ster, Henry Kuttner, Ray Bradbury and other
stars, veteran and neophyte. We feel it a
proud field to choose from.
JUST by way of whimsy we shall start
off our longest letter department to
date with the shortest missive received, a
last-minute flash.
PLEASE, PLEASE, PLEASE!!!
by Con Pederson
Dear Editor: PLEASE DON’T print the letter I sent
you recently!!!! I just read Ray Bradbury’s AND THE
MOON BE STILL AS BRIGHT— Don’t print it don't
print it don’t print it. — 705 West Kelso, Inglewood,
California.
Best part of the whole thing is that Brother
Pederson’s missive was consigned to the
wastebasket before his stop-press postcard
was received. So we don’t remember what
it was all about. Besides, we like the post-
card better. More urgent.
EPISTLE FROM BLOOMINGTON
by Bob Tucker
Dear Sir: The new issue is at hand and I feel com-
pelled to take my pen in hand for a few words with
you; I have never before written to an editor but I
feel that having been a steady reader of “our mag”
for twenty-three years entitles me to a hearing.
Clearly the best presentation in the issue was Rick
Sneary’s letter, and I’m glad to see that at last you
have given up the practice of the cover painting illus-
trating nothing at all. I thought that the cover artist
followed Sneary's plot very well indeed and captured
on canvas the pictorial essence of the drama underly-
ing Sneary’s magnificent tale. This somewhat reminds
me of the old days when Wesso used to present won-
derful covers accurately picturing some fan’s letter.
Let’s have a missive from Sneary every issue — well
worth the twenty cents!
The second-best letter was that of Gerry de la Ree's,
inasmuch as he used my name for one of his char-
acters. I must admit that the science de la Ree em-
ployed is open to question, even in this fantastic age
with new sciences cropping out of every broken atom,
but then he managed to bring his letter to a fitting
and logical climax so one mustn’t gripe too much
about the methods employed. The illustration for this
letter wasn’t too good.
Third in my estimation was the entry of this Paula
Vreeland, but I do think you would do well to elim-
inate your bad puns from the blurbs — along with the
dogged verse you are sometimes guilty of in the
magazine. This was fantasy instead of science-fiction
of course, but then I have no objection to a spot of
fantasy now and then, especially when it is as well
done as this item.
I also like the stories in the front of the book and
sometimes read them first. — P. O. Box #260, Bloom-
ington, Illinois,
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(Continued on page 122)
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WHAT NiD
UNIVERSE
bj FREDRIC BROWN
When the first
moon rocket fell
back to earth
with a flash, Keith
Winton found himself
catapulted into
a world that
couldn't he!
an astoBiisbiDg
complete novel
CHAPTER I
The Moon Rocket
The first attempt to send a rocket to the
moon, in 1952, was a failure. Probably
because of a structural defect in the operating
mechanism, it fell back to Earth, causing a doz-
en casualties. Although not containing any ex-
plosives, the rocket — in order that its landing
on the moon might be observed from earth —
contained a Burton potentiometer set to operate
throughout the journey through space to build
The Planet of Dopelle
up a tremendous electrical potential which,
when released on contact with the moon, would
cause a flash several thousand times brighter
than lightning — and several thousand times
more disruptive. Fortunately, it came down in
a thinly populated area in the Catskill foothills,
landing upon the estate of a wealthy publisher
of a chain of magazines. The publisher and his
wife, two guests and eight servants were killed
by the electrical discharge, which completely
demolished the house and felled trees for a
quarter of a mile around. Only eleven bodies
were found. It is presumed that one of the
guests, an editor, was so near the center of the
flash that his body was completely disintegrated.
The next — and first successful — rocket was sent
in 1953, almost a year later.
* * *
Keith WINTON was pretty well
winded when the set of tennis was
over but he tried not to show it.
He hadn’t played in years and tennis — ^he
was just realizing — is definitely a young
man’s game. Not that he was old by any
means — but at thirty-one you get winded
unless you’ve kept in condition. Keith
hadn’t. He’d had to extend himself to win
that set.
He extended himself a bit more, enough
to leap across the net to join the girl on the
other side. He was panting a little but he
grinned at her.
“Another set? Got time?”
Betty Hadley shook her blond head.
“’Fraid not, Keith. I’m going to be late now.
I couldn’t have stayed this long except that
Mr. Borden promised to have his chauffeur
drive me to the airport at Greeneville and
have me flown back to New York from there.
Isn’t he a wonderful man to work for ?”
“Uh-huh,” said Keith, not thinking about
Mr. Borden at all. “You’ve got to get back?”
"Got to,” she said emphatically. “It’s an
alumnae dinner. My own alma mater and,
not only that, but I’ve got to speak. To tell
them how a love story magazine is edited.”
“I could come along,” Keith suggested,
“and tell them how a science-fiction book is
edited. Or a horror book, for that matter —
I had Bloodcurdling T ales before Borden put
me on Surprising Stories. That job used to
Is the Fabulous Globe
give me nightmares. Maybe your fellow
alumnae would like to hear about it, huh?”
Betty Hadley laughed. “They probably
would. But it’s strictly a hen party, Keith.
And don’t look so downhearted. I’ll be see-
ing you at the office tomorrow. This isn’t
the end of the world, you know.”
“Well, no,” Keith admitted. He was
wrong in a way but he didn’t know that.
He fell into stride beside Betty as she
started up the walk from the tennis court to
the big house that was the summer estate of
L. A. Borden, publisher of the Borden chain
of magazines.
He sighed. “You ought to stay around to
see the fireworks, though.”
“Fireworks? Oh, you mean the moon
rocket. Will there be anything to see,
Keith?”,
“They’re hoping so. Read much about it?”
“Not a lot. I know the rocket is supposed
to hit the moon like a flash of lightning or
something. And they’re hoping it’ll be visible
to the naked eye and everybody’s going to be
watching for it. Sixteen minutes after nine,
isn’t it?”
“Right. I’m going to be watching for it
anyway. If you get a chance — watch the
moon dead center, between the horns of the
crescent. It’s a new moon, in case you haven’t
been looking, and it’ll hit in the dark area.
Without a telescope it’ll be a faint small
flash, like somebody striking a match a block
away. You’ll have to be watching closely.”
“They say it doesn’t contain explosives,
Keith ? What is it that will make the flash?”
“Electrical discharge — on a scale nobody’s
ever tried before. There’s a new-fangled out-
fit in it — guy by the name of Professor Bur-
tcm worked it out — that uses the kickback of
the acceleration and converts it into potential
electrical energy — static electricity, of a kind.
The rocket itself will be something on the
order of a monster Leyden jar with a tre-
mendous potential.
“When it hits the surface of the moon and
busts up the insulating layer outside — well,
it’ll make the grand-daddy of all short cir-
cuits. It’ll be like a flash of lightning, only
probably three or four thousand times
stronger than the biggest lightning bolt that
ever hit earth.”
“Sounds complicated, Keith. Wouldn’t
Where Men in Jalopies Are Masters of Space!
an explosive charge have been simpler?”
“In a way, yes, but we’ll get a lot brighter
flash frcxn this — weight for weight — than
even from an atomic warhead. And what
they’re interested in is a bright flash, not an
explosion. Of course, it will tear up a little
landscape — not as much as an A-bomb,
though more than a block-buster — but that’s
incidental. And they expect to learn a lot
about the exact composition of the surface
B£TTY HADLEY
of the moon by training spectroscopes on the
flash through every big telescope available.
They—”
They’d reached the door of the house and
Betty Hadley interrupted by putting her
hand on his arm. “Sorry to interrupt you,
Keith, but I must hurry. Honestly, or I’ll
miss the plane. ’Bye.”
She put out her hand for him to take but
Keith Winton put his hands on her shoulders
instead and pulled her to him. He kissed her
and, for a breathless second, her lips yielded
under his. Then she broke away.
But her eyes were shining — and just a bit
misty. She said, “’Bye, Keith. See you in
New York.”
“Tomorrow night? It’s a date.”
She nodded and ran on into the house.
Keith stood there, a fatuous smile on his face,
leaning against the doorpost.
IN LOVE again, he thought. And this
time it wasn’t quite like anything else
that had ever happened to him. It was as
sudden and violent as — well, as the flash on
the moon was going to be at nine-sixteen to-
night.
He’d known Betty Hadley only three days,
seen her only once before this marvelous
weekend — that had been Thursday when
she’d first come to Borden Publications, Inc.
The magazine she edited. Perfect Love
Stories, had just been bought by Borden
from a lesser chain. Part of the purchase
contract had been that he could hire the edi-
tor who had done so well with it.
• Perfect Love Stories had been a profitable
magazine for three years now, due to Betty
Pladley. The only reason the Whaley Pub-
lishing Co. had offered it for sale was that
they were changing to exclusive publication
of slicks. Perfect Love was their only sur-
viving pulp.
So he’d met Betty Hadley on Thursday
and, to Keith Winton, Thursday now seemed
just about the most important day in his life
to date. Friday he’d had to go to Philadel-
phia to see one of his writers, a guy who
could really write but who’d been paid in
advance for a lead novel and didn’t seem to
be doing anything about writing it. He’d
tried to get the writer started on a plot, and
thought he’d succeeded.
Anyway, he’d missed seeing Joe Doppel-
berg, his prize fan, who’d picked Friday to
happen to be in New York and to call at the
Borden offices. Maybe that was a gain,
judging from Joe Doppelberg’s letters.
And then, yesterday afternoon, he’d come
out here at Borden’s invitation. And just
another weekend on the boss’s estate (this
was the third time Keith had been here) had
turned into sheer magic when Betty Hadley
turned out to be one of the other two guests
from the office.
Betty Hadley — tall and lithe and golden
blonde, with soft sun-tanned skin, with a
face and figure that belonged on the televi-
sion screen rather than in an editorial office
— how she ever got to be an editor —
He sighed and went on into the house. In
13
STARTLING STORIES
the big walnut-paneled living room, Borden
and Walter Callahan, head accountant for
Borden, were playing gin rummy.
Borden looked up as he came in. “Hi,
Keith. Want to take over after this game?
It’s nearly finished. I’ve got some letters to
write and Walter would probably as soon
take your money as mine.”
Keith shook his head. “Got to do some
work myself, Mr. Borden. I’m smack against
deadline on the Rocketalk Department; I
brought my portable and the letter file
along.”
“Oh, come now. I didn’t bring you out
here to work. Do it at the office tomorrow.”
“Wish I could,” Keith said. “But it’s my
own fault for getting behind and the stuff
has to go to the printer tomorrow morning
at ten sharp. They’re closing the forms at
noon. It’s only a couple of hours work and
I’d rather get it done now and be free this
evening.”
He went on through the living room and
upstairs. In his room he took his typewriter
out of its case and put it on the desk. From
his brief-case he took the file-folder that held
the incoming correspondence addressed to
Rocketalk Department or, in the case erf the
less inhibited letters, to The Rocketeer.
On top of the stack was Joe Doppelberg’s
letter. He’d put it there because it had said
Joe Doppelberg was coming to call in person
and he had wanted to have it handy.
He worked paper into the typewriter and
put down Rocketalk as a heading, then took a
deep breath and dived in.
Well, fellow space-pilots, tonight — the night
I’m writing this, not the night you’re reading
it — is the big night, the big night, and the ok
Rocketeer was out there to see k. And see it
he did, that flash of light on the dark of the
moon that marked the landing of the first suc-
cessful missile launched through space by man.
He looked at it critically, then )ranked the
paper out of the machine and put in fresh.
It was too formal, too stilted. He lighted a
cigarette and wrote it again and it came out
better — or worse.
IN THE pause while he read it over he
heard a door open and close and high-
heeled footsteps clicking down the stairs.
That would be Betty, leaving. He got up to
go to the door and then sat down again. No,
it would be anticlimactic to say good-bye
again, now, with the Bordens and CaHahan
around. Much better to leave it on the note
of that quick but breathless kiss and the
promise of seeing him tomorrow evening.
He sighed and picked up the top letter. It
said:
Dear Rocky-Tear ; I shouldn’t ought to write
you atall, because your last ish stinks to high
Arcturus, except for the Wheeler yarn. Who
ever told that mug Gormley he could write?
And his space-navigation? The big bohunk
couldn’t peelot a rowboat across Mud Crick on
a sunny day.
And that Hooper cover— the gal was okay,
more than okay, tho what gals aren’t on covers ?
But that thing chasing her — is it supposed to
be one of the Mercurian devils in the Wheeler
story? Well, tell Hooper I can think of scarier
BEIMs than them, cold sober, without even a
slug of Venusian sappy-sap.
Why don’t she just turn around and chase it?
Keep Hooper on the inside — ^his black and white
stuff is okay — and get somebody else for covers.
How about Rockwell Kent or Dali? I’ll bet
Dali could make a dilly of a BEM. Get it.
Rocky ? Dali-dilly.
Lookit, Rocky, get the Uranian bug- juke
ready and iced because I’m going to beard the
lyin’ in his den, come Friday. Not coming to
Spaceport N’Yawk just to see you. Rocky, don’t
flatter yourself on that. But because I got to
see a Martian about a dog-star anyway. I’ll be
in town, and I’m going to see if you’re as ugly
as they say you are.
One recent idea of yours. Rocky, is tops.
That’s running half -col pix of your best and
regularest correspondents with their letters. So
I got a surprise for you. I’m sending mine. I
was going to bring it, but this letter’ll get there
before I do and I might miss an ish going to
press in between.
Ennahoo, Rocky, kill the fatted moon-calf,
because I’ll be seeing you Friday.
Joe Doppelberg.
Keith Winton sighed again, and picked up
his pencil. He marked out the paragraph
about the trip to New York — that wouldn’t
interest the other readers and he didn’t want
to give too many of them the idea of dropping
in ^ the office. He could waste too much
time that w'ay.
He penciled out a few of the cornier
phrases in the other parts of the letter, then
picked up the snapshot that had come with
the letter and glanced at it again.
WHAT MAD UNIVERSE
15
Joe Doppelberg didn’t look like his letter.
He was a not bad, rather intelligent looking,
kid (rf sixteen or seventeen with a nice grin.
Sure, he’d run it with the letter. Should
have sent it to the photoengraver before but
there was still time. He marked the copy
to be set with a half-column runaround for
a cut, wrote “j4-col Doppelberg” on the
back of the photograph.
He put the second page of Joe’s letter into
Keltfc pulled free of the Lundu and ran
(CHAPTER III)
the typewriter, thought a moment and typed
at the bottom:
“So okay, Doppelberg, we’ll get Rockwell
Kent to do our next cover. You pay him.
But as for having the glamour-gals chasing
the BEMs, it can’t be done. Gals in stf are
always chaste. Get it, Doppelberg? Chaste-
chased. And that ain’t half as bad as your
Dali-dilly, either.”
He took the page out of the typewriter,
sighed and pick^ up the next letter.
He finished at six, which left him an hour
before dinner. He took a quick shower and
dressed and there was still half an hour left.
He wandered downstairs and out the French
doors that led to the garden.
It was just turning dusk and the new moon
was already visible in the clear sky. The see-
ing would be good, he thought. And, darn it.
STARTLING STORIES
16
that rocket-flash had better turn out to be
visible to the naked eye or he’d have to write
a new opening paragraph for the Rocketalk
Department. Well, there’d be time for that
after nine-sixteen.
He sat down on a wicker bench beside the
main path through the garden, and sniffed
deeply of the fresh country air and the scent
of flowers all about him. He thought about
Betty Hadley, and just what he thought
about her doesn’t need to be recorded here.
But it kept him happy — perhaps happily
miserable would be a better description — un-
til his mind wandered to the writer in Phila-
delphia and he wondered if the so-and-so
was actually working on that story or was
out getting plastered.
Darn it, he really needed that novel for
the October book. Borden had okayed the
pay in advance but just the same it had been
his, Keith’s idea and Borden was going to
blame him if the story didn’t materialize.
He thought about Betty Hadley again and
then he thought about all the criticisms the
Hooper covers had been getting and won-
dered if he could find a cover artist who’d
be really good on both beautiful heroines and
horrible monsters. Hooper was a nice guy
but he just didn’t have bad enough night-
mares to please the customers. Like Joe
Doppelberg, most of the fans seemed to
want —
The rocket, falling back to Earth, was
traveling faster than sound and he neither
saw nor heard it, although it struck only two
yards away from him.
There was a flash.
CHAPTER II
The Purple BEM
There was no sense of transition, of
movement, nothing of lapse of time. One
instant, Keith Winton had l^en sitting upon
a wicker bench ; in the same instant, it
seemed, he was lying flat on his back staring
up at the evening sky.
There had been the flash and this — simul-
taneously.
Only it couldn’t have been merely that
the wicker bench had collapsed under him —
or even vanished from under him — because
it had been under a tree and there was now
no tree between him and the sky.
He raised his head first and then sat up,
for the moment too shaken — not physically
but mentally — to stand up. Somehow he
wanted his bearings first, before he quite
trusted his knees.
He was sitting on grass, smoothly mowed
grass, in the middle of a yard. Behind him,
when he looked around, was a house — a quite
ordinary house, but it wasn’t Mr. Borden’s
house. It had the look, somehow, of a vacant
house. At least, there was no sign of life, no
light at any window.
He stared at the house wonderingly, then
turned back to look the other way. A hun-
dred feet away, at the edge of the lawn on
which he sat, was a hedge and at the other
side of the hedge were trees — two orderly
rows of them, as though on each side of a
road. They were tall poplars.
He stood up a bit cautiously. There was
a momentary touch of dizziness but, outside
of that, he was all right. Whatever had hap-
pened to him he wasn’t hurt. He stood still
until the dizziness passed and then started
walking toward the gate in the hedge.
He looked at his wrist watch. It was five
minutes of seven and that was impossible,
he thought. Because it had been five minutes
of seven, just about, when he’d been sitting
on that bench in Mr. Borden’s garden. And
wherever he was now he couldn’t have got
here in nothing flat.
He held the wrist watch to his ear, and it
was still ticking. But that didn’t prove any-
thing. Maybe it had stopped from — from
whatever had happened and had started again
when he had stood up and started walking.
He looked up again at the sky. No, it had
been dusk then and it was dusk now. Not
much time could have elapsed, if any. And
the crescent moon was in the same place — at
least it was the same distance from the zenith.
He couldn’t be sure here (wherever here
was) about his bearings and directions.
The gateway through the hedge led to an
asphalt-paved three-lane highway. As he
closed the gate he looked again at the house
and saw something he hadn’t noticed before
— a sign on one of the porch pillars that
read For Sale. R. Blaisdell, Greeneville,
N. y.
Then he must still be near Greeneville,
which was the nearest town to Borden’s
estate. But that was obvious anyway — the
real question was how he could be anywhere
at all out of sight of where he’d been sitting
WHAT MAD
only minutes ago. It was only seven o’clock,
even now.
He shook his head to clear it. Amnesia?
Had he walked here, wherever here was,
without knowing it ? It didn’t seem possible,
particularly in minutes or less.
He looked uncertainly up and down the
asphalt roadway, wondering which way to
walk. There wasn’t another building in sight
anywhere that he could see. But across the
road were cultivated fields. If there was a
farm there’d be a farmhouse. He decided to
cross beyond the far row of poplars and see
if he could see it from there. If not, he could
just walk. Sooner or later he’d come to a
place where he could ask questions and get
his bearings.
He was halfway across the road when he
heard the sound of the approaching car, still
out of sight beyond the next rise. He went
on to the far edge of the road, turned and
waited. It wasn’t coming fast from the sound
of it and maybe —
It came into sight, then, a Model T of
ancient vintage that just barely seemed to
make the top of the hill it had been climbing.
Then, as it chugged and began to gather
speed again coming toward him, Keith
stepped out into the road and held up his
hand. The Ford slowed down and stopped
beside him.
The man at the wheel leaned over and
lowered the window on Keith’s side. “Want
a lift, mister?” he asked. He looked, Keith
thought, almost too much like a farmer to be
one. He was even chewing a long yellow
straw, just the color of his hair, and his faded
blue overalls matched his faded blue eyes.
Keith put a foot on the running board
and leaned his head into the car
through the open side window. He said,
“I’m afraid I’m lost. Do you know where
L. A. Borden’s place is?”
The farmer rolled the straw to the oppo-
site corner of his mouth. He thought deeply,
frowning with the effort.
“Nope,” he said, finally. “Never heard of
him. Not on this road. Mebbe over on the
pike. I don’t know all the farms there.”
“It isn’t a farm,” Keith told him. “A
country estate. He’s a publisher. Where
does this road go?”
“Greeneville ahead, ten miles, or so. Back
t’other way it hits the Albany Highway at
Carteret. Want a lift to Greeneville? Guess
you can get your bearing there, find out
UNIVERSE 17
where this Borden lives.”
“Sure,” Keith said. “Thanks.” He got
into the car.
He was going to be late for dinner but at
least he’d know where he was. In Greene-
ville he could phone Borden and then hire
a car to drive him out. He’d be there by nine
at the latest.
The old car chugged along the winding
road. His benefactor didn’t seem to want to
talk and Keith was glad of that. He wanted
to think, instead, to try to figure out what
possibly could have happened.
Borden’s estate was a big one. If the driver
of the ancient jaloppy knew everybody along
the road he couldn’t possibly not have heard
of Borden’s place if it were very close. Yet
it couldn’t be more than twenty miles away,
because it was ten miles from Greeneville —
and so was the spot where he’d been picked
up along the road. Even if those ten-mile
distances were in opposite directions. And
even that far was silly, since it had been a
matter of minutes at the most.
They were coming to the outskirts of a
town now and he looked at his watch again.
It was seven thirty-five. He looked out of
the window of the car at the passing build-
ings— they were on a business street now —
until he saw a clock in a window and com-
pared his watch with it. The watch was
right. It hadn’t stopped and started again.
The jaloppy swung into the curb and
parked. “This is about the middle of town,
mister,” the driver said. “Guess you can
look up your party in the phone book and
you’ll be all right.”
“Sure — that’s my best bet. Thanks a lot.”
Keith went into the drugstore on the cor-
ner and to the phone booth at the back. There
was a slender Greeneville phone book hang-
ing by a chain from one side of the booth and
he leafed through it to the B’s, and to —
There wasn’t any Borden listed.
Keith frowned. Borden’s phone was in
the Greeneville exchange. He remembered
having called the number a time or two from
New York City. And it had been a Greene-
ville number all right.
Could it be an unlisted number ? That was
possible, of course. Wait a minute — he ought
to be able to remember it — it had been three
numbers all alike — ones. That was it —
GreeneAulle 111. He remembered wondering
if Borden had used pull with the phone com-
pany to get himself a listing like that.
He pulled the door of the booth shut and
STARTUNG STORIES
18
found a nickel out of the change in his pocket.
But the phone was a type he hadn’t seen be-
fore. There didn’t seem to be any slot for a
coin to go in. Maybe they didn’t have coin
phones in these little upstate towns, he de-
cided, and he’d be supposed to pay the drug-
gist for the call.
He picked up the receiver and, when an
operator’s voice asked, “Number, please?’’
he gave it. There was a minute’s pause and
then the operator’s voice came back. “There’s
no such number listed, sir.”
For a second, Keith thought he must be
going crazy. Then he shook his head. He
asked, “You have a phone listed for L. A.
Borden? I thought that was the number.
Can’t find him listed in the phone book but
I know he’s got a phone.”
“One minute, sir . . . No, there is no such
name on our listings.”
“Thanks,” Keith said and put the receiver
back.
He still didn’t believe it. He stepped out
of the booth and picked up the phone book
again. He looked in it again and there still
wasn’t any L. A. Borden listed.
Suddenly he snapped the book shut and
looked at the cover. It read, Greeneville,
N . Y. A momentary suspicion that he was
in the wrong Greeneville died and another
fainter suspicion died before it was born
when he read the smaller type — Spring,
1952.
He still didn’t believe it somehow. He
wanted to open that book and go through
the B’s again.
INSTEAD, he walked forward to the soda
counter and sat down on one of the old-
fashioned wire-legged stools. Behind the
counter the druggist — a little gray-haired
man with thick spectacles — was polishing
glasses. He looked up. “Yes, sir?”
“A Pepsi, please,” Keith said. He wanted
to ask questions but he didn’t know what
questions to ask. He watched while the
druggist drew the Pepsi.
“Beautiful night out,” the druggist said.
Keith nodded. He’d have to remember to
watch for the flash of that moon rocket, what-
ever else happened. He looked at his watch.
Almost eight — another hour and a quarter
and he’d be outside, watching the dark of
the moon.
He drank the Pepsi almost at a gulp. It
tasted cool and good but it made him realize
he was getting hungry. Eight o’clock — why,
dinner was over by now at the Bordens’
place! He looked around back of the soda
fountain for any signs indicating that the
druggist served sandwiches or other food.
Apparently he didn’t.
Keith took a quarter out of his pocket and
put it on the marble top of the soda fountain.
It rang metallically and the druggist
dropped the glass he had been polishing. Be-
hind the thick glasses the druggist’s eyes got
wide and scared, and he stood there without
moving his body but his head swiveled back
and forth from one end of the store to the
other. He didn’t seem to realize or notice
that he’d dropped and broken a glass. The
towel too fell from his fingers.
Then his hand went forward, covered the
coin and picked it up. Again he looked both
ways as though making sure he and Keith
were alone in the store. Then, shielding the
coin deep in his cupped hands, he stared at
it, moving it close to his eyes. He turned it
over and studied the other side.
Then his frightened eyes went back to
Keith’s face.
“Beautiful!” he said. “Hardly worn at
all. And a nineteen twenty -eight.” His
voice was so soft it was almost a whisper.
“But — who sent you?”
Keith closed his eyes and opened them
again. “Either I’m crazy,” he thought, “or
he is.”
“Nobody,” he said.
The little druggist smiled slowly. “You
don’t want to tell. It must have been K.
Well, never mind that, in case it wasn’t. I’ll
take a chance. I’ll give you a thousand cred-
its for it.”
Keith didn’t say anything.
“Two thousand, then. I know it’s worth
more but that’s all I can give you. If my
wife — ”
“All right,” Keith said.
The hand that held — and concealed — the
coin dived into the druggist’s pocket like a
prairie-dog popping into its hole. Unnoticed
glass crunched under the druggist’s shoes as
he walked down to the cash register at the
end of the counter and punched a key. No
Sale came up behind the glass. He came
back, counting bills, and put a pile of them
in front of Keith Winton.
“Two thousand,” he said. “Almost breaks
me but I guess it’s worth it. I’m a little
crazy, I guess.”
Keith picked up the bills and looked long
and hard at the top one. There was a fa-
The match fUme revealed a hideous scarred lace — and above it a dttb raised to strike (CHAPTER V)
miliar picture of George Washington in the
center of it. The figure in the comers was
100 and under the oval portrait of Washing-
ton was spelled out One Hundred Credits.
And that was silly, too, Keith thought.
Washington’s picture belonged only on one
dollar bills. Unless things were different
here. Here?
He looked again, read more printing.
United States of America, he read. Feder-
al Reserve Note. And it wasn’t a new bill.
It looked worn and circulated and genuine.
There were the familiar little silk threads. A
serial number in blue ink. To the right of
the portrait, Series of 1935, and a repro-
duced signature, Fred M. Vinson, over fine
type, Secretary of the Treasury.
Slowly, Keith folded the little stack of bills
and put them into his coat pocket.
He looked up, and his eyes met those of
the druggist, looking out at him through the
thick spectacles, looking anxiously. The
druggist’s voice was anxious, too.
He said, “It’s — it’s all right, isn’t it?
You’re not an agent? I mean, if you are
you've got me now, for collecting and you
might as well arrest me and get it over with.
I took a chance and, if I lose, there’s no use
keeping me in suspense, is there?’’
“No,” Keith said slowly. “It’s all right.
Can I have another Pepsi, please?”
This time some of the Pepsi slopped out
as the druggist put it down on the marble.
And, as glass again crunched under the drug-
19
STARTLING STGRIES
20
gist’s shoes, he smiled nervously and apolo-
getically at Keith, got a broom from the cor-
ner and began to sweep behind the counter.
Keith sipped his second Pepsi and
thought. If, that is, one could call the
whirl of things inside his head thinking. It
was- more like a ride on a pinwheel. He
watched until the druggist had finished with
the broom.
“Look,” he said. “I’d like to ask you a
few questions that may seem — uh — crazy to
you. But I’ve got a reason for asking them.
Will you answer them, no matter how they
sound to you?”
The druggist looked at him carefully.
“What kind of questions, mister?”
“Well — ^what is the exact date?”
“June tenth, nineteen fifty-two.”
“A. D.?”
The druggist’s eyes got wider again, but
he said, “Of course.”
“And this is Greeneville, New York?”
“Yes. You mean you don’t know—”
“Let me ask,” Keith said. “Do you know
a man named L. A. Borden who has a big
estate near here? A magazine publisher?”
“No. Of course I don’t know everybody
around here.”
“You’ve heard of the Borden chain of
magazines that he runs?”
“Oh sure. We sell them. New issues just
came in today of some of them. Over on the
stand there. The July issues.”
“And the moon rocket? This is the night
it lands?”
“I don’t understand what you mean, ‘This
is the night.’ It lands every night. It’s in by
now. We’ll be getting customers any min-
ute. Some of them drop in on their way
to the hotel.”
Again, for a moment, Keith closed his
eyes. He thought, “I’m crazy or he is.”
He opened his mouth to ask another ques-
tion, closed it again. He was afraid. He
wanted something familiar to reassure him
and he thought he knew what it would be.
He got up off the stool and walked over to
the rack of magazines. He saw Perfect Love
Stories first, and picked it up. The cover
girl reminded him a little of the editor, Betty
Hadley — only she wasn’t as beautiful as Bet-
ty. How many magazines, he wondered, had
^itors more beautiful than their cover girls ?
But Betty Hadley —
He shoved Betty Hadley resolutely to the
back of his mind and looked for Surprising
Stories and saw it. He picked it up too.
Yes, the July issue. Just the same as —
Was it? The cover was the same scene
but the art work wasn’t quite the same. It
was better, more vivid. It was Hooper’s
technique, all right, but as though Hooper
had been taking lessons. The gal on the cov-
er was more breathtakingly beautiful than
he’d remembered her to be from the cover
proofs and the monster — he shuddered.
In general outline, it was the same mon-
ster but there was a subtle difference, a hor-
rible difference, that he couldn’t put his finger
,on — and felt he wouldn’t want to put his
finger on. Not even wearing asbestos gloves.
But the signature was there — when he was
able to tear his eyes away from the monster.
A tiny crooked characteristic H that was
Hooper’s way of signing all his pics.
And then, in the logo at the bottom right
corner, he saw the price. It wasn’t 20c.
. It was 2 cr.
Two credits f
What else?
Very slowly and carefully he folded the
two magazines, the two incredible magazines
(for he saw now that Perfect Love Stories
was also priced at 2 cr.) and put them into
his pocket.
He wanted to get off somewhere by him-
self and study those two books, read and
digest every word of them.
But first, he’d have to pay for them and
get out of here. Two credits? How much
was two credits? The druggist had given
him two thousand credits for a quarter, but
that could hardly be a criterion. That quar-
ter, for some reason he’d have to learn,
was a rare and precious object to the man
who had bought it from him.
O, THE magazines were a better clue.
If their value were an approximate
criterion, then two credits was roughly equiv-
alent to twenty cents. And if that were true
the druggist had given him the equivalent
of — let’s see — two hundred dollars for a
quarter in hard money.
He shouldn’t have done it — he should have
been more careful — but the shock of seeing
that almost-but-not-quite cover for the July
book of his own doing made him a bit slap-
happy for the moment. Change rattled in his
pocket as he walked back to the soda coun-
ter. His hand plunged into his pocket and
found a half dollar.
How would the druggist react to that?
WHAT MAD UNIVERSE
Casually, he tossed it down on the marble,
“m take the two magazines,” he said. “Got
change for a half?”
The druggist reached out a hand for the
coin and the hand trembled.
Suddenly, Keith felt ashamed of himself.
He shouldn’t have done that. And it would
lead to conversation, inevitably, that would
keep him from getting off by himself to read
the magazines.
He said gruffly, “Keep it. You can have
them both — the quarter and the half — for
what you gave me.” He turned and started
out of the store.
He started — that was all.
He took one step and froze. Something
was coming in the open doorway of the drug-
store. Something that wasn’t human.
Something that was over seven feet tall —
so tall that it had to stoop slightly to get
through the doorw'ay — and that was covered
with bright purple fur except for its hands,
feet and face. Its hands feet and face were
purple, too. Its eyes were flat white disks,
pupil-less. It didn’t have a nose, but it had
teeth, plenty of teeth.
And suddenly, from behind, a hand
grabbed Keith’s arm and the druggist’s voice,
suddenly fierce and shrill was shouting;
“Nineteen forty-three! A fake! And the
other must be a fake, too. He’s a spy! An
Arcturian. Get him. Hunan. Kill him!”
The purple thing in the doorway made a
shrieking noise that was almost supersonic
in pitch. It spread its purple arms and came
toward him looking like something out of a
nightmare that Gargantua might have.
The druggist, yelling, “Kill him! Kill
him, Lunan!” was climbing up Keith’s back
but — in the face of what was coming at him
from the front of the store — Keith hardly
noticed that. '
He turned and ran the other way, to the
back of the store, losing the druggist en-
route. There had to be a door at the back
of the store. If there weren’t he had a feeling
he’d make one.
CHAPTER III
Shoot on Sight
There was a door. Something clawed
down his back as he went through it.
21
He pulled free, heard his coat rip. He
slammed the door and heard a yelp of pain —
not a human one — behind him. But he didn’t
turn around. He ran.
He didn’t turn until, half a block away,
he heard the sound of a pistol report behind
him and felt a sudden pain as though a red-
hot poker were being drawn across his upper
arm. He turned his head then, just for a
second. The purple thing was coming after
him. It was about halfway between the door
he’d jvst left at the back of the store and
Keith. But, despite its long legs, it seemed
to run slowly and awkwardly. Apparently he
could outdistance it easily.
The purple thing carried no weapon. The
shot that had seared Keith’s shoulder, he
saw, had come from the little druggist who,
a big old-fashioned revolver in his hand, was
standing just outside the door. The pistol
was aiming for another shot. He heard the
shot as he dived into the areaway between
two buildings — but the bullet must have gone
past him harmlessly for he didn’t feel it.
Then he was between the buildings and,
for a moment, he thought he had run into a
blind alley. There was only a blank brick
wall at the end of the areaway. But there
were doors to the buildings on either side
and cme of them was standing ajar. He
closed and locked it behind him.
He stood there in the dimness, panting,
and looked about him. He was in a hallway.
Tow'ard the street, stairs led upward. In the
other direction, there was another door. That
would lead to the alley.
Sudden hammering sounded on the door
he had just entered — hammering and the
babble of excited voices.
Keith ran to the back door, opened it and
was out into the alley. He ran between two
buildings that would front on the next street.
He slow'ed down his pace as he neared the
sidewalk and emerged at a normal walk.
He turned in the direction that would take
him to the main street, half a block away,
then hesitated. It was a fairly crowded, busy
street. Was there safety or danger in
crowds? He stood in the shadow of a tree a
dozen paces short of the corner and watched.
It looked like normal traffic on a normal
small city main street — for a moment. Then,
walking arm in arm, two of the purple-furred
monsters went by. The people before and
after them paid no attention to them. What-
ever they were, they were— accepted. They
were normal. They belonged here.
STARTLING STORIES
22
Here? But where, what, wh«i was here?
What mad universe that took for granted
an alien race more horrible looking than the
worst Bern that had ever leered from a sci-
ence-fiction magazine cover?
What mad universe in which he was given
what seemed to be the equivalent of two
hundred dollars for a quarter and attacked
when he offered a half-dollar? Yet whose
credit-currency bore a picture of George
Washington and current dates and which
had provided — they were still folded in his
pocket — current and only subtly different is-
sues of Surprising Stories and Perfect Love
Stories?
A world with asthmatic Model T Fords —
and space-travel ? There must be space trav-
el. Those purple things had never evolved
on Earth — if this were Earth. The druggist
had said, about the moon rocket, “It lands
every night.”
And then — what was it the druggist had
shouted just before the Bern had attacked
him? “An Arcturian spy?" But that was
absurd. Arcturus was light-years away. The
druggist had called the monster Lunan. A
proper name— or an inhabitant of Luna?
“. . . It lands every night. It's in by now.
We’ll be getting customers any minute. Some
of them drop in on their way to the hotel.”
Suddenly Keith was aware that his shoul-
der hurt him and that there was a wet, sticky
feeling on his upper arm. He looked down
and saw that the sleeve of his sport jacket
was soaked with blood, looking black rather
than red in the twilight and the shadow of the
tree. And there was a deep gouge in the
cloth where the bullet had creased it.
He needed attention for that wound,
to stop the bleeding. Why not walk
out there, look for a policeman — were there
policemen here? — and give himself up, tell
the truth ?
The truth? What was the truth? Tell
them, “You’re all wrong. This is the United
States, Earth, Greeneville, New York, and
it’s June, nineteen hundred fifty-two, all
right — but there isn’t any space travel except
an experimental rocket that hasn’t landed
yet and dollars are the currency and not
credits — even if they’ve got Fred M. Vin-
son’s signature and Washington’s picture —
and there aren’t any purple Bems and a guy
named L. A. Borden lives near here and will
explain who I am.”
Impossible, of course. From what he’d
seen and heard there was oiriy (me person
here who would believe any of that and that
one person would promptly be locked up in a
nuthouse if nothing worse.
No, he didn’t want to do that. Not yet,
anyway — not until he’d had time to orient
himself a little better and find out what it
was all about.
Somewhere, blocks away, sirens wailed,
coming closer. Police cars, if that siren-
sound meant the same thing here that it did
jn more familiar surroundings.
Quickly he crossed the quiet side street,
went through another alley and then, keep-
ing in the shadows as much as possible, put
another few blocks between himself and the
main street. He shrank back into the shadow
of another areaway as a squad car turned the
corner with siren shrieking. It went past.
He had to find sanctuary somewhere, even
though there was risk in finding it. He
couldn’t wander long this way without being
seen — not with blood on his sleeve and the
back of his coat, he remembered now, torn.
There w’as a sign Rooms for Rent in the
window of the next building. Did he dare
take a chance? The feel of blood running
dow'n past his elbow told him he’d have to.
Keeping in the shadows as much as he
could, he went to the door and looked in
through the glass. Perhaps, if he kept his
bad side aw'ay from the clerk . . .
But there wasn’t any clerk at the desk in-
side the door. There was a push-bell on the
desk and a sign. Ring for Clerk. Perhaps . . .
He opened the door as quietly as he could
and closed it the same way. He tiptoed to
the desk and studied the rack behind it.
There w’ere a row of boxes, some with mail,
a few with keys in them. He looked around
carefully and then leaned across the desk
and picked the key out of the nearest box.
It was numbered 201.
He looked around again. No one had seen
him. He tiptoed to the stairs. They were
carpeted and didn’t creak and 201 was right
at the head of them.
Inside the room he locked the door behind
him and turned on the light. Now, if only
the occupant of 201 didn’t come in within
the next half hour, he had a chance.
He stripped off his coat and shirt and
studied the wound. It was going to be pain-
ful but not dangerous. The gouge was half
an inch deep but the bleeding was already
slowing down.
He made sure by looking in the dresser
WHAT MAD UNIVERSE
2j
drawer that the missing occupant of 201 had
shirts — within half a size of his own — and
then he ripped apart the shirt be had just
taken off and used it to bandage the arm,
winding it around and around so that the
blood would soak through slowly if at all.
Then he appropriated a dark shirt from
the dresser — picking a dark one because his
own had been white — and a necktie from the
rack. One of three suits that hung in the
closd; was dark blue, a perfect contrast to bis
own light tan and he put it on. There was a
straw hat too. At first he thought it too big
for him but, with a little paper folded under
the sweat-band, it served.
He made a quick estimate and translation
of the value of the things he’d taken, and left
a five-hundred-credit note on the bureau.
Fifty dollars should be ample. The suit, the
main item, was neither new nor expensive.
He made his own clothes into a bundle,
wrapped with some newspaper that had b^n
in the closet. Much as he wanted to study
and read those newspapers, he knew that get-
ting out of here and to a safer place came
first.
He opened the door and listened. There
was still no sound from the little lobby
downstairs. He went down the stairs as si-
lently as he had come up them and was safdy
outside again. Now, with a complete change
of clothing, with no blood visible from his
wounded arm, he needn’t fear the prowling
cars. Only the druggist — or the Lunan —
could identify him and he’d give the drug-
store a wide berth.
He got rid of his bundle in the first handy
waste receptacle and then, walking as non-
chalantly as he could, ventured onto the
crowded main street of the town.
OW, with his appearance reasonably
changed, he dared look for sanctuary
for the night — and a place where he could
study at leisure the two magazines in his
pocket. He had an idea those were going to
be the most interesting magazines he’d ever
read.
He walked in the- direction opposite that
of the drugstore where disaster had so nearly
befallen him. He passed a man’s haberdash-
ery, a sporting goods store, a theater at which
was playing a picture he had seen in New
York two months before. Everything seemed
normal and ordinary. The people about him
were normal and ordinary. For a moment,
he wondered if —
24 STABTUNG STORIES _
Then he came to a newsstand with a rack ship. That was what came first
of newspapers in front of it. The headline
read : ... Borden Publications, Inc. . . . L. A. Bor-
den, Editor and Publisher. Keith Winton,
ARCS ATTACK MARS; DESTROY KAPi Managing Editor.
Earth Colony Unprepared
Dopelle Vows Vengeance
He stepped closer to read the date. It was
today’s issue of the Netv York Times, as
familiar typographically as the palm of his
hand. He picked the top copy off the rack
and w'ent into the store with it. He handed
the newsdealer a hundred credit note and got
ninety-nine credits in change — all in bills
like the ones he had except in smaller de-
nominations. He stuffed the paper in his
pocket and hurried out.
A few doors farther on was a hotel. He
checked in, signing— after a second’s hesita-
tion while he picked up the pen — his right
name and address. There wasn’t any bell-
hop. The clerk handed him the key and told
him where to find the room, at the end of the
corridor on the second floor.
Two minutes later, with the door closed
and locked behind him, he took a deep breath
of relief and sat down on the bed. For the
first time since whatever had happened in the
drugstore he felt safe.
He took the newspaper and the magazines
from his pocket, then got up again to hang
his coat and hat on the hanger inside the
door. As he did so, he noticed two knobs
and a dial on the wall beside the doorway,
above a six inch circular area of cloth — ob-
viously a built-in radio with the cloth cover-
ing a speaker outlet.
He turned the knob that looked like a
rheostat and it was. A faint hum responded
immediately. He turned the tuning dial un-
til a station came in clear and strong, then
turned down the volume a little. It was good
music— sounded like Benny Goodman, al-
though he didn’t recognize the tune.
He went back to the bed, took off his shoes
to be comfortable and propped pillows up
against the head of the bed. He picked up,
first, his own book, Surprising Stories. He
stared again, wdth growing wonder, at the
cover — incredibly the same picture, incred-
ibly different.
He opened it quickly to the contents page
and didn’t even glance at the table of con-
tents until he read the statement of owner-
He found he’d been holding his breath a
little. He belonged here then (wherever
here was) and he still had a job. And Mr.
Borden too — but what had happened to
Borden’s country estate, the estate that had
literally fallen out from under him?
Another thought struck him, and he
grabbed up the love story book and almost
tore it getting it open to the contents page.
Yes — Betty Hadley was Managing Editor.
It still read Whaley Publishing Co., of
course. This issue was before Borden had
bought the magazine.
Whatever mad universe this was, he had a
job here and Betty Hadley was here.
He sighed a little with relief. Betty Had-
ley— this couldn’t be too bad a place.
The tune on the radio stopped suddenly,
as though someone had shut off a record. A
voice cut in :
“Special news bulletin. Second warning
to citizens of Greeneville and surrounding
territory. The Arcturian spy reported half
an hour ago has not yet been apprehended.
All railway stations and spaceports are be-
ing closely guarded and a house-to-house
search is being instituted. All citizens are
requested to be on the alert.
“Go armed. Shoot on sight. Mistakes
may be made but again we remind you that
it is better that a hundred innocent people die
than that the spy escape to cause the loss,
perhaps, of a million Terrestrial lives.
“We repeat the description ...”
SCARCELY breathing, Keith Winton lis-
tened to that description. About five
feet nine . . . one-sixty pounds . . . tan suit,
white sport shirt open at the collar . . .
He let his breath out slowly. They hadn’t
discovered his change of clothes then. And
there was no mention of his being wounded.
The druggist, then, didn’t know that one of
the shots he’d fired had hit.
The physical description was fairly dose
but that couldn’t be too dangerous if they
didn’t know the clothes he was wearing now
or the fact that his upper arm would be
bandaged. If only the man whose room he
had burgled at the rooming house didn’t
come home and find the dark suit missing,
WHAT MAD
and tie it in with the broadcasts —
But — ye gods, what had he walked into?
“SJwat on sight!”
At least that ended but definitely his half-
formed intention to go to the police with the
truth as soon as he’d oriented himself a bit.
Somehow, he was in deadly danger here and
there wouldn’t be any chance to explain.
Somehow he’d have to get back to New
York, and — but what would New York be
like ? As he knew it or otherwise ?
It was getting hot and stuffy in the room.
He went over to the window and opened it,
then stood looking out at the street below.
So ordinary a street, such ordinary people.
And then three of the tall purple monsters,
arm in arm, came out of the theater lobby
across the way and nobody on the street paid
any attention to them.
He stepped back suddenly from the win-
dow, for one of the purple things might, for
all he knew, be the one that had seen him in
the drugstore; they all looked alike to him
but it might recognize him if it saw him at
the window.
He was trembling a little at a sudden
thought. Was he crazy? If so, it was the
craziest form of craziness he’d ever heard of
and he’d studied abnormal psychology at
college. And, if he were crazy, which was
the delusion — this world he’d just discovered
or his memories of a world without space
travel and purple Bems ?
Were all his memories wrong? Or —
whatf
There were footsteps along the corridor
outside his door, footsteps of three or four
people.
There was a knock at his door. A voice
said, “Police.”
CHAPTER IV -
Manhattan Madness
MEITH took a deep breath and thought
fast. The radio had just told him that
a house-to-house search was being made,
probably that’s all this was. As someone
who’d just checked into the hotel he’d be
investigated first, of course. Aside from his
time of checking in, they could have no
grounds for suspicion.
Was there anything on him that would
UNIVEESE 25
give him away if he were searched? His
money — ^money that was in dollars and cents
insterfo of credits. That was all. Quickly he
took from his pocket the change he had left
— a quarter, two dimes and some pennies.
From his billfold he took the bills — three
tens and some singles — that weren’t credit
tails. He wrapped the change in the bills,
making a small tight wad, and reached out
throng the window, putting them on the
corner of the window ledge out of sight
Then he went and opened the door of the
room.
Three men, two of them in police uniform,
stood there. The uniformed ones held drawn
revolvers in their hands. It was the other,
the man in a gray business suit, who spoke.
He said, “Sorry, sir. We’re making a
routine check-up. You’ve heard the broad-
'C3.sts
“Of course,” Keith said. “Come in.”
They came in, ready and alert. The muz-
zles of the pistols were aimed at his chest
and they didn’t waver a bit. The cold sus-
picious eyes of the man in gray didn’t waver
from his face either. But his voice was polite.
“Your name?”
“Keith Winton.”
“Occupation?”
“Editor. Manag^ing Editor, that is, of
Surprising Stories.” Keith gestured casual-
ly at the magazine lying on the bed.
The muzzle of one of the revolvers
dropped a little and a broad grin came across
the face of the man behind it.
“The heck!” said the uniformed man.
“Then you run the Rocketalk Department,
don’t you? You’re The Rocketeer?”
Keith nodded.
“Then maybe you remember my name?
John Garrett I’ve written you some letters
and you published two of them.” Quickly he
transfered his pistol to his left hand and
stuck out his right
Keith shook it. “Sure,” he said. “You’re
the guy who keeps trying to talk us into run-
ning color on our inside illustrations, even if
we have to raise the price a d — ” He caught
himself quickly. “ — a credit.”
The man’s grin got broader and his pistol
dropped to his side. “Sure,” he said. “That’s
me. I’ve been a fan of your magazine ever
since — ”
The man in gray cleared his throat. He
said, “That’ll do. Sergeant. We’re on busi-
ness, remember?”
But his attitude was more relaxed as he
STARTLING STORIES
26
smiled at Keith, and some of the stiffness had
gone out of his face and voice. “Guess you’re
all right, Mr. Winton. But, as routine, do
you have identification?’’
Keith nodded and started to reach for the
wallet in his hip pocket, but the man in gray
said, “Wait. If you don’t mind — ”
And, whether Keith minded or not, he
stepped around behind Keith and ran his
hands swiftly over all of Keith’s pockets,
ending by removing the wallet himself, glanc-
ing inside it and then handing it back.
“Okay,” he said, “if—”
He went to the closet, opened the door and
looked inside. He opened the dresser draw-
ers, looked under the bed, made a quick but
reasonably thorough search.
“You have no luggage?”
Keith said, “Didn’t expect to stay here
overnight. Came on business and it took me
longer than I expected.”
The man in gray finished his search. He
said, “Sorry to have bothered you. Mr.
Winton. By the way, I’m Captain Hoffman.
If there’s anything I can do for you — you’re
going back to New York tomorrow morn-
ing ?’’
Keith had been thinking about that. Some-
time tonight the man whose suit he was
wearing was going to discover it was missing
and possibly report it to the police. It might
be better if he could run the gauntlet of the
railroad station now, while things looked
good.
He said. “I’ve been thinking about that,
Captain. Going back in the morning, I mean.
It’ll get me in at the office so late ; I think
I’m going to change my mind and go back
tonight. I was tired when I decided to stay
over here but I’m feeling better now. Will I
have any trouble at the station?”
“Possibly. They’re screening pretty close
at all the outlets. I’ll write you a note if you
like.”
“Fine,” Keith told him. “I’ll appreciate
it.”
Half an hour later, he was on an un-
crowded ti'ain to New York. He had a seat
to himself and two hours of leisure to read
the two magazines and the newspaper he had
bought.
The newspaper came first.
ARCS ATTACK MARS; DESTROY KAPI
That was the news, the big news. He read
it carefully. Kapi, it seemed, was an Earth
colony on Mars established in 1939, the
fourth of the seven colonies established there.
It was smaller than most of the others. There
had been eight hundred and forty Terrestrial
colonists. All had been killed as well as an
estimated hundred and fifty Martian labor-
ers.
Then, Keith realized, there must be Mar-
tians as distinguished from Terrestrial emi-
grants. What were they like? There wasn’t
any clue in the news article. Were they
Bems — bug-eyed monsters like the purple
beings from the Moon?
He read on. A single ship of Arcturians
had somehow got through the cordon of
spaceguards, and had launched a single
torpedo before the Dopelle fighters had de-
tected it. They had attacked at once and. al-
though the Arcturian vessel had switched to
interstellar flight, they had pursued and
destro}'ed it.
Preparations were being made for a coun-
ter-raid. The details were, of course, a mili-
tar\' secret.
There were a lot of names and things that
meant nothing to him. Somehow it struck
him strangely when he came across a familiar
one — General Dwight D. Eisenhower, for
example, in charge of Venus Sector.
Then there were words and references
that puzzled him — the phrase “all-city mist-
out” and frequent references to “the rene-
gades” and “the Nighters.”
He went through the paper from first page
to last, hunting clues to the differences be-
tween this world and the one he knew. There
seemed to be so amazingly little difference
on the domestic scene — so amazingly great a
difference on the cosmic scale.
The society news was there, the sport
news — St. Louis was leading one major lea-
gue and New York the other — and the ads
were the same except that prices were given
in credits instead of dollars. But basically
the same merchandise was offered — no
slightly-used space ships, no Little Wonder
Atomic Kits for the kiddies.
He studied the want-ads particularly. The
housing situation seemed a bit better than he
remembered it — occasionally a flat or house
was offered for sale with the comment. “Emi-
grating to Mars,” and one Pets for Sale ad
offered a Venus coline and another a moon-
pup.
It was one o’clock when his train pulled
into Grand Central. There were the usual
WHAT MAD UNIVERSE
27
lights in the station, Keith noticed as he got
off the train but there was something differ-
ent otherwise in the atmosphere of the station
— something he couldn’t quite put his finger
on. He realized, too, as he walked along with
others down the long walk between the
tracks to the main hall of the station, that the
train had not been crowded. His car had
been only a third filled.
There weren’t any other trains unloading
and all the redcaps seemed to have gone. Just
ahead of Keith, a little man was struggling to
carry three suitcases, one in each hand and
one under his arm. He was having heavy
going.
“Give you a hand with one of those?”
Keith asked.
The little man said, “Sure — thanks,” with
real gratitude in his voice as he relinquished
one of the suitcases. A twinge in Keith’s left
shoulder reminded him in time not to take
the suitcase with his left hand.
He moved around to the right side of the
little fellow and said casually, “Not much
traffic tonight, is there?”
“That was the last train in, I guess.
Shouldn’t really run ’em that late. What’s
the use of getting in if you can’t go home?
Oh, sure, you got a better start in the morn-
ing, but — ”
Keith said, “Sure,” and wondered what
they were talking about.
“Eighty-seven killed last night!” the little
man said. “Sixty-some the night before.
Just in New York and that’s just the ones
killed outright. Heaven knows how many
got dragged down alleys and beat up but not
killed.” He sighed. “I remember when it
was safe even on Broadway.”
He stopped suddenly and put down
the suitcases. “Got to rest a minute,”
he said. “If you want to go on just leave
that other one.” He flexed his hands,
cramped from the handles of the suitcases.
“No hurry,” Keith said. He was casting
about in bis mind for ways in which he could
ask questions without arousing suspicion.
“Uh — -I haven’t heard a newscast for a while.
Have you? Anything new?”
“Arcturian spy in the country. That was
on early in the evening. That’s worse news
than Kapi.” He shuddered slightly.
Keith nodded. “Haven’t heard a news-
cast but I heard someone mention that.
What’s it about ? I mean, how do they know
there’s one loose, if they didn’t catch him?”
“Catch him? Lord, mister, you don’t
catch Arcturians ; you kill ’em. But this one
got away. Upstate in Greeneville. Tried to
sell somebody some banned coinage and one
of the coins was one of the Arc counterfeits,
one of the wrong-dated ones.”
“Oh,” Keith said. It had been the coin,
then. He’d felt pretty sure of it. Ple’d have
to watch the rest of those coins he had. May-
be it would be smarter to get rid of them as
soon as he could, down the nearest sewer.
It would be so easy to forget and hand one to
someone when he bought something small,
instead of one of the credit bills.
Right now the coins, wrapped tightly in
his dollar currency so they wouldn’t rattle,
made a hard and suddenly uncomfortable
lump in his right trouser pocket. Maybe, he
thought, he should have left them on the win-
dowsill of his hotel room in Greeneville in-
stead of recovering them, as he had, by pre-
tending to lean out the -window for a look
around before he closed it and left the room
with the Greeneville policemen.
No, that might have been dangerous, too.
If he’d left them and they’d been found —
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25 STARTLING
well, they’d seen his name in his wallet;
there’d be a tie-in between Keith Winton
and the Arcturian spy they were looking for.
And then the New York police would be
looking for Keith Winton. Yes, it was well
that he’d recovered them temporarily.
The little man flexed his hands again and
picked up the two suitcases. “Guess I can
make it the rest of the way,’’ he said. “If
you’re ready — ”
Keith picked up the other suitcase and
they started along the tracks again toward
the station lobby.
“Hope there are cots left,” the little man
said.
Keith opened his mouth and shut it again.
Any question he asked might give him away
— if it were a question to which he should
know the answer without asking. He said,
“Probably won’t be,” in a humorously pes-
simistic voice that could be taken as a joke
if it was the wrong thing to say.
They were nearing the lobby now and a
redcap came toward them. The little man
sighed with relief and put down the suitcases
and Keith handed over t’ne one he’d been
carrying.
“Cots?” the redcap asked them. “A few
left.”
“Yes,” Keith’s companion said. “For me,
anyway.” He turned to Keith. “You’re not
— uh— ”
“Thanks, no,” Keith said. “Think I’d bet-
ter get home.”
The little man shook his head slowly and
sadly. “Too much of a chance for me to take.
I’d rather be sure of seeing tomorrow. Well
— good luck and thanks for the lift with that
suitcase.”
“Don’t mention it,” Keith said.
They were walking through now into the
main lobby of the station. Keith almost
stumbled.
There were army-type cots as far as he
could see, in neat orderly rows in the dimly
lighted lobby. On most of the cots people lay
asleep.
Could the housing situation be this des-
perate? he wondered. No, it couldn’t be
that, not for the number of for-rent ads in
the newspaper in his pocket. But what then ?
Why else were thousands of people sleeping
uncomfortably and unprivately in Grand
Central station?
If only there were some way he could ask
questions without drawing attention and
suspicion.
STORIES
He threaded his way through the dimness,
walking as quietly as he could so as not to
awake the sleepers he passed, heading for
the 42nd Street entrance. As he neared it
he saw there were two policemen posted at
each of the doors.
But he couldn’t stop now. The ones he
was approaching had seen him coming and
were watching him. He tried to walk past
them casually. He noticed now that the glass
panels of the doors had been painted black on
the outside.
The bigger of the two policemen spoke as
Keith reached for the door to open it. But
his voice was courteous, respectful — even,
Keith thought, a little awed.
“Are you armed, sir?” he asked.
“No.”
“It’s pretty dangerous out there,” the
policeman said. “We haven’t the authority
to make you stay, but we advice it.”
» ANGER ! Was it some danger of which
he knew nothing that kept these thou-
sands of people, the late arrivals on the last
trains from here and there, inside the sta-
tion? What had happened to New York?
But it was too late for him to back down
now. Besides, he thought grimly, he was in
danger anywhere until he knew the score
and the ropes a lot better than he did.
He said as casually as he could, “Haven’t
far to go. I’ll be all right.”
“It’s your business,” said one of the cops.
And the other grinned. “We hope it ain’t
your funeral. Okay, mister.” He opened the
door.
Keith almost stepped back. It hadn’t been
black paint on the outside of the panes. It
had been — blackness. A kind of utter black
darkness he’d never seen before. Not a
glimmer of light showed anwhere. The
dimmed lights inside the station didn’t seem
to cut into that blackness at all. Looking
down, he could see the paving of the walk
for only a foot or two beyond the edge of the
open doorway.
And — was it his imagination, or was a
little of that outside blackness drifting into
the station itself, through the open door, as
though it weren’t darkness at all but a pal-
pable blackness, a mist, a pall?
But he couldn’t admit — whatever was out
there — that he hadn’t known about it. He
had to go through that open doorway now,
whatever it led to.
He walked through and the door closed be-
WHAT MAD
hind him. It had been like walking into a
closet. This was a blackout beyond black-
outs. It must be — he remembered that
phrase — “the mist-out,” one of the many
things he’d wondered about while reading
the newspaper. This must be it.
He looked up, and there wasn’t a sign of
moon or star — and it had been, in Greene-
ville at least, a bright clear night. Yes, un-
doubtedly this wasn’t darkness. It was a
black mist.
Reaching out to touch the building and
trailing his hand along it as he walked, grop-
ing with his free hand before him, he started
walking west, toward the Vanderbilt Avenue
corner. He kept his eyes open, straining
against the black, but he might as well have
closed them for all the good they did him.
He knew now how a blind man felt. A cane,
to tap ahead of him on the invisible sidewalk,
would have been welcome.
Why hadn’t he followed the little man’s
lead and taken a cot in the station?
His trailing hand encountered emptiness,
the corner of the building. He paused a mo-
ment, wondering if he should go on at all. He
couldn’t go back into the station but why
not just sit down here on the walk, his back
to the building, and wait for morning — if
morning did bring dissipation of the black
mist ?
Certainly getting to his bachelor apartment
down in the Village was out of the question.
Taxicabs couldn’t be running. He had a
hunch no other form of transportation would
be running either. Only fools like himself
would even be trying to get anywhere in
soup like this.
But he decided against the sidewalk. There
might be police patrols that would question
him, wondering why he was outside the
sanctuary of the station.
Now with only his shuffling feet to guide
him, he made his way to the curb and out in-
to the street. If there was any traffic — but
there couldn’t be.
He found the curb on the far side by fall-
ing over it, shuffled across the sidewalk and
again was able to touch solidity with a guid-
ing right hand as he groped along 42nd
Street. Forty-second Street, only a few
blocks from Broadway and Times Square,
and he might as well have been in the deep-
est, darkest forest of Africa. There wasn’t a
sound, either.
Except the soft shuffle of his own foot-
steps and he realized that, for no conscious
UNIVERSE 29
reason, he was walking on tiptoe to disturb
that awful quiet as little as possible. He
traversed the short block to Madison, crossed
it, and began to grope his way toward Fifth
Avenue. Where was he going?
Well, why not Times Square? Unless he
just sat down in the open, he had to be going
somewhere and why not to the center of
things? If there was anything going on in
New York at all it would be there. And if
Times Square were as bad as this he’d see
if the subways were open. It might be light
down in the subway stations — as in Grand
Central — even if the trains weren’t running.
Anywhere, out of this blackness.
He’d been trying every door he’d passed.
They were all locked. He thought of the
Borden Publishing Co. office, only three
blocks south — and he had the key to it. But
no, the outer door of the building would be
locked. All these other buildings he’d been
passing were locked.
He crossed Fifth Avenue. Across the
street from him now would be the Public
Library. For a moment he thought of going
to it, and spending the night on the steps
there. He’d try Times Square and the sub-
way first.
He tried another door — locked, as had
been all tlie others — but in the brief instant
when his footsteps paused as his hand tried
the knob, a soft sound came to his ears. The
sound of footsteps approaching him from the
direction of Broadway. Footsteps that were
even more soft and cautious than his own,
stealthy footsteps. Something inside told him
that, there was danger in them, deadly dan-
ger.
CHAPTER V
The Nighters
AS HE stood still the footsteps came
closer. Whoever, whatever it was —
there wasn’t any way of avoiding a meeting,
unless he turned and worked his way back
the way he had come. It was, it seemed to
Keith suddenly, a one-dimensional world.
There was only forward and backward in it
as long as they each — he and the unknown — •
groped their way along the building fronts.
Like ants crawling along a string they must
meet and pass unless one of them turned.
STAETLING STORIES
30
But before he made up his mind to turn
it was already too late — a groping hand had
touched him and a whining voice was saying,
“Don’t rob me, mister. I ain’t got no
money,’’ and Keith sighed with relief.
“Okay,” he said. “I’ll stand still. You go
around me.”
“Sure.”
Hands touched him lightly, and a strongly
alcoholic breath almost made him gasp as
the man groped past him.
There was a chuckle in the blackness. Just
an old space dog on a spree,” the voice said.
“And rolled already. Look, mister. I’ll give
you a tip. The Nighters are out. A gang of
twenty or thirty of ’em, over Times Square
way. You better not keep on the way you’re
goin’.”
The man was past him now. His hand still
touched Keith’s arm to maintain contact.
“They’re the ones who robbed you?”
Keith asked.
“Them? Mister, I’m ain’t I? Would
I be if the Nighters had got me ? I ask you.”
“That’s right,” Keith said. “Maybe I’d
better not go that way after all. Uh — are the
subways open?”
“The subwaysf Man, you really want
trouble, don’t you?”
“Where is a safe place to go?” Keith
asked.
“Safe? A long time since I heard that
word. What’s it mean?” A drunken laugh.
“Mister, I was on the Mars-Jupe run in the
days of the plat rush, when they said the
last rites over us before they closed the air-
locks. I’d as soon be back there as messing
around this mist-out and playing tag with
Nighters.”
“How’d you know I wasn’t a Nighter?”
“You kidding? How could one guy be a
Nighter, when they go in armlock gangs and
you can hear ’em tapping. We’re fools to be
out in this, mister. You and me, both of us.
If I wasn’t drunk — say, got a match?”
“Sure,” Keith said. “Here’s a box of
them. Can you — ?”
“I got the shakes, mister. Would you light
one for me ? And then, when I get a fag go-
ing, sure. I’ll tell you a safe place we can
hide out in for the rest of the night.”
Keith scraped a match along the side of
the box and struck it. The sudden flame
made gray dimness out of the black mist for
a radius of about a yard.
It revealed a hideous, leering, scarred face
— and above it a club raised to strike. The
club started to come down the instant the
match flared.
There wasn’t time to duck that blow.
Keith stayed alive in that instant by reacting
quickly, instantaneously. He stepped in un-
der the blow, thrusting the flaming match
into that ugly face. The man’s forearm, not
the club, struck Keith’s head a glancing blow.
The club dropped and struck the sidewalk.
Then they were struggling, wrestling in
the dark, with strong hands trying for Keith’s
throat, foul breath in his face and fouler
words in his ears. He managed to avoid
those strangling hands. He stepped back and
struck. His fist connected solidly in the dark.
He heard his assailant fall — not knocked
out, for he was still cursing. Lender cover
of that sound. Keith took three light, quick
steps backward, away from the wall, out into
the open blackness, and stood there quietly,
not making a sound.
He heard his attacker scramble to his feet,
breathing hard. For half a minute, perhaps,
that breathing was the only sound in the
world. Then there was another sound, a
new one. It was a distant, soft tapping, like
the tapping of a blind man’s cane, but faster
and manifold — as though a company of blind
men were coming tapping through the dark,
fast. The sound came from the direction he
had been going — from the direction of Broad-
way and Times Square.
He heard a subdued mutter, “Nighters!”
and the quick shuffle of footsteps as his for-
mer assailant started off. His voice, no
longer cursing or even belligerent, came
back: "Nmi, pal. Nighters!”
And the shuffle and scuffle of his footsteps
died away as the tapping got louder and
nearer. It was getting nearer incredibly fast.
IK^THAT were Nighters? Human be-
W w ings? He tried to piece together the
few things he’d heard about them. What had
the man with the scarred face said about
them ? “When they go in armlock gangs and
you can hear ’em tapping.”
A gang of murderous (“Them? Mister,
I’m alive, ain’t I ? Would ! be if the Nighters
had got me? I ask you?”) desperadoes or-
ganized to prey in the superblackness of the
mist-out?
Armlock? A row of them with locked
arms, perhaps, from one side of the street to
the other, so their prey couldn’t escape ?
The tappings was close now, only yards
away. Coming faster than men can walk in
WHAT MAD UNIVERSE 31
the dark, almost at a run. They had a sys-
tem, somehow, that gave them speed.
Keith turned and ran, diagonally toward
the line of the building fronts until his hand,
outthrust, made scraping contact, and then
along the buildings. Despite the risk of fall-
ing over some obstacle he couldn’t see, -he
ran.
The danger behind seemed greater. The
fear that had been in the voice of the man
with the scarred face was contagious. That
man — and he was no coward, however foul
he was — had knoivn what Nighters were,
and he’d been afraid, plenty afraid.
Keith ran thirty or forty paces, then
stopped to listen again. He’d gained. The
tapping was farther off, maybe twenty yards
away instead of five or ten. He could out-
distance them then, as long as he dared to
run. He went forward again, this time at a
rapid walk for a counted twenty steps, and
stopped again to listen. Yes, he’d held his
distance even at that pace.
He started again, a little faster. He wanted
to gain, not to stay even. Another twenty
steps, again a pause to listen.
Tapping — from the opposite direction,
ahead of him.
Quite a way ahead — he must be halfway
down the block now. And that other sound
could come from near the far corner — but
definitely it was the same kind of sound as
behind him, only more distant.
Two lines of them, coming from opposite
directions, and he was in between. He
stopped, his heart beating wildly now. He
knew now what fear was. He could taste
it in his throat.
The Nighters — whatever Nighters were —
had him in the middle.
He stood there, hesitating, until the tap-
pings behind him were so close he had to
start running again — running toward the
more distant danger to escape the closer one.
Again, this time, he ran, blindly except for
a hand trailing along the building fronts.
He ran about fifty paces before he stopped
again to listen. There was the tapping from
both directions now— and about equally dis-
tant either way. No use to run farther!
He crouched back into a doorway, caught.
They’d have him within a minute now. Un-
less—
He groped for the handle of the door he
leaned against, and tried to turn it. It was
locked, of course. His frantic hands ran
over the front of the door, felt the glass panel.
In desperation he swfing his fist at the bottom
corner of the glass and it shattered.
He should have cut his fist badly, but be
didn’t. As though luck had decided to give
him a break at last, a small area of glass fell
neatly inward. He had a glimpse of light in-
side as a thick curtain drawn down over the
pane swung inward. He reached through
the opening, turned the knob from the in-
side, and stumbled through the door.
The light inside almost blinded him as he
slammed the door shut behind him.
A voice said, “Stop or I’ll shoot.”
Keith stopped, partly raising his hands.
He blinked and could see again. He was in
the lobby of a small hotel. Across the desk,
a dozen feet from him, leaned a white-faced,
very frightened looking clerk, holding a re-
peating shotgun whose muzzle looked as big
as a cannon and was aimed straight at Keith’s
chest.
He said, “Don’t come a step closer. Get
back out. I don’t want to shoot you, but — ”
Without lowering his half-raised arms,
Keith said, “I can’t. Nighters. They’re — ”
The clerk’s face got whiter. They could
both hear the sounds of tapping.
The clerk’s voice was just above a whis-
per, and it trembled. “Back up against that
door. Hold the curtain fast against the break,
so no light shows.”
EITH took a step backward and leaned
against the door.
He and the clerk were both very silent.
Would they see — or, groping, feel — that hole
he had made in the glass? Was a knife or a
bullet or something going to come through
that hole and into his back. His skin crawled.
But nothing came through the hole. For
a minute there was tapping, muffled voices.
Human voices ? Keith thought so. Then the
sounds outside died away.
Neither of them spoke for almost three
minutes. Then the clerk said, “Now get out.
They’ve gone.”
Keith kept his voice pitched as low as he
could and still make it audible to the clerk.
He said, “They’re still nearby; they’ll get
me if I go out again. I’m not a robber. I’m
not armed. And I’ve got money. I’d like to
pay for that window I broke — and I’d like to
rent a room if you’ve got one. If you haven’t
a room. I’ll even pay to sit in your lobby all
night.”
The clerk studied him uncertainly, with-
out lowering the gun. Then he asked, “What
32 STARTLING STORIES
were you doing — out there?”
“I came in from Greeneville — last train
into Grand Central. I’d had word my broth-
er was seriously sick and I took a chance on
getting home — a dozen blocks. Hadn’t real-
ized quite how bad it was out there.”
The clerk studied him closely. Finally he
said, “Keep your hands up.” He lowered
the shotgun down to the counter, but kept
his hand on it and his finger inside the trig-
ger guard while, with his free hand he took
a pistol out of a drawer behind the desk.
“Turn around — your back toward me. I’ll be
sure you’re not armed.”
Keith turned and stood still while he heard
the clerk come around the end of the coun-
ter. He stood even stiller while the business
end of the pistol pressed into the small of his
back and the clerk’s hand ran over his pock-
ets.
“Okay,” the clerk said. “I guess you’re
all right ; I'll take a chance. I ’would hate to
send a dog out into — that.”
Keith sighed with relief, and turned. “How
much for the window, and a room?”
“A hundred creds will cover both. That
rack of magazines and pocket books — give
me a hand to put it in front of the door. It’s
high enough — it’ll block off the break in the
glass.”
He took one end of the rack and Keith the
other. The rack blocked off the door per-
fectly. Keith’s eye was caught by the titles
of some of those pocket books — one in par-
ticular. He noticed the price too — cr.
Apparently the rule of one credit to ten cents
held pretty well.
And a hundred credits — ten dollars — for
the pane of glass and a room for the night
was reasonable enough. Not that he would
have quarreled at a thousand credits, rather
than go out again into the horror that was
Forty-second Street.
He followed the clerk back to the desk and
signed a registration card. He took a hun-
dred-credit note and a fifty from his wallet.
He said, “I’m going to pick out two or three
of those pocket books to read. You keep the
change.”
“Sure, thanks. Here’s your key. Three-
o-seven — third floor front. You’ll have to
walk up and find it yourself. I’ve got to stay
here on guard.”
Keith nodded and pocketed the key. He
walked quickly back to the book rack and
picked a book called Is the Mist-out Worth
It? That one, for sure.
His eye ran over the other titles. Some
of them were familiar, others were not.
H. G. Wells’ Outline of History — ^he grabbed
that one quickly. He could get a lot he
needed to know out of that book. What for
third choice? There was lots of fiction but
he didn’t want that. He wanted redder, more
concentrated meat. Dopelle, the Man, The
Story of Dopelle, Dopelle, Hero of Spacewar.
There were half a dozen books on Dopelle
— and where had he heard that name before ?
Oh, sure — in the newspapers, the general in
charge of Terrestrial space fleets. Well, if
there were that many books about him out
of only a few dozen titles, then maybe it
would be well to skim through one of them.
He picked The Story of Dopelle — it didn’t
even surprise him to notice that it was by
Paul Gallico.
The walk up to the third floor told him
how tired he was. His wounded shoulder
was beginning to ache. So, for that matter,
did the knuckles of his right hand. The glass
had not cut them by a miracle but they were
bruised and sore.
He found the room by the dim light in
the hall, went in and turned on the light. It
was a pleasant, comfortable room, with a nice
soft bed that he looked at longingly. But he
didn’t dare get into it until he’d found out a
few things he might learn from the books
he’d bought in the lobby.
He undressed enough to be comfortable
and sat down to read. First, Is the Mist-out
Worth It? That one he was going to skim
fast but he wanted to find out what the mist-
out was. ’'stickily its history was fairly well
summarized in the opening chapter.
The mist-out, he learned, had been per-
fected by a German professor in 1934,
shortly after the destruction — by Arcturian
action — of Chicago and Rome. The destruc-
tion of Chicago — in which eight million
people had died — had happened early in 1933.
Immediately, every large city in the world
had enforced a strict blackout but, later in
that same year, another Arcturian vessel
slipped the cordon and Rome — perfectly
blacked-out — had been destroyed. Fortu-
nately, however, that particular Arcturian
ship had been captured with a few members
of the crew still alive.
Through the use of something or someone
called Mekky — the author assumed that all
of his readers knew all about iMekky, and
failed to explain — it had been learned from
WHAT MAD UNIVERSE
the surviving Arcturians that they had detec-
tors which picked up hitherto unknown rays
— other than light rays — emitted by electrical
incandescence.
They could thus locate a city through the
lights burning within closed buildings, for
the buildings were as transparent to the so-
called ej>silon rays as they were to radio
waves.
For a while it seemed that the only safety
for Earth’s cities lay in going back to candles
or gaslight for illumination at night. (Elec-
tric lights could be used for interior daylight
lighting, for sunlight damped out the epsilon
rays before they left the atmosphere.)
But Dopelle had retired to his laboratory
and worked on the problem. From his find-
ings of the nature of epsilon rays a German
professor had worked out the epsilon gas
which constituted the mist-outs which were
now required by the Greater Earth Council
for all cities larger than a hundred thousand
population.
It was a substance of strange properties
indeed. Odorless, harmless to life, it was
impervious to light and to epsilon rays.
Inexpensively made from coal tar, one plant
could turn out enough in a few hours each
evening to mix with the air and blanket a city
completely. Sunlight disintegrated it at dawn
in the space of a few minutes.
Other Arc ships had been through the
cordon since then but no major city of Earth
had been damaged. Undoubtedly the mist-out
had saved many millions of lives. There was
no sure way of knowing how many Earth
cities would have been destroyed without it.
But it had taken lives too. Law enforce-
ment agencies in many major cities had
found themselves almost completely helpless
to combat growing crime waves. Under
cover of the mist-out, the streets of big cities
had become no-man’s-lands. In New York,
for example, five thousand policemen had
died.
The situation was aggravated by the
strong tendency of combat veterans who had
fought in space to turn to crime, a psychosis
to which possibly a third of them succumbed.
Finally, in many of the larger cities, attempts
to maintain order at night had been
abandoned.
Respectable citizens were simply warned
to keep off the streets at night. Even the
police stayed under cover from dusk to dawn
and vicious gangs held sway. Some gangs,
such as the Nighters of New York, the
33
Bloodies of London and the Lennies (Keith
wondered if the name came from Lenin’s)
in Moscow, had adopted specialized tech-
niques and seemed fairly well organized.
Hundreds died nightly. The situation
would have been worse except for the fact
that the hoodlums killed and robbed one
another more often than honest citizens,
who stayed home.
The mist-out was, therefore, a big price
to pay for immunity to space attack. Possibly
a million people had died in the mist-out —
but probably twenty to fifty million lives had
been saved. The author pointed out the de-
struction by Arcturian ships of fifteen towns
and small cities — too small to have mist-outs,
too small to be not expendable — and
reasoned, that except for the mist-outs, those
fifteen flaming hells would have been cities
of from a million, to ten million people.
Keith shivered a little as he put down Is
the Mist-out Worth It? If he’d bought that
book in Greeneville he’d have known better
than to have left Grand Central Station.
He’d have taken a cot there or slept on the
floor. Night life on Broadway wasn’t what
it had been where he’d come from.
He walked to the window and stood look-
ing— well, not out, exactly, but at the blank
blackness that was the pane. The curtain
wasn’t pulled down, but that didn’t matter
on any but a first floor window.
Six feet away, outside, one wouldn’t be
able to see the lighted window at all. It was
an uncanny kind of blackness. And what
was going on down below there on Forty-
second Street, only a block and a half from
the center of the universe?
Criminals taking over Forty-second
Street! Spaceship runs to Mars, war with
Arcturus. What mad universe was he in ?
CHAPTER VI
The Sewing Machines Rampant
WELL, wherever, whatever it was, he
was here and he was stuck with it
and he was going to be in continuous danger
until he learned the ropes well enough so
that he wouldn’t risk making a break every
time he did or said anything.
Breaks weren’t safe in a spot where you
could get yourself shot on sight as a spy
34 STARTLING STORIES
on no provocation at all, where you could
get yourself killed by being foolish enough
to try to walk from Grand Central Station
to Times Square after dark.
Resolutely, he picked up the pocket edition
of H. G. Wells’ Outline of History. He was
too tired to sit up any longer. He’d lie on the
bed to read and, if he went to sleep — well,
he’d finish reading in the morning and find
out as much about things as he could before
going out to face them.
He picked up the Wells book and started
to read, skimming lightly through the early
chapters. There was no difference in them.
They even had the same pictures. He’d hap-
pened to reread the book recently and was
familiar with it. The Egyptians, the Greeks,
the Roman Empire, Charlemagne, Middle
Ages, Renaissance, Columbus and America,
■the American Revolution, Civil War, the
Industrial Revolution . . .
Into Space.
That was the chapter heading, nine-tenths
of the way through. He quit skimming and
leafing over pages and started to read.
Nineteen hundred and three. An Ameri-
can scientist at Harvard had discovered the
spacewarp drive. Accidentally! Working on,
of all things, his wife’s sewing machine,
which had been broken and discarded. He
was trying to change it around so the treadle
would run a tiny home-made generator to
give him a high-frequency low-voltage cur-
rent that he wanted to use in some class ex-
periments in physics.
He’d finished his connections — fortunately
he remembered afterwards just what they’d
been and where he’d made his mistake — and
he’d worked the treadle a few times when his
foot stamped unexpectedly on the floor and
he nearly fell forward out of his chair. The
sewing machine, treadle and generator and
all, just wasn’t there any more.
The professor. Wells humorously pointed
out, had been sober at the time but he quick-
1}' remedied that. After he sobered up he
borrowed his wife’s new sewing machine,
and lost that. He didn’t know where they
were going.
He rigged up a third one and this time
ae got witnesses, including the president and
the dean of the university. He didn’t tell
them -u'hat they were going to witness. He
just told them to watch the sewing machine.
They did and then the sewing machine wasn’t
there to watch.
They didn’t know what they had, but they
knew thay had something new. They relieved
Professor Yarley (that was his name) of
his teaching duties and gave him a grant to
finance his experiments. He lost a few more
sewing machines and then quit using sewing
machines and began to get the thing down to
the essential minima.
He found he could use a clockwork motor
— connected that particular way — to the gen-
erator. The treadle wasn’t necessary. He
didn’t have to use a bobbin but the shuttle
was necessary and had to be of ferrous metal.
And an electric motor running the generator
canceled something out ; it wouldn’t work.
Foot-power through a treadle, hand power,
clockwork or his son’s toy steam engine. He
got it down to a comparatively simple layout
of stuff mounted on a box — boxes were
cheaper than sewing machines — he’d wind a
spring, release the lever and — well — it went
somewhere.
Then one day there was a news story that
. something at first thought to be a meteor had
struck the side of a tall building in Chicago.
Upon subsequent examination it proved to
be what was I'ft of a wooden box and some
oddly assorted clockwork and electrical ap-
paratus.
Yarley took the next train to Chicago and
identified his handiwork. He knew then
that the thing moved through space and he
had something to work on. Nobody had
timed the striking of the object against the
Chicago building to an exact second but, as
nearly as he could get it timed, Yarley de-
cided that the object had traveled from
Harvard to Chicago in just about nothing
flat.
The university gave him some assistants
then and he began experimenting in earnest,
sending out the things in considerable num-
bers, with identifying serial numbers on
them and with an accurate record kept of
variations in number of wflndings, the exact
amount of power applied, the direction in
wdiich it had been facing and all such data.
Also, he publicized what he was doing and
got people watching for them all over the
w'orld.
Two were reported. By comparison with
his records he learned some important
things. First, that the machine traveled in
the exact direction of the axle of the genera-
tor part — second, that there was a relation-
ship between the number of windings and the
distance it traveled.
Now he could really go to work. By 1904
WHAT MAD UNIVERSE
he had determined that the distance the ma-
chine traveled was proportionate to the
cube of the number of turns or fractional
turns on the generator and that the duration
of the trip was actually and exactly nothing
flat. By cutting the generators down to toy
size he could send a machine for a com-
paratively short measured distance — a few
miles — and make it land in a particular field
outside of town.
IT MIGHT have revolutionized trans-
portation in general, except that the
machines were always damaged seriously,
internally and externally, when they landed.
Generally there was barely enough of them
left for identification, not always that much.
And it wasn’t going to make much of a
weapon ; explosives sent never arrived. They
must have exploded enroute, somewhere in
the warp.
In three years of experimentation, they got
it worked out to a nice formula and even
began to understand the principles back
of it as well as to be able to predict the re-
sults. They determined that the reason the
things were destroyed was their sudden
materialization, at the end of the journey, in
air.
Air is pretty solid stuff. You can’t displace
a quantity of it in nothing flat without
damaging whatever does the displacing —
not only damaging it as an object, but
damaging its very molecular structure.
Obviously, the only practical place to
which an object could be sent was into space,
open space. And, since the distance in-
creased as the cube of the windings, it
wouldn’t take a very large machine to reach
the moon, or even the planets.
Even interstellar travel would not take
a really monstrous one, especially as the
thing could be done in several hops, each
taking no longer in time than it took the pilot
to press a button.
Furthermore, since time was a zero factor,
no trajectories need be calculated. Simply
aim directly at a visible planet or the moon,
adjust the distance factor, and there you
were, materializing in space a safe distance
from the planet and ready to descend and
land.
How to land took them a few years to
work out — the science of aerodynamics
hadn’t been solved yet and, anyway, there
wasn’t supposed to be any air on the Moon,
the first and most obvious objective. But in
35
1910 the first man landed on the Moon and
returned safely. The habitable planets were
all reached within the next year.
The next chapter was The Interplanetary
War but Keith Winton couldn’t read it. It
was three-thirty in the morning. He’d had
a long day and things had happened to him.
He simply couldn’t hold his eyes open. He
reached out and turned out the light and
was asleep almost before his head dropped
back on the pillow.
It was nearly noon when he awakened.
He lay there for a moment before opening
his eyes, thinking of the crazy dream he’d
had about a world with space-travel and
Bems and war with Arcturus. And mist-outs
and —
He rolled over a little and his shoulder
hurt so that he opened his eyes and saw an
unfamiliar ceiling over his head. It was a
shock, and it made him fully awake and he
sat up in bed quickly. He looked at his wrist
watch. Eleven forty-five ! Rats, he was
late for the office. Or was he?
He was horribly mixed up, unoriented.
He got out of bed, and walked over to the
window. Yes, he was cwi Forty-second
Street, on the third floor, and there, across
the street, was the Public Library. The
street was filled with normal traffic and the
sidewalks were crowded as ever, with
ordinary-looking people wearing ordinary
clothes. It was the New York he knew.
He stood there, puzzling, trying to fit his
being here in New York into the scheme of
things. The last thing he remembered that
really made sense was his sitting in a chair
in Mr. Borden’s garden. After that —
Could he have come back to New York
other than in the way he seemed to remember
it — and have supplied, somehow, a night-
mare for his memories of the trip? If so he
was overdue to see a psychiatrist. Was he
crazy? He must be. Yet had hap-
pened to him yesterday. He put his hand to
his shoulder gently and it was plenty sore
under the bandage.
Well, he’d get out of here, go home and —
well, he couldn’t plan any further than that
just yet. He’d go home first.
He turned around and walked to the chair
where he had put his shirt and trousers.
Something on the floor beside the bed caught
his qye. It was a copy of H. G. Wells’
Outline of History.
His hands trembled a little as he picked
it up and opened it to the contents page.
36 STARTLING STORIES
That would be the quickest. The third last
chapter was Into Space, the second last The
Interplanetary War and the last chapter
Struggle Against Arcturus.
The book dropped out of his hand. He
reached to pick it up and saw another one
slid slightly under the bed. It was called,
Is the Mist-out Worth It?
He sat down in the chair and didn’t do
anything for a few minutes except to think,
to adjust his mind to the fact that whatever
had happened had really happened. The
mist-out last night with its jungle savagery,
the —
He reached back for his trouser pocket and
got his wallet. There were credit bills in it
and not dollars. A little over a thousand
credits, which would be a little over a hun-
dred dollars.
LOWLY he dressed and walked back
over to the window. It was still Forty-
second Street and still ordinary but it didn’t
fool him now. He remembered what it had
been like at one o’clock last night and shud-
dered a little.
He caught a flash of purple in the crowd
below and across the street and looked closer.
It was a purple Bern, all right, walking into
the library — and nobody was paying any
more attention to it than they would have
paid to a bank clerk or an insurance sales-
man.
He sighed deeply, put the H. G. Wells
pocket book and the Paul Gallico one on
Dopelle into his coat pockets and decided to
leave the one about the mist-out. He knew
all he really had to know about the mist-out
— stay indoors out of it.
He went downstairs and out through the
lobby. A different clerk was on duty at the
desk and didn’ even glance at him.
Now that he was fully awake he was
hungry. Eating was the first order of busi-
ness. He hadn’t eaten since noon yesterday.
A quiet little restaurant a few doors west
looked inviting. Keith went in and sat at
a little table along one side. He studied the
menu. There was a choice of a dozen entrees,
and nine of them were familiar. The other
three were the most expensive items — Mar-
tian zot a la Marseille, roast brail with kapi
sauce and gallina de luna.
That last, if Keith remembered his
Spanish, would be moon chicken. Some
day. he decided, he was going to eat moon
chicken, Martian zot and roast brail but right
now he was too hungry to experiment. He
ordered goulash.
Goulash didn’t require concentration and,
while he ate, he skimmed through the final
two chapters of Wells. Wells was bitter
about the so-called interplanetary war. He
saw it purely as a war of conquest with Earth
the aggressor.
The inhabitants of the Moon and of Venus
had proved friendly and exploitable — and
had been exploited. The intelligence of the
lunans (yes, they were the purple Bems)
was about that of an African savage of Earth
but they were much more docile. They made
excellent laborers and still better mechanics,
once they had been introduced to the
mysteries of machinery.
The Venusians, although almost as intel-
ligent as Earthmen, were creatures of a quite
different order. Interested solely in philos-
ophy, the arts and abstract mathematics,
.they had welcomed *the Earthmen, avid for
exchange of cultures and ideas. They had
no practical civilization, no cities (or even
houses), no possessions, machines or
weapons.
Few in number, they were nomads who —
aside from the life of the mind — lived as
primitively as animals. They offered no
barrier and every assistance — aside from
work — to man’s colonization and exploitation
of Venus. Earth had established four
colonies there, aggregating a little short of a
million people.
But Mars had been different.
The Martians had the silly idea that they
didn’t want to be colonized. They had, it
turned out, a civilization at least equal to
ours, except that they had not yet developed
space travel (which, after all, had been an
accidental discovery on Earth — if it hadn’t
been for the Professor’s sewing machine the
space warp principle might not have been
discovered, mathematically, for a millenium).
The Martians had greeted the first arrivals
from Earth gravely and courteously (the
Martians did everything gravely ; they had
no sense of humor) and suggested they re-
turn home and*stay there. They’d shot the
second arrivals and the third.
And, although they’d captured the space
ships in which these parties had arrived,
they’d not bothered to use or copy the
machines. They had no desire to leave Mars,
ever. In fact. Wells pointed out, no Martian
had ever left Mars alive even during the
interplanetary war.
WHAT MAD UNIVERSE
A few, captured alive and put on Earth-
bound ships for demonstration and study
here, had willed themselves to death as soon
as the ships had left the thin atmosphere of
Mars. The same was true of Martian plants
and animals. They could not or would not
live anywhere else. No single specimen of
Martian flora or fauna graced botanical
gardens or zoos of Earth.
The so-called interplanetary wars, there-
fore, were fought entirely on the surface of
Mars, and had been a bitter struggle in which
the Martian population had been several
times decimated. They had, however,
capitulated short of annihilation and per-
mitted colonization of Mars by Elarthmen.
Only Earth and its moon, Venus and Mars
had turned out to be inhabited by intelligent
beings in the Solar System. Saturn sup-
ported plant life of a strange sort and a few
of the moons of Jupiter bore plant life and
wild animals.
Man met his match — an aggressive,
colonizing race of intelligent beings — only
when he went beyond the Solar System. The
Arcturians had had the space drive for cen-
turies. It was only by chance — for the uni-
verse is wide indeed — that they had not yet
visited the Sun’s planets. Having learned of
us through an encounter near Proxima Cen-
tauri, they set about to remedy that omission.
The current war against Arcturus was,
on Earth’s part, a defensive war — although
it involved such offensive tactics as we could
muster. And thus far it had been a stale-
mate. Defensive tactics on both sides being
more than adequate against known offenses.
By fortunate early capture of a few Arc
ships Earth had quickly overcome the tech-
nical handicap of a few centuries under which
it had started the war.
Currently, thanks to the leadership of
Dopelie, Earth had, in some ways, a slight
advantage — although it was still a war of
attrition.
Dopelie ! That name again. Keith put
down the H. G. Wells book, and started to
take The Story of Dopelie out of his pocket
when he realized that he had long since
finished eating and w'as attracting curious
glances just sitting there.
He paid for his meal and went out. The
steps of the library across the street looked
inviting. He could sit there and read some
more. But there was his job to be considered.
Did he work for the Borden Publishing
Co. — here and now — or didn’t he ? If he did.
37
having missed a Monday morning might not
be unforgivable. Missing a whole day might
be. And it was well after one o’clock already.
He walked east and then south, to the
office building in which — on the tenth floor
— Borden Publications was located.
He took the elevator up.
CHAPTER VII
Mekky
That beautiful outer door was very
familiar, one of those modem ones that
look like nothing more than a sheet of glass
with a futuristic chrome handle on it ; you
couldn’t even see the hinges. The lettering
Borden Publications, Inc. was just below
eye height, small and chaste, in chrome
letters suspended right inside the thick glass.
Keith took the handle very carefully so
he wouldn’t fingerprint that beautiful sheet
of nothingness, opened the door and went
in.
There were the same mahogany railing, the
same pictures — hunting prints — on the walls
and the same plump little Marion Blake with
the same pouting red lips and upsw'ept
brunette hairdo, sitting at the same stenog-
rapher-receptionist desk back of the railing.
It gave him a funny little thrill to see her
there — not because Marion herself could give
him any thrill but because she was familiar.
She was someone he knew and she was the
first person he’d seen since — gosh, w^as it
only since seven o’clock yesterday evening?
It seemed like ages !
He’d seen familiar things and familiar
places but not a familiar face. True, the
address in the copy of Surprising Stories
(at 2 cr.) had told him that Borden Publi-
cations was still here, but it wouldn’t really
have surprised him to find a purple Bern at
Marion’s reception desk.
For just a second, the familiar sight of
her there, and the office being so completely
usual, so completely as he remembered it,
made him doubt his memory of the past
eighteen hours.
It couldn’t be, it simple couldn’t —
Then Marion had turned and was looking
up at him and there wasn’t a trace of recog-
nition in her face.
“Yes.P’ she asked, a bit impatiently.
38 STARTLING STORIES
Keith cleared his throat. Was slw kid-
ding? Didn’t she know him or was she just
acting funny?
He cleared his throat again. “Is Mr.
Keith Winton in? I’d like to speak to him,
please.” That could pass as a gag to counter
hers ; if she grinned now, he could grin back.
She said, “Mr. Winton has left for the
day, sir.”
“Uh— Mr. Borden. He in?”
“No, sir.”
“Is Be — Miss Hadley in?”
“No, sir. Nearly everybody left at one.
That’s the regular closing this month.”
“The regu — oh,” he stopped himself in
time before he could pull a boner by being
incredulous about something he undoubtedly
should know. “I forgot,” he finished lamely.
Why, he wondered, would one o’clock in the
afternoon be the regular closing (she must
mean the regular closing time) and why this
month in particular?
“I’ll be in tomorrow then,” he said. “Uh
— what would be the best time to catch Mr.
Winton?”
“About seven.”
"Se — " He caught himself starting to
repjeat incredulously again. Did she mean
seven in the morning or in the evening? No,
it couldn’t be seven in the evening. It’d be
almost time for the mist-out then.
Suddenly he guessed the answer and won-
dered why he hadn’t thought of it sooner.
The mist-out, of course — in a New York in
which the streets were sudden death after
dark, a New York without night life at all,
the hours of work would have to be different
in order to give employes any personal lives
of their own at all.
It would change things completely when
you had to be home before dark — probably
well before, in order to assure safety. The
working day would be from six or seven in
the morning — an hour or so after early sun-
rise dissolved the mist — until one o’clock in
the afternoon. And that would give people
afternoons which would be the equivalent of
evenings.
Of course — it would have to be that way.
He wondered why he hadn’t thought of it
himself. Then Broadway wasn’t dead, and
there would still be shows and night clubs
and dance halls and taverns — but their time
to howl would be afternoons.
And everybody would be safely home in
bed by, say, seven or eight and sleep until
about four o’clock so they’d be ^ and dressed
by dawn — and, of course, that’s what
meant by <xie o’clock being the closing time
this month.
It would have to vary somewhat according
to the seasons, as the days shortened and
lengthened. And probably regulated by local
law, because Marion had expected him to
know it, had looked surprised that he hadn’t.
Marion, he noticed, was putting things
into the drawer of her desk, gertting ready
to leave. She looked up again as though
wondering why he was still there.
He said, “Isn’t your name Blake — uh —
Marion Blake?”
Her eyes widened a little. “Why, yes,
but—”
“I thought I was remembering you.”
Keith was thinking fast, things he’d heard
Marion say, girl friends he’d heard her
mention, where she lived, what she did.
He said, “A girl named Estelle — I forget
her last name — introduced us at a dance in —
wasn’t it Queens?” He laughed a little.
“Isn’t it funny I can’t remember Estelle’s last
name but I remember both yowr names?”
SHE dimpled at him for that compliment.
“Well, I live in Queens, and I guess
you mean Estelle Rambow, but I don’t re-
mem— ”
“I wouldn’t have expected you to remem-
ber my name,” Keith assured her. “It’s —
Karl Winston. And we danced just once
that night. I remember, though, that you
told me you worked for a magazine publisher
but I didn’t know that it was liere. And you
told me you wrote — poetry, wasn’t it?”
“I wouldn’t really call it p»oetry, Mr.
Winston. Just verse, really.”
“Call me Karl,” Keith said, “since we’re
old friends, even if you don’t remember
it. You’re leaving now?”
“Why, yes. I just had two letters to finish
after one o’clock and Mr. Borden said if I’d
finish them I could come in half an hour late
tomorrow, and — ”
“Good,” he said. “I mean. I’m glad you
were late. Will you have a drink with me?’*
She hesitated. “Well — just a quick one,
maybe. I’ve got to be home by two-thirty.
I’ve got a date then.”
“Fine,” Keith said. And he meant it. Over
one drink he could find out a few things he
wanted to know and he didn’t want to be
stuck with Marion for the whole afternoon.
They took the elevator down and he let
Marion choose the place, a little bar around
WBLArWAD
the corner on Madison.
Over a pair of cocktails he said, “I think
I mentioned to you that night that I’m a
writer — doing feature stuff up to now. I’ve
decided, though, to take a flyer at some pulp
fiction. I’ve done a little of it, not much.
But that’s why I was up at your office. I
wanted to find out just what kind of stuff
they want right now, lengths and so on.”
“Well, I think they’re fairly well stocked
on the detective stories. I guess Miss Brad-
ley is looking for short lengths for her love
book, and I understand they can use both
short and long stuff for the adventure books.”
“How about science-fiction? I think I’d
be best at that.”
Marion Blake looked up in surprise. “Oh,
you’ve heard about that then?”
“About what?”
“That Borden’s going to start a science-
fiction magazine.” *
Keith opened his mouth, and closed it
again. He thought, “I’ve got to remember
not to be surprised whatever anyone says.”
So, in silence, as though thinking out an
answer, he wondered why Borden would be
starting a (not another) science-fic when he
still had a copy of Surprising Stories with
the Borden imprint in his pocket.
He said cautiously, “I did hear a rumor to
that effect.”
“It’s true. They’ve got one issue dummied
up. They’ll start it as a quarterly with a fall
issue. And they’ve filled only that first issue.
They are looking for material beyond that.”
Keith nodded and took a sip of his drink.
Casually, he reached into his back pocket
and took the folded copy of Surprising
Stories from it — the copy he’d bought in
Greeneville and hadn’t yet read because he’d
spent all his reading time first on a new'spa-
per and then on Is the Mist-out Worth It?
and H. G. Wells. Casually he put it down on
the table to see what comment Marion might
make about it.
She said, “Oh, I see you’ve been reading
our top adventure book. Thinking of writing
for that one, too?”
He said, “A guy named Keith Winton
edits this one, I see. That’s why I asked for
him. Could you tell me something about
him?”
“Why — what do you want to know ?”
“Oh, anything to give me a line on him.
What’s he look like?”
Marion frowned a little. “He’s tallish —
a little taller than you — and slender. Dark.
UlnVEI^^^ 39
Wears shell-rimmed glasses. About thirty,
I think. Serious-looking, kind of.” She
giggled a little. “Guess he’s more serious
than usual latelv.”
“Huh? Why'?”
“I think he’s in love,” she said archly.
Keith managed a smile. “With you ?”
"Me? He never even sees me. No, with
our new love book editor. Not that it does
him any good, of course.”
Keith wanted to know why but that “of
course” warned him off. When people said,
“Of course,” it meant you were already sup-
posed to know. But how could he be sup-
posed to know something about Betty Had-
ley, other than her name as editor of the love
book mag? Still, if he could keep Marion
talking —
“Kind of tough on him, huh?” he said.
“I’ll say.” Marion sighed deeply. “Gee,
any girl in the world, I guess, would give
her eye-teeth to trade places with Betty
Hadley.”
“Would you?”
“Would I? Are you kidding, Mr. Wins-
ton ? To be fiancee of the greatest man in the
world, the most handsome, the most roman-
tic, the most — golly!”
"Oh,” said Keith, a bit flatly in spite of
himself. He gulped the rest of his drink and
raised a finger to signal the waitress. He
wondered who Betty’s fiancee was. How,
without revealing ignorance of something he
ought to know, could he get his girl to keep
on talking? He didn’t have to.
“Gee,” she murmured. "Dopelle!” It
sounded almost like a prayer it was so
reverent.
Well, he knew now. And anyway, he
thought, she’s only engaged, not married.
Maybe there was a chance yet.
Marion BLAKE glanced at her wrist
watch. “Got to go,” she said.
“Thanks for the drink, Mr. Winston. You’ll
be in at the office tomorrow?”
“Or the next day,” Keith told her. He
paid for the drinks and walked with Marion
to the subway.
Then he headed for the public library and
took a seat at one of the tables. He took the
three pniblications he had left in his pockets
out of them and put them on the table before
him — the copies of Surprising Stories and
Perject Love, and Gallico’s The Story oj
Dopelle.
He glanced at the latter bitterly. From the
STARTLING STORIES
40
little he’d heard or read — little only because
he’d been in this screwy place less than
twenty-four hours — this mug Dopelle had it
in his fKjcket. He was the hero of the whole
'solar system and, to top everything else, he
had Betty Hadley, too. Darn the guy!
He picked up the pocket book and put it
down again. Once he started it he wanted
to read it through, and that would take all
afternoon. There was a comparatively minor
matter he could settle first — what had Marion
Blake meant by saying that Borden was
going to start o science-fiction book?
He picked up Surprising Stories and veri-
fied the Borden imprint on it and on the
contents page. Borden did have a science-
fiction magazine. He glanced down the table
of contents, remembering the names of most
of the writers, names almost as familiar as
the name Keith Winton listed as managing
editor in the fine type at the bottom. A few
of the titles were familiar — they’d been in
his own version of that issue.
He leafed through it, first glancing at the
illustrations. They were better than his,
definitely, even though some of the artists
were the same ones. They were more vivid,
had more action. The girls were more beauti-
ful and the monsters more horrible.
He started reading one of the stories, the
shortest one. He finished it, still vaguely
puzzled although a light was beginning to
dawn. He dipped into a few other stories,
skimming — and suddenly he knew what
Marion Blake had meant.
This wasn't a science-fiction book! Th^
were mostly stories of the Arcturus-Sol war,
although some were stories of adventure on
Mars and Venus — but the backgrounds were
consistent and the backgrounds fitted what
little he’d heard and read of Mars and Venus
and Arcturus and —
Well, these were adventure stories. It
stunned him for a minute.
He smacked the book down on the table,
drawing a .reproving glance from a librarian.
But, he thought, there must be science-
fiction books here or Borden wouldn’t be
starting one. But if these stories were fact
what would be science-fiction be? Well,
time-travel, for one thing and — what else
didn’t they have here? Well, he could read
some science-fiction and find out.
He picked up the Dopelle book and stared
at it bitterly again. Dopelle! He hated the
guy. Anyway, now he knew how to pro-
nounce his name, having heard Marion say
it — it was pronounced as though it were
French — Dough-PELL, with only two sylla-
bles and the accent on the second.
He sighed. That book came next, defi-
nitely, on his course of reading. But should
he start it here and now? No. There were
more important things to do and they all
had to be done before dark. He had to find
a place to stay and a way to make money to
live.
He took out his wallet and counted what
he had left out of the two thousand credits —
the two hundred dollars approximately — ^the
Greeneville druggist had given him. There
was about half of it left. Enough maybe, to
last him a week if he was careful — certainly
not longer than that, since he’d have to buy
himself some shirts and sox and a toothbrush
and a razor and comb and heaven knows
what else, starting from scratch.
Or did he, in this universe, still have a
closet and a bureau full of clothes in a nice
little two-room bachelor apartment down on
Gresham Street in Greenwich Village? He
considered the possibility and discarded it.
If this universe were equipped with a Keith
Winton (who obviously didn’t even resemble
him) who had his job at Borden Publi-
cations, then this wasn’t a universe with a
neat hole for him to fit into, anywhere.
No, here and now he had to be Karl Wins-
ton and make a niche for himself — at least
until he found out what it was all about.
He’d be walking a tightrope for awhile too —
one mistake and it would be too bad.
But how, what, where?
He shoved those wondarings reso-
lutely aside. There must be an answer,
maybe even a way back. But survival came
first and his mind must be free to plan and
to plan intelligently. How could he parlay
a hundred bucks worth of credits into a
future ?
He thought, and figured and planned.
After awhile he went to the desk and bor-
rowed paper and a pencil from the librarian.
Returning to his table he began to make a
list of things he’d need and its length appalled
him. But, he thought, when he had it finished
that he could do it for about forty dol — four
hundred credits — he corrected himself — and
have six hundred to live on for awhile.
Outside he saw with relief that some of
the stores were still open — although it was
three o’clock in the afternoon now.
He found a dime-store that was operating
WHAT MAD UNIVERSE
and started there, realizing that he couldn’t
afford to be fastidious about little things
and things that wouldn’t show. He started
with a small cardboard suitcase, the cheapest
he could find. He went on from there to
socks and handkerchiefs and razor and tooth-
brush and on down the list.
Gauze bandage and an antiseptic for his
shoulder — pencils and a ream of paper —
the list seemed endless and, when he had
added a few shirts from a cheap haberdashery
shop, the suitcase was almost full.
He had the suit he was wearing sponged
and pressed while he waited in a cubicle at
the back of a cleaner’s shop and he had his
i;hoes shined.
His final purchase, and it left him almost
exactly five hundred credits, was an armful
of pulp magazines of various kinds. He took
his time picking them out, especially for the
purpose he had in mind.
It was while he was making that final
purchase that the crowd must have gathered.
When he came out of the drugstore w'here
he’d bought the magazines the edge of the
sidewalk was lined half a dozen deep and,
from down the street a block or so, came the
sound of wild cheering.
He hesitated a moment and then stood
still, backed against the window ot the drug-
store. Whatever was coming he could see
better there than by pushing up against the
crowd at the curb.
Something or someone was coming. The
cheering grew nearer. Keith saw that all
traffic had stopped and pmlled toward the
curbs. Two policemen on motorcycles came
along and behind them was a car with a uni-
formed man at the wheel.
There wasn’t anyone in the back seat of
the car but above it, floating in midair about
ten feet above the car and keeping pace with
it, was something. It was a round, feature-
less, blank metal sphere the size of a basket-
ball.
The cheering grew as it came nearer.
Keith stared, incredulous. Other people
had backed up alongside him to see better.
He heard words now that were part of the
cheers and recognized one of them. “Mekky !
Mekkyl MEKKY!” And someone beside
him yelled, “Get the Arcs for us, Mekky!”
But over or under the cheering, Keith
suddenly heard a voice that wasn’t a cheer-
ing, yelling voice. It was a calm, clear voice
that seemed to come from everywhere or
nowhere.
41
"Very interesting, Keith Winton,” it said.
"Come and see me some time.”
CHAPTER VIII
Advice from a Sphere
Keith started violently and looked
around him. No one near him was
looking at him. But the suddenness with
which he turned made the man to his right
turn and stare.
“Did you hear that?” Keith demanded.
“Hear what?”
“Something about — about a Keith Win-
ton?”
“You’re crazy,” the man said. His eyes
left Keith’s and went to the street again, and
he yelled at the top of his voice, “Mekky!
’Ray for Mekky !”
Keith stumbled out from the building into
the open area of walk between the crowd at
the back of the sidewalk and the crowd at the
curb. He tried to keep piace with the car
and the thing that floated above it, the basket-
ball-sized sphere. He had the strangest feel-
ing that it was that thing which had spoken
to him.
If so, it had called him by name and no
one else had heard it Now that he thought
of it that voice hadn’t seemed to come from
outside at all. It had been inside his head.
And it had been a flat, mechanical-sounding
voice. It hadn’t sounded like a human voice
at all.
Was he going crazy? Or zvas he crazy?
But whatever the explanation, he had a
blind impulse not to lose sight of — of what-
ever the basketball was. It had called him
by name. Maybe it knew the answer to why
he was here— to what had happened to the
world as he, Keith Winton, knew it — to the
world in which there’d been two world wars
but no interplanetary ones, to the world in
which he’d been editor of a science-fiction
magazine which — here — was an adventure
magazine and was edited by someone who
had the name of Keith Winton but didn’t
even look like him.
Was the basketball-sized sphere Mekky?
Maybe Mekky had the answers. Mekky
had said, "Come and see me some time” !
He stumbled into p>eople, his suitcase
banged legs, he drew sharp looks and sharp
STARTLING STORIES
42
words — but he kept going, not quite keeping
up with the pace of the car out in the street
but not losing much ground either.
And the voice came inside his head again.
"Keith Winton,” it said. "Stop. Don’t fol-
low. You’ll he sorry.”
Keith started to yell his answer. “Why?
Who are — ” and realized that, even over the
cheering, people were hearing him and turn-
ing to stare.
"Don’t attract attention,” the voice said.
"Yes, I can read your thoughts. Yes, I am
Mekky. Do as you have planned and see me
later — three months from now.”
“Why?” Keith thought. “Why so long?”
"A crisis in the war,” said the voice. "The
human race is at stake. The Arcturians can
win. I have no time for you now.”
“What shall I do?”
"As you have planned,” the voice said.
"And be careful. You are in danger every
minute.”
Keith tried desperately to frame a question
that would give him the answer he sought.
“But what happened? Where am — ”
"Later,” said the voice. "Later I will try
to solve your problem. I perceive if through
your mind but I do not know the answer
yet.”
“Am I crazy?”
"No. And do not make one fatal mistake.
This is real — it is not a figment of your
imagination. Your danger here is real and if
you are killed here you are very dead. I have
no time now. Stop following.”
Abruptly in Keith’s mind, before he could
again hear the sounds of cheering and the
other noises, there was a sudden sensation
of silence. Whatever had been in his mind
had withdrawn. He knew that without
know'ing how he knew. He knew there
wasn’t any use framing another question
there. There wouldn’t be any answer.
Obedient to the last order he stopped walk-
ing. He stopped so suddenly that someone
bumped into him from behind and snarled at
him.
He caught his balance and stood staring
down the street, over the heads of the crowd,
at the sphere that was floating away from
him, out of this life. What was it? What
kept it up there? Was it alive? How could
it have read his mind? And it seemed to
know who he w^as, what his problem was —
but not the answer.
He didn’t want to let it go. Wait three
months? Impossible when he could get the
answer now ! But he couldn’t keep up with
that car through the crowd while he was
burdened with the suitcase and the armful
of magazines. He looked about him wildly
and saw that he was in front of a cigar store.
He darted in and put the suitcase and
magazines down on a soft drink cooler near
the entrance. He said, “Back in just a sec-
ond. Thanks for watching these,” and ran
out again before the man could protest.
UTSIDE again he could go faster. He
held his ground half a block behind
the car and the motorcycles and even gained
a little. They turned south on Third Avenue,
west — just around the corner — on Thirty-
seventh Street. And there was a big crowd
gathered there. The motorcycles and the car
stopped at the edge of the crowd.
The sphere that had floated above the car
didn.’t stop. It floated on and up, over the
heads of the people. Up, up, to the open
window.
It was Betty Hadley.
Keith Winton got to the edge of the
'crowd and stopped. No use pushing his
way farther — he could see better here than
closer in against the building. The cheering
was tremendous.
Besides “Mekky,” he heard “Dopelle”
and “Betty” in with the cheers. The sphere
floated up until it was level with the open
window, beside Betty Hadley’s shoulder. It
paused there, hovering.
It spoke. This time, Keith knew instinc-
tively, it was not speaking to him alone, as
it had back there when it had first passed
him. He knew somehow that the words he
was hearing inside his head were echoing
in the heads of all who stood there.
The cheering didn’t even stop. It didn’t
have to, Keith realized. The words that
formed inside his head, in that mechanical
voice, were different in nature from the
sounds that came through his ears. He could
hear both at once and one didn’t interfere
with the other.
"Friends,” said the voice, "I leave you
now to bear a message from my master
Dopelle to Miss Hadley. A private message,
of course. I thank you for the courtesy you
have shown. And, from my master, these
zvords to all of you — ‘The situation is still
critical, and we must all do our best. But be
of good cheer. There is hope for victory.
We must zvin — we shall win.’ ”
"Mekky!” the crowd roared. “Dopelle!”
WHAT MAD
“Betty!” '‘Victory!” “Down With
Arcturus!” ‘’M&kky, Mekky, MEKKY!”
Betty Hadley, Keith saw, was smiling,
her cheeks and throat flushed with embar-
rassment. Now she bowed once and with-
drew her head and shoulders inside the win-
dow. The sphere floated in after her.
The crowd began to disperse.
Keith groaned. He tried to hurl a thought
at the sphere but he knew it was too late.
It wouldn’t pay any attention to him if it
heard him, if it received the thought.
Well, it had warned him. If it had been
inside his mind it must have known that he
loved Betty and it had warned him not to
follow. It would have saved him the despair
and bitterness that he was feeling now.
It hadn’t meant much — not too much, that
is — when Marion Blake had told him that
Betty was engaged. As long as she wasn’t
actually married there was hope for him, he’d
thought. He’d hoped he could make her for-
get this dope Dopelle. But — what a chance!
Far more than anything he’d read about
that magnificent hero, the exhibition he’d
just seen had made him realize what a
romantic celebrity Dopelle must be! “My
master Dopelle,” the sphere had called him.
And all 'New York was cheering him when
he wasn’t even there.
What a chance he, Keith Winton, had to
take away the fiancee of a guy like that!
He walked back moodily to the cigar store
where he’d left his suitcase and magazines
and apologized to the clerk for the manner of
his leaving them.
The streets were beginning to empty when
he came out of the cigar store. He realized
it must be getting near dusk and that he
must find a place to stay.
He hunted until he found an inexpensive
UNIVERSE 43
little hotel where — for a hundred and twenty
credits in advance — ^he took a room for a
week.
In his. room he picked up one of the pulp
magazines. Now for the plan — and the voice
that had been Mekky, the sphere, had tol4
him to go ahead with his plan.
For awhile, a long while, he couldn’t really
concentrate. Betty Hadley’s face with its
aura of blonde hair, its smooth creamy skin
and kissable red lips, kept getting in the way.
Why hadn’t he had sense enough to obey
the sphere’s orders not to follow it — and get
himself in a mood like this, just when he had
to be able to think hardest.
Thinking of the hopelessness of his ever
getting Betty made what he was doing seem
futile and useless. But after awhile, in spite
of himself, he began to get interested in the
magazines. And he began to see that his
plan was really possible.
Yes, he thought he could make a living
for himself writing — for some of these maga-
zines, at any rate. Five years earlier, before
he’d started working for Borden, Keith had
done quite a bit of free-lancing. He’d sold a
number of stories and he’d written several
that hadn’t sold.
In fact, his batting average had been about
fifty-fifty and — for a writer who wasn’t too
prolific, and who had difficulty plotting —
that hadn’t been too good. Besides, his
stories hadn’t come easily. He’d had to
sweat them out painfully. So, when a steady
job at a fairly good wage had been offered
him, he’d quit writing.
But now, with five years of editing
under his belt, he thought he could do
better at it than he had before. He could see
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44 STABTUmi ST(HtlES
now what a lot of his mistakes had been —
laziness among them. And the laziness, at
least, was curable.
Besides, this time he had plots to start
with — the plots of all of the unsold stories he
could remember. He thought he could do
better with them now than he had five years
ago, a lot better.
He went through magazine after magazine,
skimming all the stories, reading some of
them. It got dark and the black blankness
of the mist-out pressed against the pane of
his window but he kept reading.
One thing became increasingly obvious to
him — he couldn’t and didn’t dare try to place
stories in a setting with which he was as
unfamiliar as he was with the world about
him. He’d make mistakes, little mistakes,
that would give him away, things that would
show his unfamiliarity with the little details
of life here.
Fortunately that left him two fields. From
his reading of Wells’ Outline of History he
knew that the differences here all dated from
those vanishing sew'ing machines of 1903.
On any story — adventure, love or what have
you — written as a costume piece and placed
before 1903, he was on sure ground. Luck-
ily. too, he’d been a history major at college
and was pretty familiar with the subject —
particularly American history.
He noticed with satisfaction that the love
and adventure magazines both carried a fair
percentage of costume pieces — more than the
love and adventure magazines of where he’d
come from. Possibly because there was a
wider difference here between life of a hun-
dred or two hundred years ago and life of
today, the settings of the eighteenth and
nineteenth centuries seemed more romantic
and interesting.
Even the love pulps — he was both sur-
prised and satisfied to learn — carried histori-
cal stories, love tales put in Civil War, Revo-
lutionary War and pioneer settings.
The other field he could tackle was, of
course, pure fantasy. He’d bought only one
fantasy magazine but he'd seen that there
were others on the stands. And in pure fan-
tasy— or semi-science-fiction adventures in
far and non-existent galaxies — he couldn’t
go w'rong. Nor in stories of the distant fu-
ture. As long as he avoided the present, the
recent past and the near future, he’d be all
right.
He finished his study of the magazines by
ten o’clock and, from then until midnight.
he sat at the little desk in hts ro<»n, pencil m
hand and paper before him, jotting down
notes of all the stories he could remember
having written and not sold. He was able to
remember twenty stories.
Of the twenty, six had been historical cos-
tum pieces and those were in — ^particularly
the shorter ones that he could re-write com-
paratively quickly. Another six he picked
out as being fairly easy to translate into his-
torical or fantastic settings.
A dozen stories, then, to start on, as soon
as he could get hold of a typewriter — if he
could sell one or two of them quickly, he’d
be all right. If not — well, there were still the
coins in his pocket. A quarter had brought
him two thousand credits in Greeneville.
But he’d got himself into a jam. He wasn’t
going to take that risk again unless he had
to — ^and then not without studying up on the
subject and learning what the pitfalls were.
By midnight he was sleepy. But he hadn’t
finished all he wanted to do yet. He picked
up The Story of Dopelle by Paul Gallico and
started to read.
Now to find exit what the competition
really was —
CHAPTER IX
The Dope on Dopelle
The competition, he learned within the
next hour, was not only terrific. It was
impossible.
Dopelle (he didn’t seem to have a first
name at all) was simply unbelievable. He
was Napoleon and Alexander the Great and
Einstein and Edison and Philo Vance and
Galahad all rolled into one. And he was
only twenty-seven years old.
The sketch of the first seventeen years of
his life was brief. He’d been brilliant in
school, skipped a lot of grades and had been
graduated by Harvard (magna cum laude)
at the age of seventeen, president of his class
and the most popular man of his class despite
his comparative youth.
Prodigies aren’t usually popular, but Do-
pelle had been an exception. He hadn’t been
a grind. His high standing in his classes
was due to his ability to remember perfectly
everything he read or heard, obviating the
necessity for hard study.
WHAT MAD
Despite his heavy schedule of classes (he’d
taken about everything Harvard had to of-
fer) he’d had time to captain an undefeated
and untied football team. He had worked
his way through school (and become finan-
cially independent in the process) by writ-
ing, in his spare time, six adventure novels
which had become best sellers at once and
still rated as top classics in their field.
The wealth these books brought him en-
abled him to own his own private space-
cruiser and his own laboratory where — dur-
ing his last two years of college — ^he had al-
ready made several important improvements
in the technique of space travel and space
warfare.
That was Dopelle at the age of seventeen,
just an ordinary young fellow. His career
had started then.
He’d gone from Harvard to a Space Offi-
cers’ Training School, emerged a lieutenant
and had jumped grades rapidly for a year
or so. At twenty-one he was in charge of
counter-espionage, and was the only man
who had successfully been to the Arcturian
system and lived among the Arcs. Most
Earthly knowledge of the Arcturians had
been obtained by him on that trip.
He was an incredibly good space-pilot and
fighter. Time and again his squadron had
turned back Arcturian attacks with Dopelle
spearheading as well as directing the fighting.
The brass had begged him not to fight per-
sonally'because his scientific knowledge was
invaluable — but he fought anyway (by this
time he was apparently above authority) and
seemed to bear a charmed life. His bright
red space-ship, the Vengeance, was never hit.
At twenty-three he was general of all the
Solar forces but command seemed to be the
least important of his activities. Except dur-
ing times of crises he delegated authority and
spent his time having exciting adventures in
espionage and counter-espionage or in work-
ing in his secret laboratory on the Moon.
The list of his scientific accomplishments in
that laboratory was almost unbelievable.
The greatest of them, perhaps, was the
creation of a mechanical brain, Mekky. In-
to Mekky Dopelle had put powers of thought
not possessed by human beings. Mekky
wasn’t human but he (actually it, of course,
Gallico pointed out, but nevertheless always
referred to as he) was super-human.
Mekky could read minds — including Arc-
turian minds — and could perform thought-
transference. Also he could scJve (as an
UNIVERSE 45
electronic calculating machine can solve) any
problem, however difficult, given all the fac-
tors.
Into Mekky also was built the ability to
transfer himself instantaneously through
space without the necessity of having a space-
ship to ride in. This made him invaluable as
an emissary, enabling Dopelle, wherever he
was, to keep in touch with his space fleets
and with the governments of Eiarth.
Briefly and touchingly near the end of the
book Gallico told of the romance between
Dopelle and Betty Hadley. They were, it
seemed, engaged, but had decided to wait
until the end of the war to marry.
Meanwhile Miss Hadley continued to keep
her job as editor of the world’s most popular
love story magazine, the job she had held
when she and Dopelle had met while he was
in New York incognito on an espionage job.
They had fallen in love immediately and
deeply. Now the whole world loved them
and eagerly awaited the end of the war and
the day of their marriage.
Keith Winton frowned as he put down the
book. Could anything possibly be more hope-
less than his loving Retty Hadley ?
Somehow, it was the very hopelessness of
things that gave him hope, a shred of hope.
The cards just couldn’t possibly be stacked
that badly against him. There might be a
catch somewhere.
It was after one o’clock when he undressed
for bed but he phoned the desk of the hotel
and left a call for six. Tomorrow was going
to be a busy day. It had to be if he were to
keep on eating after a week.
And he went to sleep and dreamed — the
poor goof — of Betty. Of Betty dressed
(more or less) in one of the costumes worn
by girls on the cover pictures of science-fic-
tion magazines, being chased by a purple
Bern.
Only he, Keith, was the purple Bern and
he was thwarted when he almost caught
Betty by a tall dashing romantic young man
who had muscles of steel and who must be
Dopelle, although he looked uncommonly like
Errol Flynn.
Dopelle picked up the purple Bern that
was Keith and said, “Back to Arcturus,
spy!” and threw him out into space and he
was spinning head over purple heels out
among the planets and then among the stars.
He was going so fast that there was a ringing
sensation in his ears. The sormd got louder
STARTUNG STORIES
46
and louder until he quit being a purple Bern
and realized that the ringing was the tele-
phone.
He answered it and a voice said, “Six
o’clock, sir.”
He didn’t dare lie down again or he’d go
to sleep, so he sat on the bed awhile, think-
ing, remembering the dream.
What did Dopelle look like? Like Errol
Flynn, as he had dreamed? Why not?
If he ever saw Dopelle would it be any
more improbable than anything else that
Dopelle should look like Errol Flynn, or
even be Errol Flynn? Wasn’t this, maybe,
a fantastic movie or a story or a book he’d
tangled himself in?
Why not? Dopelle, he thought, was al-
most too perfect, almost too fantastic a char-
acter to be true. Good Lord, he sounded like
something out of a — no, not out of a pulp
magazine. As editor, Keith would have re-
jected any story which had so improbable a
character. Like something out of a comic
book, maybe.
But wait — ^hadn’t the mechanical brain,
Mekky, in brief contact with hhn, anticipated
that very thought?
“ do not make one fatal mistake. This
is real. It is not a figment of your imagina-
tion. Your danger here is real — ”
Mekky — fantastic as Mekky himself was —
was right. This universe and the spot it had
put him in were real enough— -as real as his
hunger for breakfast right now.
He dressed and went out. At six-thirty in
the morning the streets of New York were
as busy as — in that other universe he’d been
in — they would have been at ten or eleven
o’clock. The short day necessitated by the
mist-out demanded an early start.
He bought a Times and read it while he
ate breakfast. The big news story was, of
course, the visit of Mekky to New York, and
the reception that had been given him. There
was a picture splashed over a quarter of the
front page of the sphere poised in midair
outside the open window and Betty Hadley
leaning out of the window, bowing to the
crowd below.
A boxed item of ten-point boldface type
gave the words Mekky had spoken to the
crowd, just as Keith had heard them there,
inside his head. “Friends, I leave you now to
bear a message from my master Dopelle
to—”
Yes, word for word. And apparently that
had been the only public statement from the
mechanical brain. An hour later k had re-
turned to “somewhere in space” as the news
story put it.
He skimmed the rest of the paper. There
was no news of the war — no mention of the
crisis Mekky had said (privately to Keith)
was impending in the war. If things were
going badly, apparently it was being kept
from the public. If Mekky had told him a
military secret it must have been because
Mekky realized that he was in no spot to
spread it farther, even if he wished to.
An item on an inside page about a man
being fined two thousand credits and costs
for possession of a coin interested him. He
read it carefully but didn’t find any answer
to the problem of why possession of coins
was illegal. He made a mental note to look
it up as soon as he had time. Not today — he
had too much to do today.
First thing was to rent a typewriter. By
taking a chance on using the name Keith
Winton, for which he still had identification
in his wallet, he got one without having to
leave a deposit and took it to his room in the
hotel.
He put in the hardest day’s work he’d ever
done in his life. At the end of it — he was
dead tired by seven o’clock and had to quit -
then— he’d finished seven thousand words.
A four thousand word story and a three
thousand worder.
True, they were both rewrites of stories
he’d written before, long ago, but he’d done
a better job on them this time. One was a
straight action story in a Civil War setting,
the other a light romance set against the
background of early pioneer days in Kansas.
He fell into bed, too sleepy to phone down
to the desk and leave a call for in the morn-
ing.
But he awoke early, just after five
o’clock. Back in his room after coffee
and doughnuts, he read over the two stories
and was more than satisfied with them. They
were good. What had been wrong with them
before hadn’t been the plots — it had been
the writing and the treatment and five years
as an editor had taught him something after
all.
He could make a living writing — he w'as
sure of that now. Oh, he couldn’t bat out
two stories a day except while he was re-
writing his old stuff from memory but he
wouldn’t have to. Once he’d rewritten the
dozen or so stories he’d picked out he’d have
WHAT MAD UNIVERSE 47
a backlog. Two shorts or a novelet a week
would be plenty once he’d used up his avail-
able old plots and had to think up new ones,
j One more, he decided, and he’d start out
ito peddle them — And start, of course, with
i Borden Publications. They were good for
:quick checks if they Kked the stories,
j For his third rewrite job, he picked a sci-
lence-fiction, remembering that Marion Blake
I had told him they were in the market for
stuff for a new book in that field. He had
one that wouldn’t require any revamping at
all — a time-travel story about a man who
goes back to prehistoric times.
It was told from the point of view of the
cave man who encounters the time-traveler
and none of it was in a modern setting — so
he couldn’t go wrong.
He started batting the typewriter again
and had it finished by nine o’clock.
Half an hour later he was smiling down
at Marion Blake across the reception desk.
She smiled back. “Yes, Mr. Winston?’’
“Brought in three stories,” he said proud-
ly. “One I want to leave with Miss Hadley
for her book and — who’s running this new
science-fiction book you told me was start-
ing?”
“Keith Winton. Temporarily an5nvay.
After it’s really on the stands th^ may put
someone else cm it.”
“Good, I’ll want to see him too, then.
And — I had a copy but I forgot to notice —
who’s running War Adventure Stories?”
“Keith Winton edits that, too. That and
Surprising Stories are his regular books. I
think he’s free now. I’ll see if he can talk to
you. Miss Hadley’s busy but maybe she’ll
be free by the time you’ve talked to Mr. Win-
ton, Mr. Winston. Uh — your names are a
lot alike, aren’t they?”
“Almost a coincidence — same initial, too.”
He laughed. “Maybe he’ll want me to use
a different by-line if he buys the stories. He
may figure some of his readers will think
Karl Winston is a nom de plume of Keith
Winton.”
Marion Blake had pushed a plug into the
switchboard and was talking into the mouth-
piece. She pulled the plug. “He’ll see you
now,” she said. “I — uh — told him you were
a friend of mine.”
“Thanks a lot.”
After he’d started for Keith Winton’s of-
fice he realized that he wasn’t supposed to
know the way until he was shown, but it was
too late then, so he kept on going.
A moment later, Keith Winton sat down
opposite Keith Winton, reached across the
desk to shake hands and said, “I’m Karl
Winston, Mr. Winton. Have a couple of
stories to leave with you. Could have mailed
them, of course but I thought I’d like to meet
you while I was in New York.”
Keith was studying Winton as he spoke.
He wasn’t a bad-looking guy, about Keith’s
age, an inch or so taller but a few pounds
lighter.
His hair was darker and a little curlier.
Facially, there wasn’t any particular resem-
blance.
“You don’t live in New York?”
“Yes and no,” Keith said. “I mean, I
haven’t been, but I may be from now on.
Been working on a paper in Boston — and
doing a lot of free-lance feature writing on
the side.” He’d thought out his story and
didn’t have to hesitate. “Got a leave of ab-
sence for a while and — if I can make a go
of things free-lancing here — I probably won’t
go back.
“I brought in two shorts I’d like you to
consider — one for War Adventure and one
for the new science-fiction book Miss Blake
tells me you’re starting. I’d appreciate a de-
cision as quickly as I can get it — because I
w'ant to write some more I have planned
along these lines and don’t want to start until
I know your reaction to these.”
Keith Winton smiled. “I’ll keep them out
of the slushpile.” He glanced at the upper
right corners of the two manuscripts Keith
had put on the desk.
“Three and four thousand. Those are
lengths we need and both books you men-
tioned are wide open.”
“Fine,” Keith said. He decided to crowd
his luck a little. “I happen to have an ap-
pointment in the building here on Friday, the
day after tomorrow. Since I’ll be so close,
would that be too soon for me to drop in to
see if you’ve made a decision?”
Keith Winton frowned a little. “Can’t
promise for sure that soon but I’ll try. If
you’ll be in the building anyway drop in.”
"Thanks a lot.” Keith didn’t crowd his
luck any farther than that. He stood up.
“I’ll be in Friday then about this time. Good-
bye, Mr. Winton.”
He went back to Marion Blake’s desk.
“Yes,” she said, “Miss Hadley is free now.
You may go in her office.” This time Keith
remembered to wait until she pointed out the
proper door to him.
STAETLING STORIES
ia
Me felt as though he were walking
through thick molasses on the way to
the door. He thought, “I shouldn’t do this.
It’s crazy. I should have my head examined.
I should leave the story for her — or take it
to some other love story magazine editor.”
He took a deep breath and opened the
door.
And then he knew he should have stayed
away. His heart did a double somersault
when he saw her sitting there at her desk,
looking up at him with a slight impersonal
smile. She was twice as beautiful as he re-
membered. But of course that was silly —
Wait — wa^ it silly? This was, somehow,
another universe. It had a completely differ-
ent Keith Winton in it.
Why shouldn’t it have a completely differ-
ent Betty Hadley ?
Only she wasn’t different really. She was
just more beautiful. He couldn’t tell exactly
where the difference lay. It was as subtle as
was the difference between the girls on the
magazine covers back there and the ones on
the covers here. They were the same girls
in the same costumes but they had more —
well, you name it.
It was like that with Betty — she was the
same girl but subtly more beautiful and
more desirable. He was twice as much in
love with her.
Her smile faded and she said, “Yes?”
Keith realized that he must have been star-
ing.
He said, “My name is Kei — uh — Karl
Winston, Miss Hadley. I — uh — ”
She saw he was floundering and helped
him out. “Miss Blake tells me you are a
friend of hers and a writer. Won’t you sit
down, Mr. Winston?”
“Thanks,” he said, taking the chair oppo-
site her desk. “Yes, I brought in a story
which ...” And he went on talking, or
rather his tongue did, now that he’d got it
back, telling her substantially the same story
he’d told Keith Winton.
But his mind wasn’t on what he was say-
ing at all.
And then, somehow, he was making his
getaway without falling over his own feet
and the interview was over and he was out
of the door. And he knew he’d never again
torture himself by coming that close to her
again. Not that it wouldn’t be worth the
torture if there was a chance in a billion but
there wasn’t — there couldn’t be.
He was so miserable that he almost walked
blindly past the receptionist’s desk without
speaking but Marion Blake called out, “Oh,
Mr. Winston.”
He turned and managed to make himself
smile. He said, “Thanks a lot. Miss Blake,
for telling them — ”
“Oh, don’t mention that. That’s all right.
But I have a message for you from Mr.
Winton.”
“Huh? But I just talked to — ”
“Yes, I know; he just left to keep an im-
portant appointment. But he said he wanted
to ask you something and he’ll be back by
twelve-thirty and could you telephone him
then?”
“Why, sure. I’ll be glad to. And again,
thanks a lot.”
He started for the door, wondering what
Keith Winton wanted to talk to him about
so soon. He’d been in Betty Hadley’s office
less than fifteen minutes. Winton couldn’t
ppssibly have read even one of the two
stories.
But — well, why wonder ? He’d know when
he phoned at half past twelve.
As he walked toward the elevators in the
hallway outside Borden Publications, Inc.,
the door of one of the elevators slid open.
Mr. and Mrs. L. A. Borden emerged and
the door slid shut behind them.
Caught unaware, Keith nodded and spoke
to them. Each of them nodded slightly and
Mr. Borden murmured something inaudible,
as one does when spoken to by someone
whom one can’t recall.
They went past him and into the offices
he’d just left.
Keith frowned as he waited for a down
elevator. Of course they didn’t know him
and he shouldn’t have spoken. It was a very
slight slip but he’d have to be on the alert
to avoid even slight ones.
He’d made one back in Betty’s office, too,
when he’d started to introduce himself as
Keith Winton instead of Karl Winston. And,
now he thought of it Betty had given him a
very peculiar look when he’d made that slip.
Almost as though — but that was silly. He
put the thought out of his mind.
It came to him again, as he walked into
the elevator, that the similarities of this uni-
verse might be more dangerous to him than
its differences, might make him give himself
away more easily. He worried about it a
little.
He’d have worried about it more if he’d
known that he already had.
WHAT MAD UNIVERSE
CHAPTER X
Slade of the W. B. I.
Keith WINTON didn’t feel like going
back to his hotel and grinding out an-
other story just yet. This afternoon and eve-
ning, maybe. He had a good start with three
stories but three stories, even fairly short
ones and rewritten, are plenty for two days.
He knew those stories were good and he
wanted to keep up the quality and not go
stale. The rest of today, then, he’d take off
and wander around a bit.
Tomorrow, another story or two, so he’d
have something to take in on Friday when
he kept his appointments at Borden. It was
funny, he thought, to be on the opposite side
of the fence there — to be taking stories in
instead of having writers and agents bring
them. Maybe he should get himself an agent
— no, let that wait until he had a sale or two
he could report and a foot inside the door.
He strolled over to Broadway and down
to Times Square. He stood looking at the
Times Building, wondering what was strange
about it — then realized that the strips of cur-
rent news headlines in electric lights weren’t
flashing around as they should have been.
Why not?
Oh sure — because daytime New York used
a minimum of electric lighting. Those what-
ever-they-were rays emitted by electric lights
and detectable by the Arcturian space-ships
were blanked out at night by the mist-out but
by day they weren’t.
That was why, then, most places he’d been
in had seemed so dimly lighted compared to
the offices and stores and restaurants he’d
known. Come to think of it, there hadn’t
been any artificial light at all in most of them.
He’d have to watch little things like that,
to keep from giving himself away. He’d had
the electric light on in his hotel room most
of the time he’d been working. Luckily, he
hadn’t been called on it. Hereafter he’d move
the desk and typewriter over closer to the
window and leave the light off.
He walked past a news stand slowly, and
read the headlines:
FLEET BLASTS ARC OUTPOST
49
That ought to give him a kick, Keith
thought, but it didn’t. He couldn’t hate Arc-
turians — he didn’t even know what they
looked like. This was real, yes, but it
couldn’t seem real to him yet. It still seemed
like a dream he might wake up from.
Dream? No, more like a nightmare. It was
a world in which the only woman he’d ever
really loved, head over heels, was engaged to
somebody else.
He stood staring moodily at a window of
hand-painted neckties. Something touched
his shoulder and he turned around. He
jumped back, almost striking the glass of the
window. It was one of the big purple haiiy
Lunans, a Bern, no less.
It said, “Pardon me, do you have a
match?”
Keith wanted to laugh, but his hand trem-
bled a little as he handed over a package of
matches and then took it back when the
Lunan had lighted a cigarette.
It said, “Thank you, sir,” and walked on.
Keith watched his back and the way he
walked. Despite his bulging muscles he
walked like a man wading through waist-
high water. Heavy gravity, of course, Keith
thought — on the Moon he’d be strong enough
to throw Gargantua around. And he was
slumped down, pulled together by that grav-
ity. Not an inch over eight feet tall. On the
Moon he’d probably be eight and a half.
But wasn’t there supposed to be no air on
the Moon ? How could Lunans breathe ? And
they must breathe, because he’d lighted a
cigarette. Anything that doesn’t breathe
couldn’t smoke.
Suddenly, and for the first time, some-
thing occurred to Keith. He could go to the
moon! Mars! Venus! Why not? In a uni-
verse with space-travel why not take advan-
tage of it? A little chill of excitement went
down his spine. Somehow he hadn’t, in the
few days he’d been here, thought of space-
travel in connection with himself. Now the
idea hit him like a ton of bricks.
It would take money, of course. He’d have
to write plenty — but why couldn’t he?
And there was another chance, once he
had learned the ropes well enough to take a
chance. Those coins he still had. If a nine-
teen twenty-eight quarter had brought him
two hundred dollars, maybe one of the other
coins he had would turn out to be a rare
one, and bring him big money on whatever
black market the secret coin collectors used.
But for now, that was too dangerous.
Big Victory for Solar Forces
50
STARTUNG STORIES
He strolled up Broadway as far as Forty-
sixth, and then saw by a clock in a window
that it was almost twelve-thirty. He went
into a drugstore and phoned Keith Winton
at Borden Publications.
Winton’s voice said, “Oh, yes, Mr. Win-
ston, Thought of something else I wanted to
talk to you about, something you might do
for us but it’s a bit complicated to discuss
over the phone. Are you free this after-
noon?”
“Yes,” Keith said.
“Wonder if you could drop up to my
place. We can discuss it over a drink, may-
be.”
“Fine,” Keith said. “Where and when?”
“Four o’clock all right? And I’m in Apart-
ment six at three-one-eight Gresham, down
in the Village. You’d probably better take
a cab unless you know the district down
there.”
Keith grinned, but kept his voice serious.
“I think I can find it all right,” he said. He
ought to be able to. He’d lived there for
four years.
Me put back the receiver and went out
to Broadway again, this time walking
south. He stopped in front of the window
of a travel agency.
Vacation Trips, the sign said. All-Expense
Tours to Mars and Venus. One Month,
5,000 Cr."
Only five hundred bucks, he thought. Dirt
cheap, as soon as he could earn five hun-
dred bucks. And maybe it would take his
mind off Betty.
He went back to his hotel, walking fast.
He jerked paper and carbon into the type-
writer and started working on the fourth
story. He worked until the last minute, then
hurried out and caught a subway train south.
The building was familiar and so was the
name Keith Winton on the mailbox of Apart-
ment 6 in the downstairs hallway. He
pressed the buzzer and waited, with his hand
on the latch, until it clicked.
Keith Winton— the other Keith Winton —
was standing in the doorway of the apart-
ment as Keith walked back along the hall.
“Come in, Winston,” he said. He stepped
back and opened the door wider. Keith
walked in — and stopped suddenly. A big
man with iron-gray hair and cold iron-gray
eyes was standing there in front of the book-
case. There was a deadly looking forty-five
automatic in his hand and it was pointed at
the third button of Keith’s vest. Keith stood
very still, and raised his hands slowly.
He heard the door close behind him.
The big man said, “Better frisk him, Mr.
Winton. From behind. Don’t step in front
of him. And be careful.”
Keith felt hands running lightly over him,
touching all his pockets.
“May I ask what the idea of this is?”
Keith managed to keep his voice steady.
“No gun,” Winton said. He stepped
around where Keith could see him again.
He stood there looking at Keith with puz-
zled eyes. He said, “I owe you an explana-
tion, sure. And then you owe me one. Okay,
Karl Winston — if that’s really y'our name —
meet Mr. Gerald Slade of the W. B. I.”
“Glad to know you, Mr. Slade,” Keith
said. What, he was wondering, was the
W. B. I.? World Bureau of Investigation?
It seemed like a good guess. He looked back
at his host. “Is that all the explanation you
owe me?”
Winton glanced at Slade and then back at
Keith. He said, “I thought it best to have
Mr. Slade here. You brought me two stories
this morning at the Borden office. Where
did you get them?”
“Get them? I wrote them.”
“You mean you rewrote them. They were
stories I wrote five or six years ago. You
did a nice rewrite job on them — I’ll say that
for you. They were better than the orig-
inals.”
Keith opened his mouth, and closed it
again. The roof of it felt dry and he thought
he’d make a croaking noise if he tried to say
anything. It was so obvious, now that he
thought of it.
Why shouldn’t the Keith Winton of this
universe have written the same stories since
he had the same job, lived in the same flat
— everything the same except physical re-
semblance? Why hadn’t he thought of the
possibility ?
He moistened his lips with his tongue. He
had to say something. He said, “Lots of
stories have similar plots. There have been
lots of cases where — ”
“These aren’t just cases of similar plots.
Too many of the minor details are identical.
In one story, the names of the two main
characters are the same as in my original of
that story. Coincidence won’t wash, Win-
ston. Coincidence could account for similar
basic plots, but not for identical bits of busi-
ness.
WHAT MAD UNIVERSE
"Those stories were plagiarized. I’ve got
copies in my files to prove it.”
He stared at Keith, frowning. He went
on, “I suspected something before I finished
reading the first page of one story. When
I’d read all of both stories I was sure of it.
But I’ll admit I’m puzzled. Why would a
plagiarist have the colossal gall to try to sell
stolen stories to the very man who wrote
them ? However or whenever you stole them,
you must have known I’d recognize them.
And — is Winston your real name?”
“Certainly.”
“That’s funny, too. A man calling him-
self Karl Winston offering stories written by
a man named Keith Winton. What I can’t
understand, if it’s a fake name, why you
didn’t pick one that wasn’t so close.”
Keith wondered about that himself.
The man with the automatic asked, "Got
any identification w'ith you?”
Keith shook his head slowly. He had
to stall, somehow, until he could fig-
ure an out — if there was one. He said, “Not
with me. I can prove my identity, of course.
I’m staying ^ the Watsonia Hotel. If you
phone there — ”
“If I phone there,” Slade said, “I’ll be
told a man named Karl Winston is regis-
tered there. Sure, I phoned there already.
That’s the address on the manuscripts.” He
cleared his throat. “That doesn’t prove any-
thing except that you’ve been using the name
Karl Winston for the two days you’ve been
there.”
He clicked the safety catch on the big auto-
matic. His eyes hardened. He said, “I don’t
like to shoot a man in cold blood, but — ”
Keith involuntarily took a step backwards.
“I don’t get it,” he said. “Since when is
plagiarism — even if I were guilty of it —
something to shoot a man for?”
“We’re not worried about plagiarism,”
Slade said grimly. “But we’re under orders
to shoot on sight anybody suspected of being
an Arc spy. And there’s one loose, last seen
in Greeneville upstate. We got a kind of
punk description but you could fit it. So — ”
“Wait a minute,” Keith said desperately.
“There’s a simple explanation of this some-
where. There’s got to be. And, if I were
a spy, wouldn’t pulling a dumb stunt like
stealing an editor’s stories and trying to sell
them back to him be the last thing I’d do?”
Winton said, “He’s got something there,
Slade. That’s what puzzled me most about
51
the whole thing. And I don’t like the idea
of shooting him down unless we’re sure. Let
me ask him one or two more questions.”
He turned to Keith. “Look, Winston, you
can see this is no time to stall. It won’t get
you an>i;hing but bullets. Now, if you’re an
Arc, heaven only knows why you’d have
brought me those stories. Maybe I was sup-
posed to react differently — do something else
besides call a W. B. I. man. But if you’re
not an Arc, then there must be some ex-
planation. Can you give it?”
Keith licked his lips again. For a mo-
ment, a desperate moment, he couldn’t re-
member any of the places he’d submitted
those stories to when he’d first written them.
Then he remembered.
He said, “There’s only one possibility I
can think of. Did you ever submit those
stories to the Gebhart chain of pulps in Chi-
cago?
“Yes — one of them anyway. Both, I guess.
I’ve got a record of it.”
“About five years ago?” Keith pressed.
“About that.”
Keith took a deep breath. He said, “Five
years ago I was a reader for Gebhart. I
must have read your stories when they came
in. I must have liked them and passed them,
even if the editors over me didn’t buy them.
My subconscious mind must have remem-
bered them.” He frowned.
“Ij that’s true I’d better quit writing —
fiction, anyway. When I wrote those stories
recently I thought they were original. If it
was my subconscious memory of stories I’d
read five years ago — ”
He saw with relief that Slade’s grip on
the pistol wasn’t quite so tight. Slade said,
“Or you could have taken notes on those
stories, intending to swipe them sometime
later. ”
Keith shook his head. “If it had been
deliberate plagiarism, wouldn’t I have
changed at least the names of the charac-
ters? And — ” He started to say “the titles,”
but realized in time that he wouldn’t be sup-
posed to know whether the titles were the
same or not. He turned to Winton and
asked, “Did I use the same titles?”
“On one of them. On the other you had
a better one.” Winton leaned back against
the table behind him and looked at Slade.
He said, “That sounds reasonable to me,
Slade. I’m inclined to believe him. And, as
he says, if he were deliberately plagiarizing,
he’d have changed them more than he did.
STARTLING STORIES
52
They were well written — ^the actual writing
is better than mine was, I’ll admit.” He
took a deep breath. “It could be true and
you almost shot the guy.”
“I still should,” Slade said. “You know
as well as I do we aren’t supposed to take
chances with possible Arcs. In any case, I’m
not taking this gun otf him till we check
forty ways for Sunday. For a start, you
can put through a long distance call to this
Chicago publisher and — ^wait, they’d be
closed now, even if it’s an hour earlier
there.”
Winton said, “Just a minute, Slade. I’ve
got an idea. When I frisked him, I was look-
ing for a gun and he hasn’t got one. But I
did feel a billfold.”
Slade’s eyes got even harder as he stared
at Keith. “And no identification in it?”
There was, Keith thought bitterly, plenty
of identification — but not as Karl Winston.
All too clearly now he saw all the mistakes
he had made. And it was too late now to try
to correct any of them. Maybe he had only
seconds to live.
The W. B. I. man didn’t wait for him to
answer. Obviously he wasn’t going to be-
lieve him anyway. He said to Winton, with-
out taking his eyes off Keith, “Get the wal-
let. And see if he’s got anything else in his
pockets. That’s the last chance we’ll give
him.”
The other Keith Winton circled to ap-
proach him from the back. Keith took a
deep breath. This was going to be it. Be-
sides the identification in that wallet he still
had the incriminating coins, wrapped — so
they wouldn’t clink together — in money that
was in dollars instead of credits. He hadn’t
dared leave the stuff in his hotel room. Well,
it didn’t matter. The wallet alone would be
enough.
This was it. Either he was going to die
here and now or else — Heroes in the stories
he had bought back in a sane universe where
he’d been a Borden editor instead of an Arc-
turian spy always managed to jump a gun.
Was there a chance in a thousand that it
could really be done?
NEXT ISSUE
DORMANT
by A. E. VAN VOGT
AND OTHER STORIES
CHAPTER XI
The Blacker Dark
The . man who was searching him was
behind him now. Keith stood very still
with the muzzle of the pistol aiming right at
him. His mind was going like a millrace but
it wasn’t thinking of anything that would
save him from being shot within the next
minute or two. As soon as the other Keith
Winton opened that wallet and read the iden-
tification in it. . . .
All Keith’s attention was on tlie automa-
tic. A gun like that, he knew, shot steel-
jacketed bullets that would go right through
a man. If Slade fired now he’d probably kill
both of them, both Keith Wintons.
And then what? Would he wake up back
on Borden’s farm in Greeneville in a sen-
sible world? No, not according to what
Mekky, the mechanical brain, had said —
“This is real. . . . Your danger here is real.
If you are killed here ...”
And, wildly improbable as Mekky himself
was, he knew somehow that Mekky was dead
right. Somehow there were two universes
and two Keith Wintons but this one was just
as real as the one he’d grown up in. The
other Keith Winton was just as real as he
was. And would the fact that one shot
might kill them both delay the W. B. I.
man’s finger a second on the trigger? It
might or it might not.
A hand was reaching into his hip pocket.
It came out, holding the billfold. Keith
found he was holding his breath. A hand
went into his side trouser pocket — apparent-
ly his host was going to finish the search
before opening the billfold.
Keith quit thinking and moved.
His hand closed on Winton’s wrist, and
he pivoted .and swung Winton around in
front of him, between himself and Slade. His
trouser pocket ripped. Over Winton’s shoul-
der he saw the W. B. I. man moving to the
side to get a clear shot. He moved, keeping
Winton between them.
Out of the corner of his eye he saw a fist
coming for his face and he jerked aside, let-
ting it pass over his shoulder and then
stepped in low, butting his head against Win-
ton’s chest. Then, with both hands and with
all the weight of his body and the momen-
WHAT MAD UNIVEESE
turn of his forward rush, he shoved Winton
backward against Slade, following close.
Slade stumbled backward into the book-
case and glass crashed. The automatic went
off, making a noise like a blockbuster in the
confined space of the room.
Keith dung to Winton’s lapels with both
hands while his foot kicked up alongside
Winton at the automatic. The toe of his shoe
hit Slade’s wrist and the automatic went out
of Slade’s hand. It clunked against the car-
peted floor and Keith gave a final shove
against Winton’s chest and then dived for
the gun. He got it.
He backed off, holding it to cover both of
them. He was breathing hard and — now that
the immediate action was over — his hand
was trembling.
There was a knock on the door, and a
sudden hush inside the apartment. Then a
voice called, “Are you alf right, Mr. Win-
ton?” and Keith recognized the voice — that
of Mrs. Flanders, who had the adjoining
apartment. He made his voice sound as much
like that of the other Winton as he could.
He called, “Everything’s okay, Mrs. Flan-
ders. Gun went off while I was cleaning it.
The recoil knocked me over.”
He stood still, waiting, knowing she’d be
wondering why he didn’t open the door. But
all his attention had to be on the two men
in front of him and he didn’t take his eyes
off them a second. He saw the puzzlement
in Winton’s eyes. Winton was wondering
how he knew Mrs. Flanders’ name and had
recognized her voice.
After a few seconds he heard Mrs. Flan-
ders’ voice again. “All right, Mr. Winton.
I just wondered.” And her steps going back
along the hall to her own apartment. She
was still wondering, of course, why he hadn’t
opened the door — and there’d been a lot more
noise than his falling over from a recoil could
have made. But she wouldn’t call coj^r
right away. She’d keep on wondering awhile
first.
But some other tenant might not. He had
to do something quickly about Winton and
the W. B. I. man. He couldn’t just shoot
them but he couldn’t just walk out and leave
them to start a chase after him. He needed
at least a few minutes’ grace to start his
getaway. Getaway to where? he wondered,
then shoved that thought out of his mind.
Right now he couldn’t figure more than min-
utes ahead.
“Turn around,” he ordered, making his
53
voice sound grim and deadly. He stepped in
close to them, keeping the muzzle of the gun
in the W. B. I. man’s back — he was more
afraid of Slade trying something than Win-
ton— and felt Slade’s hip pockets. Yes, there
was a pair of handcuffs there. He took them,
stepped back.
He said, “All right, step over by that post
in the archway. You, Winton, reach through
it. Then cuff yourselves together. Wait a
second; first toss me your keys, Slade.”
He BACKED to the door when they
had followed his orders. He started
to tell them not to yell, then realized they
would anyway and didn’t bother. He slid
the gun into his pocket and went through
the door.
He heard their voices behind him as he
went down the hall to the stairs and doors
were popping open. He walked fast but
wouldn’t let himself run. Nobody, he
thought, would actually try to stop him, al-
though somebody would be phoning the po-
lice by now.
Nobody did stop him. He made the street
and kept up his fast walk. He was a block
away when he heard sirens. He slowed down
instead of hurrying faster but he turned oflf
Gresham Street at the next corner.
Within ten minutes squad cars would be
cruising the neighborhood with his descrip-
tion. But by that time he could be on Fifth
Avenue, walking north from Washington
Square and they wouldn’t be able to pick
him out of the crowd. Or better yet —
A taxi went by, empty, and he started to
hail it, then swore at himself as he realized
he had forgotten to get his billfold back,
in Winton’s apartment. On top of every-
thing else now, he was broke. He couldn’t
even take the subway.
A dozen blocks away, he felt safe from
the squad cars that were undoubtedly look-
ing for him. He was walking north on Fifth
Avenue then and the sidewalks were fairly
crowded.
He stepped up his pace a little when he
noticed that most of the others were walk-
ing faster. Above all, he didn’t dare to be
inconspicuous. And there seemed to be hurry
in the air.
The realization of the reason for it struck
him almost like a blow. It was becoming
twilight.
It was going to get dark pretty soon.
Dark? That wasn’t the word for it. The
54 STABTUNG STORIES
blacker dark, the mist-out. All these people
were hurrying because they were scurrying
home to get under cover for the night The
doors would be locked and barred and the
streets left to crime and banditry and scav-
enging.
For the first time since he’d made his get-
away from the apartment he stopped, won-
dering where he was going. Not back to
his hotel, of course. They’d be waiting for
him there. He’d given his right address on
those manuscripts he’d turned in to Win-
ton.
And that meant he’d lost everything — the
clothes, the suitcase, the toilet articles. Again
and more bitterly he thought of his stupidity
in not getting his billfold back after Win-
ton had taken it. There hadn’t been a lot
in it but enough that he could have taken
a room for the night, enough to have lived
on for at least a few days until there was
a chance for him to figure a new plan for
living in this mad world. Writing was out
but maybe there was another way.
Broke, flat broke, what chance did he
have? Somehow he’d give himself away at
every turn. Of course there were the few
coins from a sensible universe and he was
glad now he hadn’t dared to leave them in
his hotel room. But they represented danger
as well as possible capital. He shrugged.
What difference could a little thing like that
make now? If the police got him he was
dead anyway, coins or no coins.
Slowly he started walking again, still
northward. He knew where he was going
now. Thirty-seventh Street, just off Third
Avenue. The fifth floor.
It was dusk when he got there and the
few people left on the streets were hurrying,
almost running. It was deeper dusk be-
cause the street lights had not gone on as
they should have by this time in the evening.
And the street lights weren’t going to go on.
A janitor was just reaching to lock the
outer door as Keith opened it. The man’s
hand went quickly to his back pocket, but he
didn’t pull the gun. He asked, suspiciously,
“Who you want to see?’’
“Miss Hadley,’’ Keith said. “Just stay-
ing a minute.”
“Okay.”
■ He walked back to the self-service eleva-
tor but the janitor’s voice came back after
him. “You’ll haveta walk. Juice is off al-
ready, mister. And hurry down if you want
me to take a chance on opening the door
to let you out.”
Keith nodded and took the stairs instead.
He went up them rapidly and had to stop
on die fifth floor landing to get his breath
back. Then he rang the bell of the front
apartment.
After a moment Betty’s voice called out,
“Who is it?”
“ICarl Winston, Miss Hadley. It’s im-
portant.”
The door opened on the chain, and Bet-
ty’s face looked at him through the three-
inch opening. Her eyes were a litde fright-
ened. He said, “Awfully sorry to bother you
so late. Miss Hadley, but I’ve got to get in
touch with Mekky. Is there any way it can
be done?”
The chain slid out of the groove and the
door opened. She said, “Come in, K-Keith
Winton.”
Scarcely daring to breathe, Keith stej^ed
into the room. She’d called him by name, by
his right name.
He stood with his back against the door,
scarcely believing, staring at her. The room
was dim, the shades already pulled down.
The light came from a candle in a candlestick
on the table behind Betty. Her face was
shadowed but the dim light behind her made
a golden aura of her soft blonde hair.
She asked, “You’re in trouble? They
found you out?”
He nodded.
“You haven’t mentioned Mekky to any-
one else? No one would think of your com-
ing here?”
“No.”
She turned and Keith saw for the first
time that a colored maid was standing in the
far doorway. Betty said, “It’s all right.
Della. You may go to your room.”
“But, Miss—”
“It’s all right, Della,”
The door closed quietly behind the maid
and Betty turned back to Keith.
He took a step toward her. He asked,
“Do you — remember — uh — I don’t under-
stand. Which Betty Hadley are you? How
could you have known — ”
It sounded inarticulate and confused even
to him.
She said, “Sit down, Mr. Winston. I’m
going to call you that, to avoid confusing
you with the other Keith Winton. What
happened? Was it Keith Winton w^ho found
you out?”
WHAT MAD UNIVERSE 55
“Yes.” Keith laughed a little bitterly.
"The two stories I gave him were his own
stories. I didn’t even try to explain — and
I’d have been shot first if I’d tried. And by
the way, tear up that story I left with you.
It’s both an original and a plagiarism. But
that’s not important, now. What about
Mekky ?”
She shook her head slowly. “You can’t
reach Mekky. He’s back with the fleet. The
Arcs are — ” She stopped short.
“Going to attack, I suppose,” Keith said.
“Mekky told me there was a crisis in the
war.” He laughed a little. “But I can’t get
excited about the war — I can’t believe in it
enough. What I want to know is what Mek-
ky told you about me?”
Betty Hadley looked at him thoughtfully.
“Not much,” she told him. “He didn’t know
much himself. He hadn’t time to go imder
the surface of your mind. But he learned
that you were from — somewhere else. He
didn't know where. He knew that where
you came from you were called Keith Win-
ton, although you don’t look like the Keith
Winton I know.
“He knew you were in a jam here be-
cause— well, because you don’t know enough
about things not to make mistakes. He knew
you were not an Arc spy but that you’d get
shot for one unless you were awfully care-
ful.”
Keith leaned forward. "What is Mekky?
A robot, a thinking machine?”
“That — and a little more than that. Do-
pelle made him that but — I don’t know.
Even he doesn’t understand — he has emo-
tions too. Even a sense of humor.”
The way she said the name Dopelle, Keith
thought — the way she emphasized the pro-
noun— almost capitalized it. She’s more than
in love with him, Keith thought — she wor-
ships him.
He closed his eyes a second and when he
opened them he didn’t look at her. He hardly
heard w'hat she was saying, until he realized
she was asking a question.
“What can I do? Mekky told me he saw in
your mind that you might come to me for
help. He said it would be all right if I
didn’t take any risk myself.”
“I wouldn’t let you do that,” Keith said.
“And no one followed me here or could even
suspect I’d come here. But I don’t know how
you can help unless you can get in touch
with Mekky. My masquerade here has blown
up higher than a kite. And I haven’t got any
answers for the questions the cq>s would ask
— even if they stopped to ask questions.
Mekky, I hope, could give me the answers —
and vouch for them.”
She nodded. “But there’s no way you
could get in touch with Mekky unless you
could get to the fleet.”
“Where’s the fleet?”
SHE hesitated, frowning, before she de-
cided to speak. “Near Saturn. But
you couldn’t get there. You’ll have to wait it
out somehow. Have you money?”
“No, but I don’t — wait, there’s something
you can tell me. I might be able to look
it up at the library or somewhere, but I can
find out from you quicker. What’s the score
on coinage — metal coins.”
“Metal coins? There haven’t been any
since nineteen thirty-five. They were called
in then.”
“Why?”
“The Arcs were counterfeiting them — and
paper money, too. They had a network of
spies here then. One of the things they did
was try to disrupt Earth’s economic sys-
tems by flooding the world with counterfeit
money. It couldn’t be told from real money
even by experts.
“A bad inflation started and everything
would have gone smash. So the war coun-
cil of the nations got some scientists to-
gether and they figured out a kind of paper
currency that couldn’t be counterfeited. I
don’t know what the secret is. Nobody does,
except a few scientists.
“Something they use in the paper gives ofiE
a faint yellowish glow in the dark or in deep
shadow. Anybody can s|X)t counterfeit money
because no counterfeiter — nor the Arcs —
has been able to duplicate paper that gives off
that glow.”
Keith asked, “Was that when the change
was made from dollars and cents to credits ?”
“Yes — in all countries. Each country
backs its own coinage but it’s all in credits
and all kept at par so it’s interchangeable.”
Keith said, “So after the old money had
been called in for exchange, it was illegal to
possess any. But there are coin collectors
who do?”
“Yes. It’s illegal and there’s a pretty
stiff fine. But there are coin collectors,
plenty of them. It’s not considered a real
moral crime.”
“Like drinking during Prohibition?”
Betty looked bewildered. “Like what?”
56 STABTUNG STORIES
“Skip it.” Keith took the little wad of
money out of his pocket, the coins wrapped
in the bills. He opened them out and studied
them. He said, “I’ve got five coins here and
two bills that are dated before nineteen
thirty-five. About what would they be
worth?”
He handed them to Betty, who glanced at
them. She said, “I don’^t know just what
prices are paid. I’d guess about ten thou-
sand credits — a thousand dollars by the old
scale. What are those other coins and bills?”
“Dated after nineteen thirty-five. So
they’re impossible. I nearly got myself
killed giving one to a druggist in Greene-
ville.”
“But how could they be dated after — ”
Keith sighed. “I don’t know either. But
I’ll drop them down the sewer as soon as
I leave here. The others are dangerous
enough. Look — about Arcturian spies. Are
Arcturians human beings ? Can’t they tell an
Arcturian from an Earthman?”
“They’re horribly different.” The girl
shuddered. “Monsters, More like insects in
appearance, bigger of course, and as intel-
ligent as we are. But back in the early days
of the war they captured a lot of people
alive, on some of their first raids. They
can — take over people, put one of their
minds into a human body and use it for a
spy.
“There aren’t so many now. Most of
them have been killed. Sooner or later they
give themselves away because their minds
are alien. And since those early days they
haven’t been able to capture many humans
alive.”
“But even so,” Keith said, “why shoot on
suspicion? Why aren’t they arrested and,
if their minds are actually alien, a psy-
chiatrist should be able to prove or disprove
that they’re Arcturians. Don’t a lot of in-
nocent people get killed?”
“Yes, maybe a hundred for every real spy.
But — well, they’re so dangerous, especially
now that the war is in the current stage, that
it’s better, really better, that a thousand peo-
ple die than that an Arc spy should stay at
large.
“If they got a few of our secrets to add to
their own science it could change the tide of
the war. And that would mean the end of
the whole human race, the death of billions.
So it’s not considered a crime to kill a human
being by mistake if there’s cause to think he's
an Arc. Don’t you see?”
“Not completely. If you could capture
them and be sure first wouldn’t that be just
as good?”
“It’s too dangerous. Too many of them
have escaped on the way to jail or even after
they were locked up. They have special
powers, physical and mental.”
EITH grinned wryly. “So one of
them could maybe take the gun away
from the W. B. I. man who was holding it
on him. Well, if they had any doubts before
in my case, they haven’t now.”
He stood up. For a long moment he
stared at Betty Hadley, then turned his
head and looked at the window. It was
black, blank.
The mist-out was on.
He said, “Thank you. Good-bye.”
She stood, too. Her eyes went to the
windo\y, as his had. “But where are you
going to go? You might take a chance for a
block or two if you’re careful, but — ”
“I’m armed.”
“But you haven’t any place to go. You
can’t stay here, of course; there’s just Della
and I. But there’s a vacant apartment on the
floor below. I can fix it with the janitor
so—”
"Nor
Keith’s answer was so explosive that he
felt foolish after he had said it.
“But tomorrow I can talk to the W. B. I.
I can explain that Mekky vouched for you
to me. It won’t be safe until Mekky is back
a few months from now, for you to be run-
ning loose — but on my word for it they might
hold you in protective custody until he does
come back.”
Possibly there was a shade of uncertainty
on Keith’s face, for she kept talking, pressing
the point. She said, “They will believe me
enough to give you the benefit of the doubt.
Because I’m Dopelle’s fiancee — ”
She couldn’t have known it, but it had been
the wrong thing to say. Keith shook his
head slowly.
He said, “No. I’m going out. You —
you’re really in love with this Dopelle?”
She said only, “Yes,” but the way she
said it was enough.
“Good-bye then. Miss Hadley,” Keith
said.
She held out her hand to him but he
pretended not to see it. He didn’t trust
himself to touch it.
He went out quickly.
WHAT MAD UNIVERSE
CHAPTER XII
The Moon
N HIS way down the stairs he began
to realize how foolish he had been
and to be glad that he had been foolish. He
was mad — not at anybody but at everything.
He was tired, very tired, of being pushed
around. He’d been as cautious and care-
ful as he knew how and it had kept getting
him into worse and worse trouble.
Now he was going to quit being cautious.
It would probably get him killed, and quick-
ly, but — well, what did he have to lose?
In the downstairs hallway the man with
the gun was still there. He said, “Y’ain’t
going out, are you, mister?”
Keith grinned at him. “Yes. Got to see a
man about a sphere.”
“You mean Mekky? Gonna see Dopelle?”
There was awe in the man’s voice. He went
to the door, gun ready in his hand. He
said, “Well, if you’re a friend of his — and I
shoulda guessed it if you were seeing Miss
Hadley — maybe you know what you’re do-
ing. I hope so.”
Keith said, “We both hope so.” He slid
through the doorway and heard the door
slammed and bolted behind him.
He stood there in the utter blackness of
the mist-out, and listened. There wasn’t a
sound from any direction. He felt his way
to the curb and took off his shoes, tying the
laces together and hanging them around his
neck. Without them on, nobody would be
able to hear and stalk him.
He shifted the forty-five automatic to his
coat pocket and kept his hand on it.
It was easy, if awkward, to follow the
curb line by walking with one foot on the
curbing and the other down in the street. The
feel of a sewer grating under his foot re-
minded him of the coins and bills he had to
get rid of, the ones dated after nineteen
thirty-five. He’d put them back in a dif-
ferent pocket. He shoved them through the
grating of the . sewer.
With that out of the way, he went on,
listening.
Funny, he thought ; he wasn’t afraid. May-
be because now, tonight, he was the hunter
and not the hunted.
He was three blocks south of where he
57
had turned onto Fifth Avenue before he
heard a quarry. Not footsteps — whoever it
was either was standing still against the
front of a building or else he had, like Keith,
taken off his shoes to walk silently. The
sound Keith heard was a slight, barely audi-
ble snifHe.
He stood very still, scarcely breathing,
until he heard it again, and then he knew the
man was moving, going south. The second
sound had come from that direction.
Keith hurried his steps, almost running,
in the direction he’d already been going
until he was sure he was well ahead of his
victim. Then he cut diagonally across the
sidewalk and groped with his hands ahead of
him until he came to the building fronts.
Then he drew the automatic from his pocket
and stood, waiting.
Something bumped into the muzzle of the
pistol, and Keith’s left hand darted out and
caught the front of a coat to keep the man
from pulling away. “Don’t move,” he said
sharply, and then, “Turn around, very
slowly. ”
There’d been no answer but a sharp intake
of breath. The man turned. Keith’s left hand
groped, crossed over, and pulled a revolver
out of a right hip picket. He put it into his
own pocket. .
He said, “Don’t move, or I’ll shoot. We’re
going to talk. Who are you?”
A tight voice said, “What do you care who
I am ? All I got on me is about thirty credits
and that rod. You got the rod. Take the
dough too and let me go.”
“I don’t want your thirty credits. I want
some information. If I get it straight I might
even give your rod back. Do you know your
way around here?”
“What do you mean?”
Keith said, “I don’t know the ropes here.
I’m from St. Lou. I got to find me a fence.”
There was a pause, and the voice was a
little less tight now. “Jewelry — or w’hat?”
it asked.
“Coins. A few bills, too, pre-thirty-five
dollars. Who handles the stuff here?”
“What’s in it for me?”
Keith said, “Your life for one thing. Your
gun back. And — if you don’t try to cross
me — maybe a hundred credits. Two hundred,
if I get a fair price.”
“Peanuts. Make it five hundred.”
Keith chuckled. “You’re in a swell posi-
tion to bargain. I’ll make it two hundred and
thirty. You already got the thirty ; consider
38 STAKTUNG STOBIES
I took it away from you and gave it back.”
Surprisingly, the man laughed too.
He said, “You win, mister. I’ll take
yx>u to see Ross. He won’t cheat you any
worse than anybody else would. Come on.”
“One thing first,” Keith said. “Strike a
match, I want a look at you. I want to
know you again, if you make a break.”
“Okay,” the voice said. It was relaxed
now, almost friendly. A match scraped and
flared.
Keith’s captive, he saw, was a small, slen-
der man of about forty, not too badly dressed
but in need of a shave and with slightly
bleary eyes. He grinned, a bit lopsidedly.
“You’ll know me,” he said, “so you might
as well have a handle. It’s Joe.”
“Okay, Joe. How far is this Ross guy?”
“Couple blocks. He’ll be in a game.” The
match died. “Look, how much worth of stuff
you got?”
“Somebody told me ten thousand credits.”
“Then you might get five. Ross is square.
But listen — gun or no gun, you’ll do better to
cut me in. There’ll be other guys there. We
could take you easy.”
“Okay, Joe, maybe you’ve got something
there. I’ll cut you in for a fifth— a thousand
if we get five thousand. Fair enough?”
“Yeah, fair enough.”
Keith hesitated only a second. He’d need
a friend, and there vvas something in Joe’s
voice and there had been something in Joe’s
face that made him think he could take a
chance. His whole plan — if you could call it
that — was a desperate gamble.
Impulsively, he took Joe’s revolver out of
his pocket, groped for Joe’s hand, and gave
the gun back to him.
But there wasn’t any surprise in Joe’s
voice when he said, “Thanks. Two blocks
south. I’ll go first.”
They single-filed along the building fronts,
locked arms while they crossed two streets.
Then Joe said, “Stick close, now. We go
back the areaway between the second and
third buildings from the corner. Keep your
hand on my shoulder.”
Back in the areaway, Joe found a door
and knocked — three times and then twice. It
opened and light blinded them momentarily.
A man at the door lowered a sawed-off shot-
gun and said “Hi, Joe,” and they went in.
Four men were sitting around a poker
table. Joe said to the man who was putting
down the^ shotgun, “Friend of mine from
St. Lou, Harry. Got some business with
Ross.” He nodded at one of the men at the
table, a swarthy, stocky man with cold eyes
behind thick lenses. “He’s got coinage,
Ross.”
Keith merely nodded and, without speak-
ing, put the coins and bills on the table in
front of the stocky man.
Ross examined each one carefully, and
then looked up. “Four grand,” he said.
“Five,” Keith said. “They’re worth ten.”
Ross shook his head. Keith felt a touch
on his arm. Behind him, Joe said, “I should
have told you. Ross is one-price. If he of-
fers you four grand, he won’t give you four
thousand and one. You take it or leave it.”
“And if I leave it?” Keith asked over his
shoulder.
“1 know a couple more guys. But I’m not
sure we can find ’em tonight. And I doubt
if they’d do better than Ross.”
Keith nodded. “Okay,” he said, “four
grand, if it’s cash and you’ve got it with
ft
yotL
“I got it with me.” Ross pulled out a
bulging wallet and counted out two thousand-
credit notes and twenty hundreds. He folded
Keith’s coins carefully inside the bills again
and put them in his vest pocket.
“Sit in a while on the game?”
“Thanks, no,” Keith said. Counting the
money, he glanced at Joe, who almost im-
perceptibly shook his head to indicate he
didn’t want to take his cut here.
The man who’d let them in picked up the
shotgun again before he opened the door to
let them out.
Outside, in the blackness again, they
moved out of earshot of the door and then
Joe said, “A fifth of four thousand’s eight
hundred. Want me to light a match so you
can count it?”
“Okay — unless you know somewhere we
can have a drink and talk a few minutes.
We might do some more business.”
“An idea,” Joe said. “A little farther
south in this same block. I could use a
snort of moonjuice.”
Again Joe led the way and again he led
back into an areaway and knocked measured
knocks on a door. Again light blinded them
momentarily, and then they were in the
back room of a tavern. There were a few
others there ahead of them, not many. It
was still, Keith reflected, comparatively early
in the evening.
They took a table and Joe ordered rnotm-
WHAT MAD
juice. Keith nodded that he’d take the same.
While the aproned bartender was bringing
them from the front Keith counted out eight
hundred-credit notes and passed them across
to Joe.
Joe nodded and shoved his hat back on
his head. “You’re a right guy,” he said.
“Hope we can do more business. But you’re
a fool.”
“For what? Giving you back your rod,
back there?”
“Yeah. Well — maybe you weren’t. If you
hadn’t done that. I’d probably have taken
you. If I’d given the signal back there at
the game you wouldn’t have lasted — ”
E BROKE off as the bartender came
back with two shot glasses of trans-
parent fluid. “On me,” Joe said, and put
down one of the bills Keith had just given
him. He raised his glass, “Death to the
Arcs.”
Keith touched glasses, but took a cautious
sip of his first. He’d wondered whether
“moonjuice” was a nickname for some drink
he already knew, or whether it was as
exotic as it sounded.
It wasn’t like anything he’d ever dreamed
of, let alone tasted. It was thick, almost
syrupy, but it wasn’t sweet. And, para-
doxically, it was cool and hot at the same
time. It left a cool taste in his mouth at the
same time it burned a passage down his
gullet.
He saw that Joe had only sipped his, so
he didn’t down it.
“The real stuff,” Joe said. “Got much of
it out west?”
“Some. Not much.”
“How are things out there?”
“Fair,” Keith said. He wished that he
could talk more, but there was always the
risk of saying something wrong. He’d have
to appear taciturn.
“Where are you staying here?” Joe asked,
after another sip.
“Nowhere yet. Just blew in. Should have
holed in before the mist-out, but I — had
something to do.”
“I can take you to a place. Whenever
you’re ready. The evening’s a pup.”
Keith nodded. They finished their drinks
and Keith ordered a second round. What-
ever moonjuice was he liked rL It seemed
to clear his head rather than otherwise. He
wished he could ask questions about it but of
course he couldn’t. This was the last one.
UNIVERSE 59
though, he decided. The stuff might be
tongue-loosening and he couldn’t risk that.
After a sip from the second glass of it, he
leaned forward across the table. “Joe,” he
asked, “where can I find an ex-space pilot
who’d like to make a thousand credits on the
side?”
Joe’s eyes narrowed a little. “You kid-
ding?”
That meant it had been a bad question
but Keith couldn’t see why. Anyway, he
might as well go ahead now. There were
only half a dozen people in the place; he
might be able to shoot his way out, even if he
gave himself away.
“Why should I be kidding?” he de-
manded.
To his relief, Joe grinned. He jerked a
thumb at his lapel. Following the gesture,
Keith noticed an emblem there, about the
size of and rather similar to the ruptured
duck he himself had worn for a while.
“Oh,” he said and moved his hand away
from the pocket with the automatic in it;
he hadn’t made a major boner after all.
“Didn’t notice it, Joe. How long you been
out?”
“Five years. Based out of Kapi, Mars.
Glad I wasn’t there a few days ago.” He
shook his head slowly. “Guess there isn’t
much left of Kapi.”
“We’ll get back at them for that,” Keith
said.
“Maybe.”
Keith said, “You sound pessimistic.”
Joe lighted a cigarette, slowly. He said,
“There’s a showdown coming. A big one.
Oh, I don’t know anything except what I
read between the lines but when you’ve been
out there you get the feel of things. There’s
a full scale attack coming — I don’t know
which, us or them. But one way or the
other it isn’t going to last forever.”
Keith nodded gravely. He Vemembered
he’d better stick to the point and talk as lit-
tle as necessary. He couldn’t discuss the war
very intelligently, so he’d better skip it. He
asked, “Been to the Moon recently?”
“Year ago.” Joe’s lips twisted. “Hadn’t
started mist-outing then, yet. Thought I
could make an honest living like a chump.
Piloted a rich guy there in his own boat.
What a brawl that was.”
“Bad?”
“Six of ’em in the party, and drunk as
lords. A six-year-old kid could peelot one
of those Ehrling jobs, but none of ’em was
STARTUNG STORIES
GO
sober enough to do it. I was driving a cab,
picked ’em up one afternoon on Times
Square and drove ’em over to Jersey to his
private port and he offered me a thousand
to take ’em there.
“I hadn’t been off Earth in two years and
I just abandoned my cab and took ’em. We
went to Habcrul and stayed a week.” He
shook his head sadly. “My grand lasted
less than a day, but they kept me with
them.”
Keith asked, “Those Ehrlings much dif-
ferent from the hot jobs?”
Joe laughed. “Same difference as between
a kiddy car and a midget racer. All visual.
Direct sight on your objective, push the
button. Spread your wings and coast in.
Complicated as drinking moon juice. Have
another?”
“Thanks, no. Let’s talk business. Want
to make a thousand, Joe ? I want to get to the
moon.”
Joe shrugged. “Why pay a thousand, pal?
Every hour on the hour from LaGuardia.
Ninety credits round trip.”
Keith leaned forward. “Can’t Joe. I’m
hot — dodgers out from St. Lou and they’ll
be watching all the ports. Besides, some St.
Lou friends of mine might be expecting
me there. I’d just as soon walk in their
back door.”
“That way,” said Joe, reflectively. “But
— pal, for a thousand credits do you expect
me to steal a private boat and take you
there?”
“No. I want you to help me steal a boat
and show me how to run it. You don’t have
to go along. How long would it take you
to show me the controls?”
“Half an hour. But swiping a boat, pal
— that isn’t peanuts if we’re caught. It’s
ten years on Venus.” His eyelids dropped a
little and he stroked the back of one hand
with the palm of the other. “I been to Venus
once. I don’t want to go back.”
Keith made a rapid calculation. He said,
“Three thousand credits, Joe.”
Joe sighed. “It’s a deal. When you want
to go?”
“Tonight,” Keith said.
Maybe it was the moon juice, maybe it
was his years of having read science-fiction,
maybe it was just that he was human, but
there was a sudden wild elation in him. The
Moon !
And the other word that rounded out the
magic of it. He said it again. “Tonight!”
CHAPTER XIII
The Song of the Spheres
OE sighed again. “That’s bad,” he
said. “But if it’s got to be tonight, then
it’s got to be tonight. It’ll be tougher get-
ting out of town from under the mist-out
than it will be to swipe the boat. That means
I got to swipe a car too.”
“You can though?”
“Oh sure. But we’ll have to crawl in it,
not much faster than walking. The mist-out
doesn’t taper off till three or four miles into
Jersey either. Take us a good three hours
to get that far.”
“Sounds like pretty good time to me,”
• Keith said.
“Aren’t many guys could do it,” Joe
said modestly. “You were lucky you picked
me. I’ll show you a trick not many know —
how to navigate a car by dead reckoning and
a compass. What time is it?”
“A little after nine.”
“We can get a car in half an hour or less.
We’ll be out of the mist-out by one then and
the port we’ll go to is about thirty miles into
Jersey but we’ll be in the open then. I’ll have
you there by two o’clock.” -
“The private port of this rich guy you
mentioned ?”
“Yeah. He’s got two. One’s a little two-
place job — that’ll be best for you if it’s in.
If it isn’t you’ll have to take the big one, the
one we made that trip I told you about in.
Guess they’ll both be there, come to think of
it. Read in the paper he’s under fire from a
congressional committee, so he’ll stick to
Earth for a while. He makes rajiks.”
“Oh,” said Keith.
“One more moonjuice and we’ll go.”
“If it’s on me,” Keith said.
He sipped it slowly, lingeringly. He was
getting a little scared again in spite of the
moonjuice. Thus far he’d been lucky — but
he was still in Manhattan and Saturn was a
long way off. Saturn and the space fleet and
Mekky.
Then again they were in the almost im-
penetrable blackness of the mist-out. Again
they went single-file, with Keith keeping his
hand on the shoulder of the man walking
ahead of him and Joe guiding them along the
buildings with an outstretched arm.
WHAT MAD UNIVERSE
At the first corner he stopped. “Wait
here. I can get a car better by myself. I
know where. Stick right here till you hear
me coming.”
And he was off again into the blackness,
walking so silently that Keith couldn’t hear
a sound except, once, the faint sniffle that
had enabled him to catch Joe in the first
place. That slight cold of Joe’s had been a
break, for Joe was turning out to be a God-
send.
He couldn’t keep much track of time,
standing there, for he didn’t want to light
matches to see his watch. But it seemed like
less than a half hour before he heard a car
coming, inching along the curb, the occa-
sional scrape of rubber against the curb-
stone.
Keith waited until it stopped and then
felt his way toward where the sound had
last come from. He felt the side of a sedan,
said Joe’s name and got an answering,
“Yeah.” He got in.
Joe said, “Here’s the trick. You got to
use the flashlight.” He pressed one into
Keith’s hand. “Turn it on and keep it aimed
at the floorboards of the car. Now take this
chalk and draw a line parallel with the
wheelbase of the car, front to back, as
straight as you can.”
The flashlight, held within a foot of the
floor, let Keith do that all right. “Good,”
Joe said. “Now here’s the compass. Put it
down by the line. Now wait till I turn the
car south when we get a block over, to Sixth
Avenue. I can go that far , by the seat of
my pants.”
The car inched forward and Keith turned
off the flashlight. A few minutes later Joe
stopped the car. “Get out and catch a house
number,” he said. “We ought to be close
to Sixth.”
Keith got out and fell over the curb. He
got up and groped his way to the line of
building fronts. A minute later he was back
in the car. “Just overshot it,” he said. “Back
up the width of one building and then head
south.”
Joe did, then drove ahead a little till they
were out of the intersection.
“Now the flashlight again,” he said.
“From here on we can make ten miles an
hour. Look, that’s the line of direction of
the car, see? Here’s the compass. Now
Sixth Avenue runs about southeast by south
— all the straight streets do. Turns just a
trifle more east at Minetta Place and then
61
goes straight again till we get to Spring
Street.
“There we take that right into the tunnel.
Now you keep the flashlight on that line and
the compass and keep me going straight. Pll
watch the speedometer and check distances.
We can go ten miles an hour.”
“What if we -hit something?”
“Won’t kill us at ten an hour. If we ruin
the car we’ll have to swipe another. We’ll
waver from one side of the street to the
other, but if you keep close watch on that
compass, we shouldn’t scrape curbing often-
er than every few blocks — and whenever we
do, we realign ourselves. Ready? Here we
go.”
Joe was a skillful pilot, it turned out, and
knew the streets and directions beautifully.
They scraped rubber against the curb only
twice before they reached Spring Street and
only twice, on the Sixth Avenue leg of the
trip, did he have Keith get out and check
house numbers.
®NCE, in the Holland Tunnel Keith
heard another car go by them, head-
ing in from Jersey but they were lucky and
didn’t even scrape fenders.
Joe knew the Jersey side too and kept
them on straight streets where they could
navigate with the compass. After a mile or
so he turned the headlights on and Keith
could see that they penetrated ten or twelve
feet into the blackness.
Joe said, “Okay, pal. It tapers off from
here. You can lay off the compass now.”
The headlights shot their beams farther
and farther and before long it was an ordi-
nary night they were driving through — an
ordinary night with stars and a moon. Keith
looked at the Moon and took a deep breath.
He thought, “This is a dream. I’m not
really going there.”
At one-fifteen by Keith’s watch, Joe pulled
the car to the side of the road. He said,
“We’re here, pal.” He turned off the head-
lights and took the flashlight from Keith.
“Across these fields. It’s pretty isolated back
there. We won’t even have to be careful.
Hope they don’t swipe the car on me before
I get back to it.”
They started across the fields. The moon-
light was so bright that they didn’t need the
flashlight. Keith said, “How’ll you get back
into town in the car alone? Can you man-
age the car and the compass both?”
“I won’t go back to New York tonight.
STARTLING STORIES
62
I’ll drive the car into Trenton or somewhere
and spend the night there. They might be
watching for that car in the morning if it’s
reported early. So I’ll go in by train and
let them find it in Jersey. It’s just past these
trees.”
He used the flashlight, going through the
grove, and on the far side of it were a big
landing field and a big all-glass building like
a monster greenhouse. Through the glass,
Keith could see the two space-ships Joe had
told him about. They looked more like air-
planes than space-ships. The big one was
about the size of a transport plane and the
little one not much bigger than a Piper Cub.
Joe said, “Wait here. I’ll walk once
around and be sure the coast’s clear.”
When he came back, he nodded. Keith
held the flashlight while Joe opened the door
with a picklock. “Good thing the little job
will do. It’s foolproof. I can show you how
to run it in ten or twenty minutes. Know
anything at all about space navigation?”
“Not a thing.”
“Well, then it’s good you won’t want the
Ehrling. It’d take me a while to teach you
that one.”
Keith was walking around the smaller
space-ship. Now, at closer range, he could
see it was less like an airplane than he had
thought. The wings were shorter and stub-
bier. What had looked like canvas felt more
like asbestos. And there wasn’t any propel-
ler.
“Here’s the airlock,” Joe said. “Just turn
this handle. If you open it in space for any
reason — and you’d better put on a space-suit
first. There’s two inside the ship. You got
to open this valve first and let the air out of
the ship first. Then, after you’re back in,
you start the airmaker and it builds up. I’ll
show you that. Get on in.”
Keith sat at the pilot’s seat and Joe, be-
side him, explained the controls. They were
simple, Keith thought, much simpler than
those on a light plane.
“Here’s the sighter,” Joe was saying.
“Just aim that where you want to go. And
these dials set the distance. Big one’s in
hundred-thou-mile units, next one in thou-
sand, and on down to the little vernier in
feet. That’s for hangaring of course. Now
for the Moon — you landing on this side or
the far side?”
“This side.”
“Then just sight on where you want to
go, set this dial — the repulsor — for ten miles.
When you’re ready, push this button and
you dematerialize here and materialize ten
miles above the moon. That’s safe for the
Moon. Better allow twenty miles for Earth,
thirty for Venus, about fifteen for Mars.
“Minute you materialize there, you start
falling. Put the nose in a steep glide and
let yourself fall and the wings begin to take
hold as you get down into the atmosphere.
Glide in and land her like a glider. That’s
all.^
“If you’re going to miss your place or
make a bad landing — well, you’ll have your
finger on the button and you push it and
you flash back ten miles high again and start
over. That’s all there is to it, pal. Got it?”
“I guess so,” Keith said. It sounded sim-
ple enough. Anyway he saw a clip on the
inside of the airlock door with a book en-
titled Manual of Instructions under it so he
could pick up anything he’d missed or for-
gotten to ask.
He took out his billfold and counted out
the three thousand credits he’d promised
Joe. It left him less than two hundred but
he probably wasn’t going to need any any-
way.
“Okay, pal,” Joe said. “Thanks — and
luck. Look me up sometime when you’re
back. The place we had the moon juice.”
After joe had gone, he reached for the
manual of instructions and studied it
closely for nearly an hour.
It was even simpler than he’d realized.
You aimed at your objective and guessed
or roughly estimated the distance — and if
you were wrong it didn’t matter because, if
you were short, you merely needed to press
the button again and, if you were over, it
didn’t matter if you had the repulsor set for
ten miles short of the object, because it would
stop you there.
Gliding in didn’t seem any tougher than
making a dead-stick landing in a light plane,
with the added advantage that you could
flash back up in nothing flat and start over
again if it looked as though your landing
weren’t going to be good.
He looked up through the glass panel in
the top of the space-ship, through the glass
roof of the hangar, through the atmosphere
of Earth and the nothingness of space — at
the stars and the Moon.
Should he go to the Moon first? There
was no important reason for it. His almost
hopeless destination — Mekky and the fleet
WHAT MAD
near -Saturn — wasn’t g^oing to^ be any more
accessible from there than from here. But
he knew he stood a good chance of never
getting to Mekky alive and he knew too that,
if he did get there, he was going to try to
get back to his own world.
Before he died or before he went back, one
or the other, he wanted just once to set foot
on the Moon. He’d skip the planets — but,
just once, he wanted to stand on ground that
wasn’t that of Earth.
It wouldn’t cost him much time, and there
wouldn’t — or shouldn’t — be much risk. The
paragraph on the moon in the manual of in-
struction had told him that the settlements,
the fertile lands, were on the far side, where
there was water and where the air was thick-
er. On the near side were only barren rock
and a few mines.
He took a deep breath and strapped him-
self into the seat. He set the dials for two
hundred and forty thousand miles and the
repulsor dial for ten miles, checked his aim
for dead center and pushed the button.
Nothing happened, nothing at all. He must
have forgotten to turn a switch somewhere.
He realized that he’d closed his eyes when
he’d pushed the button and opened them
again to look over the instrument panel.
Nothing was wrong.
Or was it? There was something differ-
ent, a sensation of lightness, of falling, of
going down in a very fast elevator. He
looked upward through the top panel and the
Moon wasn’t there any more but the stars
were and they looked brighter and closer and
more numerous than he’d ever seen them.
But where was the Moon?
He looked down through the glass panel
in the floor and saw it rushing up at him,
only miles away.
He caught his breath as he set the dials
again, ready to flash him back to a point
above the atmosphere, then took the stick
and put his feet on the pedal controls. The
wings seemed to be catching air now and
the craft was at the right slant to go into
a glide.
But it had been too sudden, too unex-
pected— he wasn’t ready. He pressed the
button and again nothing happened — appar-
ently— except that suddenly the Moon was a
little farther away again.
This time he waited it out, going into a
glide. He kept his finger on the button un-
til he cleared the edge of a crater and saw
he was heading for a flat level plain on
UNIVERSE 63
which even a dub couldn’t miss making a
good landing.
He made one, and rolled to a stop. Slowly
he unstrapped himself. He hesitated just a
moment with his hand on the latch of the
airlock, wondering if there really was air
outside. But there had to be. He’d glided
down.
He opened the door and stepped out. Yes,
there was air, thin and quite cold, like the
air atop a high mountain of Earth. He
looked around, shivering, and was disap-
pointed. He might have been standing on
rocky, barren land on Earth, with moun-
tains in the distance. It didn’t look any dif-
ferent.
It felt, different, though. He felt unbe-
lievably light. How high were you able to
jump on the Moon? He took an experi-
mental little hop that wouldn’t have taken
him over six inches high on Earth and
went several feet into the air. He came down
more slowly and lightly than he’d expected.
But doing it gave him a queasy feeling at
the pit of his stomach and he didn’t try it
again.
He looked up, wondering what was wrong
in that direction. It looked like an ordinary
Earth sky, except that the sun was bright-
er. But wasn’t that wrong? Weren’t you
supposed to be able to see stars in daytime
from the Moon? Shouldn’t the sky, except
for the bright ball of the sun, be dark?
But that was because scientists thought
there wasn’t any air on the Moon. Were
they wrong on that — back there in his own
universe, too? Or was that ju.st another
difference between this universe and his —
that the Moon of this universe had air and
his didn’t?
He turned around slowly, then caught his
breath at sight of what he’d forgotten to
look for. The Earth, a monster yellowish
ball, hung there in the sky, looking as the
moon looks when seen from Earth in day-
time but larger. And he could see the out-
line of continents on it. It looked like a big
globe of Earth hanging there.
He stared at it wonderingly for a long
minute, until the sharp feel of cold air in his
throat and lungs reminded him that he’d
freeze if he stood out here much longer. It
must be close to zero and he was dressed for
summer in New York.
Regretfully he took his eyes off the mag-
nificent sphere in the sky, then got back into
the space-ship and closed the airlock. The
64 STARTLING STORIES
air inside was thin and cold now, too — but
now that the airlock door was closed the
airmaker unit and the heater would bring it
back to normal automatically.
He strapped himself back into the pilot’s
seat, thinking, “Well, I’ve been on the
Moon.’’
It hadn’t thrilled him as much as he’d
thought and he believed he knew why. It
was because— here, in this universe — it
didn’t seem completely real, however real
this universe was. It was too easy. Much
too easy.
Yes, he knew now, definitely, that what
he wanted was to get back, back to the world
he was born in and on which he belonged.
Maybe he was too old to readjust himself
to something like this. Maybe if it had hap-
pened when he’d been seventeen instead of
thirty-one and if he’d been heart-free instead
of head-over-heels in love, this universe
would have been just what the doctor or-
dered.
But it wasn’t now. He wanted back and
there was only one mind — a mechanical one
— that might be able to help him do that.
He set the pointer at Earth and the dial
at only a hundred and twenty thousand
miles, halfway between Earth and Moon.
Out there in space, he could take his time
about locating Saturn.
He pushed the button.
CHAPTER XIV
Monster from Arcturus
He was used to nothing happening
when he pressed that button. It didn’t
surprise him at all tliat suddenly the Earth
was twice as big as it had been before. But
it did surprise him that he himself felt so
strange.
It surprised him until he realized that he
was almost completely weightless here.
What pull there was pulled him away from
the straps in the seat, toward Earth over-
head. Then the ship itself must have over-
come its inertia and started falling in that
direction and he felt completely weightless.
Well, it would take him a long time to
fall a hundred and twenty thousand miles.
More time than he thought he’d need.
He began, first through one panel and then
another, to scan the sky. It shouldn’t be too
hard to find Saturn. Out here in space, with
no atmosphere to blunt vision, the stars were
monstrous compared to the way they looked
from Earth. Even on Earth rare people,
with gifted eyesight, were said at times to
be able to distinguish the rings of Saturn.
From here, in space, normal eyesight ought
to do it easily.
And he wouldn’t have to search the entire
sky, even though he didn’t know Saturn’s
present position. He knew enough of elemen-
tary astronomy to recognize the plane of the
ecliptic and Saturn would be in that plane.
He’d have to look along a line, not
throughout the whole sky. Of course, if Sat-
urn were on the other side of the Sun, he’d
have to try from there. But from here the
Sun was a fiery ball in a black sky and oc-
. cubed only a small fraction of the line of
the ecliptic.
It took him a minute to get his bearings
becau.se there were so many more stars here
than he was used to seeing. They didn’t
twinkle, they glowed like luminous diamonds
on a piece of black velvet. But he found the
Dipper and then the belt of Orion and, after
that, it was easy to locate the constellations
of the zodiac.
He followed it around, carefully, study-
ing each celestial object near the imaginary
line. He got a little thrill out of seeing a
reddish disk that must be Mars, a reddish
disk with faint crackly lines on it.
He followed the line through about thirty
degrees and there it was. The rings weren’t
quite edge-on but they were unmistakable.
And there was only one object in the whole
sky that had rings.
He put the pointer on it and reached for
the manual of instructions, in which there
was a table of orbital distances. Yes, there
it was — Saturn, 886,779,000. It was in the
same general direction from the sun as Earth
was and that made it easy to figure.
Knock off the 93,000.000-odd miles of
Earth’s distance from the sun, and Saturn
was 793-odd million miles away from him.
And, if he overguessed, it wouldn’t matter
as long as he had his repulsor set. He set
the dials at 800,000,000 miles, and the re-
pulsor to stop him a thousand miles away
from Saturn, checked the pointer again and
pressed the button.
The beauty of the ringed planet — and its
tremendous size from only a thousand miles
away — made him catch his breath. He hadn’t
WHAT MAD UNIVERSE
realized how close a thousand miles was to
a planet nearly 74,000 miles in diameter,
about nine times the diameter of the Earth.
It was a full minute before he could look
away from it and start searching the sky
for the Earth fleet, the war fleet.
He didn’t find it — it found him. A voice
startled him by saying, “Do not move.” It
was a physical, actual voice, not one inside
his head as Mekky’s voice had been. This
wasn’t Mekky. The voice said, “What are
you doing here? Pleasure craft are forbid-
den outside the orbit of Mars.”
He located it this time while the voice was
speaking. It came out of a tiny speaker set
into the instrument panel. He hadn’t no-
ticed it before. Alongside it was what looked
like a pick-up mike.
Keith said, “I want to see Mekky. It’s
important.” While he spoke he looked out
through the vision panels and saw them —
half a dozen oblong objects that globed him
in at close range, occulting big chunks of the
sky. He couldn’t guess how big they were
without knowing their distance nor their dis-
tance without knowing their size.
The voice said sternly, “Under no cir-
cumstances are civilians or occupants of civil-
ian craft allowed to approach the fleet. You
will be escorted back to Earth and turned
over to the authorities for punishment. Do
not attempt to touch your controls. Your
ship is pinned. Have you a space-suit on?”
“No,” said Keith. “But this is important.
Does Mekky know I’m here? I must see
him.”
“Mekky knows you are here. He ordered
us to englobe and capture you. Put on a
space-suit so you can let the air out of your
ship and open the lock. One of us will enter
and take over operation of your ship.”
“All right,” Keith said, desperately, “but
does Mekky — ”
The voice was different this time. It
spoke both ways at once, strangely, in-
side his head and through the speaker on the
instrument panel. It was Mek%’s voice. It
said, “Keith Winton, I told you not to come
here.”
Keith answered aloud. If the voice had
come through the radio too, then Mekky
was dealing the others in on the conversa-
tion and he might as well.
He said, “I had to come now or never,
Mekky. The plans went wrong. I was being
hunted down as a spy and you’re the only
65
one who knows I’m not. I wouldn’t have
lived a day longer on Earth.”
“What is that to me? What is one lie
beside the defense of a solar system?”
“That’s why,” said Keith, trying to sound
confident. “You know, from having studied
my surface thoughts, that I’m from another
universe. You’ve got a lot of things here in
the way of science that we can’t touch there.
Space-travel and — and you, yourself. But
how do you know we haven’t got some things
you’ve missed ?
“You’re in a jam here. You’re afraid of
the next Arc attack. How do you know,
without searching deeply into my mind, that
you won’t find something there that may be
worth a lot more than the little time you’d
have to give me?”
A calm but youthful voice said, “Maybe
he’s got something there, Mekky. Why not
bring him over to the fleet? What have we
got to lose?” It was a youthful yet deep
voice — there were authority and confidence
in it.
Keith had never heard it before but he
knew somehow that it must be Dopelle’s
voice — Dopelle, with whom Betty Hadley,
his Betty Hadley, was so hopelessly in love.
The great Dopelle who held this universe —
except for the Arcturians — in the palm of his
hand. The mighty Dopelle. “Damn him,”
Keith thought.
Mekky’s voice again said, “All right.
Bring him to the fleet. To the flagship.”
There was dull knocking on the outside of
the airlock. Keith unstrapped himself quick-
ly from the pilot’s seat. He said, “Just a
minute. Getting a space-suit on.”
It was thick and awkward to handle but
there wasn’t anything difficult about putting
it on. The helmet clicked automatically into
place against the neck-ring. He opened the
valve in the airlock that would let the air
inside the ship outside. He heard it hiss.
When it quit hissing in a few seconds he
opened the airlock.
A man wearing a space-suit bigger and
more cumbersome than his came in. Without
speaking he sat down in the pilot’s seat and
began to work the vernier controls. He stood
up again and motioned to the airlock. Keith
nodded and opened it ; they were up against,
almost touching, the side of a big ship. From
so close, he couldn’t tell how big it was.
An airlock stood open and Keith stepped
across into the closed compartment to which
it led. Of course, he realized, a ship this size ®
66 STARTLING STORIES
couldn’t exhaust all its air merely to let
someone in at the airlocks. There’d be an
intermediate chamber.
The outer door swung shut. Air hissed.
The inner door swung open. A tall, very
handsome young man with black hair and
flashing black eyes stood there, just inside
the inner door.
He stepped forward quickly and helped
Keith take off the helmet. He said, “Fm
Dopelle, and you’re this Winton or Win-
ston Mekky told me about. Hurry up and
get that suit off.” His voice was courageous,
but worried. "We’re in a jam. I hope you’ve
got something we can use. Otherwise — ”
Slipping out of the space-suit, Keith looked
around him. The ship was big all right-^the
room he was in must be the main chamber.
It was a hundred feet long by thirty or thirty-
five wide. There were a lot of men in it,
mostly working down at the far end of the
room in w’hat looked like a completely
equipped experimental laboratory.
His eyes w'ent back to Dopelle. There,
just above Dopelle’s head, hung Mekky, the
basketball-sized sphere that was a mechanical
brain.
Inside his head came Mekky’s voice. ‘"It
could be, Keith Winton. Something about
a potentiomotor. A man named Burton.
Whatever it is, it’s not known here. Do you
know the details, the wiring diagram?
“Don’t bother answering, just think. Yes,
you’ve seen diagram and formula. You don’t
know them consciously but they’re there in
your subconscious. I think I can get to them
under light hypnosis. You are willing?”
“Yes, of course,” Keith said. “What’s
the score?”
“The score is this,” said Dopelle, answer-
ing for Mekky. “The Arcs are going to at-
tack soon. We don’t know exactly when but
it may be within, hours. And they’ve got
something new. We don’t know how to buck
it yet. It’s a single ship, not a fleet — but
their whole effort for years has gone into it.
That’s good, in one way. If we can destroy
it the way will be clear for us to take the
fleet to Arcturus and end the war. But — ”
“But what?” Keith asked. “Is it too big
for you to handle?”
POPELLE waved a hand impatiently.
“Size doesn’t matter, although it’s
really a monster — ten thousand feet, ten
times the biggest thing we’ve ever tried to
build. But it’s coated with a new metal, im-
pervious to anything we know. We can
A-bomb if all day and not scratch the finish.”
Keith nodded. “We had that stuff, too —
in our science-fiction magazines.” He got
the space-suit off as he finished speaking. “I
used to edit one.”
Dopelle’s face lighted up. It was a nice
face. Keith decided that— Betty Hadley re-
gardless— he liked Dopelle. “I used to read
them,” Dopelle said, “when I was younger.
Of course now — ”
But something in the expression on Do-
pelle’s face registered. He’d seen a face like
it before, back — no, he hadn’t seen the face,
either. Just a photograph of it. A photo-
graph of a younger and far less handsome
edition. Dopelle was —
“Joe Doppelberg !” Keith said. His mouth
fell open.
“What?” Dopelle’s eyes were puzzled
now. “What do you mean?”
“I know you now,” Keith said. “I’ve got
a clue to this set-up. You’re Joe Doppelberg,
a science-fiction fan of — of back there where
I came from. Only you’re older than he—
and a thousand times handsomer and more
intelligent than he and — you’ve got every-
thing he wanted.
“You’re what he would have dreamed him-
self to be. He — you — used to write me long
letters, full of corny humor, to my Rocketalk
Department, and you called me Rocky and
you didn’t like our Bems, and — ”
He broke off and his mouth dropped open
again.
Dopelle said, “Mekky, he’s crazy. You
won’t get anything out of him. He’s stark
crazy.”
“No,” Mekky’s voice said. “He isn’t
crazy. He’s wrong of course but he isn’t
crazy. I can follow his thought processes
and see why he thinks that. I can straighten
him out on it. I see the whole thing now —
except the formula and diagram we need.
“Come, Keith Winton, you must go under
light hypnosis so I can get from your deep
subconscious what I need. Then I’ll tell you
everything you want to know.”
“How' to get back?”
“Possibly. I’m not sure of that. But you
will be doing a tremendous service. You
may be the instrument of saving Earth from
Arcturus — and Earth here is just as real
as the one you know. You’re iK»f living in
the dream of one of your science-fiction fans.
I assure you of that.
“And that you may know what you’re
WHAT MAD UNIVERSE
saving Earth from would you care to see an
Arcturian ?”
“Would I — why sure. Why not?”
“Follow.”
The sphere that was Mekky floated across
the room, and Keith followed. The voice was
saying inside his head, “This is one we cap-
tured in a scouting ship. The first we cap-
tured alive since the early days of the war.
It was from its mind — if you can call it a
mind — that I learned of the monster ship
that is to come, and of the new armament it
will have. After you see it — ”
A door swung open, revealing a steel-
barred door just inside it and a cell beyond
the steel bars. A light flashed on within the
cell.
“That," said the voice of Mekky, “is an
Arcturian. ”
Keith stepped closer to look through the
bars and then he stepped back even more
quickly. He felt as though he were going
to be sick at his stomach. He closed his eyes
and swayed dizzily. Horror and nausea al-
most blanked him out.
The steel door swung shut.
“That,” said Mekky, “is an Arcturian in
its own body. Maybe now you understand
why Arcturian spies are shot on suspicion.”
Keith cleared his throat. “Yes,” he said.
“That is what will destroy the human race
and populate the Solar System, unless we
can destroy the monster ship. And time is
short. Come, Keith Winton.”
CHAPTER XV
Flashback
Keith winton felt a little dazed.
He felt as though he’d been drunk and
were just sobering up, as though he’d been
under ether and were just coming out. Yet
it wasn’t quite like that either. Though he
felt physically lethargic his mind was clear,
crystalline in fact. It was just that too much
strong meat was being fed to it all at once.
It was having difficulty absorbing more.
He sat on a little steel-railed balcony,
looking out over the big room of Dopelle’s
space-ship, watching Dopelle and a varying
number of other workmen swiftly and effi-
ciently making something that looked like a
very large and quite modified edition of
67
something he’d seen a picture of in a science
magazine back on Earth, his own Earth. It
was a Burton potentiomotor.
The sphere that was Mekky floated above
the operation, fifty feet away from Keith, but
it was talking to Keith, in Keith’s mind.
Distance didn’t make any difference, it
seemed, to Mekky. And Keith had a hunch
that Mekky was carrying on more than one
of those telepathic conversations at the same
time, that Mekky was directing Dopelle and
the workmen even while he talked to Keith.
“You find it difficult to grasp, of course,”
Mekky’s voice was saying, “infinity is, in
fact, impossible fully to grasp. Yet there are
infinite universes.”
“But where?” Keith’s mind asked. “In
parallel dimensions or what?”
“Dimension is merely an attribute of a uni-
verse,” Mekky said, “having validity only
within that particular universe. From other-
where a universe — spatially infinite in itself —
is but a point.
“There are an infinite number of points on
the head of a pin. There are as many points
on the head of a pin as in an infinite universe
or an infinity of infinite universes. And in-
finity to the infinite power is still only in-
finity.
“There are, then, an infinite number of
co-existent universes — including the one you
came from and this one. But do you con-
ceive what infinity means, Keith Winton?”
“Well — yes and no.”
“It means that, out of infinity, all con-
ceivable universes exist. There is, for in-
stance, a universe in which this exact scene
is being repeated except that you — or the
equivalent of you — are wearing brown shoes
instead of black ones.
“There are an infinite number of permu-
tations of that variation, such as one in which
you have a slight scratch on your left fore-
finger and one in which you have a dull
headache and — ”
“But they are all me?"
“No, none of them is you. I should not
have used that pronoun. They are separate
individual entities — just as the Keith Win-
ton of this universe is a separate entity from
you. In this particular variation, there is a
wide physical difference — no resemblance, in
fact.
“But you and your prototype here had
roughly the same history. And, as you found
out to your sorrow, you wrote the same
stories once. And there are similarities be-
STARTLING STORIES
68
tween my master Dopelle here and a science-
fiction fan named Doppelberg in your uni-
verse but they are not the same person.”
Keith thought slowly, “If there are in-
finite universes, then all possible combina-
tions must exist. Then, somewhere, every-
thing must he true. I mean, it would be im-
possible to write a fiction story, because no
matter how wild it sounds that very thing
must be happening somewhere. Is that
true?”
“Of course it’s true. There is a universe
in which Huckleberry Finn is a real person,
doing the exact things Mark Twain described
him as doing. There are, in fact, an infinite
number of universes in which a Huckleberry
Finn is doing every possible variation of
what Mark Twain might have described him
as doing. No matter what variation, major
or minor, Mark Twain might have made in
the writing of that book it would have been
true.”
Keith Winton’s mind staggered a little. He
said, “There are an infinite number of uni-
verses in which we — or our equivalents — are
making Burton outfits to defeat attacking
Arcturians ? And in some of them we’ll suc-
ceed and in others we’ll fail?”
“Of course. And there are an infinite
number of universes in which we don’t exist
at all. In which the human race does not
exist. There are an infinite number of uni-
verses in which flowers are the predominant
form of life. Infinite universes in which —
in which the states of existence are such that
we have no words to describe them. All pos-
sible combinations must exist in infinity.
“There are an infinite number of uni-
verses in which you’re going to die in the
next half hour, piloting a rocket against the
monster ship from Arcturus.”
“What?”
“Of course. You’re going to ask to. It
may get you back to your own universe. You
want to get there. I can see it in your mind.
Don’t assk me if you will succeed in this par-
ticular universe. I cannot read the future.”
^ GAIN Keith shook his head. There
jLm were still a miliion questions though
he could figure the answers to some of them
himself. But he asked another one first.
“Explain again, please, what happened.
How I got here.”
“The moon rocket from your Earth must
have fallen back and exploded — the Burton
effect, that is. It isn’t exactly an explosion —
when it struck Earth on L. A. Borden’s
estate a few yards from you. There are
peculiar properties to such an electrical flash.
Burton didn’t know what he had. Anyone
caught in it directly is not killed. He’s
knocked into another universe.”
“How can you know that if the Burton
effect is new here?”
“Partly by deduction from what happened
to you, partly by analysis — deeper than was
given it on your Earth — of the Burton for-
mula. You’re here. Q. E. D. And, from
your mind, I can see why out of an infinity
of universes you landed in this particular
one.”
“Why?”
“Because you were thinking about this
particular universe at the instant the rocket
struck. You were thinking about your sci-
ence-fiction fan, Joe Doppelberg, and you
were wondering what kind of a universe he
would dream about, what kind he would like.
And this is it.
“Analyze the differences and you’ll see
they fit, all of them. You didn’t think this
universe up, Keith Winton. It existed. It’s
real. Any universe you might have been
thinking of would have existed, ready for
you to be blown into by the Burton flash.”
“I — understand,” Keith Winton said.
It answered a lot of things. Yes, this was
the kind of universe Joe Doppelberg would
have thought of and dreamed of — with a
romanticized hero named Dopelle practically
running it, saving it. It even answered a lot
of little details.
Joe Doppelberg had been at the Borden
office. He’d seen Betty Hadley and probably
been smitten by her. And so here Betty was
in love with Dopelle. Joe knew of Keith
Winton, had corresponded with him and had
a mental picture of him, so there was a Keith
Winton here.
“But Joe hadn’t ever seen Keith Winton —
he’d been out of New York the day of Joe’s
call — so the physical picture wasn’t accurate.
Joe had seen Borden, so Borden was here —
but Joe didn’t know of Borden’s Greeneville
estate and there hadn’t happened to be a
Greeneville estate here.
“It all fitted — even to the improvement of
the Bems on the covers of Surprising Stories
— bug-eyed monsters with the subtle horror
that Doppelberg demanded in them.
A crazy Earth with everyday automobiles
— and space-ships, too. Black adventure at
night on Manhattan Island — and intergalac-
WHAT laAD
tic -warfare. A Moon with air on it — and a
super-marvelous mechanical brain as Dopelle
had created it. Dopelle the super man, the
only man who’d been to Arcturus and come
back alive. Dopelle who was almost single-
handed saving the solar system.
Universe a la Doppelberg! It fitted — ev-
erything fitted. It had to be.
The men in the big room down below the
balcony were now putting the finishing
touches on the thing they were making — a
thing of complicated coils that still somewhat
resembled the pictures he’d seen once of a
Burton potentiomotor. Apparently Mekky
had finished his telepathed instructions to
them.
Mekky floated up to the balcony now and
hovered near Keith’s shoulder. In Keith’s
mind, he said, “They’re installing it on a
life-boat, a rocket-propelled craft. Someone
must take the life-raft out and run it around
a while until a tremendous charge is built
up in the Burton apparatus. Then it will
hover near the fleet until the monster ship
from Arcturus materializes here to destroy
us. They have the same space-drive we have.
“Then the life-raft must crash the mon-
ster. The Arc ship is inertialess. Any other
ship we have can crash it without hurting
it. Nothing in our armaments can touch it.
It will blaze a path of death and destruction
through the planets after it has destroyed
our fleet. Unless the Burton apparatus —
which is new to them as to us — can destroy
it.’’
“Can it, though?”
“You’ll know when you crash the life-raft
into it. Yes, you will be given the privilege.
Every man in the fleet would volunteer. Do-
pelle himself would love to do it but I talked
him into letting you. I knew from your mind
that you’d want to take the chance. It will —
I believe — get you back to your own uni-
verse.
“The life-raft isn’t a raft, of course. That’s
just a nickname for it. It’s a small rocket-
propelled ship. You’ve never seen one. I
shall implant knowledge of its operation in
your mind before you enter it. And you
know what to do before the crash.”
“What?”
“Concentrate on your own world. On a
specific part of it; possibly on the very spot
where you were a week ago when the moon
rocket hit you. But not on that time, of
course — upon that place in that universe, as
of now.
UNIVERSE 69
“You don’t want to get back there just
in time to be blown away again by the moon
rocket’s landing. From there you can go
to New York — the New York you know.
And to Betty Hadley — your Betty Hadley.”
Keith reddened a little. There was a
disadvantage to having one’s mind read that
thoroughly even by a mechanical brain.
The men were wheeling off the thing they
had made.
“Will it take them long to install it in the
rocket?” he asked.
“Only minutes. Relax now and close
your eyes, Keith Winton. I’ll implant in
your mind the knowledge of how to control
a rocket-propelled craft.”
Keith Winton closed his eyes and re-
laxed . . .
The life-raft hovered, ten thousand miles
out from Saturn. A thousand miles
from the Earth fleet Keith could see the
fleet in his visiplate, hundreds of ships of all
sizes, the might of the Solar System, yet
helpless against the thing to come.
And he, alone in this tiny cigar-shaped
rocket only thirty feet long by six in cir-
cumference, could do what the whole fleet
couldn’t — he hoped. Well, Mekky thought it
would work and Mekky would know if any-
body or anything would know. No use
worrying about it. It would work or it
wouldn’t and, if it didn’t, he wouldn’t live
to worry.
He tested the controls, sending the rocket
in a tight little circle only a mile across,
coming back and to a dead stop at the point
at which he’d started. A difficult maneuver
but easy for him now. “The Ole Rocketeer,”
he thought. “If my fans of the Rocketalk
Department could only see me now.” He
grinned.
Inside his head, Mekky’s voice said, “It’s
coming. I feel ether -vibrations.”
He lodked hard at the visiplate. There
was a black dot just off the center of it. He
touched the controls, got the dot on dead
center and slammed on all the rockets, full
power.
The black dot grew, slowly at first, then
filled the screen. He was going to hit it in
a second now. Quickly, desperately, he re-
membered to concentrate on Eartii, his
Earth, on the spot near Greeneville, New
York. On Betty Hadley. On currency in
sensible dollars and cents and night life on
STARTLING STORIES
70
Broadway without the mist-out, on every-
thing he’d known.
A series of pictures flashed through his
mind, as is supposed to be the case with a
drowning man. “But — Lord,” he thought,
“Why didn’t I think of it sooner? It doesn’t
have to be exactly like that. I can make a
few improvements, I can pick a universe
almost exactly like mine but with a few dif-
ferences that would make it better, such
as —
The rocket hit the monster ship, dead
center. There was a blinding flash.
Again there was no sense of a time lapse.
Keith Winton was again lying flat on the
ground and it w'as early evening. There
were stars in the sky and a moon. It was
a half-moon, he noticed, not the orescent
moon of last Saturday evening.
He looked down and around him. He was
in the middle of a big charred and black-
ened area. Not far away were the founda-
tions of what had been a house, and he
recognized the size and shape of it. He
recognized the blackened stump of a tree
beside him. Things looked as though the
explosion and fire had occurred almost a
week ago. “Good,” he thought. “Back
at the right time and place.”
He stood up and stretched, feeling a bit
stiff from his confinement in the little rocket-
ship.
He walked out to the road, still feeling
a bit uneasy. JVhy had he let his mind wan-
der a trifle just at the last minute. He could
have made a mistake doing that. What if — ?
A truck was coming along and he hailed
it, getting a lift into Greeneville. The driver
was taciturn. They didn’t talk at all on the
way in,
Keith thanked him as he got off at the
main square of town. He ran quickly to the
newsstand to look at the headline of the
current newspaper displayed there. “Giants
Beat Bums,” it read. Keith sighed with re-
lief.
He realized he’d been sweating until he’d
seen that headline. He wiped perspiration off
his forehead and went into the newsstand.
“Got a copy of Surprising Stories?” he
asked.
“Right here, sir.”
He glanced at the cover, at the familiar
cover, saw that it said 20c, and not 2cr.
Again he sighed with relief— until he readied
for change in his pocket and remembered
there wasn’t any there. And there’d be only
credit bills — a few of them — in his wallet.
No use pulling that out.
Embarrassed, he handed the magazine
back. “Sorry,” he said. “Just realized I
came away without any money.”
“Oh, that’s all right, Mr. Winton,” the
proprietor said. “Pay me any time. And —
uh — if you came away without your money
could I lend you some? Would ten dollars
help?”
“It surely would,” Keith said. “Thanks
a lot Uh — make it nine-eighty, so I’ll owe
you an even ten with the magazine.”
“Sure. Gee, I’m glad to see you, Mr.
Winton. We thought you were killed when
the rocket hit. All the papers said so.”
“Of course,” Keith thought. “That’s how
he knows me. My picture would have been
in the papers as one of Borden’s visitors
who was killed.”
“Glad to say the newspapers got it
wrong,” he told the man. “Thanks a lot.”
IW E POCKETED the nine dollars and
H eighty cents, and went out again. It
was getting to be dusk, just as it had been
before on last Saturday night. Well, now
to- — ^now to what? He couldn’t phone Bor-
den.
Borden was dead — or ma3d)e blown into
another universe. Keith hoped it was the
latter. Had the Bordens and the others
who’d been on the estate, been near enough
the center of the flash to have had that
happen to them ? He hoped so.
An unpleasant memory ritade him walk
past the corner drugstore where — it seemed
like years ago— he'd seen his first purple
Bern. He went into the drugstore on the
next comer and walked back to the phone
booth. Often someone worked late in the
Borden offices in New York. Maybe some-
body would be working there now. If not, all
the call would cost him wmuld be a rejK>rt
charge.
He got a handful of change from the
druggist and went back to the phone booth.
How did one dial a lor^ distance operator
on a Greeneville phone? He picked up the
Greeneville directory to find out and idly
leafed it open to the B’s first. The last time
he’d handled one of these things there
hadn’t been any L. A. Borden listed.
This time, of course — just to reassure him-
self, he ran his finger down the column.
There wasn’t any L. A. Borden.
For Just a minute, he leaned against the
WHAT MAD UNIVERSE
back of the phone booth and closed his eyes.
Then he looked again. Had some embryonic
thoughts gone through his mind at the last
minute and brought him back to a universe
not quite the same as the one he left?
Quickly he yanked the copy of Surprising
Stories out of his pocket and opened it to the
title page. He ran his finger to the point in
the fine print where — Ray Wheeler, Manag-
ing Editor, it read. Not Keith Winton but
Ray Wheeler. Who the devil was Ray
Wheeler ?
Quickly his eyes swung to the name of the
publisher — and it didn’t read Borden Publi-
cations, Inc., at all. It read Winton Publi-
cations, Inc. It took him a full five seconds
to figure out where he’d heard the name of
Winton before. Then he grabbed for the
phone book again and looked under the
W’s. There was a Keith Winton listed,
Cedarburg Road, and a familiar phone num-
ber, Greeneville 111.
No wonder the newsdealer had known
him, then. And he had changed things some-
what and somehow with those last minute
thoughts in the rocket ship. This was al-
most the same universe but not quite. In it
Keith Winton owned one of the biggest
chains of publications in the country and
had owned a Greeneville estate!
But what else — if anything?
He put a coin in the phone and said quick-
71
ly, “Long distance, please,” before he re-
membered it was a dial phone.
His hands fumbled the directory before he
could find out how to get a long distance
operator.
Then he got one, and said, “New York,
please. Have the New York operator see if
there is a Betty Hadley listed and get her
for me if there is. Quickly, please.”
A few minutes later — “Your party, sir.”
And then Betty’s cool voice saying. Hello.”
“Betty, this is Keith Winton. I — ”
"Keith! We thought you — the papers
said — what happened?”
“Guess I must have been in the explosion,
Betty, but at the edge of it and just got
knocked out. I must have had amnesia from
the shock and been wandering around. I
just came to myself. I’m in Greeneville?”
“Oh, Keith, that’s wonderful I It’s — I
just can’t say it ! You’re coming right to
New York?”
“As soon as a plane will get me there.
Want to meet me at La Guardia field?”
“Do I want to? Oh, darling
And a moment later, Keith Winton — with
a dazed and somewhat silly look on his face
— put the receiver on the hook and hurried
out of the drugstore. A taxi to the airport
and then —
This, he thought, was a universe he’d
really settle for.
Next Issue’s Novel: AGAINST THE FALL OF NIGHT, by Arthur C. Clarke
RAT RACE
Ey DOROTHY and JOHN DE CODRCY
The Rat-men's empire spread ever outward until it
engulfed the world in a paralysis of total terror
OIS MACDONALD opened the
door of the laboratory. Her hus-
band, Bruce, and Dr. Granas were
studying something intently.
“It’s six o’clock, Bruce,” she called from
the doorway.
Bruce looked up from the table. “Al-
ready?” he asked, surprised.
Dr. Granas stretched. “That’s the way it
is, Bruce. Time seems to slip through a
man’s fingers when he’s doing something.”
Bruce walked across the room. “Well,
we might as well hear what he has to say and
get it over with.” He snapped on the tele-
visor and walked back to the sink. The two
men washed their hands and dried them,
occasionally glancing at the screen.
The orchestra that had been playing van-
ished to be replaced by the solemn face of an
announcer. “Ladies and Gentlemen. This
is Malcolm Field, speaking to you from the
United Nations Government Building in
Geneva. Through the cooperation of the
European Broadcasting Alliance, we bring
you a special address by United States Dele-
gate, Avery B. Clark.”
74 STARTLING STORIES
The scene shifted and the usually tragic
face of Delegate Clark appeared looking more
dejected than usual. He cleared his throat.
“My fellow citizens. There are few of
you, if any, who do not know of the mo-
mentous events of these last four days. You
have heard, as did I, the surrender ultimatum
of the Cafis. Yesterday, we experienced the
type of warfare which we can expect if we
are to resist.
“For one hour, it was as if our civilization
did not exist and we were returned to the
Stone Age. The official emissary of the
Cafis explained the principle of this weapon
and has shown how it is applied, yet none
of our scientists, either professional or ama-
teur, has been able to find a way to combat
this weapon. The Cafis have informed us
that tliis only one of many such weapons
and each is equally potent.
“This is not war as we of earth have
known war, but it is war none the less. The
Cafis are an alien race and therefore a
peculiar one. If they had wished, they could
have attacked us without warning and by
now, we would all be dead.
“My fellow delegates and I have felt the
grave responsibility resting upon u.^ and we
have considered the facts carefully. If I
were deciding for myself alone, I would say,
fight ! Fight to the end ! I would have noth-
ing of greater value to risk than my life and
my honor. But, I have had to decide for you,
for your wives, for your fathers and mothers,
for your husbands and for your children.
“Therefore, I have made the only decision
possible. It is the unanimous decision of the
United Nations Government that we accept
the ultimatum, ‘surrender without condition.’
The surrender will take effect at seven
o’clock tonight. Eastern Standard Time.
From then on, we will be subjects of the
Galactic Empire of Cafis, and we will be
expected to govern ourselves accordingly.”
ELEGATE CLARK paused, his lower
lip trembling. “Good-by and God be
iwith you,” he finished hastily.
Bruce turned the televisor off. He looked
jrt Granas and then at his wife. “Hello,
fellow slaves,” he said, grinning.
“It’s not funny, Bruce!” Lois snapped
and buried her face in her hands. Bruce went
to her side and put his arms around her.
“I wonder what we do now?” Dr. Granas
asked of no one in particular.
“I’m afraid I don’t know. Unde Bob,”
Bruce answered. “I haven’t had much ex-
perience at this sort of thing. ”
“Is — isn’t there something we can do?”
Lois burst forth, desperately. “Maybe —
maybe if there was more electricity — ”
Dr. Granas shook his head. “If you were
a scientist, Lois, you’d understand. This
thing can’t be beaten. You’ve seen con-
densers and you know how simple they are.
The weapon of the Cafis is almost the same
as a condenser. They created two electro-
static fields of unimaginable intensity which
encompassed the earth outside the atmos-
phere. This in turn, converted the earth
into a non-unified stress field and isn’t en-
tirely understood.”
“But — but how does it work?” Lois asked.
“Surely there is some way to combat it !”
Dr. Granas smiled. “Well, any electrical
activity, no matter how slight, acting in this
field, instantly sets up a counter potential of
almost equal pressure. It would take billions
of horsepower to operate even the devices
in the house. 'The earth simply hasn’t got
the available power to overcome this po-
tential, and even if it did, we would be de-
feating ourselves in using it since the C^s
draw their power directly from the sun.
“Why, there would be such a tremendous
amount of heat released here on Earth that
it would destroy all life within a matter of
hours. Even if we surmounted that obstacle,
the Cafis would be draining so much power
from the sun that in a few weeks, it would
become unstable and might even explode into
a super-nova.
“We would then literally be jumping
from the frying pan into the fire. There
might be another way but we simply haven’t
the technology and knowledge to find it or
use it. In a hundred years we might, but
not now.”
Lois nodded dejectedly. They just .sat
disconsolately in the laboratory. There was
nothing to say ; nothing to do but wait.
Finally, Dr. Granas glanced at the clock.
“'Thirty-eight more minutes of freedom,” he
sighed. “Thirty-eight more precious minutes
and I have nothing to do.”
Bruce roused himself. “Do you remember
that bottle of Napoleon brandy you gave us
two years ago?” Dr. Granas nodded. “Well,
it seems to me,” Bruce continued, “that it’s
still in the refrigerator.”
Lois looked up. “It’s still there, darling.
Shall I get it?”
“I think it would be a good idea,” Bruce
RAT RACE 75
said. “Take it into the living room, dear,
and I’ll get the goblets.”
In the living room, Bruce carefully divided
what was left of the brandy into three goblets.
He cet the bottle down and silently handed
glasses to Lois and her Uncle Bob. They
stood facing each other, Bruce slightly swirl-
ing the brandy in his glass.
Dr. Granas again glanced at the clock.
“Ladies and gentlemen,” he began, oratori-
cally, “since this is my last twenty-seven
minutes of freedom. I offer a toast. To the
United Nations, to the United States, and
to — tomorrow morning. May I wake up and
find this is all a dream.”
Lois bit her lip as the glasses tinkled. They
fell silent again after the toast, each count-
ing the minutes and having in them, thoughts
too private to share.
Soon, Granas walked over to the televisor.
He turned. “Shall I turn it on?” he asked,
hesitantly.
“Let’s wait until seven,” Lois suggested.
“We’re free to do as we please until then.”
“Maybe it would be better,” Granas
agreed. “I imagine the ‘rats’ will have us
listening every day to propaganda broadcasts
from now on.”
“You’re going to have to watch out for
that word in the future. Uncle Bob,” Bruce
said. “They may be rodents but they’re
also our bosses.”
Lois shuddered. “They do look like rats,”
she interposed. “I think they’re horrible!”
RUCE replied, “You know, I think
we’re being illogical. They don’t really
look Kkd rats. They don’t have any fur. If it
weren’t for their teeth and that bottlelike
shape, they could easily pass themselves off
as men. We humans have some sort of a
natural aversion for rodents, particularly
rats, but after all, just because they’re rodents
instead of primates doesn’t mean they are
vicious. I think they've treated us quite
well, so far.”
“We still don’t know what they’re going
to do,” Dr. Granas said, caustically.
“I wonder how such a terrible life form
happened to become a dominant animal?”
Lois asked.
“Oh, it’s logical enough,” Dr. Granas
answered. “It’s really only an accident that
a primate like man became dominant here.
On the whole, rodentia are intelligent, and
they are certainly prolific. By all rights they
shtMild have developed here. Even as it is,
we have a great deal of trouble saving civili-
zation from rats. They have lived with us
everywhere and have practically defied our
every attempt to get rid of them.”
“Oh let’s not talk about them any more,”
Lois exclaimed. “They make my skin
crawl ! ”
“All right,” Dr Granas answered. “May-
be we should be watching the televisor. The
Cafis will probably have plenty to say.”
“I guess I’ll go to bed,” Lois said. “I
don’t think I could stand seeing those awful
rat faces again.”
Bruce kissed her. “I’ll be up soon, dear,
and don’t worry. Everything will be all
right. ”
Lois smiled and nodded her head, but
Bruce could see that she wasn’t convinced.
Dr. Granas waited until Lois was gone
and then snapped on the televisor. A well-
known commentator was reviewing the events
of the preceding four days, augmented by
recorded scenes.
“. . . more than industrial paralysis. In
homes and offices, these scenes were typical.”
The scene shifted to show a young woman
snapping on switches and plugging in ap-
pliances all over her house. Nothing worked.
The scene changed to an office where a
young man smilingly demonstrated an in-
operative adding machine. The young man
picked up a flashlight and snapped on the
switch. Nothing happened.
The commentator’s voice broke in. “These
scenes are in no way exaggerated as you all
know. Although we have not yet received
the final reports, preliminary surveys show
that all types of electrical equipment, no mat-
ter where situated, were blanked out during
the one hour test yesterday.”
“The Cafis emissary, Atis Tobe, declared
that if the weapon had been stepped to a
higher degree, it would have also prevented
the travel of light and heat. Incidentally, we
were able to make these recordings by using
mechanical motion picture devices and so the
stoppage had no effect.”
He paused. “That’s about all the time we
have left. There will be further bulletins
every hour unless the Cafis begin censorship
of news. And now we take you to the New
York News Bureau.”
“Now what?” Dr. Cranas asked.
“Good evening, ladies and gentlemen. This
is Marvin Hill. Our New York News Bur-
eau has become more or less the center o£
attention during the last twenty minutes. The
STARTLING STORIES
76
Cafis Gan, Atis Tobe, has landed in New
York and has requested a hookup for a na-
tionwide broadcast. Reports are coming in
indicating that similar broadcasts will take
place in Europe and Asia. Official emis-
saries of the Cafis have established headquar-
ters in London, Paris, Moscow, Madrid,
Rome and Istanbul.
“We have a tentative report from Shang-
hai but it has not yet been verified. It ap-
pears that simultaneous broadcasts which will
cover the whole world will begin in a very
few minutes. Indications are that New York
will be the new seat of government at least
temporarily. We are preparing — That’s the
signal, ladies and gentlemen. We take you
to the Municipal Building.’’
“I wish they wouldn’t be so cheerful,”
Bruce muttered. “You’d think this was the
Fourth of July or something!”
NEW face appeared on the screen.
“Good evening ladies and gentlemen of
the United States,” the face intoned. “This
is Kimball Trent, V/e are bringing you a
special address by the Viceroy of the Cafis
Empire, Atis Tobe,” He paused, significant-
ly, “Viceroy Tobe.”
The face and shoulders of the Viceroy
came into view. “So that’s the number one
rat,” Dr. Granas mumbled. Bruce thought
Atis Tobe was staring directly at Dr. Gran-
as. At least, it looked as though he were. A
man’s voice was heard in the background.
“You’re on the air. Your Excellency.”
“Thank you,” the Viceroy said with a
slight lisp. With beady eyes he stared from
the screen and twitched his nose a little. The
whiskers on the side of his nose were
trimmed close and even, looking very much
like an out-of-place mustache. His ears were
small and except for the bulging forehead,
he looked very much like a hairless rat.
Even his voice was high pitched and some-
what squeaky.
“I bring greetings to the most recently
acquired of the Cafis Empire. Although you
have surrendered and are technically a sub-
ject race, may I assure you that your status
is that of citizens in our great Empire.”
“Soft soap!” Bruce growled.
“As fellow citizens,” the Cafis Gan con-
tinued, “I fee! we should understand one an-
other. I am sure that a few of you are har-
boring some misconceptions regarding us.
Possibly I do also regarding you. We have
studied your planet for only four days and
most of our energy and resources have been
devoted to the study of your languages. It
has been difficult but we have mastered them
sufficiently to adequately express our de-
sires. By induction, we have been able to
formulate a reasonably accurate picture of
the average inhabitant of this planet.
“That you are creatures of logic is obvi-
ous, since you have surrendered rather than
tried to resist the inevitable. That you are
civilized is plain, not only from your tech-
nology but from your attitude toward us, an
alien race. Because of these things, I am
safe in assuring you that you will soon be
granted full citizenship in the Cafis Empire
with all its rights and privileges.”
Dr. Granas snorted. “He hasn’t gathered
what our attitude really is ! His hide must
be a foot thick!”
They listened to a glowing dissertation on
the benefits of citizenship in the Cafis Em-
pire. The inducements were purely intellec-
tual and carried not even a residue of emo-
tional appeal.
“Cold blooded little beggars!” the doctor
growled.
“There are a few prerequisites to obtain-
ing citizenship, however,” the Viceroy went
on, “but since these conditions are logically
necessary, I confidently expect your full co-
operation. ”
At this point, the Cafis Gan attempted a
grin. Seldom had Bruce seen a more revolt-
ing spectacle. The Viceroy decided he had
grinned enough and continued his speech.
“In order to coordinate technology, it is
necessary that all scientists and technicians be
registered. If then, you are engaged in one
or more of the following professions, full or
part time, you will go to the nearest center
of local government and there leave your
name, address and other such data as you
will be asked by those in charge of the regis-
tration, Registration will begin tomorrow
morning at eight o’clock and will continue
until the registration is complete.”
The Viceroy began reading off the names
of various sciences, arts and crafts with
monotonous intonations. When he reached
‘Biologist’, Bruce stirred and mumbled some-
thing inaudibly. Shortly after that came
‘Chemist’.
“I see I’m in this too,” Dr. Granas sighed.
They listened while the Cafis Gan finished
his list. Then he favored his audience with
another smile. He laid down several more
RAT
edicts which were not too restrictive and
suggested that it was desirable that each per-
son conduct himself in his most normal man-
ner.
“Business as usual during altercations !”
Dr, Granas gritted.
The Viceroy stopped speaking and turned
his head. He made a motion to someone,
and his face vanished to be replaced by that
of a local announcer.
Dr. Granas reached over and switched off
the televiser. “Well, Bruce, I wonder how
many times a minute they would like to have
us breathe!”
Bruce didn’t move. He just stared at the
blank screen.
“What do you think we should do now?”
Dr. Granas asked.
Still Bruce didn’t stir.
“What’s the matter, boy? Are you hyp-
notized or something?”
“Huh? Oh. What did you say, Uncle
Bob?”
“I said, are you hypnotized?”
“Ah — oh no. It was just that profile.”
“Well,” Granas smiled, “I can’t say that
it’s any more repugnant than a full face
view.”
“No, I mean — ” Bruce paused. “Oh, I
don’t know.” He sighed. “Let it go.”
“I’ve been thinking, Bruce. If we get
downtown early tomorrow, we may not have
to wait long to register.”
“Yeah, I suppose so,” Bruce answered,
“but if you feel up to it. I’d like to do a little
work tonight. The only thing we have tO do
is connect up the amplifying circuits.”
“It’s all right with me,” Dr. Granas re-
plied. “We can start testing tomorrow then.”
“That reminds me,” Bruce interrupted.
“In order to energize the colloid, we’ll have
to feed a variable current into the input
amplifier.”
“Yes,” Dr. Granas nodded. “The more
variable, the better.”
“Well, how about this idea,” Bruce sug-
gested. “Let’s hook a microphone up to the
input and stand it in front of the loudspeaker
of the lab’s televisor. That would really give
us variation. W’e can keep it turned on low
enough so it won't bother anyone.”
“Sometimes, Bruce, you get the darnedest
ideas,” Dr. Granas chuckled. “I guess you’re
just naturally lazy. There’s nothing like let-
ting the broadcasting company energize the
colloid for us I”
“Do you think it’ll work?” Bruce asked.
RACE 77
“I don’t see why not. There’s nothing
wrong with it.”
The two men went into the laboratory and
set to work on the final connections.
Forty-five minutes later, Bruce laid down
his soldering iron. “Pretty much Goldburg-
ish but the output is O.K.”
“You all done?” Granas asked.
“Yup, she’s all hooked up. Do you want
me to help you?”
“No, I’m done too. The circulation pump
looks kind of crude but I’ll give it the ‘Gran-
as’ personal guarantee.”
Bruce walked over to a cabinet and took
out a small microphone. As he walked back,
he unwound the cord and plugged it into the
calculator’s input amplifying circuit. They
finally got the microphone properly propped
up in front of the televisor. As Granas
tuned in a program, Bruce stuck two test
leads into the innards of the tube circuit.
“A little more volume. Uncle Bob. There,
that’s about right.”
Dr. Granas straightened and grinned.
“Well, shall we go to bed and let the ‘Mac-
Donald automatic energizing system’ do the
work for us?”
Bruce stuck his ear next to the loud-
speaker attached to the calculator’s output.
“What do you expect to hear, Bruce?”
“Oh, nothing. I just couldn’t resist it. By
tomorrow we should have a pretty good echo
coming through.”
“I hope you’re right, my boy,” Dr. Granas
replied. “If we don’t, we will have wasted
a lot of time and money.”
“Under the present circumstances,” Bruce
said, slipping off his lab coat, “I don’t see
that it makes much difference how much
money we lose.”
“No use being bitter,” Granas retorted.
“It isn’t going to do the Cafis any harm or
you any good.”
“I guess you’re right,” Bruce sighed.
The two men left the laboratory. Dr.
Granas paused at the stairway. “You go
ahead, Bruce. I forgot to shut the lights off.”
“O.K. Good night.”
“Pleasant dreams, fellow Roman!”
Bruce went upstairs. Lois was asleep so
he undressed quietly and eased himself into
bed.
MJREAKFAST was a dismal ritual. Dr.
Granas nrade two or three ineffectual
attempts to relieve the oppression. Lois was
obviously depressed, but Bruce seemed de-
STARTLING STORIES
78
tached, preoccupied, and his face wore the
same expression of philosophic calm it had
the night before.
“What have I done ? Why won’t you talk
to me?” Dr. Granas asked.
"I’m sorry, Uncle Bob,” Lois sighed. “I
don’t mean to be rude.”
“Oh, it isn’t that,” Granas smiled. “I
know you aren’t trying to be rude, but it
worries me when you don’t talk.”
“Is a woman always supposed to be talk-
ing?” Lois asked, smiling.
“Of course not,” Granas answered, “but
I know you too well. You’re letting this
thing get you, and you can’t hide it.”
“I’m sorry I'm — just — oh — I guess I’m
not used to being a slave!”
“I know it’s unpleasant,” Granas admit-
ted, “but there’s nothing we can do about it,
and as people have always done, we’ll just
have to grin and bear it. Come on, Bruce!
Stop brooding!” The older man laid a
friendly hand on Bruce’s shoulder.
“Huh?”
“I said, cheer up!”
Bruce sighed. “Oh I’m not depressed.
I’ve just been thinking.”
“Well, you can do your thinking when we
get back. It’s almost time to leave. W e want
to get downtown before a line forms so we
can get home earlier.”
“Would you like some more coffee before
you go?” Lois asked.
“I don’t think so, dear,” Bruce answered.
“Uncle Bob is right.”
“Bruce, you’re getting to be a cynic, just
like your father,” Granas said.
“Maybe I am but I’ve got better reasons
than he had.”
Dr. Granas arose. “Let’s get going. We
can talk on the way to town.”
Lois followed the two men into the hall.
She took her coat out of the closet while
Bruce was tying his tie.
“You aren’t going too, are you?” Bruce
asked.
“I most certainly am!” she replied.
“Oh there isn’t any necessity for that,
darling. This is only a registration. We’re
only going downtown and we’ll be right
back.”
“I don’t trust them, any of them!” she
stated. “If you go, I go too!”
Bruce opened his mouth to object, then,
finding no logical reason, let it go. “All
right, dear. Maybe we’ll take in a show or
something afterward.”
“Not today, we won’t!” Granas inter-
posed. “It has taken us two years to build
our calculator and today we’re going to test
it!”
“I’m not so sure I want to test it,” Bruce
replied, opening the door. “After all, our
work is supposed to be dedicated to human-
ity. Now we’ll be giving it to the rats.”
“I doubt if we’ll be giving much away,
Bruce, but in any case, this might be valu-
able later on. Our calculator might find a
method of counteracting that electro-stasis
field of the rats.”
“I don’t see how!” Bruce commented as
he slammed the car door.
RANAS answered. “I don’t mean ours.
I mean a later development. Suppose
in ten years from now, an electro-colloidal
calculator built on our principal, were given
all the data on that stasis field, for example,
a formula with an inoperative generator
stated as part of the equation. Wouldn’t the
brain carry the formula to its logical con-
clusion? After all, an adding machine
doesn’t have to understand the term, two
plus two.
“That’s all just wishful thinking,” Bruce
replied. “A problem as complex as that
would at least call for comprehension or
awareness.”
“It’s only your mind that tells you that,”
Dr. Granas insisted. “In a sense, our col-
loid calculator does have awareness. There
is always a continuous flow of impulses be-
tween all the cells, through the main induc-
tors. You might say quite accurately that it
thinks.”
“Well, here we are,” Bruce interrupted.
“I’ll let you two out and park the car.”
“We’ll wait in front of the building!” Lois
called.
“All right!”
Ten minutes later, Bruce walked swiftly
up to the entrance of the building. “I don’t
see a line waiting,” Bruce smiled. “Have
the rats lost their popularity so soon?”
“I wish you’d be serious, Bruce,” Lois
cautioned. “I don’t think this is the least bit
funny ! ”
“Maybe not, maybe not,” Bruce replied as
they walked into the building.
A policeman gave them directions and
they soon found their way to the registration
office. Dr. Granas picked out one of the in-
terviewing desks at which no one was wait-
ing. An oldish man was being interviewed
RAT RACE 79
by a uniformed Cafis.
“Shall I go first?” Granas asked, “or do
you want to?”
“It doesn’t matter to me,” Bruce shrugged.
“Go ahead.”
The oldish man arose and left the desk.
Dr. Granas sat down in the chair and Bruce
stood behind 'him.
The Cafis glanced up from the desk and
looked at Bruce. “If you will have a chair
over there, young man, I will be with you
as soon as I have finished with this gentle-
man’s interview-.”
“We work together,” Dr. Granas re-
marked. “He might be able to give you in-
formation that I can’t.”
“I see,” the Cafis said. “If you will draw
up a chair, then, w’e will proceed.” The
rodent busied himself wnth some blanks then
stared at Dr. Granas. “ State your name, age
and place of residence please.”
“Doctor Robert Granas, fifty-four, thirty-
four-o-three Hudson Terrace.”
“Your profession.”
“Bio-chemist.”
“By whom are you employed?”
“We are doing independent research.”
“State the nature of it briefly, please.”
“We are preparing a biological calculator
utilizing a colloid substance which responds
to electrical stimulae in known patterns.
We—”
“Doctor, you are attempting to mislead us.
You are making an artificial brain.”
“Only 1^ a very broad definition could
you call it a brain, sir,” Granas answered.
“Let me describe the device to you. Doc-
tor,” the Cafis said. “This device is fun-
damentally a tank, divided into tiny insu-
lated compartments. Each compartment has
a small opening between itself and all of its
immediate neighbors. You have horizontal
rods 'or wires and vertical rods or wires pass-
ing through the tank but not directly con-
nected to the cells.
“It seems, by induction, these pick up the
tiny impulses. You have an energizing solu-
tion slowly filtering through the colloid mass
which forms the third pole of your primary
electrical system. Connected to this are ap-
propriate amplifiers, integrators and/or vari-
ous other devices which utilize the output of
the brain.”
Dr. Granas listed to this recital c^en
mouthed. “But — but — how could you know !
How could you possibly know ! !”
“From my position, Doctor Granas, it is
quite simple but I am sorry that I can not
tell you. I must, however, ask you to stop
all work on this device. Our technicians will
call at your laboratory this afternoon. You
are not to do any further work until you re-
ceive their permission,” Without waiting for
a reply, he turned to Bruce. “Your name,
age and place of residence, please.”
“Bruce MacDonald, thirty -one, same ad-
dress. I’m a biologist and I plan to leave
here at once, return to our laboratory and
w'ork unceasingly until our device, as you
call it, is finished ! I wouldn’t advise you or
any of your friends to try and stop me.”
“Mr. MacDonald. You are being irra-
tional.”
“And I plan to go right on being irra-
tional ! Any attempt at interference and I
shall resort to violence. In case you don’t
realize what I mean, I will break bones and
destroy lives if necessary !”
MJRUCE jerked the appalled Granas to his
EP feet and catching Lois by the arm,
marched them out of the building. Lois was
pale and Dr. Granas trembled a little. Bruce,
however, took no notice of anything. Grim-
ly, he led them up the street. No attempt
was made to stop them. A fe\^ minutes later,
they climbed into the car and drove home-
ward in silence.
As Bruce was unlocking the door, Lois
whispered. “Bruce, why did you do it? Now
they’ll kill us all.”
“I’ve Ireen thinking about that,” Bruce
said, quietly. “I wondered if I’d made the
biggest mistake of my life and possibly my
last one — but I don’t think so. The more I
think about it, the more I’m sure I han-
dled the situation in the only way possible.”
“By losing your temper, I suppose!”
“And our lives in the balance!” Granas
added.
“No, you two! They aren’t going to do a
thing to us!” Bruce answered. “I think — ”
“And you’d better think fast too!” Granas
interrupted, “because there’s a car stopping
out in front.”
Lois dashed to the window'. “Oh Bruce,
they’ve come!” she sobbed. “What’ll we
do!”
The trio fell silent as two of the aliens
emerged from the car, said something to
the human driver, and walked measuredly
toward the door. Bruce opened it for them-
and they stej^d in wdthout comment. Gran-
as’ ^es widened as he recognized the face
STARTLING STORIES
80
and dress of the Capis Gan.
The Viceroy turned and faced Bruce. "I
am the Cafis Gan. My name is Atis Tobe.
You are, I believe, Bruce MacDonald.”
“I am,” Bruce admitted, trying not to
smile.
“Something amuses you, Mr. MacDon-
ald?” the observing Cafis asked.
“Yes,” Bruce answered. “I’m more or
less amused to see that I guessed correctly.”
The Cafis Gan regarded him with an un-
winking stare. “You have declined to follow
our request to cease work.”
“I have.”
“You realize that you are being irrational
then?”
“Your Excellency,” Bruce began with a
grin, “from your point of view, I am com-
pletely irrational but my behavior from the
human standpoint is not only normal but you
will encounter it in eighty percent of your
subjects.”
“That is impossible,” Atis Tobe answered.-
“You are a civilized race. Such a thing will
not be tolerated.”
“You have only studied us for four days,
Your Excellency,” Bruce pointed out.
“True, but there are many indications of
civilization. Your own device, for example.”
“You have a point there,” Bruce admit-
ted, “but I have another device to show
you.” He reached into his pocket and took
out an automatic.
Dr. Granas clenched his hands and Lois
gasped. “Bruce, please!” she whispered,
fervently.
“If I were to pull this bit of metal called
the trigger, you would die instantly,” Bruce
said to the Cafis Gan.
“Assuming that is the truth, Mr. Mac-
Donald, what does it prove?” The Cafis was
annoyed.
“It proves. Your Excellency, that with us,
destruction of life is a common thing.”
Atis Tobe bent over and studied the re-
volver. “Did you make this?”
“No,” Bruce answered. “Nearly every
human possesses a gun and sometimes uses
it. These are made in huge quantities, each
one adapted to a specific purpose. This one
is expressly designed for use on humans. It
would work equally well on you also.”
The Cafis Gan continued to stare at the
gun. “What is the principle?”
“It’s a simple heat engine,” Bruce replied.
“Chemical reaction generates a high gas
pressure which forces a metal pellet through
this tube. The velocity of the bit of metal or
bullet will cause it to penetrate a body, rup-
turing its internal organs where it strikes.”
Atis Tobe had apparently been practising
his smile for this one was not nearly so grue-
some. “Your explanation, Mr. MacDonald,
is most ingenious. For a moment, I almost
believed you.”
Bruce lined the gun up at point blank
range and squeezed the trigger. The
report was deafening in the small room. A
metal insigne ripped off the shoulder of the
uniform of the Cafis Gan. The Viceroy felt
of the torn fabric and turned to look at the
wall behind. It was almost imperceptible but
Bruce detected a faint quiver in the rodent’s
talonlike hand.
“Almost you have convinced me,” the
Cafis said slowly.
“Lois,” Bruce said. “Will you get that
package from the butcher shop? It’s in the
refrigerator behind the milk.”
“What?” Lois asked, confused.
“Get me our latest purchase from the
butcher shop,” Bruce repeated, distinctly.
Lois hurried to the kitchen and returned
a moment later with a package wrapp>ed in
white paper. She extended it timidly to
Bruce. He ripped it open with the muzzle of
his automatic and removed a two inch thick,
round steak from the wrapper. Slowly,
Bruce extended the dripping steak to the
Viceroy.
The rodent man recoiled a little. “A speci-
man, Mr. MacDonald?” he asked.
“No,” Bruce replied, trying to leer.
"Food!"
Atis Tobe winced and covered his eyes. In
a moment he recovered his composure and
turned to stare at Dr. Granas. “Is all this
the truth?”
Granas nodded his head. “I’m afraid it
is. Your Excellency.”
“How horrible! How depraved !”
There was silence in the room as Bruce
placed the steak back in its wrapper and
handed it to Lois.
“I believe we have made a terrible mis-
take,” the Cafis Gan Sciid, weakly. “It is in-
credible that such barbarism can exist among
thinking creatures ! ” His body twitched. He
turned and walked to the door. In stupefied
silence, the trio watched the two Cafis leave.
The rodents paused at the car and stared at
the human driver. Almost fearfully, they
stepped in and drove off.
RAT RACE
Lois turned from the window. “What are
they going to do now?” she asked, wring-
ing her hands.
“I imagine their full time occupation from
now on will be leaving the earth and trying
to forget it as soon as possible,” Bruce an-
swered, smiling.
Dr. Granas shook his head. “I don’t un-
derstand this at all,” he said. “What’s going
on?”
“It’s quite simple. Uncle Bob,” Bruce re-
plied. “The Cafis thought we were civilized.
In fact, I don’t think they’ve ever come
across an uncivilized race before.”
“What do you mean, uncivilized !” Granas
bristled.
“Civilization is a pretty relative term,”
Bruce answered. “To us, we are civilized.
To the Cafis, however, we are monsters. You
see, the Cafis don’t kill. Their understand-
ing of the term ‘war’ is a sort of a contest,
certainly not bloodshed.”
“But they’re a conquering race!” Granas
objected. “How can they do it without blood-
shed?”
“I’m not entirely sure,” Bruce replied,
thoughtfully. “I’m only guessing but so far,
my guesses have been pretty good. My the-
ory is that the rest of their empire is much
like themselves. You yourself remarked that
it was only an accident that the rodents
didn’t become the predominant race here on
earth.”
“That’s true,” Dr. Granas admitted.
“I think we can assume, that up until
now, the Cafis have only had to deal with
races similar to themselves. When they came
here, they carried on their vrarfare just as
they always have done. I bet the rest of their
empire considers them pretty ruthless con-
querors.”
“I don’t see what )ma’re getting at!”
Granas exploded.
81
“I got the clue last night. Uncle Bob,”
Bruce continued, “when Atis Tobe turned
his head. I thought about it for a long time
and finally decided that I was right. I
guessed that they were non-carnivores and
were therefore unaccustomed to violence and
bloodshed. It was so unheard of to them,
that they didn’t for one minute expect to
find a carnivorous civilization.
“Look at how they conquered the earth.
Not by killing I Their weapons are of a dif-
ferent type. They paralyze a civilization and
give you a chance to nullify the weapon and
if you can’t do it, they win. If you can com-
bat their weapon, then they think up a new
one and on it goes until someone’s resources
are exhausted.” ,
“Well — well — ^how did you know they
were so peaceful?” Lois stammered. “Rats
here on earth are vicious — and horrible!”
RUCE laughed. “Darling, that’s what
comes from jumping to conclusions.
The Cafis are rodents to be sure, but as
rodents go, rats are certainly not the most
intelligent ! ”
“Well these rats are certainly intelligent!”
Granas interrupted.
“Not rats. Uncle Bob,” Bruce replied,
grinning. “Beavers !”
“Not exactly,” a loud voice boomed.
The trio stood frozen, staring at each
other.
“W-h-a-t?” Granas said, weakly.
“I said, not exactly.” The voice rumbled
through the open door of the laboratory.
There was a momentary mad scramble as
they all tried to go through the laboratory
door at one time. Their eyes took in the
empty roc«n at a glance then rested on the
loudspeaker of the calculator. They waited,
hardly breathing.
“Rabbits!” the calculator said.
COMING m THE NEXT ISSUE
THE ISOTOPE MEN
A Hcdl of Fame Classic by FESTUS PRAGNEUL
Only a quartet of Eartbmen stood between the Mercurian
invaders and planetary conquest! A Hall of Fame novelet
TETHAUEDHA
CHAPTER I
Jungle Crack-up
A MOON of mottled silver swam in
the star-flecked sky, pouring its flood
of pale light over the sea of blue-
green vegetation that swelled up and up in a
mighty, slow wave to break in the foaming
crest of the Andes.
The shadow of my plane raced far below,
dipping into the troughs, breasting the sum-
mits of that vast, unbroken sea of emerald
Copyright 1931, by Go,
Stretching on and on beyond reach of vision.
Night had caught me unawares, and it is no
simple matter to lay down supplies in a little
clearing, marked only by a flickering camp-
fire, lost somewhere among the jungles of
Brazil.
Or was it Brazil ? Here three great states
mingled in an upland of forest and mountain
and grassy valley — Peru, Bolivia, Brazil.
bach PublicatUms, Inc.
Here ancient races had made their home,
raised their massive temples in the little
valleys, wrested a fortune from the moun-
tains, given their lives to the jungles — a
people more ancient by far than those others
beyond the ranges whom the Incas con-
quered. Here none had come before to study,
yet now, somewhere in the gloom beneath
me, was a little oval valley hung mid-way
By SCHLYLEB NILLEB
between crag and forest, and there would be
the tents and fires of scientists, men of my
own world.
But there came no glimmer of flame in the
darkness, no flicker of white tents in the
moonlight. Alone the outflung cross of the
plane swam the unbroken sea of green, dark
and boding against its wan beauty. It takes
little error of judgment to miss a tiny clear-
83
s? Startling stories
ing in the dark. So, as the western ranges
crept out of their alignment, I swooped and
soared, and was roaring back, higher now,
over the silent moon-lit forests.
I had seen one gap in the jungle — a harsh,
black scar seared by some great fire from the
bowels of the planet, ugly and grim in the
soft beauty of the night. Again it slipped
beneath, and as the shadow of the plane
vanished against its blackness, it seemed to
me that there came a scurry of furtive
motion, an instant’s flicker of shadow against
its deeper gloom.
I half checked the course of the plane, to
wheel and search it closer, then of a sudden
the air about me blazed with a dull crimson
fire that burned into my body with a numb-
ing fury of unleashed energy, the drone of
the engines gasped and died and we were
spinning headlong toward the silver sea be-
neath !
As it had come, the tingjing paralysis
passed and I flattened out the dive of the
crippled plane, cut the ignition and dived
over the side. As in a dream I felt the jerk
of the parachute, saw the deserted plane, like
a huge, wounded bat of the jungles, swoop
again in a long flat dive that broke and pan-
caked into the upper reaches of the forest.
Then the heavy pendulum of my body
alone beat out the dull seconds as I swung
and twisted beneath the silken hemisphere of
the ’chute. And then the leafy boughs, no
longer silver but like hungry, clutching talons
of Wack horror, swept up and seized me.
The rain-forest is like a mighty roof
stretched over the valleys of tropical
America. Interlacing branches blot out the
sun from a world of damp and rotting dark,
where great mottled serpents writhe among
tangled branches and greater vines strangle
the life out of giants of the forest in the end-
less battle for light. ,
And there are little, venomous things of
the dark ways — savage two-inch ants with
fire in their bite, tiny snakelets whose parti-
colored beauty masks grim death — creatures
of the upper reaches and of the glorious
world above the tree-tops.
With the sunrise, a blaze of life and flam-
ing color breaks over the roof of the jungle —
flame of orchid and of macaw, and of the
great, gaudy butterflies of this upper world.
Beneath, there comes but a brightening of
the green gloom to a wan half-light in which
dim horrors seem to lurk and creep and
watch, and giant lianas twist and climb up
and ever up to the living light.
The sun was an hour gone when I fell but
it was not until its second coming when I
managed to writhe and slip through the tan-
gle as if I too were of the jungle, moving
toward the spot where my memory placed
that blasted clearing, and the light. And with
the deepening of the gloom in the upper
branches I came upon it, quite by accident,
from above.
It was a little valley, perhaps a mile long
and two thirds as wide, lying in an oval of
gittering jet against the side of the moun-
tains. Here the Andes were beginning their
swift climb up from the jungles to the snows
and beneath me fifty-foot cliffs of sheer black
dropped to the valley floor.
I have spoken of it as blasted, seared into
the living heart of the jungle. It was all of
that, and more ! There was a gentleness in
its rocky slopes that spoke of centuries of
hungry plant-life, prying and tearing at jag-
ged ledges, crumbling giant boulders, dying
and laying down a soft, rich blanket of humus
over the harsh, under-rock, forming a little
garden-spot of life and light in the dark heart
of the forest.
Then came fire — an awful, scourging blast
of fierce heat that even Man’s Hell cannot
equal ! It blasted that little valley, seared its
verdant beauty horribly, crumbling blossoms
and long grasses into dead white ash, strip-
ping the rich soil of past ages from its sleep-
ing rocks, fusing those rocks into a harsh
glittering slag. The sheer cliffs, once draped
with a delicate tracery of flowered tendrils,
had cloven away under the terrible heat, split
off in huge slabs of the living rock that had
toppled into the holocaust beneath and died
with the valley.
The few thin shrubs that screened me at
their summit showed blackened, blistered
leaves and twigs, though here the heat had
been least. As no other spot on Eartlr that
little upland valley was terribly dead, yet at
its center something moved !
Eagerly I peered through the gathering
dusk. Full and golden, the moon was rising
over the forest, throwing new shadows across
the valley floor, brightening new corners, re-
vealing new motion. It wakened a lustrous
opalescence in the two great spheres that
nestled like mighty twin pearls against the
dark rock, to create beings of the rock and of
the shadow, gliding wraithlike among the
shattered boulders!
TETRAHEDRA OF SPACE
85
Painfully I crept through the dense growth
of the brink, nearer to those great spheres
and their dreadful cargo. Now I could see
them clearly, rank on rank of them in order-
ly file, some hundred of them, strewn in great
concentric rings about the softly glowing
spheres — great, glittering tetrahedra — tetra-
hedra of terror \
They were tetrahedra, and they were alive.
They stirred restlessly in their great circles,
uneasy in the dim light. Here and there little
groups formed, and sometimes they clicked
together in still other monstrous geometric
shapes, yet always they moved with an un-
canny stillness, darting with utter sureness
among the scattered rocks.
And now from the nearer of the twin
spheres came another of their kind, yet twice
their size, the pearly walls opening and clos-
ing as by thought-magic for his passing ! He
swept forward a little, into the full light of
the moon, and the rings followed him, cen-
tered about him, until the spheres lay beyond
the outermost and the giant tetrahedron
faced alone the hosts of his lesser fellows !
Then came their speech — of all things the
most mind-wracking! I felt it deep within
my brain before I sensed it externally, a
dull heavy rhythm of insistent throbbing,
beating at my temples and throwing up a dull
red haze before my staring eyes!
You have heard those deepest notes of a
great organ, when the windows tremble, even
the walls, the building itself, vibrate in re-
sonance, beat and beat and beat to its rhythm
until you feel it throbbing against your skull.
UCH was the speech of the tetrahedra,
only deeper still beneath the threshold
of sound — so deep that each tiny nerve of the
skin sensed its monotonous pressure and
shouted it to a reeling brain — so deep that it
seemed like a great surf of more-than-sound
thundering dismally against desolate, rocky
shores !
I think now that it was a sort of chant, the
concerted cry of all the scores of tetrahedra,
dinning savagely, angrily at their giant leader
in a dismal plaint of discontent and unease!
I think they were restless, aware of unful-
filled promises and purposes, anxious to
make sure their misison or to be gone.
For soon I sensed a deeper, stronger voice
beating against the din, drowning it out,
thundering command and reproof, shouting
down the mob until its lesser drumming sank
to a mutter and ceased. But the voice of the
SOME stories are forgot-
ten almost as soon as
they are printed. Others
stand the test of time.
Because “Tetrahedra of
Space,” by P. Schuyler Mil-
ler, has stood this test, it
has been nominated for
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giant tetrahedron rang on, inflected now as
our own voices, rising and falling in angry
speech and command, pouring out burning
sarcasm, perhaps, cowing them with its
greater insistence !
Like all good leaders, his followers were as
children to him, and the hard, harsh beat of
sound swept off into a soothing, cajoling
murmur of whispering ripples, yet none the
less dominant and definite in its message.
And it sank to a far, hinting rumble and
vanished.
For a long instant they lay quiet, like
graven things of the stone itself, then through
the circles, like a spreading wave, rose a
thrill of slow motion, quickening, livening,
until all were astir! The ranks parted, the
giant tetrahedron swept swiftly over the
valley floor to the two great spheres, his
angular hordes flowing in swift, soft motion
in his wake! Again, with that speed and
silent mystery of thought, the spheres gaped
open and the ranks of the tetrahedra were
swallowed up within !
For a long moment I lay there under the
bushes at the cliff’s edge, staring out over the
valley, stunned by the weird unreality of the
thing I had seen. Then, out of the dark be-
hind me, came a hand, gripping my shoulder
in a vise of iron ! Mad with sudden terror I
twisted free, struck blindly at the thing that
had seized me, a thing that spoke, its words
a hoarse mutter that barely penetrated the
gloom !
“For God’s sake, man, be still! Do you
want them to hear?”
It was a man — a human like myself. My
STARTLING STORIES
86
frozen tongue stammered reply.
“Who are you ? What are those things out
there? What Hell of Earth did they spring
from ?”
“None of Earth, you may rest sure !” came
the grim answer. “But we will tell you all
that later. We must get clear of this pla<^!
I am Marston of the Museum expedition —
the biologist. I suppose you are the aviator —
Valdez saw them burn you down last night.
Follow me.”
“Yes, I’m Hawkins. The plane is some-
where over there, if it didn’t burn, with all
your supplies in it. But tell me, first — those
things, there — are they alive 1”
“You’ve wondered that? I suppose anyone
would. The Indians make them gods of a
kind — realize they’re beyond all experience
and tradition. But I’m a biologist. I have had
some experience in strange forms of life.
They are as much alive as we — perhaps even
more than we. But this is no place to moralize
— come on!”
He vanished into the dark and I followed,
plunging blindly after the sound of his crash-
ing progress, away from the seared valley
and the tetrahedra, to saftey of a sort in the
sombre depths of tire rain-forest.
They crouched beside a tiny fire of bark
and twigs — two gaunt skeletons hung and
swathed with soiled rags, brooding over their
pitiful little flame. With the crackle of our
approach they sprang at bay — two hunted
things of the jungle — then relaxed as we
came into the firelight.
I will always remember them as I saw
them then — Hornby, the Museum archaeolo-
gist, tall, grey-haired, his haggard face
seamed with deep wrinkles of sleeplessness
and fear and puzzled wonderment. Valdez,
his colleague of the government that had sent
me, short, dark, big Portuguese blood
blended with that of the squat tribes of the
interior. He seemed plumper than the others,
and I felt that he could and would care for
himself very well if need be.
OW, too, I saw my guide for the first
time as something more than a black
hulk in blackness. Marston, the biologist,
looked like an old-time blacksmith, a mas-
sive man of bone and muscle, with keen grey
eyes under heavy brows and the beginnings
oi a mighty beard.
“We're all there are, Hawkins,” he rum-
bled. “We’ve got to find that plane soon if
it’s still whole. Did you see flames, Valdez?”
“Flames, Senor Marston? No — I saw
merely the falling of the plane, like a great
wounded bird seeking the shelter of the
jungles, and Senor — Hawkins, is it? — with
his parachute. I am not certain that I can
find it, now that a day and a night have
passed, but I will try. ”
Then Hornby's voice — dry and withered
as his shrunken body — weary as his tired old
eyes. “You have seen the tetrahedra, lieu-
tenant Hawkins? You realize that they are
living, intelligent beings? You can com-
phehend the menace of their presence here on
our Earth?”
“Yes, Professor,” I answered slowly, “I
have seen them and heard them. They have
a great leader, twice the size of any of them,
and the rest seem to be dissatisfied with the
way he is running things.”
“You hear that, Marston?” cried the Pro-
fessor, almost savagely. “You hear — they are
impatient — they will act soon, as soon as they
have fed again! We must do something,
Marston — ^we must act now — !”
“Yes, I saw them too,” said Marston
slowly. “They’re on the brink, all right.
But I don’t know what we can do — four
men with three rifles and a couple of ma-
chetes against a hundred of them.”
“Marston,” I put in eagerly, “if it’s gtms
you want, there are two machine-guns and
plenty of ammunition in the plane — it was a
government ship, fresh from the uprising in
the North. If we can find that, there’ll be
guns as well as food.”
“Valdez — you hear that? Can you help
him search? You are the one who saw him
fall and you have been out with the Indians
more than once. How about it?”
“Very well, Senor Marston, I will do what
J can. But do not hope for too much — re-
member, there has been a day and a night
and I had only a glimpse. And the guns —
what can they do against those devils from
the spheres? We would do better to flee,
and warn the world of what has come upon
it!”
“I’ve heard that stuff preached before,
Valdez. Stow it ! If it comes to announcing
them to the world those things will do it for
themselves faster than we could ! You’ll hunt
with Hawkins in the morning!”
Professor Hornby had said little. Now, at
Marten’s words, he roused again.
“Marston,” Iris voice came petulantly,
“have you seen the Indians in the forest as I
have ? Have you seen them, felt them staring
TETRAHEDRA OF SPACE 87
at your back, fingering their little darts in the
dark? Marston, they take those tetrahedra
for gods — things to worship and propitiate
with sacrifice ! The forest is full of them — I
feel it — I can tell! Marston, what are they
doing?”
CHAPTER II
The Coming of the Tetrahedra
MARSTON'S bluff rumble drowned
out that final wail. “Sure, Prof,
they’re here, all right — all about us, out there
in the jungle with the beasts. But they’re
harmless — just inquisitive, that’s all. It’s the
things yonder that draw them. It’s a legend
come true, for them. They’re not apt to hurt
us for a while yet but it won’t hurt to slip
closer to the valley, where we can watch
the things.”
Then Valdez slipped in his acid wedge of
dissent, smoothly and blandly as ever.
“You remember, of course, SenorMarston,
that these poor Indios retain the supersti-
tions of their ancient masters, and that in
time of peril it was the way of the Old People
to make blood sacrifice to their gods. Old
customs linger long among savages, Senor ! ”
“We’re staying and we’re fighting, just
as soon as you and Hawkins locate those
guns, which is tomorrow. Your memory
will improve with a little sleep, I think. And,
Prof — I reckon Hawkins here would like to
hear about those things yonder. Tell him
what there is to tell.”
And so, huddled there by the tiny, flicker-
ing fire, I listened as the thin, dry voice of
the old Professor marched through the awful
story of the coming of the tetrahedra.
They had come to the little valley in the
hills, three white men and a half-dozen In-
dian guides from the more civilized tribes to
the north. Here in its oval bowl they had
made their camp among flowers and waving
grasses, with the dark rampart of the jungle
standing about them like the walls of a
prison. And from those walls came the In-
dians of the forests — poor, savage creatures
hag-ridden by superstition and ignorance,
wracked by famine and disease.
They treasured weird legends and aborted
ceremonies where understanding of other
things had passed. But they bore memories
of things that even the savage mind can pon-
der, memories of magic and ritual and the
adoration of fierce and powerful gods.
As the newer magic of this younger, paler
race gripped their childish minds, they told
of the things that their fathers before them
had learned of grandfathers through the
centuries, tales not only of custom and life
in those long-gone days, but of cities swal-
lowed up in the rain-forest, cities of massive
stone and untarnishing metal — “the metal of
the Sun,” that sleeps in long, fat serpents in
the white rock of the mountains.
Then, one day — and Professor Hornby’s
hoarse voice sank almost to a whisper as he
told of it — there came the little group of
savages who were to lead the way to the
buried ruins of a great city, four little brown
men with blow-guns and deadly darts, wait-
ing patiently for the great White Ones to
take up their magic and follow.
Hornby had stepped to the door of his
tent to call their chieftain to conference and,
as he went he gazed up at the towering
Andes. There, drifting like wind-tossed bub-
bles just above the tree-tops, floated the
spheres of the tetrahedra !
Gently they sank to rest at the other end
of the little valley — lay there in the thick
grass like the eggs of some huge moth out
of fable. The Indians had fled in terror but,
as Hardy and Marston raced down the slope
toward the twin globes, they sensed that
furtive eyes were peering from the under-
growth, half-fearful, half-wondering, waiting
with timeless patience for new magic — new
masters.
The three came to the spheres as they lay
there in the lush grass— Hornby, Marston,
Valdez — and in each heart must have been
something of the wonder that I in my turn
had felt. For the spheres were unbroken by
any opening, were as twin orbs hewn from
mother-of-pearl. Yet there came a force from
them, a tingling of excess energy that thrilled
in every nerve and set their minds on edge
with unwonted keenness I
®T GREW in strength, slowly, and it was
Marston who first sensed its lurking
hostility, who turned his gaze from the enig-
matic spheres to see the long grasses about
their bases wither and shrivel to soft grey
ash under the blasting radiation! It was he
who cried the alarm, and in sudden panic
they fled a little way up the valley, to stand
like startled sheep, then flee anew as the
88 STARTLING STORIES
surge of energy poured forth in ever-quick-
ening pulses from the opal spheres.
It swept all life before it into sudden,
luxuriant growth that as suddenly dropped
into blighted destruction ! Beside their tents,
nearly in the shadow of the brooding forest,
they stood at last and watched the slow tor-
rent sweep the life of their valley home into
the sullen ash of death. And then its in-
visible van drifted up the slope to their feet,
and again its subtle venom thrilled evilly in
their veins, and tliey ran crazily, headlong,
into the jungle !
But they could not long shun the brain-
troubling enigma that had engulfed their
little home. Marston, Hornby, Valdez —
they struggled back and stared from the
damp dark of the forest at the thing that was
happening there in the sunlit oval on the
mountainside.
Then it was that Marston broke the spell
of fear that had been laid upon him — seized
rifles, blankets, food from the deserted tents
in the ebbing of the invisible waves, and fled
again as the second billow of devastation
poured from the silent spheres ! Then, for a
time, there came a lull — a peace almost of the
days and hours when this little spot of light
in the green dark was the home of happy,
busy men — almost, yet not quite!
For there was a boding in it, an ominous
sense of oppression, a tension of the very
ether, a stress that spread to mind and brain
and sucked hungrily at the dazed conscious-
ness !
And they were not wrong, for of a
sudden, with an awful violence that shook
even the stolid Marston, the storm burst in
its full fury.
In a great beating sea of horrid flame it
lashed the oval valley, driving into the soil,
into the very rock, waking them into an
angry answer of leaping, burning crimson
fires. The fires swept the thin black soil from
the underlying rock and scored the naked
face of the rock itself with an awful furnace
of consuming fury.
And through the curtain where fire of
heavens and fire of Earth met in that terrible
holocaust, those three saw the curving flames
of the twin spheres gape wide, saw huge
angular shapes file from the darkness within
— shapes never yet associated in the mind of
Man with the meaning of life I They were of
a purple that seemed to be of the essence of
the things themselves, rather than a pig-
mentation of their surface; and near one
apex each had two green-yellow unstaring,
unseeing eyes!
Within them one glimpsed a spherical
body — purple too — from which ran hundreds
of curious filaments to the' smooth surfaces.
Tetrahedra they were — living tetrahedra of
chilling terror that feared neither flame nor
lightning and spread destruction on every
side !
“I cannot tell you of the feeling that came
to me,” the weary, dried-out voice of the
Professor droned despairingly on. “Here was
a power absolutely at odds to all the great,
painfully evolved civilization of mankind, a
power that could and would crush us as a
fly if we came into conflict with the motives
of the tetrahedral race! Here were beings
endowed by nature with powers beyond our
science — alien to our ideas of evolution, well-
nigh to our imagination and reason.”
His voice trailed off into silence as his
deadened eyes saw once more the vision of
that awful day. I thought he had done, but
again his voice broke the quiet.
“Perhaps we can flee, even now — hide
away in some corner where they can have no
motive for searching. Perhaps, for a little,
we can save our lives and yet — I wonder if it
is not better to die foolishly, futilely, but to
die with the knowledge that we have been
closer than any man to the unfathomable, to
tire reality that underlies all life.”
From the dark beyond the glowing em-
bers came Marston’s quiet rumble.
“We can’t do less. Prof, and we won’t. In
the morning we must lay our plans. They
are getting restless — they may strike any
minute and we must be ready and waiting.
We’re going to die, I guess, but we’ll die as
men should!”
The events of the past few hours had
crowded in upon me with such staggering
force and complexity that I found my mind
in a whirl. I could get no clear-cut im-
pression— no broad meaning — only a blurred,
fanastic cyclorama of unearthly event and
taut emotion.
With the morning all this changed —
changed swiftly and utterly as event after
event rushed upon us, broke like a tidal wave
upon our outraged consciousness, and van-
ished before the tumultuous onslaught of
another, greater clash of mind and matter.
We were up with the dawn. I wanted to
return to the valley to get my bearings but
Valdez claimed it was uselessly dangerous.
TETRAHEDRA OF SPACE 89
that he could make better time from where
we were. We struck into the tangle of dank
underwood, Valdez leading, and within
seconds of our leaving camp I was utterly
lost. My companion seemed sure of his way,
slipping through the maze of fine growth like
a beast of the jungle.
For nearly an hour we plunged ahead, then
of a sudden came a gap in the forest roof as
the level of the ground fell in a narrow
ravine, and I woke to angry realization of
what was happening ! The sun, on our right
when we started, lay behind us! We were
traveling dead away from the valley, the
camp and the plane!
Angrily I sprang forward, seized Valdez
by the shoulder I He spun like a striking
snake, fury in his half-closed eyes, fury and
crazed fear ! In his hand was a gun !
“So — ^you have awakened at last, Senor
Hawkins,” he sneered. “You fool — did you
for one moment think I would cast my lot
with those idiots back there? You were not
invited to our little party, but you came —
and you will do as I say or wish you had I
Am I clear?”
“You’re too damn’ clear !” I shouted. “So
you’re going to sneak off and leave your
comrades to the tender mercies of those tet-
rahedra — you want to make sure of your
precious hide ! What do you think these
savages will do to you when they catch you
out here alone, running away from their new
gods? You’re a damned, yellow, mad dog!”
“You say unfortunate things, Senor Haw-
kins,” he replied coldly, the ugly sneer still
on his thin, red lips. "I think that I can dis-
pense with your company. It might interest
you to know that Valdez is the name of my
father by adoption, Senor. My people are
those whom you have so kindly classified as
savages — my home is these very forests that
you seem to find so unpleasant ! And, Senor
Hawkins, have I not said that I can always
find your plane?”
“What do you mean by that?”
'T mean, Senor, that it has always been I
who could find the plane, and I who did find
it, not very many minutes after it crashed.
You would be disappointed, Senor Hawkins,
were you to see it now. The food, the guns
and ammunition of which you boasted —
they can never have existed save in a mind
disordered by jungle fevers.”
I stared up through the matted branches
at the blandly shining sun. I raised both
hands, fists clenched, as if to crash them
down upon that evilly smiling face ! But the
little snub-nosed gun that bored into my
belly spoke eloquent warning and of a sudden
came clear thought.
“So even in this you must lie, Valdez ! It is
bred in the blood, I think ! I do not question
that you stole the food and weapons that
meant life to your comrades — it is much too
characteristic an act to doubt — but, Senor
Valdez, no Indian would so steal another’s
food. Was it, perhaps, your mother who
was white f’’
I saw murder staring at me and in the in-
stant when he stood frozen with his hate I
leaped — swung with all my weight on the
great liana that was looped over the branch
above me ! Even as the gun spat flame, the
tautening vine caught him full at the base
of the skull and toppled him forward into
the black mold of the forest floor, out, and
out for good !
CHAPTER III
The Tetrahedra’s Power
IT WAS his life or mine, but I had not
contemplated killing him. The vine was
heavy and swung loose on the limb, and it
whipped taut with the force of a snapping
hawser, catching him squarely at the base of
his maddened brain!
I turned him over, and as I lifted him his
head flopped forward like that of a rag dum-
my ! With a shudder I dropped him after
searching his body for weapons and food. In
his breast pocket was a rough sketch-map,
showing the valley, the camp, and a small
cross where the plane had fallen.
Across its penciled contours ran a fine
dotted line, due north from the camp nearly
to the place where the plane lay, then bearing
off to the west, toward the mountains. Just
beyond was a second little cross, to the south
of the trail. I knew what it meant — the food
and guns from the looted plane ! Within five
minutes I had uncovered Valdez’ cache,
under the cover of an out cropping ledge of
quartz, and loaded one of the packs we had
brought along.
How to return to camp with my news was
another question entirely. I knew it was
futile for me to try to follow the back trail.
STARTUNG STORIES
90
There remained the valley — straight south
along the ravine — and I felt certain that once
there I could regain my lost sense of direc-
tion or wait until one of the others found me.
The valley — and the tetrahedral Driven by
instinct or intuition, I shouldered one of the
very light machine-guns and wrapped three
belts of ammunition about my waist, under
my shirt.
The going was easier along the rim erf the
little ravine than at its bottom, where extra
moisture made the tangle thicker. The trail
finally swung away from the stream-bed to-
ward the east and suddenly emerged on a
sort of peninsula jutting into the valley just
above the point where the twin spheres lay.
Here were gathered the forest Indians,
clustered behind the thin screen of vege-
tation, gazing in dumb adoration at the
things below. So rapt were they that my ap-
proach went unnoticed, and I was able to
retreat and bear to the west, creeping up to
the edge of the valley midway between clear-
ing and ravine.
Now, in the full light of day, I could see
that it was as Professor Hornby had said.
The tetrahedra were formed from some hard,
crystalline mineral, black almost to invisi-
bility, with a faint wash of rich purple run-
ning through it. As they moved, the sun sent
up glittering flashes of brilliance from their
polished flanks. For the tetrahedra were
restless, were weaving aimlessly in and out
among the boulders in weird arabesques.
Apart from the rest, motionless in a sort
of circular clearing among the rocks, squatted
the giant leader of the tetrahedra. In him the
deep violet of the crystal became a rich,
plum-like hue, purple flushed with warm red,
and the underlying black seemed less harsh.
And now the giant leader was dinning out
his mighty call in long, slow billows of beat-
ing sound that seemed to thrust me back,
press me into the dark of the forest, away
from the alien monsters of the valley ! In re-
sponse came thirty of the lesser tetrahedra,
chosen seemingly at random from the scat-
tered ranks, to range themselves at equal in-
tervals about their master, forming a single
great circle a dozen yards in diameter.
GAIN the throbbing call shattered
against the cliffs about me, and now all
the hordes of the tetrahedra broke into flow-
ing motion, converging in a torrent of glitter-
ing purple crystal upon the natural amphi-
theater, clustering in threes at the spots that
their fellows had marked — all but ten, who
glided into place before every third group,
forming a giant toothed wheel with hub and
rim and spokes of living, sentient crystal —
crystal with a purpose!
I could see that the groups of three that
formed the toothed rim of the giant crystal
wheel were tipping inward, bringing their
peaks together in a narrow focus, and more,
that the ten that were the spokes, the binding
members of the wheel, were of the same rich
hue as their master.
As the sun soared higher, pouring its
blazing rays straight down upon the swelter-
ing world, I sensed the beginning of a vague
roseate glow at the foci of the circling trios,
a glow as of energy, light, focused by the tet-
rahedra themselves, yet not of themselves,
but sucked from the flood of light that poured
upon them from above.
The rose-glow deepened to angry vermil-
ion, seemingly caged within the spheres de-
fined by the tips of the tilted tetrahedra. Now
the scarlet flame of the prisoned light was
mounting swiftly in an awful pinnacle of out-
rageous color — pure fire torn from the warm
rays of the sun — raw energy for the glutting
of these tetrahedral demons of another
world !
Slowly the great ring contracted, slowly
the tetrahedra tipped toward their common
center, bearing at their foci the globes of
angry flame. Then they loosed the cradled
energy of the spheres in one mighty blaze of
blinding crimson that swept out in a single
huge sheet of flame, blanketing all the giant
wheel with its glory, then rushing into the
blazing vortex of its center. Here, all the
freed energy of the flame was flowing into
the body of the mighty ruler of the tetra-
hedra.
And now, as in recoil, there spouted from
his towering peak a fine, thin fountain of pale
blue fire, soundless, like the blaze of man-
made lightning between two mightily ener-
gized electrodes— the blue of electric fire —
the seepage of the giant’s feast! Like slaves
snatching at the crumbs from their master’s
board, the ten lesser tetrahedra crowded
close.
As their fierce hunger voiced itself in
awful, yearning force, the fountain of blue
flame split into ten thin tongues, barely visi-
ble against the black rock, that bent down
into the pinnacles of the ten and poured
through them into the crowding rim of the
giant wheel.
TETRAHEDRA OF SPACE 91
As I watched, each tetrahedron began to
swell, visibly, creeping in horrid slow growth
to a magnitude very little less than that of
their giant leader. And as they mounted in
size, the torrent of blue fire paled and died,
leaving them glutted and expectant of the
final stage !
It came with startling suddenness ! In an
instant each of the hundred clustering mon-
sters budded, burst, shattered into four of
half its size that cleaved from each corner of
the parent tetrahedron. Only the giant ruler
lay unchanged beneath the downward slant-
ing rays of the sun. The hundred had be-
come four hundred ! The tetrahedra had
spawned !
Drinking in the light of the noonday sun,
sucking up its energy to give them substance,
these tetrahedral beings from an alien world
held it in their power to smother out the
slightest opposition by sheer force of ever-
mounting numbers ! Man was doomed !
On the jutting point to my left I sensed
new activity. The Indians were chanting in
weird low tones, to the rhythm of a deep-
throated drum. It was some monotonous
hymn or supplication to their ancient gods —
gods now personified in the things below.
Through the screen of shrubbery between
us, I glimpsed their cdiieftain, taller by a head
than the rest, his arms upraised, leading the
exhortation. Their voices rose, broke in an
angry clamor as a dozen of their kind burst
from the forest dragging the bound form of a
white man — of Marston!
Separated from them by a hundred feet of
space and a double screen of matted vines,
I dared not fire for fear of slaying friend with
foe ! Headlong I dived into the tangle, shov-
ing the machine-gun ahead of me ! Had they
not been utterly engrossed in their savage
ritual, the Indians must surely have heard
my blundering approach. By chance or
fortune the tangle was less matted than else-
where and I burst into the cleared space
barely in the nick of time.
ARSTON’S huge; straining frame
Xv Ja was bent back over a rounded slab of
polished rock in the center of the clearing,
the dwarfed forest-men fairly swarming over
him to hold him in place! Arms raised in
supplication, their chieftain stood over him,
his features distorted by fear of his gods and
frenzy of sacrifice! In his clenched fist he
grasped a glittering knife of steel, a knife that
half an hour ago I had seen buried in the
black soil of the forest floor — Valdes’ knife!
With a cackle of savage laughter my gun
woke the echoes, sweeping leaden death
across the clearing, mowing its swath of lives
in sacrifice more terrible than any savage
mind could plan ! I raked their bewildered
ranks with the laughing death, then the belt
of cartridges was gone and, as I fumbled for
a second, the few cowering survivors fled
screaming into the sheltering jungle !
Stumbling over the torn and bleeding win-
drows of slain humanity, I raced across the
bloody clearing to where he lay. And, as I
reached the rude altar, Marston heaved his
blood-soaked frame free of the bodies that
covered it, sat up and growled.
“Are you quite sure you’ve killed enough
for the day? Or didn’t you know it was
loaded?’’
“Marston, man!’’ I shouted frantically,
“Are you all right? Did I hit you?”
“Oh, not at all. I’m quite all right. You’re
a rotten shot if I do say it — bring in a
blasted flail and then you can’t hit me !
Though I’ll not say you didn’t try hard
enough.”
As a matter of fact I had nicked a chunk
out of his arm — a nice, clean hit — and the
blood on him was not all Indian. Still, his
sarcastic joshing served its purpose and
brought me out of my near-hysteria. Not
until we were well clear of the shambles
around the altar did he speak of Valdez.
“What happened?” he asked. “Did Val-
dez bolt?”
“He tried to,” I replied glumly. “He had
the stuff from the plane cached on the trail
out, and — well, we had it out. I broke his
neck — killed him.”
“I’m not blaming you for it. I saw it com-
ing, and I reckon it was you or he. But it’s
stirred up merry hell among the Indians.
Did you know he was a breed? He claimed
to be pure Indian, son of a jungle chieftain
and a princess of some remnants of the Old
People, but he was a breed and crossed the
wrong way !
“I told you I was suspicious of Valdez. I
tried to follow you and they jumped me.
south of here, near the ravine. It must have
been shortly after they found Valdez, for
they were all crazy mad. I think the Doc is
safe, though. Do you realize that this spawn-
ing means that they’re ready to go ahead and
burn their way right through everything —
make this whole planet a safer and better
place for tetrahedra?
92 STAETUNG STORIES
“Doc has figured they’re from Mercury —
overcrowded, probably, by this wholesale
system of reprc^uction in job-lots, and hunt-
ing for new stamping grounds. I don’t know
what our chances are of bucking them —
about a quarter of what they were an hour
ago — but they’re mighty slim, armed as we
are. You’ve got the other machine-gun?’’
“It’s at the cache, with most of the food, if
the Indians didn’t find it when they found
Valdez. I have a map here that he was
using. ’’
“Good. Let’s have it. You keep an eye on
the Professor tomorrow, now that the In-
dians are out for blood and I’ll get the stuff
back to camp. Come on — ^let’s hunt him up
now, while they’re still scared.”
“Wait, Marston,” I replied. “You get the
stuff now. I have a hunch we’ll need it, and
that soon. I can find Professor Hornby well
enough, and I don’t think the Indians will
want any more for some time to come.”
“Right you are !” he exclaimed. “So long
then. ”
CHAPTER IV
At Bay!
1HAD no trouble in finding the Professor.
In truth, he found me. He was all but
boiling over with excitement, for he had seen
something we had not.
“Hawkins,” he exclaimed, “did you see
them spawn? It is remarkable — ^absolutely
unequalled ! I saw two that divided and re-
divided into three-inch tetrahedra — over a
thousand of them ! Hawkins, they can over-
run our little planet in a few days, once they
start! We’re done for!”
“I guess you’re right, Professor,” I re-
plied. “But tell me — ^have you seen anything
of the Indians?”
“The Indians? Yes — they seem to have
lost their reverence for the tetrahedra. These
tribes do not paint much but those I have
seen were decorated for battle. They may
resist now if the tetrahedra try to start some-
thing.”
“Marston will be glad to hear that ! Right
now, I think we had better strike for the
high ground across the ravine, where their
flame is less likely to reach us. I’ll leave you
there and then look for Marston and the
guns. We’re going to need them before
long.”
We found an ideal fortress, high on the
west side of the ravine, where a little spur
ran down from the highlands to the valley of
the tetrahedra. Indeed, it had been used as
a lookout by the ancient inhabitants of the
region ages ago. Enough of the ancient walls
remained to provide a decent bulwark against
attack and I left Professor Hornby with the
gun to hold the fort until I could find Mars-
ton.
I had little difficulty in locating him and
between us we transferred the supplies from
cache to lookout while the Professor kept a
perfunctory guard over them. He was more
interested in digging around in the ancient
floor for potsherds and tools of the former
inhabitants.
It was two days before the hostilities
began. Meanwhile we had found the wreck
of the plane, nearly intact but quite useless
in this dense jungle. We drained the tanks of
what gasoline they contained, storing in it
great glazed jars of painted earthenware that
Professor Hornby had found intact in a niche
below our present floor-level. His idea was
to fight fire with fire.
Marston and I cleared out the brush as
best we could, and cut deep slots in the larger
trees on the downhill side, piling the quickly
drying underbrush at the far side of our
little swath, saturating it with gasoline,
then digging in to one of the Professor’s ex-
cavations while the fireworks went off. We
more or less leveled the thick forest for about
two hundred feet on all sides before the
fire petered out.
The next morning, there was renewed
activity. The tetrahedra cleared out a siz-
able ring of forest before sun-set. The next
noon they had another sunfeast and the
blackened valley was fairly teeming with
their angular forms, large and small.
In vast waves of horrid destruction, with '
rays of angry yellow flame darting from
apexes, their flaming floods of energy swept
over the jungle and not even its damp dark
could resist. Mighty forest-giants toppled
headlong, by the cleaving yellow flame, to
melt into powdery ash before they touched
the ground.
By evening, our spur of rock was a lone
peninsula, an oasis in a desert of harsh
black.
Aside from the vegetation which they
were so methodically blasting, the Mercutian
TETRAHEDBA OF SPACE 93
tetrahedra — for such Professor Hornby
swore they were and such we later found
them to be — had not yet come into real con-
tact with the life of our planet, much less its
master, Man. Now all that was changed. It
began with the Indians. It ended with us.
MOW that we were shut off from the
jungle, we no longer sensed the unease
and stealthy activity of the forest people.
Their gods had betrayed them — their sacri-
fice had been interrupted and their chief men
slaughtered unmercifully by the slayers of
their half-white brother. Their whole life
and legend had gone wrong. The tetrahedra
were to blame and the tetrahedra must pay !
The invaders did not start their daily pro-
gram of devastation until the sun was high.
Of late, the people' of the forest had become
creatures of the night, and so it was that
Marston roused us about midnight to watch
the fun, as he put it.
The spheres were too small to hold all the
tetrahedral hosts, now, and they lay crowded
in great confocal ovals about them, sleeping,
if such things can be said to sleep. The first
indication of the attack was a tiny fire of
leaves and twigs on the rocks above the
ravine.
Then came a low, wailing chant, rising
swiftly in vehemence and bitter hatred — a
curse designed to blast the unearthly in-
vaders where they lay. It suddenly broke
in a shrill, senile yammer of sheer madness !
The strain was more than some old priest
could stand.
As in answer, other greatef fires sprang
up all along the walls of the valley, and by
their light we could see the Indians closing
in from the edge of the forest — thousands of
them, drawn to worship over untold leagues
of jungle paths, racing into battle with all
the mad fanaticism of an outraged religion!
It was like a tidal wave of screeching
humanity, pouring down over the black rock
to break over the sleeping tetrahedra! Like
a great city of black, tetrahedral tents the
Mercutians lay, dim-lit by^ the falling moon.
It was I who first noticed the faint, rosy
glow that hung over the silent ranks — a glow
like that which had brought dowm my plane.
I whispered to Marston, and he told me that
it had not been there before — that the
tetrahedra must be awake.
He was right. The red glow was spreading
swiftly, out over the valley floor, and there
must have been another, invisible emana-
tion that preceded it, for all round the valley,
the first ranks of the savages were meeting
this slowly advancing wall of unseen death —
meeting it, and falling before it !
In long windrow's they lay, body after body
piling up before the momentum of the un-
leashed rush of the red-skinned hordes !
Stones, arrows, spears flew through the
thickening red mist to clatter harmlessly as
it seemed, for only here and there among
them showed a little spurt of pale blue flame
as one of the smaller things was crushed by
a hurtling stone ! They were hard, but their
skins of crystal were thin and they were not
invulnerable I
The Indians sensed this, too, for they
deserted spears and darts in favor of a hail
of stones, large and small, that clattered
among the tetrahedra in a veritable down-
pour, dealing really telling destruction among
those who had not attained a fair size.
The savages were yelling in triumph, now,
thrilled with success and their blind on-
slaught was checked, but still the invisible
barrier crept on, dealing death all along their
evilly grimacing front, and still the rose-red
haze followed after. The yelling circle was
thinning fast, yet they had not realized the
futility of their attack when suddenly the
tetrahedra deserted quiet defense for active
combat !
Five Indians on the upslope had shoved'
over the cliff a huge rounded boulder that
bounded like a live thing among the rocks
and crashed full into the side of a great eight-
foot tetrahedron, splintering its flinty flank
and freeing the pent-up energy in a blinding
torrent of blue flame. The mad attack had be-
come a thing of real menace to the tetrahe-
dra, and they sprang into swift retribution.
From their apexes flashed the flaming yellow
streaks of destruction.
Now at last the Indians broke and fled be-
fore the advancing hordes, but flight came
too late, for the tetrahedra were aroused and
they gave no quarter ! The doomed Indians
seem^ to float in a yellow sea and what the
sea touched was gone in an instant ! Before
that awful barrage nothing living could
stand !
Of a sudden the tragedy was borne forci-
bly to our own quarter, as a handful of In-
dians sought the refuge of our rocky spur!
They were men like ourselves, men in awful
danger of their lives, and Marston and
Hornb)' sprang to the parapet, shouting at
them in their native tongue.
94
STARTLING STORIES
But the frightened savage knows no friend,
and their re^y was a volley of long arrows
that toppled the Professor into my arms and
sent Marston cursing for the guns ! Lips set
grimly, he sprayed the rocky slope with
leaden death, mowing down the savages as
I had done in the place of sacrifice !
Like locusts they came on frc«n every side,
eyes red with blood-lust, teeth bared in hate.
It was the debris of our back-fire, piled in a
matted belt around the spur, that saved us,
for here the mad charge must halt and here
our guns took their toll.
Even so, I think our defense must have
failed but for the tetrahedra. They had
not been slow to recognize the changed na-
ture of the Indians’ flight and they turned
that realization to their own advantage, curv-
ing around the spur to cut off a second re-
treat, then laying down their fiery yellow bar-
rage upon the rear of the clamoring savage
host, licking them up as a bear lid<s ants.
For a moment matters were at a deadlock.
We paused and took stock — three men with
their guns against thousands of tetrahedra,
armed with lightning. Hornby had slumped
back against the low wall, his eyes closed,
his spare frame racked with coughs that
brought back blood to his twisted lips. An
arrow had pierced his lungs. Marston
dropped the machine-gun, now smoking-hot,
and grabbed up a rifle. I followed suit. So
for perhaps two minutes the rival forces held
silent, waiting.
The Mercutians took the initiative. Their
yellow tongues of flame crept slowly up the
hillside, scouring it clean — up, up toward our
little refuge on the peak. They began to glide
forward, on every side, beginning the ascent
In answer our rifles rang out, and now there
was no doubt as to their vulnerability, for
wherever the steel- jacketed lead hit, the
thin crystal splintered and the night was lit
by the glare of freed energy.
By the dim light of the red mist I could
see the giant leader of the Mercutians, stand-
ing at the summit of the cliff above the val-
ley, commanding tire attack. I raised my
rifle, fired — not at the advancing front but
farther back, into the body of the horde,
slowly driving my fire back toward the giant
commander, hemming him in with death,
threatening — but not striking! I cannot tell
why we did not destroy him, for Marston had
followed suit. Somehow we felt that it was
wiser to spare him and our intuition was
good. For a moment he hesitated, then
thundered his drumming command and the
ranks of the tetrahedra drew slowly back.
We remained virtual prisoners for eight
days. On the third, Professor Hornby died —
a blessing, for he suffered greatly. He was
the only one who really understood the tet-
rahedra and we shall never know how he
deduced that they were from Mercury, a
fact which Marston later proved. The
archaeological data collected by the expedi-
tion are lost too, since both he and Valdez are
dead and we could bring out no specimens.
The tetrahedra left us alone. Meanwhile
they continued their barrage of the jungle.
Through the binoculars we watched them
slowly advance and noted their surprise as
they burned the covering jungle from the
great ruined city which the expedition had
sought. It r.-as their first real experience
with the works of Man, and it caused a great
commotion among them.
Later in the same day they found the
wreck of the plane, and this time conster-
nation indeed reigned. Here was a machine
of some sort, evidently the product of the
civilization that they feared. Moreover, it
was recent where the city was ancient.
The little valley was still the center of
their activity, and every day we watched
their spawning as the sun rode high. There
was always a double ring of the tetrahedra
about us now, and their crimson sea of
energy beat high about our prison. The giant
who led them came often to observe us, to
sit and stare with invisible eyes at our for-
tress and ourselves. Their drumming speech
had grown familiar, and I felt it would ncrt
be hard to imderstand, given the key.
Marston seemed fascinated with the thirds
and their ways. There was a spring just
above the limit of the red haze, where we
got our water, and he would sit there by
the hour, watching and listening.
Ever since Marston had first mentioned
Professor Hornby’s theory that the things
were Mercutians, I had been trying to find
some way of verifying it. Now that we were
on semi-intimate terms with the tetrahedra,
I wondered if I might not get them, some-
how, to supply this evidence.
There was soft rock in the structure (ff
the watch-tower and, as Valdez had rescued
my tool kit from the plane, I had a hammer
and chisel. With these, and a faulty memory,
I set out to make a rough scale diagram of
the inner planets, leaning a bit on the Profes-
95
TETRAHEDRA OF SPACE
sor’s theory. I cut circular grooves for the
orbits of the four minor planets — Mercury,
Venus,. Earth, Mars — and dug a central pit.
In this I set a large nugget of gold, found
in the ruins of the fortress, for the Sun,
and in the grooves a tiny black pebble for
Mercury, a large white one for Venus, and a
jade bead from the ruins for Earth. Earth
had a very small white moon, in its own
spiral orbit. Mars was a chunk of iron with
two grains of sand for moons.
CHAPTER V
Face to Face
O THINGS stood when the tropical
storm broke over us. A cloud-burst,
it would be called in the United States. The
heavens opened in the night, and water fell
in torrents, streaming from every angle of
the rock, standing in pools wherever a hollow
offered itself, drenching us and the world
through and through. Day came, but there
was no sun for the tetrahedra to feed on.
Nor were they thinking of feeding, for very
definite peril threatened them. To the tetra-
hedra, water was death!
Their fires had flaked huge slabs of rock
from the walls of the ravine. And now that
the mountain slopes, shorn of soil and vegeta-
tion, were pouring water into its bed, the
stream found its course dammed — rose
against it, poured over it, but not until the
valley had become a lake, a lake where only
the two pearly spheres floated against the
rocky wall, the thousands of tetrahedra gone
forever — dissolved !
Water was death to them — dissolution.
Only in the shelter of the spheres was there
safety and they were long since crowded.
Hordes of the tetrahedral monsters perished
miserably in the night. A hundred had come
in the twin spheres. A hundred thousand
had been born. A bare hundred remained.
Our way of escape was clear !
Our “local shower” lasted for three days.
Then came the sun, and the mountains be-
gan to drain. Only tire new-born lake re-
mained to remind us of the rains, a lake
stained deep violet with the dissolving bodies
of the crystal tetrahedra. Those in the two
spheres waited for a day, then came forth to
survey the ruins of their campaign — the giant
leader and a scant hundred subordinates.
The tetrahedra resumed their guard
about the base of our crag, although the
crimson barrage did not beat so high nor so
vividly. Their master squatted outside the
ring, brooding, watching us — perhaps pon-
dering our connection with the tempest that
had wrecked his hopes. And now Marston
took under his arm the great Indian drum
that I had brought away from the place of
sacrifice and stalked down the slope to con-
front the tetrahedra.
I can see them yet, giant leaders of two
utterly different races, born on two planets
sixty millions of miles apart at their nearest,
inherently opposite and inherently enemies,
squatting there on the black rock, watching
each other ! A rumble of speech from the
great leader and the rose-hue of the barrage
deepened, climbed higher about the crag.
Marston did not move.
Then he took up the great drum. He had
cared for it as for a child during the long
rain, sheltering it as best he could, testing
its tautness. Now I learned the reason.
Slowly, softly, using the heel of his palm
and his fingers in quick succession, he began
to drum. Faster, ever faster the great drum
of sacrifice boomed forth its message, until
tlie beats melted into a low, continuous
thunder of bottomless sound, mounting in
volume to a steady, rolling roar, rising and
swelling in delicate inflection. His wrist must
have been wonderfully strong and flexible to
so control the sound! Marston was speaking
to the tetrahedra with the voice of his drum!
URING those long, empty days on the
crag-side he had been listening, learn-
ing, drilling into his scientist’s brain the
meaning of every voiced command that the
great master of the Mercutian tetrahedra
thundered to his crystal hosts, learning their
inflections, storing them in his mind I
He had memorized a simple vocabulary —
a host of nouns and verbs that even yet seem
beyond the power of any man to glean from
the muttering of an alien race, coupled with
the actions that fitted the words. But Mar-
ston had learned, and with the sullen voice
of the giant drum he was replying, in words
that the tetrahedron understood !
For the crimson mist faded, vanished. The
crystal ranks split, and through the lane
between them glided the giant ruler, coming
to where Marston sat with his drum. He
stopped, spoke in words very like those that
96 STARTUNG STORIES
Marston had used. “What — ^you ?”
“We — tetrahedra — Earth.” I translate
rudely, as they spoke.
The giant was startled. How could we,
misshapen, flabby monstrosities, be rulers of
a planet, equal to themselves ?
“ Y ou — tetrahedra ? ”
The drum muttered approval, as for a ful-
filled command. The idea had been trans-
ferred but the purple giant did not seem to
think much of it.
“You — weak! (Easily vulnerable, like
vegetation, was the sense of the term used.)
We — tetrahedra — our planet — and Earth!”
Marston called to me, “Hawkins, bring
down those stones you’ve been chipping and
a flask of water. Wait — bring two flasks, and
a gun.”
So he had seen me at work and guessed
my plan. Well, his own beat it hollow but if
he had an idea, I wasn’t going to hinder
him. I lugged the slabs down and went back
for the stoppered canteens of water and the
gun. At his directions I set one flask against
the rock of the hillside. He took the other.
“You work the slabs, Hawkins,” he said,
“while I talk. I’ll translate, and you act
accordingly.” The drum spoke. “Sun —
Sun — Sun.” He pointed. “Your Sun — our
Sun.”
'The tetrahedron approved. He came from
our own Solar System.
Now he was pointing to my diagram, to
the Sun, the Earth and its orbit. “Sun.
Sun. Earth. Earth.” I rolled the jade bead
slowly along its groove, the white moon-
pebble following in its spiral course. I rolled
the other planets, showed him their colors
and relative sizes. Marston was drumming
again as I touched planet after planet, ques-
tioning. “Your planet — your planet? Your
planet — what? This?”
The giant disapproved. It was not Mars.
“This?” It was anything but Venus!
Venus must have been pretty wet for the
completest comfort.
Eagerly, “This?” Assent! The Professor
was right ! They came from Mercury ! So
far, so good. Marston took my other plaque —
the relief map of Earth.
■ “Earth— Earth.”
Yes, the Mercutian recognized it. He had
seen it thus from space.
With a crystal of quartz, Marston gouged
our particular section of South America,
pointed to the ground, to the lake, the forests.
“This — this,” he said.
More approval. They knew where they
were, all right. Now he reopened a closed
subject. “You — tetrahedra — Mercury.”
They sure were !
“We — tetrahedra — Earth!” Not so good!
He repeated: “You — Mercury. We — Earth.
We — ^tetrahedra!” There were evident signs
of dissent ! Marston swelled the reassurance-
tone, then added a sharp call to attention,
raised his gun, fired twice, threw the weapon
down, and redoubled his assurance of well-
meaning and safety.
His aim had been good. The flask was
pierced at top and bottom, and a thin
stream of water was jetting forth, trickling
over the glassy rock toward us. It made a
little pool at his feet, lipped over, and the
double rank of tetrahedra drew back to let
it pass. It formed another little pool, close
to the base of their giant leader. He wasn’t
taking bluffs ! A flash of blinding energy
and the pool was steam and the rock white-
hot ! Marston learned another word.
" W ater — d e ad! W e — tetrahedra — Mer-
cury— and Earth!”
Not so good! Marston tried another.
“You — tetrahedra — Mercury. Wat e r—
tetrahedron — Earth !”
An alarming idea that! Water the lord of
Earth!
“Water — no — dead!” Decided negation in
the drum. He pointed. True enough, the
steam was condensing and running down the
smooth rock in little droplets. Water could
not be killed! It always came back!
" W e — te trah edra — wa ter ! ”
Phew ! That was a statement ! He proved
it. He dabbled his fingers in the pool at his
feet, took some up in his hand and slicked
back his hair. I gave a thunderous grunt
by way of attracting attention, uncapped the
other canteen, and poured a long and very
visible stream of water down my throat.
Marston took the canteen and did the same,
then sent me for more water, a pailful.
“Water — tetrahedron — Earth!” he reiter-
ated. He illustrated his point, dipped water
from the pail with much splashing and
poured it over my relief of the Earth, filling
the hollows of the seas. He had another
hunch, rolled Venus around its orbit.
“Water — tetrahedron — Venus?” Oh, de-
cidedly. The purple giant was sure of that.
Marston tried Mercury.
“You — ^tetrahedra — Mercury. Water — no
— tetrahedron — Merucry.” A pause. Then
slowly, “ W ater — tetrahedron — you ! ”
TETEAHEDBA OF SPACE 97
And he was right. Water had them
licked. I had a bright idea and Marston
moved camp to the brink of the lake, striding
like a conqueror between the double file of
tetrahedra. Arrived beside the water, with
the giant fairly close and the army in the
background, I stripped and dove in — brought
up a chunk of half-dissolved purple crystal!
Marston rubbed it in gleefully.
“Water — tetrahadron — you!" They had to
admit it. Now he tried to coin a word —
pointed to the sky and shuffled syllables on
the drum. “Up — up. Water — up.” The giant
caught on and supplied the correct term.
Marston coined a real one — a genial, mur-
murous “Thank-you” — on his drum.
Marston drummed attention and reassur-
ance and I started demonstrating my little
Solar System again, while Marston an-
nounced again that Earth was largely water
— no fit place for tetrahedra — water that
could be killed, but that came down again in
rain. He drilled in the idea of rain, until he
was sure he made his point. The etymology
of the word was clear to all concerned. They
knew what rain was now.
I had poked a hole through the soft, thin
rock of Mercury’s orbit and put clay plugs
in Earth’s orbit at diametrically opposite
points. Now Marston demonstrated. He
poured water on Mercury. It vanished.
“Mercury — no — rain. No!” The entire
host had crowded in and there was a general
murmur of assent.
Venus, on the other hand, being a deep
groove, held plenty of water. “Venus — rain.
Water — tetrahedron — V enus. ”
They got that too.
He moved out one planet and I could feel
a tensing. They knew what he was driving
at ! He was going to describe weather-con-
ditions of Earth. Half Earth’s orbit held
water to the brim. The other half was rather
damp. He slowly moved Earth around her
circles, showing that six months were wet and
six not so wet. He took to the drum for
emphasis.
“ W ater — tetrahedron — Earth. We — tetra-
hedron— water. Water — tetradron — you." A
delicate inference. Then slowly, emphatically,
“Water — Venus. Water — Earth.” And now
his final card.
He set Mercury in its orbit, placed Venus
almost opposite, paused. The giant assented
That was where the planets were at present.
He skipped Earth and went to Mars, rolled
it along its orbit, stopped it. Assent. All
true, so far. And now I saw his point for,
when he dropped Earth in place, very nearly
in line between Mars and Mercury, it fell in
the middle of the dry half of the orbit!
A hundred tetrahedra slid back a yard or
so in recoil. This rain which had drowned
out practically all of their army was an
example of our dry season ! By inference,
our real wet weather must have been sheer
Mercutian hell to every tetrahedron of them !
But Marston was too good a diplomat to
give them a hands off without suggesting an
alternative. He slowly poured water on
Mars. Mars apparently and actually had a
hole in its bottom, for it drained bone dry.
Mars, now, was very nice. But Earth was
nasty and wet, as bad as Venus or worse.
And it was inhabited by a race of super-
intelligent fish, to judge from the impression
he gave the tetrahedra. He picked up the
drum for a last word.
“Earths — rain. Mars — no — rain. We —
Earth. You — no — Earth. You — Mars?” He
dwelt on the question. “Mars? Mars???” He
rolled out an endless questionmark, then sud-
denly quit, took a long, flashing drink of
water from the flask, and dove into the lake,
clothes and all. I followed him, and together
we splashed to the other shore, making our
mastery of the water very evident. If things,
worked out, all well and good. If they didn’t
well, we had the lake between us.
And it did work! For a moment they
stood motionless, the mighty sixteen-foot
tetrahedron of royal purple and his eight-
foot purple retinue, silent, considering. Then
came a sudden comand, and the hundred
flowed in orderly motion to the spheres,
entered. Their mighty master was alone. For
an instant he hesitated, then swept forward
to the very edge of the lake. From this
towering peak beat the white lightnings,
lashing the purple waters into great billowing
clouds of steam that threw up a dense wall of
mist between us! Through the hiss of the
steam came his thunderous voice, in last
comment upon the invasion of his tetrahedral
race! Marston translated, softly.
“Water — tetrahedron — Earth. Y ou — tet-
rahedron— water. We — kill — water! You —
Earth. We — Mars. Mars!"
Up from behind the wall of “killed” water
rose two great, glorious pearls, marvelously
opalescent in the rays of the setting sun — up
and up, smaller and smaller, until they
vanished into the deepening blue above the
Andes. Ironically, it began to rain.
TARGET NO. 1
FIRST
TARGET
IN STAGE
Stf (R. <£. J’OJimwoJdh
INCE the earliest days of the Indus-
trial Revolution there has been the
realization, in both the minds of
scientists and of an intensely interested pub-
lic, that Man would soon possess the tools
to lift him from the surface of the Earth to-
ward the myriad worlds that accompany him
so faithfully through the abyss of space.
While the tools to implement the great dream
have seemed slow in coming, they have, in
fact, developed with a' seemingly single-
minded cosmic purpose, since each source of
power, newly found, has been greater than
the last.
The first to realize the strength with
which Man was girding himself was Jules
Verne who, with his impractical “Moon-
Cannon,” was the first to use existing me-
chanical means to conquer the depths be-
tween Earth and Moon. Ironically enough,
Verne utilized the proper method, the rocket,
as an auxiliary measure to check the fall of
his projectile back upon the Earth.
The Problem of Finance
Today we have it in our power to reach
the surface of our satellite. The great de-
velopment of the liquid fuel rocket in World
War II gives us the tool. And, as a sure
thing, atomic energy is now in our posses-
sion.
The only problem remaining is the one of
finance. If you doubt this, recall what was
said before the War in regard to atomic
power. It was said that it would not be real-
ized for easily a hundred years. Yet two
billion dollars was sufficient not only to bring
it to fruition, but soon enough to-be used as a
military weapon.
The same situation exists with the rocket.
Given the funds, a rocket today could reach
the Moon.
Why Reach for the Moon?
Curiously enough, now that we have it in
our power to reach the Moon, there is a great
hue and cry as to why we should want to do
so! Well, why should we? What do we
know about the Moon? What makes our
nearest large neighbor in space Rocket Tar-
get Number One?
Physically, we think that we know the fol-
lowing facts about our target. The Moon
has a diameter of 2,160 miles and revolves
about the Earth once every twenty-seven
days and eight hours, at a mean distance of
239,000 miles. Its total area is approximate-
ly fifteen million square miles, which, since
it seems to have no bodies of water — at least
on the visible side — gives it a land area equal
to a little less than the combined land area of
North and South America.
A Forbidding Picture
Most popular books on astronomy tell us
that the Moon has neither air nor water and
that the thousands upon thousands of crater
"AH Aboard for a Trip to the Moon”
formations which cover its surface are due
to meteoric action upon a world without
weather or subsequent erosion. Tempera-
tures given are estimated to vary between
120°C in the daytime to 80 °C during the
long night.
However, this has not been definitely de-
termined. Generally there is added a note to
the effect that nothing ever happens on the
Moon, and that it is a dead world. Naturally,
with this forbidding picture, the public in
general has been unable to become greatly
enthused over the rocket-to-the-Moon. How-
ever there are other and more interesting
considerations.
They All Had an Idea
Historically, our satellite, larger in pro-
portion to Earth than any other planet’s
moon — the Moon is only slightly smaller
than the planet Mercury — has evoked great
and sustained interest through the ages.
Four thousand years ago the ancient Hin-
dus thought of the Moon as a vessel full of
sacred wine, a kind of miraculous pitcher
The president
of the
United States
Rocket Society
lists points
of interest
you'll want
to see on
a trip you
may be taking
sooner
than you think!
■,» i7<
99
R. L. FARNSWORTH
STABTUNG STORIES
100
that waned as the wine was drunk, but al-
ways filled itself again! In the name of the
Moon they drank on all state occasions.
Later, according to Herodotus, the tireless
Greek historian, the Persians, lords of the
then lush Middle East, deliberated on
weighty affairs while drinking in the name
of the Moon 1 And reconsidered, when sober 1
That was not such a bad custom.
"But,” continues the curious Greek,
"sometimes they deliberate when sober and
decide when drunk I ”
Strangely enough, all through the ancient
times of Man, the Moon, glorious in the clear
skies of earlier cultures, was worshiped in
particularly romantic fashion. Such provoca-
tive goddesses of antiquity as Diana, Arte-
mis, Ishtar and Selene all testify to the
feminine, inconsistent nature of the Moon.
Inconsistent because of the impossible strug-
gle of all earlier mathematicians to reconcile
the Lunar motions with those of the Sun for
calendar purposes! Also, always feminine,
due to the inexplicable coincidence of the
natural functions of women agreeing with
the twenty-eight day phases of the Moon.
Since the very dawn of vision, Man has
yearned t6 catch a glimpse of the unseen side
of the Moon. While six-tenths of the Moon
can be seen, due to irregularities in its mo-
tion, selenography — the science of Lunar
map making — can never show us the other
four-tenths of her shattered landscape. For-
ever veiled to us, from Earth a constant
challenge, this unseen side of the Moon has
caused uncounted minds, both popular and
scientific, to speculate.
A One-Way Trip!
Today we know but one thing about the
hidden face of our astral companion, and that
is that it is the perfect base from which to
manufacture atomic rockets with which to
blast helpless humanity on Earth!
When we think of a rocket-to-the-Moon
we are accustomed to think of a one-way trip,
with unutterably harsh conditions upon ar-
rival. The facts are that not one, but several
rockets would be sent to the Moon at the
same time, perhaps only one containing pas-
sengers. The rest, radio-controlled, would
contain supplies, laboratories, and serve as
additional buildings once they had landed.
To return to Earth would be a much sim-
pler matter than is generally supposed. The
present velocity of the captured German V-2
rocket, which is one and a half miles per
second, is exactly the escape velocity neces-
sary to take a rocket from the Moon to the
Earth. It is not too much to suppose that
the V-2 has been greatly improved upon
during its tenure in the United States, nor
to suggest that return rockets could be taken
along, piece-meal if necessary, to provide for
a return to Earth.
Living on the Moon in air-tight structures
would certainly be easier of accomplishment
than sustaining life in a submarine or a stra-
tosphere plane. Both are greatly restricted,
due to the necessity of movement.
Once on the Moon, the possibilities for
scientific research are immense. As an as-
tronomical observatory, as a physics, biologi-
cal, and photographic laboratory, as a master
weather station from which to note and relay
advance weather information to Earth, for
the study of cosmic radiations and the struc-
ture of the Sun and Stars. For all of these
purposes the cost of exploration would be
paid a million times over.
Is It a "Dead" World?
Solar energy could be utilized for power,
and should the “craters” be found to be of
volcanic origin, what heavy metals exist on
the Moon should be well distributed upon the
surface. All science on Earth is doomed to
work forever beneath a layer of atmosphere,
about which little is known, and through
which all observations, astronomic and spec-
troscopic, must be taken — with what aberra-
tions we do not know.
Now, about this “dead” world. In regard
to the craters, J. E. Spurr, in his "Geology
Applied to Selenology” gives a masterly ex-
position of the volcanic origin of the craters
as opposed to the prevailing meteoric theory.
Since not within the memory of historical
astronomy has a meteor ever been seen to
make a crater, and since there have been
changes observed on the Moon, the theory of
vulcanism lends credence to the thought that
the Moon is not yet entirely "dead.” Before
1866 the crater Linne was used as a refer-
ence point, and was a definitely dark object.
Today it is light colored and of little use for
a base point.
Up to April, 1871, there were over 1,600
recorded observations of fluctuations of
lights in the crater Plato and thirty-seven
graphs of the appearance. All such records
are now on file in the Library of the Royal
FIRST TARGET IN SPACE
Astronomical Society.
The American astronomer, Wm. Picker-
ing, reported moving gray spots in Eratos-
thenes. Lights have been observed in the
following craters — Bessel, Copernicus, Ari-
starchus, Linne, Plato, Carlini, Eudoxus and
Proclus. A bright spot was seen west of
Picard on March 23 and on March 26,
1909. On Dec. 19, 1919 a black mark was
observed near Littrow, and on Jan. 31, 1915,
white spots were seen in Littrow. On Sept.
13, 1889, a black spot with a white border
was seen in Plinius and a veritable light-
house was observed in Aristarchus c«i May
7, 1867, and again on Nov. 7, 1891.
Dark triangular patches have been seen
moving on the Moon and for a hundred and
twenty years flashes of light have been seen
on Mare Crisium. On May 13, 1870, there
was an “extraordinary” display of lights on
Plato and a luminous triangle was seen on
the floor of Plato on Nov. 23, 1887. And on
Aug. 29, 1917 a luminous object was seen
moving within Plato. Incidentally, Plato is
sixty miles in diameter, and has walls five
thousand feet high.
How About Air?
As to atmosphere on this “dead” world.
Contrary to opinion there have been many
instances of stars that have been reported
out of place when occulted by the Moon. Yet
astronomy will tell you that the Moon has no
air because stars are not refracted when the
Moon passes in front of them. On Oct. 10,
1916 a reddish shadow was seen over Plato,
and some of the craters have evinced a
change of color in the crater floor with the
coming of the Lrmar day. On Feb. 28, 1885,
a dull deep red color appeared in Hercules
and two days later a reddish smtdce or mist
was seen in Cassini.
While a large telescojre brings us to within
five hundred miles of the Moon, objects
smaller than the Capitol at Washington
would not show up well, with the exception
of lights. While the surface of the Moon,
101
which we see, is better known and mapped
than the Earth, the topography — mountains,
plains, depressions, cliffs and clefts — all are
totally unlike any on Earth.
There Is Light — There May Be Life
The section of the Moon near the Hyginus
chasm shows formations so far from anything
on Earth that we can not even guess what
they are or what caused them. There is a
great “valley,” ninety miles long and six
miles wide, connecting Mare Imbrium with
Mare Frigoris. And there is the great “wall”
near Thebit.
But there have been stranger observations
than those of the textbooks. A formation
shaped like a sword lies near Birt. A geo-
metric “X” has been seen in Eratosthenes.
A peculiar “sign” in Plinius. Angular lines
in Gassendi. Reticulations in the dark floor
of Plato. In Dec. 1915, a black wall to the
ramparts of Aristillus was seen as a ikw
formation. On May 4, 1922, three long
mounds were seen in Archimedes, which
have since disappeared.
If you are wondering why more observa-
tions have not been made of changes on the
Moon you can be referred to a recent query
raised among astronomers themselves. It
was, “What has happened to selenography?”
The fact is that the Moon is seldom ob-
served by the great observatories. Being un-
able to solve the problems of the Moon, com-
paratively close at hand, they have turned
their attention to resolving the riddles of the
Universe — at much greater distances.
There have been too many authenticated
observations of changes taking place on the
Moon to label it a dead world. Nowhere in
the cosmos is there death, if by death is
meant the cessation of all activity. The story
of the Universe is' the story of constant
movement. On the Moon there is movement,
there is light, there may be, of a kind —
LIFE.
The Moon remains Rocket Target Num-
ber One!
o
Next Issue’s Headliners: AGAINST THE FALL OF NIGHT, a complete
novel by Arthur C. Clarke— THE ISOTOPE MEN, a Hall of Fame
Classic by Festus Pragnell — DORMANT, a story by A. E. Van
Vogt— THE UNSPEAKABLE MclNCH, a Magnus
Ridolph story by Jack Vance — and many others!
SHENADIJN
Explorer Gowan Mitchell battles to conquer the challenge
of the strange mountain— and make it reveal its secrets!
Me had hammered the piton into a crack in the unthinkably aged rock. By rights
the last hundred feet of the ascent should have been gentle, easy. Here on the
roof of the world, on the white shining summit of Shenadun, the bitter wind ham-
mered at him, screamed shrill warnings in his ears. There should have been a gentle slope.
He wanted to weep. It was unthinkable that he, Gowan Mitchell, should weep in frus-
tration— and at a stubborn mountain.
As, buffeted by the wind, he threaded the rope through the eye of the piton, he thought
of other tears and other mountains. Peaks in the
Swiss Alps, the Canadian Rockies. But those had
been tears of joy, tears to express the deep, throb-
bing emotion that had always filled him when he
stood, alone and free on the top of a mountain.
The first hill, for it was but a hill, he had climbed
had been in Scotland when he was twelve, twenty-
seven years ago. That had been the beginning of
the disease.
But this mountain, a sister of Everest, had been
incredibly difficult. It had defeated him last year,
sent him home beaten, his tail between his legs,
Ey JOHN D,
l^aclXINALD
102
STARTLING STORIES
104
his broken shoulder in a cast.
Shenadun ! Stranger than Everest, strong-
er in the superstition of those who lived in
the tropical valleys and watched the high bit-
ter shoulders of the Himalayas !
Fortunate for Gowan Mitchell that he had
inherited the money that made it possible for
him to spend his life conquering the high
places of the world.
He paused after having drawn some of
the rope through the eyelet of the piton,
reached a numb hand to the snap on his
shoulder, unhooked the flexible tube and gave
himself a careful measure of oxygen, being
careful not to take too much. Too much
would have made him giddy, would have
made the careful handholds and footholds
less secure. He inhaled just enough for life
and strength, and to combat the numbing
weakness of the almost incredible altitude of
Shenadun.
This mountain climbing feat was costing
him ten thousand pounds. It would make a
small hole in the estate but not too large a
hole. He would have enough left for future
attempts, but there would be no future efforts
on a scale such as this one. After Shenadun
was conquered he would be content with less
difficult peaks. After all, he thought, I am
thirty-nine. The conquest of Shenadun will
give me immortality among those who climb.
But he knew that he would continue to
climb until at last he died. There could be
nothing for him in the cities of men. His
mind and his heart would always be fixed on
the high places. The cities of men were drab
small places, overrun with life. For him there
could be only the clean cruel wind of the
ceiling of the world, the aching slow prog-
ress up a chimney of rock, the clink of an
ice axe, the thunder of the avalanche.
It was good luck to have found the bare
rock where pitons could be planted. He
thought of the man who clung, patient and
brave, thirty feet below him and he smiled.
He would have a witness when he reached
the summit. The spearhead of the enormous
effort expressed by the eight camps stretched
out down the flank of the mountain, a day’s
hard climb apart, where even now chilled
numb hands held binoculars to eager eyes
and men with white rime on their ragged
beards looked aloft and cursed the storm that
cut off all vision.
1^,'0’TTCHELL’S climbing partner for the
.i-Tm final attack was Joseph Garmon. Gar-
mon was brave, strong, agile and selfless.
Gowan Mitchell knew that he couldn’t have
a better partner for the last assault on the
virgin peak, and it was essential to his plans
that Joseph Garmon must be along. Had it
been a gentle slope at the summit, Mitchell
would have climbed it alone.
He looked down, saw the red, windbeaten
face of Garmon. He tightened the rope
through the piton, gave the arm signal to
Gannon to climb up to him. He took a turn
around the shank of the piton, and pulled
in the slack carefully as the man below him,
slow and cautious, facing the rock wall, came
up like some strange bearlike animal.
That ascent would have been impossible
without assistance from Joseph Garmon, the
American. As it was, he would have to
share the glory with Garmon, and yet he
would be the first human to stand on the
peak.
His thoughts snapped back to instant at-
tention as Garmon slipped, and the rope
tightened. Mitchell took another turn around
the shank of the piton. There, it was firm!
The wind clawed at Garmon, swinging him
out away from the rock wall. Garmon swung
in against the wall, hit heavily, scrabbled
for a handhold.
At that moment a free end of the rope was
flung up — and Joseph Garmon was gone.
Gompletely gone, as though he had never
existed. The flurry of ice below cut off
Gowan Mitchell’s view. He shut his eyes for
a moment. The body of Garmon would fall
free for a hundred feet, hit the incredibly
steep ice and slide down and down, at last
going over the brink that would mean a free
fall to the glacier two thousand feet below.
He had a sudden feeling of sickness. Now
he would be the only man to reach the sum-
mit of Shenadun.
In a matter of moments he was standing
on the piton, reaching above for handholds.
He found a crack in the rock, wide enough
for his gloved fingers as he reached for an-
other foothold. Getting the handhold, he
carefully and cautiously raised himself high-
er, allowing for the blind fury of the wind.
And now the rock wall was gone, and his
fingers were touching the firm sheen of ice.
He got the ice ax free, drove it in deeply
and, clinging to the haft, pulled himself up
over the brink into the full grasp of the wind.
He stood at last on the summit of Shenadun !
For all he could see of the world below,
he might have been standing on a small knoll
SHENADUN
in the middle of an endless plain.
The summit was shaped like a vast has-
sock, cylindrical, with a faintly rounded top.
The rock wall up which he had j^st come
was duplicated, he knew, on all sides of the
gently sloping central portion of the hassock.
Filled with fierce exaltation, he lowered his
head against the blast and fought his way to
the exact center of the round dome. It wasn’t
a long walk. The summit must have been
two hundred yards across, and from the edge
of the cliff to the center of the summit meant
a rise of only ten or twelve feet. He walked
on the shale ice of ages past.
He knelt and, with numb hands, took out
tlie jointed aluminum flagstaff, fitted it to-
gether and planted it in the hole he dug with
the point of his ice ax. The flag of his coun-
try whipf>ed in the wind. At the base of the
shaft he buried the little metal container
that had been prepared — his name and the
date, and the name of Joseph Carmon.
All around him was a white and blowing
wildness. It was time to return. He must
huny down.
He stopped dead in his tracks, leaning
against the wind that sought to tear him from
the summit and fling him out into space.
He wondered stupidly why he hadn’t
thought of it before. There could be no de-
scent without Joseph Carmon. They might
send rescuers tomorrow, but by tomorrow he
would be frozen, as dead and as rigid as the
eternal ice.
So this was the end of it all. This was the
end of the high, wild, hard life. Here against
the sky that would soon turn to night. He
shivered, took another measured amount of
the oxygen. Not a scrap of food. No small
gasoline stove. Tliose items had been left
behind for the sake of speed during the final
dash to the summit.
Out of his long experience he knew that
there would be no use trying to return the
way he had come. There were pitches that
could only be negotiated by two men, work-
ing with perfect coordination. For a man
alone they w^ere impossible.
It was a choice of ways to die. He could
fall through the thin frigid air to shatter
against the shoulders of the mountain, or re-
main on the summit. It would be a high wild
grave.
Abruptly the wind stopped. Above him
the sky was a clear gray. He walked weakly
to the edge and looked down. He could not
see the camps, of course. He stood and waved
105
his arms. They would see him. They would
know that he had done it. Soberly he turned
and walked back, slumped on the ice near
the aluminum shaft. His mind was made up.
It was an end to adventure. It would be an
easy death, bringing a bit of fear, maybe —
fear of the unknown. Then as he began to
freeze, his blood would slow and he would
become comfortably and deliciously warm.
He would flatten his cheek against the ice
and find eternal rest against the changeless
sky.
Death could come with the night. There
would be another two hours of fading day-
light and for those two hours he would be
master of the mountaintop. King of Shena-
dun. He smiled bitterly. The King would
survey his domain. He no longer felt the
need of oxygen now that the exertion of
climbing was done. Yes, he would make a
circuit of his kingdom and have a last look
at the world.
He left the bit of rope and his other
equipment by the aluminum shaft.
With only his ice ax he walked toward the
cliff. There was no sound in all the world
now that the wind had stopped. It had
cleared so that he could see other peaks. Far
off to the southeast was Everest. It would
have been better to die on the summit of
Everest. Far better.
He turned away from it angrily. For
many minutes he could not recover his calm,
could not reconcile himself again to the death
that awaited him. Just one more peak to
climb, just one more moment to feel the sun
on his bronzed face.
An odd thing caught his attention. From
a deep rift in the ice of the peak, a runnel
of ice, like a frozen stream of water, went
over the brink. He jammed the point of his
ax into the ice and leaned over the brink.
Odd! It was like an enormous icicle. The
rift was narrow, and only a few feet long.
Odd that ice should run from it, as though
warm air came up through the rift.
He dropped on his face and peered down
into the blackness of the rift. Could that be a
faint breath of warmth? Not real warmth,
but merely air a few degrees warmer than
the forty below temperature of the summit.
Trembling in excitement, he pulled off his
glove and stretched his numbed hand down
into the rift. It was warmer!'
He had no time to reason why. There
could be no logical reason. All he could think
STARTUNG STORIES
106
of was to get down closer to that warmtli.
He got to his feet, braced himself and began
to work with the wide edge of the ice axe,
using the practised strokes of a man who
could cut thousands of steps in the ice in a
day. With each almost leisurely swing, a
lump of shining ice jumped clear of the bite
of the edge. He angled his strokes so that
the chips bounced out of the rift, out of the
odd crack across the ice surface.
In time he felt the need to go back after
the oxygen. A few breaths helped him. The
exertion was making him warmer. Eventu-
ally he had hollowed out each wall so that he
could lower himself down into the rift, his
head below the surface of the summit. It did
seem warmer. Much warmer.
Working down in the rift was much more
difficult. For a time he was able to shove the
ice chips into the other portion of the rift,
then that became filled and he was forced to
widen the part on which he stood so that the
chips would not fall back to where he wished
next to strike.
He began to lose track of time. He felt
weak and dizzy and when he next tried the
oxygen flask, it was empty. Angrily he flung
it up over the side. Forcing himself to work,
and yet avoiding breaking into a fatal sweat,
he cut his way down through the steel-gray
ice.
His strokes grew awkward as space be-
:ame more constricted. The sides were be-
ginning to be too high to throw the loose
ice out. Soon he would have to stop. And
he had not, as yet, found the origin of the
warmer air.
He swung his ax and, in the still air, it
made an odd sound. Metallic, one might say.
He thought that he might be down to rock.
The daylight was fading. He struck again,
got down onto hands and knees and brushed
the ice flakes away from a smooth surface.
Metal !
It was clear, gray-blue, flawless metal.
Metal that had been machined ! Across the
space he had cleared was a curved line in the
substance, a joining, like a portion of a circle.
He pulled his glove off again and held his
hand against the metal. It was barely
warmer.
Oxygen starvation was making his mind
giddy and foolish. He laughed aloud. It was
absurd ! He, Gowan Mitchell was the first to
climb Shenadun ! This was a mirage. No one
could have been here before him, burying
metal monstrosities in the ice.
He uncovered the clean crack in the metal
and discovered that it was a perfect circle,
but not a trap door for a man to go through.
It was too large to be designed for that. He
saw where the warmer air escaped. At one
point the circular crack was a tiny bit wider
than at any other part..^
Grunting, he forced the point of his ice
axe down into the crack. He tried to pry but
it slipped out with a pinging noise. He could
feel himself growing weaker. He tried again,
and again it slipped. Night was coming fast.
For the second time in a few hours, the tears
of frustration filled his eyes. The third at-
tempt caused a small grating noise and, as
he pried, the round plug tilted, turning in
the hole so that it was on edge, a semicircu-
lar opening on each side.
Grinning idiotically, he dropped onto his
face, the ice ax in his hand and reached down
into the blackness. He touched nothing.
Warm air came from the opening. Warm
breathable air, but not enough to keep him
alive, though he spent the night on his stom-
ach, his head in the opening.
He must enter the hole or die. That had
become the choice. Before it had been a
choice of two ways of dying. Maybe this
was better. He wondered if he had enough
strength to hang by his hands from the edge
and see if his feet touched anything. But
strength evaporated even as he thought of it.
He reached under his mountain jacket, pulled
his knife from its sheath and dropped it into
the hole. It thudded against something, but
he couldn’t tell how far below. Sense of
elapsing time goes astray with oxygen star-
vation.
OT to enter the hole was to die any-
way. He lowered his feet into it, sat on
the edge for a moment, then turned, his
stomach against the edge. His elbow slipped
on an ice fragment and, with a cry of alarm,
he slid, feet first, into the blackness. The
back of his head hit the metal plug. He fell
fifteen feet and landed on a yielding surface.
He looked up barely in time to see the plug,
turned by the impact, settle back into place.
He was in utter and complete darkness.
The surface under his feet sloped gently. He
stretched out a hand and felt a smooth metal
wall at his elbow. In a moment he located
the other wall. The air was warmer. Warm
enough to sustain life, and there was more
oxygen in it. On hands and knees, he found
his knife, replaced it in its sheath.
SHENADUN 107
His mind wouldn’t work properly. He
thought, I am in a sort of corridor on a soft
floor which slants. It seems to be about ten
feet wide. I don’t know where it goes. I will
not die in here during the night. I am weary
and I am afraid.
Suddenly he remembered that the sound of
human voice will often give an idea of the
size of a dark place. He shouted. His voice
went off into a vast, unbelievable hollowness,
echoing against untold distances of metal,
fading at last into a distant brazen clang. It
was then that he felt the fear. He had always
thought of himself as being braver than the
average. But his bravery had existed in
known situations, against known odds. Now
he faced the unknown, and he had in his
heart the fear of a small child left alone in
the dark.
He couldn’t bring himself to shout again.
Suddenly he remembered the packet of
matches. He lighted one. The flame burned
weakly. He held it high and saw how impos-
sible it would be for him to ever reach the
circular trap. He couldn’t even make out the
lines of the joining. The walls shone, re-
flecting the match light.
It burned his fingers and he shook it out.
The second match showed him that the stuff
on which he stood was something like a
plastic and something like fabric. It seemed
to be woven. There was a gap between it
and the metal wall. He inserted his fingers
in the gap and felt nothing.
Wishing to hoard his matches, and real-
izing that it would be better to keep moving
than to stand where he was, he put- his
hand against the metal wall and followed the
sloping floor of the passageway.
The slope was definite. With each step his
feet thudded heavily. It was when he had
walked a thousand steps that he halted. This
was an absurdity. He knew that the flat top
of the mountain was but two hundred yards
across, and he knew the steepness of the rock
cliff. It would be impossible to go a thousand
steps on this incline without going beyond
the rock w’all of the cliff.
The third match answered his problem.
Above him, only ten feet above his head, was
stuff similar to that on which he walked. He
knew’ then that he was in an enormous spiral
which, inside the mountain, went around
and around, taking him constantly lower.
As he walked in the blackness, he kept touch-
ing the inner wall. He knew that each com-
plete circle must be taking him around and
around some sort of enormous steel cylinder.
No, not steel, something else. He wondered
if the inside of the cylinder were hollow. .
After a time he grew less cautious about
walking forward into the darkness and quick-
ened his steps. The softness of the stuff
under his feet was deceptive. He fell once,
tripping and rolling for several feet. Where
his face touched the floor, the skin was
rubbed off as though he had touched a file.
The longer he walked, the warmer the air
grew. He guessed that it was well above
zero by now. It seemed to have a very ac-
ceptable oxygen content. And the longer he
walked the more impressed he grew with
the pure impossibility of such a project.
He remembered how every item used in
the expedition had to be carried on the heads
of the bearers across countless weary miles.
Yet here was an undertaking that would
stagger the industrial capabilities of a large
country.
He walked on, his legs beginning to shake
with weariness. He had no watch with him.
He lost track of the hours. For a time he
counted his steps. He counted until he lost
track of the numbers, not knowing whether
the next number should be eight thousand or
nine thousand.
Shaking with weariness he stopped and
stretched out on his back, his head up the
slope, too tired to think or imagine. He was
asleep in seconds.
When he awoke, it was many seconds be-
fore he remembered his predicament. Lost
in the bowels of a mountain, traveling down
the gentle slant of a passageway that seemed
to go on forever. There was no abatement
in the thick blackness that surrounded him.
His mouth was dry. He knew that he had
slept for a long time. He had no way of
telling how long.
Around and around he went, constantly
downward. Idiotically downward, perpetual-
ly downward. It grew wanner. Finally he
threw his hood back and it seemed hours
later, he took his jacket off and carried it
folded across his arm. Hour followed in-
credible hour. His mind reeled as he con-
templated the work that had gone into the
construction of such a thing.
At last, as he was growing intensely weary,
he stopped. He could detect a faint light, so
faint as to be almost unnoticeable. Could it
be there was an end to this incredible, in-
fernal passageway ? He began to hurry,
stumbling in his eagerness. Daylight loomed
STARTLING STORIES
lOS
ahead, maybe swue cave at the base of the
mountain.
As he hurried, the light grew stronger
and brighter, a white light that could be
nothing but daylight. It was light enough
so that he could see clearly the gradual and
constant curve of the passageway, the shin-
ing metal walls. He took his hand from the
wall. He could move more quickly.
RIGHTER and brighter became the
radiance. Ahead he saw something,
some change in the corridor. As he came
down to it he stopped. The corrider had
widened out into a high ceilinged cubical
room. The resilient floor material stopped.
The floor was of metal. The light came from
four shining discs set into the wall. They
sent forth a clear white light. He touched
a disc. It was cold light. Not daylight.
At the far side of the room, the downward
corridor began again. He walked to it. The
flexible floor covering seemed to curl back
on itself around metal rollers so as to form
a continuous strip. It was then that he
noticed an array of levers. They were set
high, parallel to the floor and on a level just
above his head. He could see by the slots
into which they fitted that they could move
either up or down
With a feeling of awe, he reached up,
grasped one and pulled it down. It moved
easily. An odd symbol was embossed on
the handle. The handle was too big around
for him to grasp easily. Nothing happened.
Nothing at all.
Better continue on down the dark corridor.
He walked toward it, then stopped in amaze-
ment. The floor of the corridor was moving,
moving without noise, with just the faint
breeze of its passage.
He ran back to the levers and, in a few
moments had figured them out. The one
he had not touched controlled the escalator
floor of the passage he had just left. Pulling
it down caused it to run silently down and,
had it been turned on, it would have brought
him without effort to the square room.
The lever he first touched controlled the
flooring he had been about to step onto. The
further down the lever was forced, the faster
it moved. At its maximum speed, it moved
with a faint whistling noise, so fast that he
knew he would be unable to leap onto it
without injury.
He adjusted it to the fastest speed he could
manage, crouched and leaped onto it and
was carried away into the increasing gloom.
He sat, crosslegged, grasping the haft of his
ice ax, and suddenly began to laugh like a
child at a street carnival.
The floor of the corridor moved almost
without sound and the breeze of his passage
was fresh and cool on his cheeks.
“Splendid service,” he said aloud. "Thank
you very much, whoever you may be.”
After the laughter come the fear. Fear of
being carried down into the depths of the
dark earth. Fear of what he could not see.
Fear of the mind of someone — something —
capable of building a thing such as this.
In time the laughter and the fear were both
gone, and his head nodded. The slight mo-
tion of the moving corridor made him sleepy.
He fought it for a time and at last the ax
slipped from his hand and he was stretched
on his side, being carried into the blackness.
The cruel jar of a fall dazed him. He
awakened even as he was still sliding along
the polished metal floor, the ice ax under
him, his eyes blinking in the white light. It
was very warm. He stood up quickly. He
was in a huge room, so terrifyingly huge
that he knew at last that he had reached the
bottom of the corridor.
Behind him, and three feet in the air, the
end of the corridor floor revolved rapidly and
silently around the rollers. A lever projected
from a cubical box beside it. He walked
over and pushed the lever. The corridor
floor slowed and stopped.
He looked at the vast room. He had no
way of guessing its length. On the nearest
wall were huge discs of light, similar to
the smaller ones he had seen. They appeared
to be at least a yard across and twenty feet
apart. Yet, in the remote distance of the
big room, perspective made them look like
a fine white continuous line.
In spite of the lights, the main effect was
of shadows and dimness. He craned his
neck, looking up. A ceiling was a short dis-
tance above him. Yet, after he walked a
dozen steps, the ceiling was gone. He looked
up into limitless bHckness. He had lost all
sense of direction.
The silence was what made him fearful.
It was the silence of the long dead, the silence
of the tomb, the dead, still, soundlessness of
eternity.
He stepped forward and the ice caulks in
his climbing boots clinked against the floor.
He shouted once, and for long seconds the
echoes answered him, diminishing and dis-
SHENADUN
torting his shout until at last all was silent
again. He remembered nightmares he had
experienced as a child. This vast room had
a nightmare quality.
He looked around and decided that the
huge discs must lead somewhere. Best to
follow them, rather than to wander off across
the shadows. The clink, clink of the caulks
was the only sound in the world.
After five minutes of steady walking, he
noticed a darker shadow, thin and elongated,
on the floor parallel to the wall and about
thirty feet aw'ay. He went out to it. It
was a mammoth rail, projecting a foot above
the floor level and nearly a foot wide. Be-
yond it, another forty or so feet away, he saw
what might be another. But the room was
darker further from the wall. And he was
rapidly learning to fear the darkness — and
the immutable silence.
The lights stretched out ahead, seemingly
into infinity. Go wan Mitchell walked
steadily. The world of high mountains was
far behind. He still clutched the ice ax,
thinking of it as a weapon.
At last he heard a sound. ' The splash-
ing of water. It was off in the shadows.
Carefully he walked toward it, his eyes
adjusting to the lesser light. He found that
the distant opposite wall had moved nearer
and the metal w’as replaced by jagged rock,
damp and rough. A trickle of water fell into
a dark shining pool. Thirstily he dropped on
his stomach, scooped it up in his hands. It
was cool and delicious. He drank deeply,
went on refreshed. Hunger was the most
pressing problem. Inured to hardships, he
knew that he could continue long after the
average city-bred man would collapse from
weakness.
In the distance, the lights stopped.
.Abruptly. Beyond them — the darkness. He
had cold fear in his heart, wondering if he
was doomed to walk the enormous echoing
chambers forever, dying at last close to the
brink of the cold pool.
He stood by the last light, the last glowing
disc set flush with the metal wall. Ahead
he could barely make out a huge arched
doorway, fully twenty feet high and ten feet
wide. He strained his eyes, but could not
see beyond it.
Tightening his grip on the haft of the ice
ax, he walked through the arch. The space
beyond exploded into brilliant light, so shock-
ing and so unexpected that his ax clattered
109
to the metal floor and he covered his eyes
with the backs of his hands, staggering back,
nearly falling.
When he took his diands from his eyes
and looked about him, he felt that he had
gone mad. He stood in a room one hundred
feet long and fifty feet wide. The ceiling
was forty feet high. Side by side, in two
parallel rows, with a wide aisle between
them, were huge, coffinlike objects. To
steady his reeling brain he counted them.
Exactly thirty.
Up to the level of his eyes, they were
intricate with odd dials, tubes, wiring,
marked with symbols similar to those on the
handles of the levers in the small room half-
way to the top of the mountain. Above eye-
level were the rounded, transparent tops.
And inside the bulbous tops were stretched
the figures of men and women. But they
were men and women such as he had never
seen before. The fact that each was lying
down made height difficult to estimate. It
seemed that they were fifteen feet tall, each
of them. Tall and blonde and dead. One
of the coffinlike objects was empty, the
hinged transparent lid flung back.
In superstitious fear he looked out into the
darkness. Was one of these enormous crea-
tures prowling the darkness, startled out of
death by his coming?
It was then that he noticed the small lens
set in the side of the arch and guessed that
when he had entered the room, he had cut
some sort of ray which had activated the
brilliant lighting.
He listened. The vast place was as sound-
less as before. Growing bolder, he walked
close to the nearest coffin, awed by the
enormous size of the occupant. Men and
women, they were naked to the waist, wore
wide metal belts of intricate workmanship.
From small slots in each belt protruded the
handles of tools which were unlike anything
he had ever seen before. To the belts were
fastened a sort of skirt of fine metal mesh
which came almost down to the knees. The
men were bearded and, men and women
alike, the tawny blonde hair was worn at
shoulder-length.
There was no sign of pulse or breathing.
He jumped back as he saw the faint quiver
of a silver needle on one of the dials. It was
a hall of the dead, with all the garish bril-
liance of a research laboratory.
Close to his eyes was the enormous hand
of the woman behind the transparent sub-
STARTLING STORIES
110
stance. Each finger seemed almost as big
around as his wrist. He turned and saw,
on the far wall, to the left of the arch, a high
board covered with large switches, with dials
of varying sizes, with an array of different
colored buttons, absurdly large.
Suddenly Gowan Mitchell laughed. It was
a laugh close to the dangerous borderline of
insanity. Of course ! He was freezing to
death on the summit of Shenadun and all
this was the result of his tortured imagina-
tion. These levers and moving corridors
and blonde giants! Absurd, of course. He
told himself to die calmly, to force these
images from his mind.
They were false. They could not exist.
Giants under the earth? Nonsense! Worse.
Childish nonsense ! Fairy tales !
Still laughing, he ran to the huge board,
began to yank levers at random, push but-
tons. The needles spun madly on the dials.
Some of the levers and switches were out of
his reach. He moved them with the point
of his ice axe.
He turned from the board and looked back
at the coffins. All of the lids, hinged like
the thirtieth, had turned back. One of the
men reached up and clutched his throat. A
hoarse gasp filled the room. Gowan IMitchell
cowered back in terror. The man shifted,
fell heavily to the metal floor. Others began
to stir. With slow and painful effort, the
blonde giant got to his knees, stood up by
clutching the table he had just vacated. His
eyes were wild, and he came toward the
panel at a slow stumbling run.
Gowan Mitchell backed toward the arch,
ready to flee into the darkness, but the giant
ignored him. The giant began to move the
levers and switches that Gowan Mitchell
had touched. The transparent hoods closed
again, quickly.
One reopened and, long minutes later, the
woman who occupied it sat up quietly and
calmly. She stood on the metal floor, walked
over and, after exchanging slow rumbling
words with the man at the panel, she began
to help him. The next one who stood up
was a man. He also began to help. Their
voices were very low, and their language
was strange, reminding Gowan Mitchell of
the Hawaiian tongue.
Each one moved as though very weak.
At last there were twenty-nine blonde
giants in the room. They seemed indifferent
to Gowan Mitchell’s presence. They greeted
each other and Gowan was reminded of
friends meeting after a long absence.
Still he tried to tell himself that all of
this was the product of his dying mind. At
last he saw some of them looking at him,
talking to each other. They smiled. A man
started slowly toward him. He felt like a
child among adults. With a gasp of fear, he
turned to run into the huge outer room.
He took but one step, and then every
muscle froze. He could not move. He could
not change the direction of his gaze, but was
forced to look out into the darkness. An
enormous hand folded around his arm. It
was then that he fainted. . . .
He was conscious of a low humming, a
monotonous noise that was not unpleasant.
He tried to turn his head, but it was rigidly
fixed in one position. He tentatively moved
one arm, the other. He opened his eyes.
Above him, enormous and unbelievable,
was the face of one of the blonde women.
He seemed to be on some sort of a table.
She looked down at him and her lips curled
in a smile and she said, in a rich contralto:
“Do not be afraid!”
“Where am I?” he asked.
“Our ears are accustomed to different
sound cycles, Mitchell. I am speaking
abnormally quickly and at a higher than
usual pitch. You must speak in as deep tones
as you can, and slowly. Later we will devise
something to cure this difference between
us. I believe you asked where you are.
Wait until I free you and you can look
around.”
Her big hands touched something beside
his head and the pressure began to lessen.
Remembering her instructions, he asked,
“How did you learn to speak my language?”
She smiled again. “From you, Mitchell.
While you were sleeping. We know every-
thing about you and your world. It has
been very interesting. You have made much
progress. We are grateful. All of us.”
His head was free. He sat up with her
help. He looked down and saw that his
head had been fastened into an odd looking
chamber, like a huge bowl with a slot to
admit his neck. Coils of wire rimmed the
edge. She saw the direction of his glance.
“With that we learned everything from you.
It has all been recorded.”
“How?”
“Mitchell, you are not a man of science.
We can only use the words which we found
in your brain. It is useless to attempt to ex-
SHENADUN 11*
plain with the few scientific words you
possess.”
“Have I been unconscious long?”
“Three of your days and nights. Come,
we will go to Garra. He is the commander.
He wishes to thank you and to explain.”
The floor was a good ten feet below the
level of the bench. She saw his difficulty,
put her huge hands around his upper arms
and lifted him easily down. Her laugh beat
against his ears like thunder. “You are like
one of our children.”
A few of the giants were gathered in the
room in which he had first found them. He
gasped as he saw the enormous outer room.
It was now brilliantly lighted. It w'as a full
mile long, at the minimum.
One of these people looked older than the
others. He saw Gowan Mitchell, lifted one
of the small tools from his belt and spoke
into it. In a few seconds more of the blonde
giants entered. Gowan Mitchell felt lost
among the vista of huge muscled kgs. The
woman save his difficulty, picked him up and
stood him on one of the tables where they
had slept. The faces of these huge beings
were still a good four feet above Mitchell,
but he felt more comfortable. In a voice
much lower and slower than the voice of
the woman, the giant known as Garra said:
“Mitchell, we owe much to you. You
must understand. We are of the race of
Farau from the planet Jorla. In deep space
three thousand years ago our spaceship drive
failed, and we made an emergency landing
here on Earth. By the time repairs were
effected, we found that our planet was at
its maximum distance from Earth and we
could not risk a trip. One thousand of your
years had to pass before we could attempt
it. We could not communicate with Jorla
to tell of our distress. Our average life sp>an
is two hundred years. Our solution was to
construct this place and induce artificial sleep
of a sort which does not detract from the
life span. Ten of us were selected by lot to
serve as attendants to the others for periods
of one hundred years each. At the end of
one thousand years, Jorla would be close
enough to attempt a return with our crippled
ship.
“All went w'ell until, by bad fortime, the
third attendant grew careless and wEis killed
by falling rock while constructing a sub-
sidiary corridor. We have found his bones.
They have turned to dust. Thus at the end
of a thousand years, Jorla was near, but we
slept on. At the end of the second thousand
years it was once again too distant. Three
thousand years have passed. It is now close
enough for us again to attempt a return.
But for you, we would have slept on for
many more thousands of years, perhaps for-
ever. Even so, you nearly killed all of us
with your handling of the controls. How
did you find us ?”
The famous mountain climber took
a deep breath before answering.
“I — I was trapped on top of the mountain.
I dug dowm through the ice and found metal
— a small round trap door. I pried it open.
It shut behind me when I fell through.”
“We already know that, of course, Mitch-
ell. I wished to hear you say it.”
“I do not understand the source of power.
Everything is in working order.”
“Here we are nearly a mile below your
sea level, Mitchell. It is six of your miles to
the summit of the mountain. The internal
heat of the earth provides our power.”
“How could you make anything as vast
as this in so short a time?”
“You do not have the science to under-
stand. In your terms, we used atomic power
to melt away the solid rock, forming walls
of vitrified rock at a temperature which
gives it much the same specifications as a
metal.”
“But why are you buried in a mountain?”
“We did not wish to be disturbed, and
the mountain, the hollow shaft up through
the heart of the mountain, will aid our de-
parture. When we first landed, we explored
your world. They are a primitive people and
superstitious. But you have advanced far
while we slept.”
Mitchell said : “There are legends — giants
in the olden times. Blonde giants who
walked the earth.”
“I imagine those legends are based on
our explorations. Your world is not pleasant
for us. Jorla is smaller. Here we are slow,
weak and awkward. We had expected to
find creatures here much larger than our-
selves.”
“Why does the moving corridor go to
the top of the mountain?”
“That is our place of observation and
astronomkal computation,” Garra said. “We
have been to the summit. Conditions are
proper for a return. Our calculations are
complete. We will leave in seven of your
hours.”
112 STARTLING STORIES
Go wan Mitchell looked around at the grave
faces. They watched him silently. Garra
spoke again.
“While searching your mind, we con-
sidered how best we could reward you for
the service you have done us. It is within
our power to return you to your world
with great riches. But we know what will
happen should we do that.”
The gift of life ! Gowan Mitchell’s pulse
thudded and his mouth grew dry. He
frowned at the tone of Garra’s words.
“What will happen?” he asked.
“We know your mind well, Mitchell. We
know w^hat motivates you. For the rest of
your life you would look at the sky at night
and curse yourself for having partaken of
every splendid adventure but the last one —
the ultimate one — the greatest adventure any
man of your race has ever had.”
“What do you mean?”
“We mean that the greatest thing we can
do for you is to take you with us to the
shining cities of Jorla across the wilderness
of deepest space.”
Gowan Mitchell felt the stir of his blood,
a prickle of excitement along his spine.
In a hoarse voice, with a smile on his lips,
he said, “Are there mountains on Jorla?”
“Mountains that rise eighty thousand feet
from the level of our seas.”
After it had been carefully explained to
him, he learned the purpose of the huge
rails he had seen. On them, sleek and
majestic in its thousand feet of shining
beauty, the incredible weight of a gigantic
spaceship had been rolled to a takeoff
position. In anticipation of his acceptance,
a special compartment had been prepared
for him, equipped to counteract the enormous
shock of takeoff on his body.
They had explained to him how the nose
of the ship fitted into the shining tube, the
tube that extended straight up through the
heart of Shenadun. With the initial blast
of the atomic drive, the heat would liquefy
all the apparatus left behind. The enormous
pressure, confined by the flanks of the mighty
mountain, would project the ship up the
tube like a shell out of a gun, a gun pointed
toward Jorla, untold millions of miles away.
The compression of air in front of the ship
would blow out the plug of metal and ice at
the summit.
The woman who had taken him first to
Garra, carried him up the ladder to the plat-
form and from there through the door cut
into the side of the ship. She took him to
his compartment, helped him fasten the
straps, and closed the door after him. Six
minutes to wait. Gowan Mitchell waited,
his fingernails cutting into the palms of his
hands, and his heart joyous. . . .
The following morning a radio announcer
was speaking into a microphone. He was
saying :
“Ladies and Gentlemen of the radio
audience. This is Clinton Hoffman coming
to you again through the courtesy of Sticki-
feed, the food that keeps your baby healthy.
I now bring you a summary and analysis
of the day’s news.
“Last night there was a good deal of ex-
citement in official circles, about the odd
rocket that went up from somewhere in
Asia. You remember that the common con-
census of opinion was that the Russians
were experimenting in Siberia with their
version of the V-Two. The rocket itself was
observed from Calcutta, Delhi, and the costal
cities of China. This goes to show you how
millions of people can be wrong.
“Half an hour ago, your correspondent
was talking by transoceanic telephone with
Doctor Wallace Wington, a member of the
Mitchell Expedition to Mount Shenadun in
the Himalayas. Both Gowan Mitchell and
Joseph Carmon were lost in the last assault
on the summit. The other members of the
expedition are hunting for their bodies. Dr.
Wington flew out to Calcutta with an eye-
witness report of the so-called rocket.
“Dr. Wington told me that there was
an enormous rumble from the depths of
Shenadun and the earth shook. A spear of
flame shot miles into the air. At the end of
it some sort of a blazing ball was shot up
toward the stratosphere.
“In the morning Dr. Wington examined
the summit vnth powerful glasses and he has
seen a newly created crater up there. Thus
the official apprehension concerning a super-
powered rocket is false. Dr. Wington ex-
plained that Shenadun, probably a long-
silent volcano, built up enough pressure to
erupt, The^ matter thrown toward the sky
doubtless fell in some remote portion of the
Himalayas.
“So friends, you can call it sort of a
volcanic burp, hardly worth all the thousands
of words that have so far been devoted to it.
“Today in the House of Representatives,
a bill was introduced which makes it possible
for . . .
As the balls settled in their places, the operator called out the winning numbers
SANATOmS SHORT-CUT
Ey JACK VAISCE
Mathematics is the weapon
of Magnus Ridolph when he
combats a pirate of space!
Gambling, in the ultimate study, stems from the
passive, the submissive, the irresponsible in human
nature ; the gambler is one of an inferior lickspittle
breed who turns himself belly-upward to the capri-
cious deeds of Luck. Examine now the man of
strength and action ; he is never led by destiny. He
drives on a decided course, manipulates the vari-
ables, and instead of submitting to the ordained
shape of his life, creates a pattern to his own de-
sign.
— Magnus Ridolph.
Magnus ridolph often found
himself in want for money, for his
expenditures were large and he
had no regular income. With neither natural
diligence nor any liking for routine, he was
forced to cope with each ebb of his credit
balance as it occurred, a fact which suited
STARTLING STORIES
114
him perfectly. In his brain an exact logical
mechanism worked side by side with a pro-
jective faculty ranging the infinities of time
and space, and this natural endowment he
used not only to translate fact from and into
mathematics, but also to maintain his finan-
cial solvency.
In the course of the years he had devised
a number of money-making techniques. The
first of these was profoundly simple. Sur-
veying the world about him, he would pres-
ently observe a lack or an imperfection. A
moment’s thought would suggeset an im-
provement, and in repairing the universe,
Magnus Ridolph usually repaired his credit
balance.
At other times he accepted private com-
missions, occasionally acting as an unofficial
agent of the T.C.I., where his white hair,
his trimmed white beard, his calm imper-
sonal gaze and mild aspect were valuable
assets.
He often visited one of the gambling re-
sorts scattered here and there among the
worlds of the Commonwealth, mingling
unobtrusively with the crowds who came
rich and left poor. His purpose was by no
means to test his luck; his visits indeed
were as unemotional as the calls of the tax-
collector. Still it cannot be denied he found
a certain saturnine satisfaction mulcting
the latter-day gangsters in a fashion to which
they could take no possible exception.
Fan, the Pleasure-Planet, was a world
slightly outside the established edge of the
Commonwealth, but not so far that the
Terrestrial Corps of Intelligence lacked au-
thority ; and it was to Fan that Magnus
Ridolph came after a program of research
in connection with telepathy had exhausted
his funds. Mylitta, chief city and space-port,
occupied the tip of a fertile peninsula in the
warm region of the planet, and here was the
Hall of Doubtful Destiny, operated by Acco
May, together with the lesser casinos, bor-
dellos, taverns, restaurants, theaters, arcades,
and hotels.
The third day after his arrival Magnus
Ridolph strolled into the Hall of Doubt-
ful Destiny carrying a small case. Through
tremendous glass doors he entered the lobby,
a large quiet room with walls decorated rvau
kerna style, in the typical brown and blue
leaf-patterns of the aboriginal tribes. Di-
rectly ahead, through a colonnade of green
jasper pillars he glimpsed the hundred-foot
track where midget ponies raced. To right
and left were the various other games of
skill, chance and direction.
Magnus Ridolph ignored the race-track,
turned into the hall where card-games were
in progress — poker, planetta, black-jack,
botch, rhumbo. He watched a poker game a
moment, but passed on. Winning money at
poker was a long-range affair, requiring
patience and careful attention to statistics.
Chuck-a-luck he passed with a sardonic
glance, and also the crap tables, and entered
a wing where a dozen roulette wheels clicked
and glittered. Red and black, mused Magnus
Ridolph, red and black on green felt, tradi-
tional effects of gambling since the eight-
eenth century.
He turned his eyes around the room, en-
joying the thousand various hues and tones.
He looked up to the ceiling, ground-glass
glowing in the patterns projected by a mon-
ster kaleidoscope, wonderfully intricate,
ever-changing — plasma-yellow, blues, bottle-
greens, ardent red ; blazing orange rosettes,
shimmering waves of violet-blue, dart-
pointed stars, bursting and fading, merging
into expanding circles, bars and bands.
In contrast, the carpet was a dull dark
gray, without shadow, and across walked
ricbly-clad men and women in gorgeous
tunics, jackets of pigeon-blood, the blue-
green of moderate ocean depth, black. Along
the far wall ran three tiers of balconies, and
here small parties ate, drank, watched the
play below.
Magnus Ridolph surveyed the vast hall
from end to end, speculated on the profits
yielded by the multifarious tables. They
must be enormous, he mused, looking down
the ranks of flushed, nervous faces, alter-
nately elated and dejected. And all fun-
neled into the pocket of Acco May. Acco
May was a man feared everywhere in the
Commonwealth, a man linked in the public
imagination to a thousand crimes. And yet,
whatever form Acco May’s raids took, he was
never within reach when the accounting
came, and no positive proof existed to in-
criminate him.
Magnus Ridolph brought himself back to
the matter at hand. He carefully inspected
one of the roulette wheels, timed the spin
of the wheel, estimated the mass and radial
throw of the ball, undertook a few mental
calculations, turned away. The margin of
error was such that he might as well gamble
outright.
SANATORIS
He retraced his steps past the race-track,
catching as he passed, the flash of tiny dark-
brown forms, and entered the other wing.
He passed more roulette tables, a device of
meshing whirling disks, and paused beside
a large globe full of liquid and swimming
balls of various colors- — a game known in
the hall as Lorango.
As he watched, the balls slowed, floated
jostling up to the top of the globe, where
they formed a pyramid, one ball at the apex,
three immediately below, then seven, and
finally a layer of thirteen, all glowing like
jewels in a shaft of light from beneath.
The device was operated by a young man
with seal-smooth blond hair and narrow
brown eyes, dressed in the green and white
uniform of the hall. The balls having settled
into their places, he called the winning colors.
“Silver wins; vermilion, sapphire and
flame, under; gold, royal, topaz, zebra, opal,
emerald and jet, third.”
Magnus RIDOLPH stepped closer.
A ball selected correctly for top place,
he noted, paid 24 to one ; in the second layer,
eight to one; in the third layer, three to
one. Even money, he thought, except for
the odds in the third layer, which slightly
favored the house. Then he noticed a small
sign:
When white ball wins, house collects all bets, ex-
cept those bets placed on white.
“Make your bets,” called the blond oper-
ator. He pressed a button, the globe spun.
“No more bets.” The globe stopped short,,
the balls spun on, finally sought their places.
The operator called the. results.
“Indigo wins; jet, fawn, ruby, under;
harlequin, diorite, aqua, ivory, amethyst,
teal and olivine, third.”
Chips changed hands.
“Make your bets,” called the operator.
Magnus Ridolph unobtrusively pulled a stop-
watch from his pocket.
“No more bets.” The globe spun, reached
its maximum speed, halted. The balls
whirled on. Magnus Ridolph looked at the
stop-watch. 10 :23 seconds. The balls settled
into place. He checked his watch again.
32.01 seconds.
“White at top,” called the operator.
“House takes all bets.”
Magnus Ridolph timed the globe several
times more, noted the results in a small
black book.
Next he turned his attention to the globe.
SHORT-CUT 115
From his case to took a camera, and filmed
the entire sequence three times.
He replaced the camera, considering what
other information he needed. The liquid
evidently was water. From the photographs
he could calculate the speed of rise of the
balls and consequently their specific gravity.
The photographs would likewise disclose the
dimensions of the balls and the globe, and
the equation of curvature of the globe.
Several quantities yet remained unknown
— ^the coefficient of skin friction of the balls
and the globe in water, their mutual elastic-
ity, the rate of revolution of the globe, the
equation of its acceleration. He must also
correct for the centrifugal force of the plan-
et’s rotation, the variations caused by the
motion of the sun across the sky, the change
in temperature of the water due to agitation.
He must also investigate the possibility of
any strong or unusual electrical, gravitational
or magnetic fields. He opened his case,
glanced at the dials of an instrument within,
moved around the globe, watching the action
of the needles. He snapped the case shut,
approached the attendant.
“What is the composition of the balls?”
he asked.
The operator looked down at the old man
under arched eyebrows. “Vitrine, sir.”
“And the globe?”
“Also vitrine, sir.” The operator looked
away. “Place your bets, please.”
It was unlikely, reflected Magnus Ridolph,
that the operator would know the precise
rate of revolution of the globe. He looked
for power leads, then turned away, realizing
that he had no means to determine the effi-
ciency of the motor. Direct measurement
would be necessary.
He strolled from the hall, entered a drug
store.
“A gram of fluorescin, please,” he told
the clerk. “Also fifty meters of Pan-Ang
film, two millimeters.”
He returned to the hall with his purchases,
touched a pinch of the powder to the globe,
and with his camera he filmed three more
cycles. Then he checked once more the pe-
riod that the globe was in rotation. No
change — 10.23 seconds till the globe stopped,
and 32.01 seconds until the balls settled into
their places.
Magnus Ridolph left the Hall of Doubtful
Destiny, wandered down tree-shaded Moka-
lemaaka Way to his hotel.
The next day his calculations, facilitated
STARTLING STORIES
116
by a small integrating machine and differ-
ential analyzer, were complete, with a margin
of error that was sufficiently narrow to please
him.
He returned to the Hall of Doubtful Des-
tiny, and now bought ten hundred-munit
chips at the cashier’s wicket. He turned to
the left, toward the twenty-four Lorango
balls dancing and bouncing, swirling and
wheeling apparently at haphazard, but actu-
ally in courses ruled by laws as exact as
those determining their surface area.
Those laws Rudolph Ridolph had re-
duced to concrete terms, computing the
probability of the ball in each of the twenty-
four positions winning on the succeeding
play.
The percentage total of the four highest
probabilities was 62. In other words, Mag-
nus Ridolph, inspecting the pyramid and
playing the balls he found in the four posi-
tions of highest probability had a 62 percent
chance of winning 24 to one or, in the long
run, of multiplying his monej* 26 to one at
every play.
Before he bet he checked o«ce more the
period of the cycle; then, satisfied, he put
a chip apiece on the colors ivory, teal, dia-
mond and indigo to win. The globe whirled,
the balls surged, plunged through the limpid
flux.
“Ivory wins,” called the blond operator.
“Indigo, vermilion, jet, under; silver, lime,
fawn, diorite, topaz, zebra and opal third.”
Magnus Ridolph took possession of his
winnings and the chip he had bet on ivory —
a net gain of 2,100 munits. Glancing at the
globe, he bet three chips apiece on ruby,
white, amethyst, and olivine to win.
The globe whirled.
“White wins — all bets to the house, except
those on white.”
With 94 chips stacked in front of him,
Magnus Ridolph bet ten chips each on jet,
aqua, diorite, emerald and gold, adding the
fifth most favored position which slightly
increased the odds in his favor and would
confuse any attempted analysis of his play.
He lost, and immediately bet ten chips
apiece on fawn, jet, royal and ruby.
“Jet wins,” called the operator.
Magnus Ridolph calmly stacked his chips,
254 in all. Ignoring the onlookers gathering
at his shoulder, the old man bet fifty chips
each on sapphire, lime, topaz, and vermilion.
The globe whirled. The operator watched
the results, silently grimaced, glanced at
Magnus Ridolph.
“Sapphire wins.”
The house paid off with thousand-munit
chips. Magnus Ridolph signaled for the
cashier’s cart, changed his winnings for ten
thousand-munit tokens. His stack now in-
cluded 13 tokens and four hundred-munit
chips. For a change of pace he played his
four hundred-munit chips on balls of low
probability and lost. Then he bet a ten thou-
sand-munit token on each of the colors em-
erald, olivine, fawn and silver. The operator
hesitated, set the globe in motion.
He smiled faintly. “Ruby wins.”
Magnus Ridolph played ten-thousand-
munit tokens on vermilion, opal, harlequin
and gold.
The globe whirled, the balls wheeled, jew-
eled motes through the lambent fluid.
“Opal wins !”
The crowd behind sighed.
There were now an even 300,000 munits
in front of Magnus Ridolph, and the operator
was watching him through eyes slitted like
a cat’s.
Magnus Ridolph bet five tokens apiece
on lime, diorite, flame and silver.
The operator shook his head. “I’m afraid
I’ll have to limit your bet, sir.”
Magnus Ridolph eyed him coolly. “I un-
derstood that there were no limits to the
play in the hall.”
The blond operator licked his lips. “Well,
sir, that’s true in most cases, but — ”
“Please call the manager.”
The operator turned away from Magnus
Ridolph’s stare. “He’s not available at the
moment, sir. In fact he’s not on the planet,
he’s been away on a business trip.”
“Who is in charge then?”
The operator, glancing over Magnus Ri-
dolph’s head, caught sight of a man strid-
ing purposefully toward a door in the wall.
“There’s Mr. May! He must have just
returned! Mr. May!”
Acco May paused and turned his pale tri-
angular face to the operator. May was a slen-
der man of medium height, handsome in a
tense metallic manner, though his mouth had
a peculiar droop. His eyebrows rose in
saturnine loops and his ears were very small,
very close to his dark head.
“Yes, Jorge? What’s the trouble?”
“This gentleman has been winning regu-
larly. I’m afraid he’s thrown a gimmick
into the system.”
SANATORIS SHORT-CUT
117
ACCO MAY turned to Magnus Ridolph,
looked him up and down. The quietly-
garbed elderly man with white hair and
short beard seemed eminently respectable.
“Nonsense,” said Acco May. “Lorango
is gimmick-proof. Non-magnetic, non-every-
thing. No limit. Let him play.” But he
paused, watched as Magnus Ridolph re-
placed his chips on lime, diorite, flame and
silver, and he raised his eyebrows at the
stakes, 50,000 munits per ball.
The globe whirled, the balls swung, slowed,
shouldered, stopped.
“Lime wins!”
There was a pause while the house counted
out the winnings, a great sigh as the tokens
changed hands, 1,200,000 munits.
Acco Alay mounted the operator’s pedestal,
scrutinized the globe, narrowly eyed Magnus
Ridolph.
“Make your bets,” he said in a sharp
voice.
Magnus Ridolph glanced at the globe, bet
twenty tokens apiece on amethyst, zebra,
white and fawn.
The globe whirled, the balls stopped.
“Ruby wins!”
Acco May’s drooping mouth twisted into
a derisive smile.
“Make your bets.”
Magnus Ridolph bet ten tokens apiece on
emerald, vermilion, harlequin, and aqua.
“Vermilion wins!”
Acco May bit his lip. The operator whis-
pered in his ear.
“Call the cashier’s desk,” said May.
After a moment a messenger returned
breathless, handed May a small black leather
bag. May counted out 24 packets of Com-
monwealth notes.
“There you are, my friend. Quite a kill-
ing.” Head slightly lowered, he turned a
dark gaze on Magnus Ridolph.
Magnus Ridolph appeared to hesitate,
fumbled with the chips in front of him.
“Are you going to play?”
Magnus Ridolph bet four ten-thousand-
munit tokens on balls of little probability
and lost. He did so again, and lost again.
Acco May’s shoulders relaxed slightly.
Magnus Ridolph, glancing at the globe,
blandly counted out 500,000 munits each on
diamond, jet, teal and zebra. Acco May
leaned forward, looked, turned, inspected
the globe, turned back to Magnus Ridolph,
straightened, suddenly turned, pushed the
button.
A hundred people watched the balls in
utter absorption. The globe slowed, stopped.
The balls circled, slowed. Jet rode on top.
“Twelve million munits,” said Acco May
between clenched teeth. He turned to the
blond operator. “Close the machine. Get
McNutt, tell him to look it over.” He turned
slowly to Magnus Ridolph. “Will you come
to my office? I haven’t that much cash on
hand.”
Magnus Ridolph stared calmly into the
set triangle-face.
“Just write me a check, if you please. I’ll
wait here.”
Acco May turned on his heel. Ten minutes
passed, and the crowd around the Lorango
layout dissipated. Acco May returned. He
handed a check to Magnus Ridolph.
“I’ll have to ask you not to cash this
for three days. My balance is two or three
million short.”
Magnus Ridolph nodded graciously. “Cer-
tainly, I’ll be glad to oblige.”
Acco May burnt him with a glance. Then
bending his head closer he muttered : “What’s
the pitch, brother? How’d you beat that
game?”
Magnus Ridolph’s lips twitched. “Mathe-
matics,” he said.
“Nonsense,” spat Acco May, suddenly,
like a black cat.
Magnus Ridolph shrugged. “Every inci-
dent in the universe can be expressed in
mathematical terms. Why do you imagine
that so simple a device as your globe has
escaped the contagion?”
Acco May’s mouth drooped lower than
ever. “I’m no mathematician, brother — I
run a gambling house. After this you stick
to your game. I’ll stick to mine. In other
words — don’t come back.”
[AGNUS RIDOLPH’S old lips curved
thoughtfully. “Legally, you possess
the right to bar me from your property.”
Acco May nodded. “You’re tooting right
I do. Except I’m not referring to my legal
rights.”
“Legality is the mathematics of social con-
duct,” said Magnus Ridolph. “It is equally
as cogent as the mathematics of probability.”
Acco May turned aw'ay with a scornful
sneer. “Keep it ror the birds, professor.
And don’t forget what I told you.”
Magnus Ridolph cashed in the chips he
still held, 480,000 munits’ worth, and left the
Hall.
STARTLING STORIES
118
At the Asia-Africa-Commonweath Bank
he deposited his cash winnings, though he
retained the check. Then outside in the after-
noon sunlight, he turned to the right, saun-
tered along hibiscus-bordered Kealihanu Av-
enue, past the Founder’s Grove to the
esplanade overlooking the ocean. At a news-
vendor he dialed for Commonwealth Current
Progress and Sociological Events, found a
seat on one of the benches and skimmed
through the news to the thunder of the
towering white surf.
But he arose after a moment, conscious of
the fact that he had missed his lunch. Stroll-
ing down the esplanade to the Coral Garden
Hotel, took the elevator to the twentieth
floor and the restaurant that occupied the
balcony. Here he dined overlooking the vast
panorama below, white-walled, blue-and-
red-roofed Mylitta, with the wooded dales
behind and the blue sunny sea ahead.
Over his coffee he returned to his news-
sheet, and encountered an item in the Crimi-
nal Activities section.
AUTHORITIES ADMIT BAFFLEMENT
IN CALHOUN PIRACY CASE
Magnus Ridolph bent his old head, read
the article. He vaguely recalled the facts
of the case : the freighter John Calhoun,
laden with 1200 tons of bonded cargo, had
been waylaid in space and boarded, with
death resulting to four members of the crew.
The remainder had been sealed into their
quarters.
When at last they freed themselves, they
found the cargo hold empty, the radio
smashed, the engines disabled. They finally
limped to a Space Survey station and there
notified the T.C.I.
Magnus Ridolph finished his coffee, sat
back in his chair with a cigar. Now as he
glanced to the side he met eyes which fur-
tively shifted, at a table where three men
sat quietly over thimblefuls of sang de Dieu.
Letting Ws guileless blue gaze wander
past the three, Magnus Ridolph settled
more comfortably in his chair. Calmly he
sat while the orange sun drifted, feather-
silent, below the horizon. Dusk came quickly,
and the balcony became a place of warm
shadow, lighted here and there by the plan-
gent tongues of candles.
Magnus Ridolph speculatively eyed the
balcony rail. It was waist-high, smooth
native hardwood. Two hundred ^et below
spread concrete pavement. Three men sat
behind him, watching his movements. One
of these wore a cloth hood under which
Magnus Ridolph had glimpsed seal-smooth
blond hair, long animal eyes.
Magnus Ridolph meditated. They would
wait till he approached the rail; then would
come a quick shove, and a fast departure.
In the excitement no one would remember
exactly what had occurred. Witnesses’ sto-
ries would conflict on every important point.
Such a murder could be done with safety.
If he departed quietly, he still must walk
a hundred yards of esplanade to Kealihanu
Avenue.
The head-waiter appeared, conducting a
young couple to a table by the rail where
they could look out into the vast dreaming
twilight.
Magnus Ridolph arose. From the corner
of his eye he noted the tensing of the three
men. Taking his half-full cup in one hand,
a glass of water in the other, he stepped for-
ward, flicked his wrists, doused the three
thugs with coffee and water. He seized an
edge to the table, pulled up, turned it over
on the roaring men.
UICKLY the anguished head-waiter,
was running forward, waving his arms.
“What’s all this? Are you insane?” He
seized Magnus Ridolph by the shoulder, but
not before the white-bearded old man tossed
a flaming candle upon a sprawled blond fig-
ure.
“Antone — Arthur — Paul!” bellowed the
head-waiter, and three waiters hurried for-
ward. “Lay hold of this mad-man, take him
to the corridor while I call the police. Great
heavens, what is to be next?” He righted
the table, assisted the three gangsters to
their seats.
“My apologies, sirs, I assure you that
things like this are infrequent at the Cafe
Ventique. Permit me to order you- more
liqueur. ”
Magnus Ridolph was hustled away, and
presently a brace of police officers took him
into custody. The head-waiter volubly ex-
plained the offense, and demanded the
severest of penalties. Magnus Ridolph leaned
in unruffled dignity against the cashier’s desk,
watched the three men march past with set
faces.
At police headquarters Magnus Ridolph
called the T.C.I. station, asked for Com-
mander Efrem.
“Magnus Ridolph!” barked the com-
SANATORIS
mander, peering at the bland features on his
telescreen. “What are you doing in jail?”
“I have been arrested for hooliganism,”
said ilagnus Ridolph.
“What’s that?” The commander’s jaw
tightened. “Who’s responsible ? Let me talk
to the lieutenant, I’ll straighten him out.”
An hour later Magnus Ridolph, sitting at
his ease, had told his story to Commander
Efrem, a small thin man with a very lean
dark face, a jaw jutting forward like a plow.
"We’ve finally got a lead on Acco May,
ourselves,” said the commander. “We’re
trying to link him to the Calhoun piracy.
There’s positive identification »of a photo-
graph from several of the crew, but his alibi
is good. Sanatoris Beta is three-hundred-
eighty light years away. The hold-up took
place exactly — let’s see, twelve and a half
days ago.”
He then pointed out that the fastest a ship
can go in free space, -t- e^, is 42_J4 light-
years a day, which totaled almost nine days,
with a rock-bottom minimum of two-days
acceleration and two days deceleration.
“That makes it thirteen days from here
to there at the absolute minimum,” the com-
mander went on. “But Acco May came in
out of space today, which is a day early. If
he was in on the Calhoun piracy, he couldn’t
have made the journey until tonight, at the
very earliest.”
Magnus Ridolph rubbed his white beard
slowly. “A crime was committed at a dis-
tance of thirteen days,” Ridolph said. “You
suspect a man who arrives twelve days after
the crime is committed. Four possibilities
present themselves. First, you have mistaken
the time of the crime.”
“No, that’s been definitely established.”
“Second, May’s ship travels faster than
light-speed squared divided by e cubed. Very
unlikely. Third, Acco May is innocent of
the crime.”
Commander Efrem sat suddenly straight
in his chair, hands clenched on his desk. He
sighed, slowly relaxed. He lighted a ciga-
rette.
“I’m afraid that’s about the size of it.
Acco May is innocent of this crime. But he’s
done plenty of other things — the massacre of
the Port Miranda natives, a dozen murders,
traffic in women, narcotics, smuggling, prac-
tically every felony on the books.”
“Including conspiracy to commit murder,”
said Magnus Ridolph. “I was to be the
SHORT-CUT 119
victim.” He opened his eyes wide, touched
his chest gravely. “Me!”
Commander Efrem grinned. “And now
you want his hide too?”
Magnus Ridolph tapped his fingers gently
on the arm of his chair. “ ‘The wine of
revenge tastes richest to the vain.’ Revenge
is essentially a selfish gratification for which
I have little taste. However, I agree with
you that the criminal career of Acco May
has proceeded to an intolerable length.”
Commander Efrem nodded soberly, a hint
of a smile on his thin mouth. “In other
words, you want his hide.”
WHEN he left the police station, Mag-
nus Ridolph resisted the temptation
to visit the Lorango globe. Instead he passed
under the arch into the ante-room to Acco
May’s office.
An exquisite red-haired girl reception-
ist was stroking a yellow kitten which
walked back and forth on her desk with a
tautly raised tail. She looked up at the old
man with little interest.
“Magnus Ridolph to see Acco May,”
the scientist said. He scratched the kitten
under the chin while the girl spoke into the
microphone. She motioned him to a white
panel in the dark hardwood wall. As he
stepped forward it opened, revealing Acco
May sitting cross-legged on a leather-up-
holstered couch. He looked up, nodded as
Magnus Ridolph stepped forward.
“Sit down.” Magnus Ridolph did so.
“To what do I owe this honor?”
Magnus Ridolph looked at him without
expression.
“I’m trying to prove you guilty of the
lohn Calhoun piracy.”
Acco May snorted, then laughed in real
amusement.
“Not a chance. I’ve been nowhere near
Sanatoris for years.”
“Can you prove it? Survivors of the
Calhoun identify your picture absolutely.”
May shrugged. “They’re wrong. I wasn’t
there.”
“You were away from here while the
piracy occurred. Where were you ?”
Acco May’s mouth hardened. “What’s
it to you?”
“At the moment I represent the Terres-
trial Corps of Investigation.” He reached
forward, handed Acco May a card. May
read it, contemptuously handed it back.
“You guys never give up on me, do you?
120 STARTLING STORIES
Once and for all, get it through your col-
lective noggins, I’m a poor ordinary business
man, running my business here in Mylitta,
I get taken by sharpshooters just like any-
body else — ^yesterday for about twelve mil-
lion munits.”
Magnus Ridolph slowly fixed his gaze on
the ancient Martian scarab which May wore
as a ring.
“That ring you wear — I recognize it.
It resembles a ring worn by my old friend,
Rimmer Vogel, killed in his space yacht
by a pirate.’’
“Picked it up at Frog Junction,” said
Acco May. “The froggo said he’d just dug
it out of the ruins.”
Magnus Ridolph nodded.
“I see. Well. A man’s soul is pictured
in his possessions.”
Acco May languidly poured himself a glass
of water from the spout at the side of his
desk. “Is that all you came for? To pin the
Calhoun job on me? It couldn’t have been
me. Sanatoris is two weeks or more away
from here. I got home yesterday.”
“Which proves nothing. The distance can
be traveled in twelve days.”
Acco May narrowed his eyes, reached for
the Astrogation Almanac, opened it to the
index, leafed back through the book, read,
scribbled a few figures. He shook his head,
grinned crookedly.
“You’re out of your head, pop. If you
made it in thirteen days you’d be killing
yourself — unless you rode a c-three ulrad
beam.”
“No,” said Magnus Ridolph. “In an or-
dinary space-boat.”
Acco May’s smile became wider. He sat
up on the couch.
“Like to make a little bet? If I remember
right, you hold my check for twelve million
munits.”
Magnus Ridolph deliberated. “Yes, I’ll
make you a wager — of a sort. I’ll dictate,
and you write.”
“What?”
“ T admit participation in the boarding and
looting of the John Calhoun^’ "
Acco May looked up sharply. “What do
you think you’re doing?”
“ ‘ — the murder of several crew-members,
if it can be proved that a space-boat is able
to make the journey from Mylitta on Fan to
the Space Survey station at Sanatoris Beta
in or under twelve days. I make this condi-
tional confession of guilt in consideration of
the sum of twelve million munits, receipt of
which from Magnus Ridolph is hereby ac-
knowledged.’ ”
ACCO MAY stared at Magnus Ridolph
a long minute, suddenly turned once
more to the Astrogation Almanac. His
mouth twitched.
“You give me back the check if I write
that confession, is that it?” he asked.
“Exactly,” Ridolph said with a nod.
“Who’s going to make the trip to Sana-
toris?”
“I am.”
“In what?”
“In a regulation T.C.I. patrol boat.”
Acco May glanced once again at the
Almanac. “You can’t make it in twelve
days.”
“I’m willing to pay twelve million munits
for the privilege of trying.”
Acco May smiled wryly. “You can’t make
it.”
“Then you’ll write the conditional confes-
sion?”
Acco May hesitated an instant. “Yes, I’ll
write it.”
Magnus Ridolph said, “May I use your
screen? I w^ant this done within the view of
witnesses.”
“Go ahead,” said Acco May.
^ ^ ^ ^
A large man with loose ruddy cheeks,
tangled dank black hair, wearing space
clothes, sat in the chair Magnus Ridolph had
vacated several hours ago. Acco May paced
up and down the room, kneading his fist
into his palm.
“I don’t trust the old goat,” mused May.
“He’s got something up his sleeve.”
“He gave you his check, didn’t he?”
“Yes,” said Acco May sardonically, “and
he got my confession. Of course, he can’t
make no three-eighty-year-trip in twelve
days.”
“But you made the trip in twelve days,”
said the big man.
“No, I didn’t!” cried Acco May in ex-
asperation. “We used faked radio-vision
shots and one of my men, who’s the living
image of me, entered port on a forged pass-
port, a day ahead of time. Later we also
bribed two space inspectors at the port of
entry, to give perjured testimony supporting
my allegations. Even Ridolph hasn’t found
SANATORIS SHORT-CUT 121
out how it was worked. The whole thing was
fool-proof.”
The big man nodded. “That was clever.
Doesn't Ridolph suspect your alibi is a
phony?”
“Sure, he suspects — that’s why he’s out to
get me,” snarled Acco May. “But he can’t
prove anything. Therefore I can’t risk hav-
ing Ridolph return here alive. And that’s
where you come in. Get hold of Herb and
Corvie and Steuben. Post their ships out
along the course to Sanatoris. You take
your ship out there too, and place yourselves
so that, if one misses him, the others will be
sure to get Ridolph. And don’t fail ! Under-
stand?”
The large man got to his feet. “Sure do.”
“ Y ou’ve got to hurry, he’s leaving at mid-
night.”
“We’ll be waiting for him to come past.”
“Tell the boys, a million munits to the ship
that downs him.”
At three o'clock the next day the large
man again entered Acco May’s office. His
eyes were blood-shot, his jowls sagged, and
he walked with an air of extreme fatigue.
“Well,” snapped Acco May, “what’s the
story?”
The large man slumped into the chair.
“He got past us.”
Acco May sprang to his feet. “How in
thunder did that happen ? . . . Four boats!”
The space-man shook his head. “1 thought
you said he was heading for Sanatoris Beta.”
“He is, you dumb sheepherder I”
The large man glared sullenly at the pas-
sionate May.
“We was strung out along course, straight
as the Galactic Liners. He came out, we
saw that, but nowhere near us. Looked like
he was going off more tow'ard Alcyone.”
Acco May chewed his lip. “Well, it’s a
cinch once he gets off course he’s out of the
running entirely. . . Okay then. Rock. I
guess you’re not to be blamed. He’s off
course, you say?”
“Way off course,” said Rock the space-
man.
Acco May smiled grimly. “Well, it’s a
quick way to make twelve million munits.
Almost as quick as he made it off of me.”
SE'VERAL months later, the judge read
sentence; “By your own admission
guilty of piracy, grand larceny, assault and
murder, I sentence you to comprehensive
cerebral correction and five years close ob-
servation. Have you anything to say?”
Acco May stared at the judge, eyes like
tiger-slits. “No.”
The guards stepped forward. Acco May
turned his head toward where Magnus
Ridolph sat in dignity. He thrust aside the
guards.
“Just a minute,” he said. “I want to talk
to that old hellion sitting yonder.”
The guards hesitated, glanced for permis-
sion to the judge. But the judge was sweep-
ing for his chambers.
Magnus Ridolph decided the matter by
stepping forward.
“You wish to speak to me?”
“Yeah. I know there’s about two hours of
Acco May left, and after that a man looking
like me goes around wearing my clothes.
First I want to know how the devil did you
make Sanatoris in twelve days?”
Magnus Ridolph raised his eyebrows. “By
correct astrogation,”
Acco May made an impatient gesture.
“Yes, yes, I know. But what’s the inside?”
Magnus Ridolph’s gaze wandered to the
Martian scarab on Acco May’s finger. “The
ring your — ah, frog-man found — I confess it
has struck my fancy. I always envied my
old friend Rimmer Vogel when he wore the
ring which was so like it.”
Acco May wrenched it off his finger with
a savage smile. “No tickee no washee, hey?
Okay, here’s your fee. Now what’s the
pitch?”
Magnus Ridolph gestured eloquently.
“Ordinary astrogation, nothing more. With
the exception, possibly, of a small refinement
I have developed.”
“What’s the refinement?”
Magnus Ridolph turned Acco May the
blandest of stares.
“Have you ever examined a Mercator
projection of, let us say, the planet Earth?”
“Naturally.”
“The shortest course between two points,
when charted on a Mercator projection, ap-
pears as a curve, does it not?”
“Yes.”
“Classical space charts,” said Magnus
Ridolph, “are constructed after the pattern
of a Mercator projection. The coordinates
meet rectilinearally, the grid components
running perfectly parallel but to infinity.
This is an admirable system for short voy-
ages, just as use of the Mercator projection
results in little error on a cruise across Long
Island Sound.
STARTLING STORIES
122
“However on voyages of some duration, it
is necessary to remember that the earth and
— on a larger scale — space is curved, and to
make the necessary correction. Then we find
a very significant saving of time. A journey
which by classical astrogation requires thir-
teen days,” said Magnus Ridolph, turning
upon Acco May his wide guileless gaze,
“may be accomplished in twelve days by use
of the proper correction — though to the
ignorant eye, it would appear as if the astro-
gator is far off his course.”
Acco May turned his back on Magnus
Ridolph, his mouth like an inverted V.
“Take me away,” he muttered. “Maybe the
new me will be brighter. If he is, he’s going
to go after that old goat and make him swal-
low his own whiskers.”
“Get goin’,” said the guard.
Magnus Ridolph dispassionately watched
them leave. Then, turning his eyes to his
hand, he inspected the ancient Martian
scarab — breathed on it, polished it on his
sleeve.
THE ETHER VIBRATES
(Continued from page 9)
Well, thanks for giving us another first.
Bob — or is it Wilson? At any rate, thanks for
a highly amusing letter. We read your book.
The Chinese Doll, some time ago and foimd it
a most entertaining job. Have not got hold
of its successor as yet due to having kept the
Schlesinger Age of Jackson so long we’re
afraid to show our noses in the local lending
library. (To uninitiated readers — Bob Tuck-
er uses the first name Wilson in his more
commercial literary pursuits.)
We’ll probably keep on punning, however.
AUTHOR— AUTHOR!
by Arthur Leo Zagat
Dear Editor: Once in a very great while a story
comes along that moves me to a wistful, “I wish I
could have written this.” Such a one is MASK OF
CIRCE, in the May SS. It is fantasy in the grand tra-
dition of Merritt and the other giants, yet so deftly in-
terwoven with scientific explanation that it belongs
not in the realm of pure dreams but to realism.
This linking of myth and materialism, together with
its apperceptive treatment of its principal character
as a real human being neither wholly good nor wholly
bad but the victim of that ambivalence which afflicts
us all, is what makes MASK a great document.
Admirable too are not only the style, the repressed
yet effective emotionalising, but the splendid crafts-
manship manifested throughout. For this last, by the
way, I have a hunch you and your staff must be given
some of the credit. I know from experience that you
insist on the highest degree of craftsmanship in the
yams you buy.
I am not acquainted with Henry Kuthier, so will
you please convey to him my congratulations on THE
MASK OF CIRCE. And to the staff of STARTLING
STORIES a bouquet. — 1749 Grand Concourse, New
York 53, N. Y.
Golly — garlands no less! Thanks, Arthur,
but we don’t really see how we rate them.
No one has yet had to tell Henry Kuttner
how a story should be written, be it mystery,
fantasy or stf. He has his own standards and
they do not demand any stabs of the editorial
goad.
Praise from another and disinterested au-
thor is about the highest we can get for one
of our stories.
GOOD STUFF!
by Chad Oliver
Dear Editor; Y'know. STARTLING and your hum-
ble correspondent have been cruising the spaceways to-
gether for quite some time now and somewhere along
the line I have been dubbed “critical” — or less savory
words to that effect. You know — Exiles From The
Planetoid of Green Ghouls must have been a classic;
even Oliver thought that it was pretty good. . .
Wal sir, my criticism, such as it is, stems from a
rather pathological like of stfantasy. Its more hack-
neyed aspects seem more trivial ttian ever, relative
to the good stuff, if that makes any sense. Howevah,
like most normal (do I hear disagreement?) people, I
would much rather shower bravos than wet blankets.
So — I should enjoy writing this letter. 1 hope you
enjoy reading it.
The May SS was good stuff. Sir Editor. About the
best all-around issue that my feeble memory recalls.
There wasn’t a poor story in the lot, and four were
decidedly good.
Williams' The Seekers gels my nod for first place.
When you went beneath the surface on this one, there
was something there, instead of the customary void.
I like the theme, I like the writing, I like the story
very much. Thanx for printing it!
Another neat jeb was The House Of Rising Winds
by the surprisingly reformed Mr. Long. Obviously,
Ray Bradbury is fast becoming a major influence in
science fiction, as well as the weird field. That ain’t
bad, pard, that ain’t bad! This is not to decry Mr.
Long — idea, plot, and writing in THORW were first-
rate.
Kuttner’s short novel. The Mask of Circe, was fine
likewise. (Egad, this is startling!) Hank is nearly al-
ways an exceptional writer. Circe was good fantasy, a
trifle weakened (as was his superb Dark World) by
"scientific” explanations. I shall become a shunned
radical and refrain from comparing him to Merritt on
this type yam. Ah me, Jason gets it this time. What
next? Perhaps we should turn Mr. Kuttner loose on
Winnie the Pooh. I can see it all now. The bear is real,
ly a robot from Neptune, and Robin a psychiatrist. . .
I also enjoyed Cummings’ The Simple Life, more for
the idea than anything else. The others were quite
acceptable, though I particularly regret the implausi-
ble development of After The Atom. Feam had a nice
idea there.
There is a most commendable air of maturity hover-
ing about this issue — beginning just beyond the cover,
which is as usual. The writers have clearly been think-
ing a bit about such things as precisely where our
vaunted science is leading us, and in The Seekers
there is more than a hint about the assumed godlike
stature of Man with a capital M. Thank you. Editor.
Tears stream from my weary old eyes.
The long TEV was appreciated, and Cynthia Carey’s
THK El’HEK
letter on Dr. Keller especially interesting. One mis-
take, however — STARTLING reprinted his Literary
Corkscrew (a wonderful yam) back in May of ’41, as
well as The Boneless Horror. For one, I would like to
see some of his new work in SS. It’s plenty good — I
know, because I read a few in meinuscript and he read
a few to me himself. Nobody can read a story like
Dr. Keller. I have spoken.
With regard to the Hall of Fame in general, you are
perhaps right in dispensing with it. It has not been a
total loss, however — all the Weinbaum reprints have
been good, for instance. Should the feature be con-
tinued, I think that you should concentrate on writers
with a less transitory appeal than Ernst, Hamilton, et
al. For example, Clark Ashton Smith or Dr. Keller.
Smith’s descriptive fables are as good today as yes-
terday, and the colonel wrote about somemlng that
does not change much with the years — basic human
reactions.
Finlay’s great, and so is Stevens. With that. I bid
you farewell. Tungsten is waitin’, and there’s been a
footin’ down in San Antone. — 2410 Wichita, Austin,
Texas.
The increase in size, which has enabled us
to select longer stories for the Hall of Fame
has given that much-maligned department a
shot in the upper ulna So you’ll be con-
tinuing to see it in SS.
As for Dr. Keller, we quite agree on all
counts. However, such of his recent work as
has been submitted to us has run a bit more
heavily to parable-sermon forms than we like
to run in our magazines. Heck, we aren’t out
to reform the world — ^we’re generally too
busy blasting it to bits.
Give our regards to Tungsten, the steed
son peuTj sans reproche et sans culottes,
ANOTHER FIRST
by William E. Stolze
Dear Editor: Seems rather appropriate that this — my
first letter to a stfmag — should be directed to StartUng
Stories; 1 first tasted of the forbidden fruit in the Jan.,
1939 issue (Vol. I, No. 1). “The Black Flame” was,
and still is, my very special favorite, and though the
quality of the material in SS gradually declined thru
the years, it has held a predominant position in my
humble estimate for just that very reason. Have pre-
ferred to remain silent during the past decade, but
feel bound to break said silence due to recently de-
veloped circumstances. So if you’ll bear with me,
honorable one. I’ll proceed to calmly and collectively
let my hair down.
After accumulating a vast repertoire of stf publica-
tions, my interest suddenly, but definitely, waned.
The increasing amount of hack writing in the field, as
a whole, began to take its toll on my time-worn nerves
— the war acted as a stimulus — and. to make a long
story extremely short, it has now been a good three
or four years since I perused my last bit of fanta-
science.
Why then — the Great Return?
Shall we say that stf is like a strong shot of heroin?
That once consumed, it creates such a livid ache in
one’s heart that one cannot justifiably do without it?
Or is that too strong? Yet it emphasizes my feelings,
dear Ed. At any rate, curiosity can kill even a Jovian
were-cat, as we all know so well. So be it — I am here.
Praise be to the great days of disenchantment! All
hallowed by thy space-warp!
It may be of some slight interest to you to know
that your competitors have failed, to rise out of the
mire. I discovered that before I decided to take one
last fling — said fling was flimg with a flang on SS —
thank God. I did not have to retire again to that
stagnant grave of infinite negativity that one retires
to when one must do without the great light of
entertaining stf.
Ill admit — the cover almost scared me away. But,
VIBRATES 123
being a hardy soul, I purchased the May SS, and what
I found between those pages made me truly want to
climb the snowy slopes of Mt. Zyxcbr, and shout,
“Odds Bodkins!” till hell froze over.
My dear, worthy, and wordy Editor, you have done
your immeasurable little bit to help restore my faith
in ‘‘the great game.” Please, PLEASE, keep it just
that way.
Now — avant with the verbiage, and on with the
show.
I have often wondered why stfeditors have gone to
the trouble of setting up a letter dept. — and then have
sat back on their proud little paunches to let the dear,
worldly-wise fans go at it hands, nails, teeth, feet and
toes till the Great Gawd Pulp burned like seven
Devils.
The Ether Vibrates is quite a jvimp in the right di-
rection— long, mgumentative and more than a little
thought-provoking, besides giving us a good laugh in
the bargain. Moreover, your rebuttals at the close of
each missive help make it something more ^an "full
of sound and fury, etc. . We all have questions — if
thou hast the answers, please elucidate. At least, then,
we don’t have to blow our batty bull to the empty
breeze.
Commentary on the stories in the May issue:
1) The Mask of Circe — I remember the days when
the fans were crying for Kuttner’s scalp— hah! Long
may they be forgotten. Hank has done a job here that
will last with Merritt, Lovecraft and Weinbaum (take
your pick!). Beautiful blend of fantasy and stf, with
the accent decidedly on the former. Surprised to find
you headed slightly — ever so slightly — to the left.
But I always was a bit of a radical. Fortimately, a
couple of good fantasies can always spice up a back-
bone of stf. This is crying for a sequel, so pulleeze . . .
2) House of Rising Winds — FBL’s best since “White
Barrier.” Keep him writing this kind of stuff — and it
wouldn’t hurt to have him do a long novel in the
same atmosphere.
3) After The Atom — Feam has talent, when used in
the ri^t direction. Interesting.
4) The Microscopic Giants — I wouldn’t want to see
the HOF dropped out just yet; there’s still a wealtii of
good material, as this proves. While not exactly a clas-
sic, it’s stuff like this that we want for fillers, not the
glorified adventure yams that follow. . .
5) The Seekers — ^If Williams would dismiss with
the melodrama, he would be capable of turning out
some nice work. Much better than this — yet it’s bet-
ter than fair.
6) Journey — I know GeorgO is capable of more.
7) No Escape From Destiny — Never did like Zagat’s
yen for detective stories in this field.
8) The Simple Life — Too simple. Tell Ray to stop
wasting his time with such nonsense, and get to work
on a long epic, comparable to his early work.
So you see, even after all my previous ranting,
you’re still not perfect. What? Hell yes, I want per-
fection. (At least by giving you the heave-ho, I can
hoi^ to see you maintain the level you now hold,
which is ’way ahead of the field, and far up the ladder
from the bottom rung you held when I dropped out
of the picture.) If, after the rest of the contemporary
hack I’ve seen — and if, as the fans seem to think—
you’re still improving, I shall be blowing the tail-
gate on your band-wagon till Sneary learns to spell.
The controversy on the distinction between fantasy
and stf is interesting. I believe you came closer to the
answer when you answered John Harwood’s letter by
stating tiiat the purpose of science fiction was to make
the incredible seem plausible. May I go one step
further, and that the purpose of fanta^, on the
other hand, is to keep the incredible incredible?
Hm. . . Incredibly plausible solution, eh?
As to the discussion on Kuttner vs. Merritt vs. Wein-
batim vs. Lovecraft. ... I like ’em all. Come now.
boys, I know we all have our prejudices, but isn’t
variety the spice . . . etc? Much as I revel in the
works of the above named, I wouldn’t want to spend
all my life reading just one — and one alone. Which
brings me to another point.
Don’t ever, ever fail into a policy rut, editor — I
mean, such as the type of rut whi^ prevents you from
using more than a certain dozen authors over and
over again. I realize that you don’t get a hvmdred dif-
ferent manuscripts every day — also that the better
authors don’t complete a masterpiece in a few hours —
but you know as well as I that there’s a galaxy of
writers to draw talent from today. Enough so that you
can ladle out the cream from the milk and still get
variety.
124
STARTLING STORIES
Suggestions: ^
a) How about a Finlay cover? Please give Bergey
a long vacation, or tell him to de-sensationaUze.
b) Cartier, Rogers, Schneeman & Wesso would make
great “inside" men — with the great mast«:, VF, as the
nucleus.
c) Go monthly. ^
d) Keep Kuttner & FBLong— get LRon Hubbard,
deC^mp, vanVogt, Heinlein, Bloch, and try and get
John Taine to do a novel for you. I still rem^ber
"The Ultimate Catalyst" in a 1940 TWS.
e) More Weinbaum in the Hall of Fame, please, a
little Kline, and the first of the Arthur K. Barnes
“Gerry Carlyle" series- _ ,
f) Now that you have a few dozen extra pag^, why
not ^ve us two long novels eveiy once in a while, and
dr<^ the time-wasting fillers. Four or five good stories
^ould be preferable.
g) Where is Alfred Bester? He wrote several gems
for you after winning your first contest.
Sorry, I’m at the end of my rope. (I hear a hearty
sigh of reUef.) But I’ll be back. (And now a mon-
strous groan.) Sure, I know this is too damn long —
but I had to get it off my chest Next time. I’ll keep it
down, I promise. You can print ^is — in whole or m
part. You can cut it to ribbons, leaving only my nanw
and address, and a silent snifHe. You can drop it m
the wastebasket (Plunk!) But if you’ve gone ^ far,
I know you^ve got the point of my letter, so all s fw-
given.
Otiier than that. I’d like to know whether there
are any fans down my way: if ihere I
been able to contact any as yet. — P. O. Box #933,
McComb, Mississippi.
We are always on the lookout for new
authors, William E. In the current year we
have introduced R.C.W. Ettinger and E.
Everett Evans and brought James Blish into
our fold. Also the DeCourcys, Carroll, Benj.
Miller, William F. Temple, John D. Mac-
Donald, Charles L. Harness and Joe Gibson,
Such veterans as Jacobi, Emmett, McDowell,
Jack Vance, Ray Gallun, Leigh Brackett,
Arthur Leo Zagat, ELannes Bok, Rene La-
Fayette and Fredric Brown have reappeared
in our pages and those of TWS.
Keeping this record in mind we don’t think
ourselves likely to fall into the groove of
just a few regulars — even when such regulars
include names like Hamilton, Leinster, Kut-
tner, Bradbury, St. Clair, Loomis and Tenn
among others. And the near double size of
the books virtually rule out any such de-
velopment if quality is to be maintained,
much less improved.
We’ll ladle out all the cream we can get
our hands on.
As for your suggestions — ^we like Bergey
and he takes orders on the covers with
newsstand, not fan, sales in mind. Agree
with you on the inside illustrators, but none
of the boys you mention have been coming
around. Going monthly is currently out of
the question — ^but the two enlarged maga-
zines, appearing bi-monthly, combine to
make us about as monthly as we can get.
We’ll keep Kuttner and Long as long as
they wish to write for us. Hubbard is cur-
rently working for us but the other authors
seem at the moment to be committed to
other projects, chiefly non-stf. We’ve used up
all our Weinbaums in the HoF at the moment
— ^but the Gerry Carlyle idea is good. Two
lc«ig novels don’t offer sufficient guarantee
of variety but youll be getting more and
longer novelets. We haven’t heard hair nor
hide of Bester in years.
Suggestion from us to you — ^write us again,
and not in another nine years.
HUH?
by Rick Sneary
Dear Sir: Time, tide and publishers wate for no
man, so if I expect to get my monthly dose of ego-
boo I had better get at it. It really do^ s«ve a per-
pose, I keep telling myself. By interesting the pasi-
fans that write me 4n ative fandom, I draw In a little
new blood. For example Van Couvering. 'What’s that?
You say a few more like him and fandom is warshed
up. Yeah maybe so, but then maybe it needs a clean-
ing.
You know there is talk going around that for a
stoy to pass you. It has to start In the present and then
move cm into the past, future, or other demenUoni.
And with Mask of Circe it is finely proved. How
about ex^lning way. I personly dcm't see the point.
It messed this tme up good.
I guess Merritt did it, but you can go on writing
like he did for ever. Or can you. Any way a couple
of the best Fantasies I ever read, (and I admittedly
read few) started in a nother world. Of course it
might be easyer for souse of your readers to fit th»u
self into the plot worked Qiat way, but any real lover
of die strage woiildnt find it at all hard.
Specking of the MASK. Hank is up to the <rid
tricks. Using the same type of hero, heroin, gods as
ever. And you yourself said he did. It is a neet trick,
but it is a little tiresome. I’ll admit there was quite a
bit different about the setting this time. And frankly
it had a lot more possabllities than Hank used. Why
does the hero always havg to be a world saver, evU
killing superman? Some of the old timers nodoubt re-
member a little guy named Pete Manx that Hank use to
fool around with. He had some reather Imposable ad-
ventures, but he didn’t sound quite like a superman.
One fault with this story is that Hank used names <rf
gods and people we all have read about more or less.
And I was continuly expecting things to happen as they
did in the old story. In fact dam Utfle happened tell
almost the end.
Most interesting, and elearcut personality in the
story was Panyr the fawn. I don’t care to much for
fantasy, but I like it good when it is forced on me.
This was only fair. I like Kuttner, and keep on vot-
ing him best, but not for the fantasy he does.
I see the old master (?) stf hack ray cummings is
back. Well as long as it isn’t about Tuby it is
exceptable. The only barly.
The best story of the Issue was The Seekers. It
played on a persons moods quite well. Infact I am
not quite sure I agreed with the ending. New ideas,
new faces are of course a good idea. But men like
Vraln. . . I wonder. . . Of course I still doubt that
any such man would be in any of the first rockets.
But let us suppose for the sake of the story. What
would happen? You would have a nother Cortez. It is
possable that ttie Astex of today are better people.
But there is a question as to way it was done.
No, I believe I would have frozen the ship and
hung it by the gate. With white men left on Mars
to explain the reason, I can see little harm. . . . Ex-
cept to the men In the ship, and they were pictured
as a hard lot. As I said before, I feel sorry for any
Martions If there are any. I truely do. That is inless
they are smart and have death ray. In that case they
can —
Say I agree with C. Duty. Rub out a few of your
poet readers. With red pincle of blue automatic, it
makes no dlff. A few are good, you are fine. But
for the most part they rime as well as I spell. . . Be-
gone with them I say. I dielike most poems anyway.
(No I’m not tone-deaf.) So Eadle Smith wants to
know what 1 look like. Well she can come over and
see if she cares. Anyone elce wanting to know just
THE ETHER VIBRATES 125
drop me a self adreased packing box complect wltii 5
days rations and I’ll come let you see me in person.
Guess that is all. I sec smoke coming out of the
bookcase again. I guess one of the little blue men is
looking at the Jan. cover again. Tosh,! — 2962 Santa
Ana St, South Gate, Calif.
You picked on the wrong point, Rick, in
charging us with demanding return to the
past in all our lead stories. Certainly, since
the May issue, we’ve not been turning the
clock in reverse. Hamilton’s VALLEY OF
CREATION in the July issue was concerned
with the present, Fred Brown’s WHAT MAD
UNIVERSE in this one has to do with
the near future, Arthur Clarke’s AGAINST
THE FALL OF NIGHT in the November
edition deals with the far-distant future,
Henry Kuttner’s THE TIME AXIS in Janu-
ary is woven around both present and future
and THE BLACK GALAXY by Murray
Leinster in March tells of space travels in
time soon to come.
Furthermore, only in the Clarke story, is
the leading figure in any way a person of un-
common talents. Which should pretty well
demolish your superman beef. By the way,
do you and Stolze share the same heroin?
Undigressing for a moment, this business
of author trends all too often presents one
of the toughest nuts in editing. Some event
or series of events in the world seems to start
all our writers moving along the same track
simultaneously. Especially when the stories
are good it is all too easy to fail to notice
such similarities — and when they are read
months apart, as often happens.
KUTTNEROPHILE
by Marion “Astra” Zimmer
My dear sir: If there is any fan among the whole
readership of STARTLING STORIES who, after read-
ing THE MASK OF CtRCE, can truthfully say they
prefer Merritt, with his long-drawn-out stories and
stereotyped characters, to the undiminishing imagina-
tion of Kuttner’s science-fantasy, then they have my
sincere sympathy.
Lin Carter told me once on a time, not too long
ago, that “Kuttner was just a pulp writer; Merritt a
WRITER.” My dear Lin; also, all other defenders of
Merritt and other primitives; do you not know that
Merritt’s tales appeared first in the old pulps, that the
pulps of yesteryear, as far as that goes, were far
^'pulpier” than those of today? In fact, were the
paper shortage a little less acute, I have no doubt but
what most of the present science fiction and fantasy
magazines would print on slick paper. And after all,
it is not the quality of the paper, but the quality of
the stories, which makes a magazine “pulp,” “slick” or
“quality.”
THE MASK OF CIRCE, although in my estimation
not as good as my beloved DARK WORLD, far, far out-
strips Merritt’s long novels. Some people may say
(since some unwise creature dared to accuse THE
DARK WORLD of being a rewrite of The Dwellers in
the Mirage) that Mask resembles The Ship of Ishtar,
However, I am going to forestall them, and working
on that basis, compare the two.
Kenton and Seward; which is fitter? Kenton, per-
haps. Seward is abstract, less detailed, a pawn. Cer-
tainly he lacks the concrete clearness ^ Ganelon,
whom even Merritt, that limner of types, never sur-
passed. Cyane ditto. But somehow, Kuttoer’s viliaina
surpass his heroes. The faun (Panyr) is a master-
ful character (falling down again in comparison to
Matholch the werewolf).
But it is Kuttner’s plots; the logical way in which
he explains the most fantastic of situations. What
Merritt did — unexplained — Kuttner makes clear and
plausible. Therefore, a Kuttner story enchants me and
stimulates me as well. I am spellbound from the first
page to the last. MORE.
I may say in conclusion, that Kuttner is noted for
his versatility in science-fantasy such as MASK OF
CIRCE, in pure fantasy such as CALL HIM DEMON,
in humor such as his riotous Hogbens, in science such
as LORD OF THE STORM. His detective story was
the first “whodunit” I have ever thoroughly en-
joyed. And in the field of the long fantastic novel, he
is only doing what, if Merritt were alive today, he
would be doing. Kuttner, far better than Bok, is fitted
to carry on where Merritt leaves off. For Merritt, say
what you may, was only a pioneer.
The test of a story for me is, “Will it stand constant
re-reading?” THE DARK WORLD has. I have read
it — by actual count — ^fifteen times. This contrasted
with a record of four times for CREEP SHADOW and
three for SHIP OF ISHTAR. Many of Lovecraft’s
tales have been read to death by me; yet DARK
WORLD has been literally worn out (anyone have
a copy to sell me?) and will probably have many
more re-readings. I foresee that MASK OF CIRCE
wlU join that and LANDS OF THE EARTHQUAKE and
VALLEY OF THE FLAME in my drawer of favorites.
Thanks, from the bottom of my heart, for printing
it.
After that long eulogy of Kuttner and elegy of
Merritt, the rest of the issue must perforce have
brief treatment. ’Tis a pity too. THE HOUSE OF
RISING WINDS was the best non-Kuttner, non-
Hamilton story that you have yet printed. Who is
this Mr. Long? Robert M. Williams of raE SEEKERS
is another new name to me, but an excellent story.
Cummings; by his own admission, this fellow hasn’t
written a decent yam since 1930. Why keep publish-
ing these inferior bits of hack? The rest of the shorts
gave me a moderately enjoyable evening. The
novelet failed to interett me, hardened fantast that
I am.
One very minor gripe. Misprint or error? Jason’s
tutor was not “Charon”; Charon was the ferryman
of tile Styx. The centaur who tutored Jason was
C-h-i-r-o-n. Remember? Kuttner, shame on you.
I neglected to write about THE BLUE FIoAMINGO,
but I received a very interesting letter from one
Bradley, a good friend of mine, wise in all tilings
fantastic, putting forth the theory that “Va khoseth
yaga” was all he needed; he was expelled, but with
the lapse of the time limit, he could enter, with that
single passport Incidentally, in what language is that
meant to be? It sounds something like Egyptian or
Hindu? And unlike Lin Carter, I prefer a “posed”
cover to one which blazes with action. Holy Smoke-
screens, Lin is monopolizing this letter.
Notes to those kind souls who mentioned me and
two to those who didn’t. James T. White; I’ll write
you personally. Thanks for calling my letter “mature”.
Clements doesn’t think so. Edith Goldsworthy; no.
Please don’t have a sequel to the FLAMINGO. The
obvious is never art Bok created a masterpiece by
leaving it as it was. More would be too much. Think
how silly it would be to relate the “sequel” to MASK
OF CIRCE, telling what happened to Jason. Or to
write about what happened v/hile Ganelon and Arles
were ruling quietly over a reformed Dark World.
When a story is done — it is finished. Let it rest.
Jack Clements. May I take knitting lessons from
you? I really can’t knit. Neither do I embroider, sew
or play bridge. I’d rather write letters. And I will
be very glad to exchange vitriolic wisecracks with you
by private post; however, let’s keep our mutual
antagonism OUT of the Ether Vibrates.
Carolyn Duty. Man is a lov/er type of animal. Look
at Clements. Or Joe Kennedy. Gene Hyde; “Astra” is
short for "Astraftammante”, the Queen of the Night
in the fantasy opera, THE MAGIC FLUTE. As a
would-be musician and fantasticanne. I adopted the
name, following the worthy lead of iigrina, ^alimar
and otiier fennes. L. L. Shepherd; in re que^on, YOU
are a reverse-lapeled mutant if you have to tear your
eyes away from the cover.
126 STARUJNG STORES
And now, believe it or not, Astra has come to tiie
end of her inkwell and her quill. May I leave you
with a plea for more fantasy, more ^ace-and-lnter-
planetary tales, nK>re humor and less **gadget” and
** surprise twist” stories. And to top ofE the ”diiference”
between fantasy and stef ‘‘Fantasy is the indefinable
and infinite applied to a finite :%ale; science ficti<«x is
the improb^ie tesKiract fitted into a three- dimensicmM
lK>le.”~R.r.D. #2, East Greenbush, N. Y,
Could be, Marion. Do we detect, by read-
ing between the lines, that you liked and still
like THE DARK WORLD? At any rate,
you’re certainly subtle about it.
You’re so right about the Charon-Chiron
controversy, if we remember our John Ken-
drick Bangs — incidentally, you might enjoy
his old quasi-classic, HOUSEBOAT ON THE
STYX. A nice fantasy with dryly humorous
overtones.
You rate an overhung Bismarck herring,
though, for not knowing Prank Belknap
Long. Mr. Long is one of the old-hands at
writing stf. He first appears on our records
as author of THE THOUGHT MATERIAL-
IZER in the Spring, 1930, issue of SCIENCE
WONDER QUARTERLY, alas, now long
since defunct. And his by-line has been dis-
played in bold type capitals many, many
times since.
THOUGHTS AND QUERIES
by Frank Evans Clark
Dear Ed: You called for some ideas, discussi(ms axad
opinions in die May issue of SS. Thttrefore. Tve been
wondering just to what extMit is STF reading material
primarily for escapists and frusixates. If you think
this question shouldn't be raised publicly, don't
publish this letter. My question arises from the fact
that STF is so well suited for such a purpose and
because it once served as an “Escape” for me.
I first started reading and collecting STF when I
was laid up siek in bed for a year and thus couldn’t
lead a normal, healthy life. I wonder how many
other fans drifted in because of similar conditions.
Either they couldn’t live as successfully and capably in
realily as they would have liked or else they were
prevented from having a normal life. Are there many
such in fandom? In other words, is it dissatisfaction
with one’s life that leads to Mie’s becoming an avid
fan?
You can certainly find many inklings of such a state
of affairs in the field. STF is divorced from reality
to a greater extent than any other kind of fiction and
is thus ideal for anyone who is pained by reality.
I remember one of my most depressed moments re-
sulted from reading of a guy and his 16-year-old girl
friend in a story by Rajr Bradbury.
I had no way of tellmg then when, or if ev», I
would be well again and be able to get out of bed and
at that time, being 15, knowing a sweet, innocent girl
of 16 or thereabouts was something I thought mi^t
never happen to me, so Bradbury’s story made me
feel bad. A little thing, but it did hurt.
Things worked out fine, though, in case you’re in-
terested, and I’ve known well several girls around
that age (Consecutively, not all at once). But,
back to my point, Science-fiction contains far less of
the type of story that will arouse such feelings fiian
does other fiction. Therefore, once again, how much
of STF’s pc^ularity is predicated upon this fact?
Also many stories glorify science as a panacea for all
troubles. With science, you can win the beautifui
girl. If you are a smart scientist, you can lick all the
assorted villains anyone could conceive, plus BEMs,
and incidentally save the Solar Syst^ or perhaps.
If you’re especially lucky, the whole universe along
the way, while you’re aecomplisiilng the serious
business* whi^ is winning me giri. Remember
“Five Steps to Tomorrow" in this very magazine? It
said nothing ^se but the above. Except the scientist,
ergo* the reader, saved cmly the Earth, if I r^nember
correct.
If this isn't probing too deeply into private moti-
vations. how about some more on the question?
rd also like to |^t in an opinion on the STF vs
Fantas^ question, i prefer fantasy (More escape?).
STF is, to me, primarily plot-action writing and I
much prefer moc^'-chai^cterization fiction (fiiat could
be an escape mechaiiism. too. A bad heart keeps me
from leading a basically active life). I think your
mags have been slowly lowering tiie eawhasis on toe
action and plot in favor of fantesy-mocw, fine writing
and good characterization. 1 believe toat is fcxc the
best and I hope the reactionaries who howl fm: the
“pure science fiction” won’t make you diange your
present policy.
I agree companscms are odious, as you said m me
Kuttner-Merritt controversy, but I would like to add
my opinion. I prefer Kuttner, vtoen he’s at his best
(which isn’t always) because he sounds more modem
to me. But that makes Merritt timeless. whi«h is fine,
too.
Kuttner, with proper stqjport and guidance,
become ever greater and more satisfying to his
readers and that, alas, cannot be said for Merritt.
So I puts my mon^ on Kuttner. And I also think
his series is toe most clever thing seen to
STF-cbipedy.
Lovecf^t— I liked him when he was writing in
the Dtinsany tradition far bett« then to his ‘toorror-
Cthulhu Mythos” mood. The stories I consider to be
in the Dunsany traditkai include "Cel^toals,” my
favorite (es^pell), ‘"The Silver Key”, “Ihe Outader”
and the like. They're g^s. , ^
What gives me a lau^ are tiiese people who'll
see about the Kuttner-Merritt deal, read one ^017
^ boto and then give expert optolon (wi toe subj^t.
Ine same with those who read one or two Loveci^t
stories and do the same.
I've tiled to preface all my remarks in. this letter
with “I tlunk/* or its equivalent, so all the fans
who msey be stirred up will jump on me instead oi
you. Pair plough? — 115 Central Avenue, Baldwin,
New York.
Well, you’ve stirred up a number of
thoughts in this editorial bosom— odd place
for thoughts come to think of it. Naturally
science fiction in its purest “scientific” or
fantastic forms alike is escape.
What literature, save out and out exposi-
tion, isn’t?
Furthermore, if such escape brings the
escapee added detachment with which to
regard the actual globe and its multifarious
problems, it is a thoroughly healthy in-
fluence. We agree emphatically on the Kut-
tner-Merritt-Lovecraft has anybody here
seen Kali? controversy. But if the kids en-
joy the squabble, let them go to it Nobody
ever died of one like that.
PICTURE REQUEST
by Albert James Stevenson
SUBJ; Virgil Finley's Illustration on Page 11 of
Thrillmg Wonder Stories (VoL XXXn, No. 2; June
1948)
Dear Sir: Is there any way that I can get a photo-
graph of said Illustration suitaMe for framing? If
you cannot accommodate me, I wonder If you rauld
suggest sojne way that I can get said photograph. I
would apf>reciate any means you could advise ipe of.
Thank you for your co(HKration and tat a wothiterful
magazine. — 130 ScrarOon Street, Rochester 5, Nete
York.
THE ETHER
Sorry, but we don’t know how you can get
one. We only give out originals on reire
occasions to benefit major fan organizations,
otherwise holding them in our files. If we
adopted any other policy we would not long
have any to file.
COUNTERJERK
by T Sgt. John W. Patch
Dear Sir: Lin Carter complains about TEV being
full of . Jerks all commenting on the same stories,
when nobody gives a dam what they think . .
Pardon me, Lin, but I thought the main pilose of
the readers' writing the Editor was to let him know
what stories are liked best, so he can give us more
of the same! At any rate, here’s my choice for the
May SS. I don’t care whether it’s printed, or not, but
1 do want the Editor to take notice.
I’m not a great lover of Kuttner, but this time he
did a good job on “The Mask of Circe”. Zagat's
novelet was fair — ^nothing outstanding, though. I’m
not rating the shorts against the longer stories, for
the longer always have an unfair advantage.
However, 1 will rate the short stories — G. O. Smith's
“Journey” was the best of the shorts. There’s food
for thought — hmm. IF the solar system IS moving
faster than light (with reference to — um — you name
the reference point!), what effect would that have?
Probably none, since the system is out of the field of
influence of any star. Or is it?
Seccmd best ^ort is William’s “The Seekers”. Third,
“The House of Rising Winds” (Did Long take lessons
from Bradbury?). Tied for last place are “The Simple
Life” (too simple) and “After the Atcan”. I’ve left
the HoFer out of the rating, for it’s not fair to com-
pare the “oldies” with modem stories. 1 hope you
discontinue the HoF after you exhaust present
selections.
My stars an’ solar ^sterns, Ed. I didn’t think you
were a newcomer to Stf! Or are you just innocent?
I've been a steady reader for only ten or twelve years,
and even I remember the foimding of the SFTPOBEM-
OTGOSFP, If not exactly when, and by whom. Sup-
pose you’ll get a hundred answers to your question,
but — it’s TTie Society For The Prevention Of Bug-
Eyed Monsters On The Covers Of Science Fiction
Publications I
Rick Sneary’s comments are interesting, but there
is no exciise for such atrocious spelling. Those
horribly mutilated words throw the reader’s mind off
the track and the meaning of his comments Is lost.
Such poor spelling would normally indicate an Ig-
norant, or an unintelligent writer. But Sneary— once
his meaning is sorted out of that jumbled mess of
alphabet soup— appears neither ignorant nor dull.
Must be he’s just plain too lazy to learn to spell. —
Sq. E, $11 AF BU Eqlin AFB, Fla.
What has innocence, in any meaning of the
word, to do with knowledge or lack of same
re the SFTPOBEMOTCOSFP? We confess
ourselves stumped as well as naif, dumb, ig-
norant, dull and incredibly lazy.
Only comment we have to make on the
possibility that the Solar System is moving
faster than light is that, should it be true,
a lot of fine theories are going to kick the
bucket, thereby annoying a lot of unimagi-
native theorists no end . . . which would be
sort of fun.
FALLEN LADY
by Frances Schneider
Dear Ed: I feel the scaffold dropping from my feet
VTORATES 127
while your angered fen shout in triumph at the fate
of one who would make such statements as these. I
was reared with the old-fashioned idea that a lady
never, never read pulp magazines— consequently it was
only a year ago that I discovered your magazine.
You are doing a fine job of presenting to the adult,
who no longer has the fairy tales and myths or
childhood, an imaginative literature. The well-written
stories and the good illustrations which accompany
them (at times) are greatly appreciated by those of
us who have long sought works that were both re-
laxing and stimulating. The insidious manner in which
themes of some stories keep recurring, forcing one to
consider their possibilities, makes them fascinating
beyond the pleasure received from reading them.
Mr. Mulcahy may be bored with story analysis in
the letter column, but such analysis is mvaluable to
the new reader in showing him which plots are
hackneyed and whi^ authors may be expected to turn
out go^ stories. — Cincinnati 19, Ohio.
We are grateful to your fall from pulpless
grace, Frances, as for the above letter which
resulted from it. And your second-paragraph
flattery tempts us sorely to suggest that
henceforth no letters will be printed which do
not refer to our stories as “literature.” But
on second thoughts we fear the letter portion
of the column would vanish overnight.
Literature, yet — maybe the kind you pick
up on hotel desks or grocery counters. But
stay with us, Frances, and write us again.
You have something in your views.
BACK AGAIN— TWOFOLD
by Robyn leRoy
Der Ed; leRoy Iz baki Ane remaning to red after
that anounsment wil pl&e be sited. Hav ben just tu
bize tu ryt latle, but hav kept up with SS and TWS as
ordinariie. Lyk kontinud Impruvment in editorials
presiding TEV.
Wun? how mani fen who so thorole anaJyz storiz
(plot styl, katakterz etc.) also luk them ovr with
regard tu sykologikal kontent? And tu go a step
farther, noting hwich element uv hwich store had
gratest irapakt on the individual ridr, wun aryvz at
vere interesting points uv understanding uv self, or
uv redr huz komentz ar in kwestium.
Ur fan-org-list iz a plezing prospect In hwich
kunekshun ma Y ad my vois tO that uv Mulcahy
anent hiz suggestiun?
Sa, Ed, Y want tu thank u for a nys koment on
“Ecitm”. with hwich Y hav no kunekshun eksept my
frendshlp with McDaniel. — 5521 Euclid Avenue, Cleve-
land, Ohio.
Dear Ed: A sekund episl for this raunth yet!! Had
alrede riten the uther, then red Kuttner’z MASK OF
CIRCE. leRoy iz now kunverted, haz sen the lyt, and
agrez Kuttner’z gratlll Y espeshali lykt hiz irever«it
jtretment uv the Godz. Noted that hiz handling uv the
ineksplikabl waz a bit fyner than the aw-striken
Merritt but with the sam konsumat artistre and polish.
Y du wii^ Hank had ended hiz opus with the lyn on
p5g 60, “It was very dark here among the trees. And
he was alone. . . Soundz mor efektiv tu me. Ask
Hank tu tern out mor uv the sam, wil u? — 5521 Euclid
Avenue, Clet^eland, Ohio.
We’re glad, glad, that you liked CIRCE —
also the list of fan organizations. As for the
Kuttnerending, that’s a matter of opinion.
INNERMOST THOUGHTS?
by P. J. Ridley
My Dear Chappie: Having just received my ccfljy of
128 STABTUNG STORIES
the May “ish” of SS, I raise my scriber to acqualirt
you with my innermost thoughts. Well, here goes —
Cover — symbolic or factual? Bergey’s females al-
ways look like statues to me.
“The Mask of Circe” — struck this humble reader
as being pure fantasy thinly disguised as science
ftcti(Hi. Nevertheless I enjoyed it.
“No Escape from Destiny” — pretty good. Had me
guessing.
'*The Simple Life” — didn’t strike the gong for me,
nor did “Journey”, “Microscopic Giants” nor “After the
Atom.” Don’t ask me why, maybe I’m psychic.
“The House of Rising Winds” was, I tmiik, the best
^ort of this issue. FBL certainly created an atmos-
phere of apprehension.
“The Seekers” — ^very good. Illustration excellent,
VF, take a bow.
TEV — a lot of the gab is over the head of a
comparative newcomer to stf. My heart bleeds for
George Andrews (see page 12S). Question — what is
my life expectation if I confess I don’t care for W^n-
baum? Please, no bombs through tite post, the practice
ts frowned upon by the authorities.
Re Sneary — I have yet to see an editor whom I
would address as “Dream-Boat” (no offence, Ed.) .
Here’s hoping Bergey’s femmes come to life in
(on?) the next issue. — 268 Well Hall Road, Eltham,
lAmdon, S.E.9, England.
On the whole (sight unseen and let’s keep
it that way) we prefer being addressed as
“Dream Boat” to “My Dear Chappie.” But
let it pass. Your requesting Virgil Finlay to
take a bow for his illustration to THE
SEEKERS was a nice thought — especially as
Vem Stevens did the drawing in question.
You’re more apt to be picketed than bombed
for that one.
HARVARDIANA
by Henry M. Spelman III
Dear Editor: I just finished the lat^t SS. And
then w«it to bed. Bus I couldn’t sleep. I just lay
there and thought. Gee, if I don't write him now,
maybe I’ll never get around to it. But who’d care?
Well, it serves ’em right I’ll do it. So at 0031 I start
off on this mad venture.
A bit on the subject of mad . . . when I opened
my copy of the November ish, I burned. SPARX on
the B list. I was ready to jump down a certain
throat. But Dave Thomas held me back. “After all,”
he said, “mistakes will happen . . .” It was only
about two months later that I was saying the same
things to him. We were both aiming for the same
throat. It was only an Alphonse and Gaston act that
saved you for the time.
And now you are saved. SPARX made the A list.
Or should I qualify the last statement. You are saved
until I see what sort of treatment #6 got. I cannot
speak for Dave. But I hope he’ll let you live imtil
you report <mi KLUGG. I hope you can take a hint . . .
Now to tear the May ish apart. Oh, what fun this
will be!!!
Mask of Circe . . . Hank Kuttner at his best.
Seriously, I don’t think that this story quite has it.
It misses fire, somehow. It doesn’t send me.
The Simple Life - . . Science is all right. And the
Idea is fine. But it reads as though some high school
freeman had written it. Ray could have done a far
better technical job on the yam.
The House of Rising Winds is good. The ending
Is telegraphed, but in spite of that fact, the story is
outstanding. And I like the job Finlay did for it.
It almost approaches the work of Cartier.
No Escape from Destiny ... A bit confusing in
places, but mi ^e whole rather satisfactory. It kept
me guessing all along.
The Seekers has been done before. But this treat-
ment is all right. The only thing that I do not like
Is that, knowing Earth psychology as I think I do, we
would promptly return with an A-bomb or two and
wipe out the planet. But whosis’ words under teleket
are all too true. Even here and now too many men
are all wrax>ped up in science for its own sake, with
no recognition of what ^ going on outside the lab.
I suppose t^t Smith, bought a few loaves at bread
with Journey. I certainly think, though, that it was
charity on the part of the editor. Nothing new but the
action. And that all too trite when used in con-
junction with o'^er plots and lienees.
Ernst’s little piece is OK. A few very nice and con-
vincing points One of the best HoF*s that I’ve seMi
yet. A few such as this will almost make life worth
living. Very pleasing.
Before Mitering the lists with the other fen, I would
like to say that, in spite of the above snide remarks,
you do put out a couple of very worthwhile mags.
My only complaint is ^at they do not come out often
enough.
Now, ugh, the lettere, Sgt Lane complains about
putting a bit of fantasy in an stf mag. But where else
could it go? And certainly The Blue Pagoda is too
good not to publish. Even if only the first part gets
written.
Zooks! And all sorts of little gizmochos. Don’t you
know what SFTPOBEMOTCOFP means? Tsk, tsk.
I think is goes something like societyfortheprevMition
ofbugeyedmonster^nthecoversofstfpublications. (Now
for about 65 deep breaths.) May I sympathize with
van Couvering, and wish him the luck I got.
Dear Miss Bullock, I think you are all wet about
HPL and Merritt. And, while on the subject why try
to compare HPL and Merritt? ’Hiere is little in the
writings of either that can be said to compare with
the other. Each was very near the top in his field in
certain stories and near the bottom in others. But
they were both consistently good. And I guess that's
enough of that.
Foi^ot to mention Feam’s little epic. Bah! There
ain't enough free hydrogen to aid at all in ttie
formation, of a hydrosphere. So there!
Berg^ Is slipping a bit, I think. I don’t think that
the latest heroine is near as purty as the last. —
Leverett House E-21, Cambridge 38, Masmekusetts.
How didactic can you get, bub? You
didn’t leave us anything to answer.
DO COME IN!
by Ronald Berner
Dear Ed: May I come in and establish an under-
standing? 'Thanks, knew you would see it my way.
Have been reading the oh-so-meny TEV for some
time and I think it’s o.k., WITH toe exception of
(look out) Wigodsky. How did he ever get in here?
Attention, Joe Kirschnick — Where do you get your
opium? Merritt better than Lovecraft? With tears of
rage in my eyes and a lump in my throat, I say
“phui.” Merritt I do enjoy but for real chills it's
H. P. L. all the way.
Virg. Finlay hurray. The man is superb. Speaking
of toe art dept. THAT cover #%”#ugh!
Stories. Hm. Well let’s look at The Hoiee of
Rising Winds first. That great big beautiful Long
man. Shades of Bierce, what a writer. He sure rang
the bell.
The Seekers may not be a ^i>icai Moore plot but
I have always liked toe guy. He can do no wrong.
Cute is what I would label this one.
After the Atom. NO, NO, NO! It just wont do.
Journey. Not much action and not much thinking
material until toe last couple of paragraphs.
Simple Life — simple story. C’mon, ^y, you can
and have done a whale of a lot better than toat
That was just a product of an off day, wasn't it? One
thing about R. C. — he always redeems himself.
No Escape From Destiny. A bow to Mr. Zagat. A
really original stf whodunit. Make it another bow.
As for The Mask of Circe well I think Vernon
Hodges has Kuttner pegged about right. This issue’s
tale wasn’t too bad but nothing I would care to read
again.
Oh yes:
Schaumburger’s cute
A little all root
He blows his whistle
With a right smart toot.
Don't you think
Fond Ed. of mine
He can circles run round you
Most anytime?
I dare you to print that. — 166 Maple Street, Bristol^
Connecticut
129'
THE ETHER VIBRATES
JUNIOR MISSES
by Jeanette Marie Thomas
All right, Ron,
You’re really gone.
But if Schaumbere
Is quite so square
He’d run in arcs
Around our ceircass
Well, who are we
To say him nee?
MORE LIKE MACHETE
by C. A. Metchette
Dear Ed: I would like to air some personal opinions
and observations upon the Kuttner-Merritt contro-
versy that is now raging. I will concentrate on
Kuttner. To wit: YOU can have them both! Free!
I don't adore Kuttner and I don’t particularly
worship Merritt; suffice to say I read both, but not
for stf, only for fantasy. Kuttner rides high, wide
and handsome on that borderline between science
fiction and legitimate fantasy. His recent novel. Mask
of Circe, is typical of this condition: 1. Fanta^ be-
cause the method of Seward's return Is unexplained,
2. STF because of the explanation of the electronic
properties of the Fleece and the explanati<Hi of the
gods. However Kuttner does -write stf: witness his
Hogbens, which, Fitzgerald, he does better and more
interestingly.
I don’t like Kuttner in his sd-fantasy moods. I
couldn’t read “Earthquakes” or “Power & Glory”; but
I did read and enjoy “I Am Eden” & “Mask of Circe”.
Why? In Eden, the scene is laid in Amazonia, and
somehow, the whole adventure is made more plausible
because it hinges on the cause and effect of radium
radiation upon genes and chromosomes. In Circe,
except Seward’s recall, the explanations are based on
the known or extrapolated, behaviour of electronic
phenomena and furthermore, the civilization of the
gods could have existed.
The latter two tales were better written and appealed
stfly to me. while the former two were unpalatable.
I must mention that I have not read Sword of To-
morrow or Dark World, but I hope to remedy that
soon. Maybe these two tales will be of the interest
of Circe.
I claim that Mr. Kuttner is a psychologist, besides
being an author of stf-fan. In all his tales there is the
undercurrent of human understanding, and to make
such a statement requires oroof. A weak proof is
Kuttner’s familiarity with the nomenclature of psy-
chiatry which could have been gained by post-
graduation courses. More conclusive: 1. His psy-
riiiatric comprehension of Seward’s and Jason’s re-
action at sharing a double mind. 2. In “FURY”, his
skillful treatment of Sam’s predicament and his
solution of It 3. “Piper’s Son” and others: his un-
derstanding and explanation of the motives that
drove homo sapiens to persecute a mutant race of
telepaths.
As for Merritt I am just finishing Ship of Ishtar
and I honestly believe that Kuttner coiild not top
ttiis tale, but the same Kuttner can, and does, write
an extremely interesting story and be diplomatic
enough to Include elements of both stf and fantasy,
enou^ to satisfy both camps of Imaginative literateurs,
and to be the anguish of pure as well as pure
fantasts.
Let Kuttner write more tales of Circe interest and
continue to blossom out under various alter-egos; but
beware! More of his Power & Glory bo^ and this
reader shall condemn him before a judge and jury
composed of Hammond, Padgett, Hasting, O’Donnell,
Kent. Garth and Edmonds; not to forget CL Moore.
— 3557 King Street, Windsor, Ontario.
Well, we hope you find his soon-to-be-
forthcoming (January, 1949, SS) THE TIME
AXIS among the long Kuttnernovels you go
for, Herr Metchette. And what about Keith
Hammond’s VALLEY OF THE FLAME, pub-
lished in this magazine some time ago?
Dear Editor: I am sincerely interested in science
fiction. I read all the prozines I can buy, beg or
borrow for love or money. I belong to the PSFS
(Philadelj^a, not Portland) and subscribe to its
fanzine, the “Varient”.
From what I’ve seen of the club and of the other
fen present at the Philcon, it appears that there are
all too few teen-age members of organized fandom.
There are all types of stf clubs, rainging from those
devoted to pure fantasy, to pure science — but as far
as I know there is as yet none for teenage stf fen.
I would like to organize such a club. It may be
either a club tliat holds actual meetings, a corres-
pondence club or both. The age limit would be from
as young as an interest develops for stf to twenty
years of age, at which time other clubs seem to take
over.
The purpose would be to stimulate, develop and
further the interest and conceptions of stf among
teen-agers. The dues would be five cents monthly
and, as soon as I get about five members who win
contribute scwne material, I shall try to get out some
sort of a club fanzine if I have to type it myself. I
promise faithfully to answer any and all letters I
receive.
I shall be grateful for any information or ideas
which any of the older fen would be good enough to
give me. — 2648 North Franklin Street, Philadelphia 33,
Phineylvania.
You seem to have a sound idea there, since
there is a gulf — all too often — between the
interests of younger and older fans. But
perhaps, instead of doing it alone, your
missive might persuade the parent PSFS to
form a junior auxiliary, to be kept alive by
you yoimgsters successively as new boys and
girls fall into stf activity. Then you’ll have
an assured spot to graduate into on reaching
the predetermined age and have a larger
organization with which to share club acti-
vities.
Good luck, whatever road you travel with
your sound idea.
VIVE LE HALL OF FAME!
by E. Jordan
Dear Ed: I am distressed lo read in the March issue
that the question of demolishing the Hall of Fame
has been introduced. It is always the first thing I
look for, so please record my vote in favor of kee^ng
it intact.
It is surprising that so many readers disapproved of
the Purple Cloud story. It has remained in my memory
as one of the best from the early days, while I have
forgotten hundreds published more recently.
I am very glad to be receiving your magazines
regularly. To be without them was one of the
principal hard^ips of the war years. Carry on, sir,
you’re doing fine! — 49 Lucien Road, London, S.W. 17,
England.
Relax, E. Jordan, the good old HoF will he
around for some time to come. Thanks for
the nice remarks anent us generally.
SFTPOBEMOTCOSFP AGAIN
by Les & Es Cole
Dear Sir; You need not confine the SFTPOBEMOTC*
130 STARTLING STORIES
OSFP to your private files — just become a member and
it influence your covers! As you requested, we now
expand it to The Society For The Prevention Of Bug-
Eyed Monsters On The Covers Of Science Fiction
Publications. And don’t say you didn't stick your
neck out; we were hoping you’d fall into that one I
Hey! We demand a retraction! We gave the formu-
la expressing a tesseract as V equals a*. You printed
it as V minus a^ which is ridiculous.
Good, we’ve a start towards defining “science-
fiction” and “fantasy”. Only Paul (not Carl H.)
Anderson's def was a little too restrictive. For Instance,
Paul, take the exani^le of the Buck Rogers series.
Therein was first described a light infantry weapon
with a terrific sock. Its projectiles were rocket-
powered. According to your definition that was fantasy.
Some twenty years later the U, S. Army created the
“ba2ooka” and the story becomes science-fiction.
Waal, it's all right, we suppose, but a lot of maga-
zines are going to be printing pure fantasy if we
adopt your definition. How does this sound to you?
“^ience-fiction” is ihe logical projection of scientific
endeavor into imagined, although possible or even
probable, situations. Defining “fantasy” would be a
lot more rugged and we don’t intend to try that just
yet.
Our special advice to die lonely hearts column:
Achtung Bill Groover! Les says, “Marry the gal,
feller, marry the gal. Women have a natural tendency
to know that their husbands can do no wrong — ^die
first week of married life! If you marry her ^e'll
read science-fiction jvist so can compete with the
rest of the gals on the block!”
Es says, “Perhaps she isn’t interested in disciassing
science-fiction at night.” Bein’ as how the better half
is a woman. Bill, she might have the ri^t scoop there!
On the whole TEV was not so hot this issue. John
Van Couvering probably had the best letter, (yes, we
blush to admit it was better than our efforts) but die
whole tone of the thing was decidedly underparish.
And why in the name of the geologist’s god Tafr do
we have to have so much mud-slinging? Do all fans
suffer that much from insecurity?
As usual, the shorts take top honors. Can’t quite
decide which was best, but they were all superior to
the novelet and novel.
Re “Microscopic Giants", the male half of the
glowing Coles, speaking as a geologist, would give
his left ear-lobe to see a mine at a forty-thousand
foot level. It’s entirely possible those boys were
cutting through rock which formed the original
earth’s crust — and that I'd like to see!
“The Mask of Circe” was not science-fiction. We’re
building up a terrific resistance to old Hank Kuttner.
We us^ to like the guy, but with all the hullabaloo
we’ve done an about-face. — 2903 Grove Street, Berkeley
3, California.
Okay, okay, so we bit in our innocence.
But we still like Kuttner and occasional
mud-slinging and the way we printed your
formula.
FEMMEFEN
by Linda Bowles
Dear Editor: I slowly, unbelievingly, count the
number of femme letters and when I make sure I’m
not dreaming I quietly faint. After a considerable
lapse of time I pick my trembling body from the floor
and look again. It’s true! We girls were really out in
force this ish. Bless your heart, Ed., I could kiss you
for that! (well, we’re waiting — Ed.) I wonder how
our woman-hater. Jack Clements, will bear up under
the barrage.
“Knit one, purl two.” Hmmph! Jackie-boy, dcm’t
you know that the days when a woman sat at home
and did that are gone forever? Today, this is just as
much a woman’s world as it is a man’s. What do the
rest of you girls think?
I can’t fir^ too mudi to gripe about this issue, but
since I’m sprouting my motheaten wings for a try at
active fandom, I may as well dig up sfomething to y^
about like the rest.
Bergey’s cover was awful again — but then it usually
is. I just looove the way his colors clash. That eye and
that sickly yellow! Yipe! Well, Berg, ole man, try
again next ish. What AM I saying?.
Finlay’s artwork was wonderful — but look who he
is — the almighty Finlay. Looove that man. The HoF
was poor this time. D<m’t know why, but I Just didn’t
like it. On the whole I hate whodunits^but NO
ESCAPE FROM DESTH^Y was a f«urly interesting
yam.
THE MASK OF CIRCE was very good, even though
it was an overgrown fai^ tale. I enjoyed it very
much. The r^t of the stories were good — no comment.
Now for the best section of ail — I missed Wigodsky
(the little horror) this issue, not because of his
rambling gibberish but ’cause X grow accustomed to
seeing certain names appear each i^. If he can do it,
so can I.
Eadie Smith asked a question that has puzzled me.
What is a John Van Couvering? If you get an answer.
Eadie, let me know. Does George Andrews by any
chance eat dog biscuits. His poetry gives one that
impression. — 931 North Jackson, Topeka, Kansas.
And let’s cut out this long distance kissing,
Linda. Closer or not at all!
DIFFERENT— BUT HOW?
by Lynn H. Benham
Dear Sir: If you're observing, you’ve notice tiiat
yours truly hasn’t written a fan letter in quite some
time, but I felt that comment on the May issue was
virtually a duty. Ordinarily I don't care too much
for fantasy, but the one by Kuttner seans to b«
“differ«it” some way. Maybe it’s just the Kuttner
genius at work but, whatever it is, The Mask of Circe
is an excellent story.
It is cme of those that, wh^ started, is read
through to the end before laying down toe book. Any
fanta^ story that commands MY attentom so strongly
MUST be good, for I consider myself to be very
critical, and don’t take just anything in toe way of
composition that is pushed at me.
Williams and Smith (in my (pinion) wrote the two
best shorts, and I kinda liked the idea used in the
novelet, but I don’t know how to rate toe feature
story. About all that can be said is that It was very
good, without going into raves over it
Incidentally, congratulations on toe larger size —
I hope this im't a way of raising the price and that
after a few issues you will go back to toe old size.
But, I guess inflation hits everything alike, with no
preferences.
The main reason for my not parti cipaftng in the
fan-fest (consisting, it seems, mostly of rather inane
feuds), is that I’ve been rather busy, and didn’t have
time to write, altoough keeping up on toe issues as
toey come.
Another thing, I notice that there aren’t very
many Chicagoans with their gripes and otoerwlse in
the reader’s columns. Is this because they are all in
a daze and don’t know what is happening, or are toey
just merely taking in everything with no comment?
I’d like to know. 'Ilie idea of a fan club seems a little
top-heavy, but Fd like to teiow why it is that 99^
of the people that know about scientific flctlcm say
that it is silly, trash, and other synonyms to wit.
Keep up the good work. — 6144 Dorchester, Chicago 37.
Have you been conducting a poll to get the
99%, chum? And how do you know those
queried know anything about il Is the name
Gallup — or Kinsey?
At any rate, our second upping in size
within six months should put your expressed
fears re our inflation policy to rest.
OFF WITH HIS HEAD!
by Marion Miller
Sir: I’ve never written before but sometimes I’ve
been mad enough and pleased enough to do so. Now
I see I must. If anyone tries to compare with Merritt,
off with his head — it is impossible.
If yon OT any of your readers can tell me a way
to obtain ‘‘The Fox Woman” and inform me if Merritt
131
THE ETHm
ev«r wrote a sequel to "The Moon Pool", I’d appreciate
it, I Mve all except the above.
I «ijoy SS very much and think it is improving —
how I don't know, but it sure does read better.—
2311 Reed Avenite, San Diego 9, California.
“The Fox Woman”, begun by Merritt and
completed by Hannes Bok, w£is published by
the New Collectors Group of New York (see
the Science Fiction Book Review in this
issue), as was the more recent “The Black
Wheel” by the same authors. You can obtain
needed information by writing in for a copy
of the Fantasy Review, whose address and
price is listed in the current review of
Science Fiction Amateur Pubhcations. To
the best of our knowle4ge Merritt did not
write a sequel to “The Moon Pool.”
BETTER LATE . . .?
by Franklin M. Dietz Jr.
Dear Editor: Very late with my letter to you for
the i>ast issue^ but, though very late. I’m writing any-
way, The reason is, of course, that I had the first
of my fanzine to get ready for the printers. And
when getting an issue a fanzine out, one just doesn’t
have time for reading or letter writing.
Ihere has been much discussion erf late on the topic
of what is fantasy and what is STF. From the letters
in the May i^ of SS, it seems that quite a lot of
people are all mixed up, FANTASY actually embraces
all futuristic and supernatural stories (except weird
and horror).
But, in “^e present day, those fantasy stories which
are scientific (STF) in nature are called science
fiction, and the rest (for want of a better description
I’ll call them mature Fairy tales), die rest are called
fantasy stories. As before indicated, I am not in-
cluding weird or horror stcuries in this discussiwi.
Anotiier topic which r^uires discussion, I think, is
your coming ‘fan-organization re^stration’ depart-
ment This IS a very good idea, even th<Hi^ already
in another STF magazine. BUT I think that just fan-
club registration won’t make a department worth a
dam. Nothing to it! Now, if you took Dan Mulcahy’s
idea, as giv^ in The Ether '\^rat€ss, and incorporated
it widi the Fan-club registration department, then
you would have a real department, interesting and
infOTmative both.
But now you say where are we going to, and how
are we going to get the fans interested in writing a
letter alrout their organization. Well, from my con-
tacts in fandom, and my own fanning, I believe that
most fans would be more than willing to write a letter
telling all about their clubs. AH that would be neces-
sary would be for you to tell us that you desire such
letters.
So, I guess that’s all I have to say for now. See
you next issue. — Box A — Employee, Kings Park, L. I.,
New York.
As you may have gathered by this time,
Franklin, we are not making a separate de-
partment of our fan organization registration
— never intended to, in fact. And the lads
and leddies are writing in as you believed
they would.
Re fantasy versus stf— the crux of the
puzzle seems to be that they do overlap, or
rather that stf is a sector of fantasy. An
attempt by the author at some sort of quasi-
logicai explanation seems to us to be the
badge of science fiction as distinct from
other branches of fantasy.
VIBRATES
MAJOR AND TWO MINORS
by Rosco Wright
Dear Editor: In reply to your query in the May
Ethergra^ — I am a freshman at the University of
Oregon in Eugene. However, I’ll probably be a father
before this reaches your office which is a roundabout
way of saying that I’m not exactly a "Uttle-bit-of-
freshman”, not in ever respect anyway!
major will be Education as soon as I get my
junior certificate in Liberal Arts. Such a major also
calls for two minors. At present one of my minors
is English and the other will probably be Biology. In
case anyone is interested the hardest things are: (1)
living on ninety a month; (2) spelling. All in all I
must be a rather lucky buzzara.
Now that you have immaculately, dissected, classi-
fied, and filed another of your fair-hearted boys —
shall not the said entity proceed' with a similar treat-
ment of the May STARTLING?
The cover was not cluttered up with extra detail and
the color combination was in good order — the Earl of
Bergy can relax and continue to ignore me. The
interior makeup shows vast improvement. I am very
fond of the various styles of type used and especially
of the fact that they are varied and not crowded on a
space the size of my thumb-nail.
THE HOUSE OF RISING WINDS— Frank Belknap
Long seems to be doing better lately — with fresh ideas
and a more literate Irandling — better atmosphere and
interesting characters. Yes, I know, some reader is
bound to say he used poor ‘ingli^’ and that his
characters are flat
THE MASK OF CIRCE — Henry Kuttner obviously
tried desperately to do a superior job on ttiis novel —
and he did. The opening paragraphs were as i^ell-
biz^ing as the opening of Coleridge’s "Ancient
Mariner” and Kuttner’s closing was artful and well
balanced with the plot Here and fiiere in the story
were bits of dialogue and expressions of thou^t that
sounded like run-of-the-mill "pulp" phrases. They
were the more discordant becaiise of the fineness of
the rest erf the novel and were so few that it really
is rather mean of me even to mention fiiem — I’ll bet
Hank could weed them out and have a great book for
the fantasy book publishers.
THE SIMPLE LIFE sounds slanted toward the
SATURDAY EVENING POST and is good— extra good
for variety. The best Cummings yam in years and
years. THE SEEKERS — Williams has such a sympathy
for the theme of his science-fiction that it has to be
good. NO ESCAPE FROM DESTINY — good crime yam.
JOURNEY— Gee! He got her! AFTER THE ATOM— a
severe blow to man’s ego — which is a jwetty nasty ego
in most cases. The Hofame as usual would make in-
laid lanoleum for the bottom step of the standard cut
for the same — it was fiat enough. — Rt. 2, Box 264,
Springfield, Oregon.
Good luck, Rosco — but we do hope you
have to lay some kitchen linoleum soon in a
moving trailer while travelling a dirt road
during a spring thaw.
HURT
by Gwen Cunningham
Dear Editor: I have a Finlay porMollo handy in my
living room. When guests arrive, do I fool around
showing them silly tbdngs like me in levis up to my
neck fishing for trout? Or gurgling babies, in the
middle of a bath? Or a group of scrawny faced
mounlaineer-type relatives, stainding by a cabin door?
No! Heaven forbid! I want them to visit me again.
So I get out the old Finlay portfolio, and give them
the thrill of their lifetimes.
I have feit very hurt lately, because you do not
print my letters. So I began to wonder if you could
even read them. On that premise, I borrowed a Royal
from a kind neighbor and hope this time I’m lucky. At
least I hope you can read this better than my usual
attempts.
A lot of readers seem to ignore rating the stori^,
but to me it is a very important duty of the fans.
How else can you editors know how much we like or
dislike a story » anyhow?
132 STARTLING STORIES
So here goes for my. usual comments.
Zagat’s “No Escape From Destiny” — a fair story,
Interesting enough to read, anyhow.
Kuttner — well, he always hits the gong, as far as
I'm concerned. “Mask of Circe” was no exception.
Es^llent work — fine idea — good plot.
Cummings^ shortie was cute and had more truth
than poetiy in it The sly humor of his gentle
sarcasm, as usual, cheered up my sour disposition
and made me laugh out loud. No doubt about it —
Cummings is a good writer.
Frank Long’s "House of the Rising Winds” had a
haunting quality I like, and an kmuendo of weirdness
that gave just the right touch of variety to this issue.
Another great writer.
Bob Williams' "Seekers” was fine also. I generally
feel very fond of the gentle races described in stories
like this. I've not read William’s work often enou^
to remember him before, but now I will look for more
-by him.
George Snath's "Journey” was a little too dry to in-
terest me. It may have been very good work, but no
doubt I'm a bit lacking intellectually. I'm not against
stellar math and space drives and dizzying light
years. But In this story — so what?
Ernst, in his "Microscopic Giants” wrote a cutie.
I'd like to learn more about the heavy little men, with
the nasty little weapons. What makes them tick, etc.
Mi^i be a good story in finding out more about them.
Hmmm?
Feam, in “After the Atom”, was good as a story, but
how I long for more and more good writers to look
into this possibility — learn all the theories and write
them so we can picture them for ourselves, as pos-
sibilities. It is, as the saying goes, later than you
think. And the more we can learn about the possible
outcome of atomic warfare, the better off we will all
be. I know personally I’m terribly anxious to read
all I can about this subject, but the learned treatises
are beyond me, A few learned writers could be the
medium of our understanding. I think, seriously, we
need more and more intelligent POSSIBLE stories of
this type. So I thank Mr. Feam for his very timely
story. Let’s have a lot of them.
"The Ether Vibrates” found a real star, fids time.
Joe Shaumburger was really super. I really got a
kick out of his blank, blank verse. As for Gerry de la
Ree, if he doesn’t like St. Clair, phooey, why doesn't
he go out and buy a Disney Comic? For those of us
who like the Saint, Clair that is, please give her a kiss
and let her stay. We won’t let the nasty man get
tough with her! And fiiat's a promise! You can
also ignore his idea about dropping the Hall of Fame.
In fact if you ask me, Mr. de la Ree gave pretty high-
handed orders all on his own, didn’t he? I hope you
wait for the votes of all of us before you run to do
his bidding. Who does he think he is, anyway?
I wi^ to add one rather sharp criticism of Ye
Editor. Here I am writing my heart out, and sincere
about it, too. but letter after letter gets lost in your
waste basket. Of course I admit there are some who
write better than I. But alas! When I find jack
elements of ohio getting in print by no other means
than a lot of nasty cracks and no capitals, I have to
holler. That about the capitals is a mean under-
handed trick. He’s trying to go Rick Sneary one
better. But I believe Sneary is honest about his spell-
ing. You can’t tell me elements wasn’t ever shown
what a capital letter is I Not If he reads “Ether
Vibrates”!! So I have to tell you that I feel very
disappointed in you, Ed. Do I have to write my letters
backwards or something, to make you read them? Well,
dam it, I won’t. If my forward writing isn’t enough.
I'll sit down and write letters to the Spirits. They
won’t answer me either.
This letter is probably so long you won’t print It,
anyhow. Isn’t that just my luck? But I don’t worry.
Next month, maybe, I can write you a short, sweet
letter, like "Phooey” or something, and you’ll be able
to squeeze me in. (Not too tight, PLEASE!) — 5519
MacArthur Blvd., Oakland 5, Calif.
Gwen, your writing is forward enough and
aren’t you indulging in a bit of hjrperbole
with that “letter after letter” business? Glad
you liked the May issue and St. Clair.
So you give your guests a bubble bath with
the Finlay portfolio — ^well, perhaps they need
it
UNKINDEST CUT OF ALL!
by Furman H. Agee Jr.
IB, Bub: Here’s something different. As long as
you're taking up valuable space with a lot of drivel
by other drips you just as wen take up a little mca»
for more of the same while I unburden myself of
some verbiage that has been accumulating for lo. these
many years.
Contrary to the expostulation of the greater majority
of participants in your "grand old order eff vibratli^
ether,” I read the stuff when, and only when, I have
exhausted air other reading matter. (This haw>ens
all too often as I just can’t seem to obtain enough
Science Fiction.) TTie above statement will probably
disqualify me as an analyst eff things to do but here
goes — the mouth is open — and ready for the feet . . .
The question before the house is: HOW CAN ANY
REAL. HONEST TO GOSH. SCIENCE FKHION EN-
THUSIAST DESIRE A LARGER (OR EVEN ANY)
DEPARTMENT IN A MAGAZINE THAT TAKES UP
SPACE WHICH COULD BE USED TO AN AD-
VANTAGE BY PRINTING ANOTHER STORY????????
I propose thLs — especially during the^ days of pajjer
shoitoge — cut out the friction and print more fictiofu
Printed opinions on the merits or demerits of certain
stories only prove one thing — ALL PEOPLE DON’T
THINK ALIKE— AND SOME PEOPLE DON’T THINK,
PERIOD. Anyone with even juvenile intelligence
realizes this, so why waste space in each issue re-
peating this known fact. After all, to one who really
appreciates Science Fiction, there are only three kinds,
good, better and best.
You, to be the editor of a successful publication
have to be a reasonable judge of the qualifications of
all three. Time spent reading "Letters to the Editor”
of the type printed (the majority of same). I will
admit, can be of advantage to you in one wayj it
gives you an idea what the letter writers desire. You
notice I said, letter writers. The majority of pur-
chasers, and subscribers (like myself) read on for
years and show their approval or dislike by buying or
leaving strictly alone, your offerings; bursting into
literature only on rare, VERY RARE, occasions.
While I'm at it, I had just as well cover the field.
Take illustrations. Having had training (two years)
some time ago in commercial art I ^nk I am
qt^ifled to judge a little, and only a little, the skill
of application and aptness of illustration. Some oi
your presentations are definitely pleasing to the
esthetic senses and others, frankly, are not worthy
of a second glance. So what!!? Admire and absorb the
beauty of those which are pleasing, and don’t give the
others the second glance. Are the pro and con state-
ments regarding the relatii’e values of each portrayal
worthy of using paper and time that could be used,
I repeat myself, TO PRINT ANOTHER STORY?
Also, the time you, dear Editor, have to spend in
composing answers (and in verse, blank and other-
wise, yet) could be of murii more value if used in
judging those good, better and best stories, and
figuring which one would fit in the soace saved by
eliminating the noble efforts of thc«e who like to see
their name in print.
Yours for THE INSTALLATION OF MORE SCIENCE
FICTION. MADE POSSIBLE BY THE "ELIMINATION
OF PERSONAL EXPOSTUT.ATON.— 5524 Lakeside Ave-
nue. Richmond 22, Virginia.
Okay, dear alleged readers, let’s hear your
opinions on this one. It seems to us our two
enlargements should do something to allay
glutton Agee’s insatiable appetite for stf.
ROSE KNOWS— OR DOES HE?
by William E. Rose
Just who’s kidding who is the question.
In this mass of printed congestion,
Called Fantasy, Science and Fiction, by expression
And literal diction in the col mans of ether vibrates.
My advice to those seeking science
(In many a musty and erudite tome)
Should dilUgently seek fiiroti^ appliance.
Quiet hours neath the library's dome.
THE ETHER
Alone with larvae and cobwebs.
They wonld be completely at home.
I like the old book as it’s printed,
With fantasy fiction galore.
More science would crumb It entirely,
And make its concepts a bore.
This is only my humble opinion,
It surely will cause no uproar.
In the executive chambers of ^tum.
The Guzzling Sargent of yore.
As I close this modest epistle.
My being subconsciously yearns.
To meet and belabor a person,
With nondescript surname of "Bums!”
But periiaps it’s the time and the season.
That mayhem and homicide turns.
Without any rhyming or reason —
Just to throttle a guy that's named Bums! —
P. O. Box 430, Beaumont, Texas.
Your usual metrical missive is hereby quite
gladly received
It finds us quite gaUy submissive in spite <rf
the fact you sound peeved
We take joy in the fact that you find us
interesting as of yore
And the fact that you don’t seem to mind us
nor think us a thing to deplore
But after re-reading your ’pistle, with all of
its twistings and turns
We can’t for the hfe of us whistie up motives
for throttling one Bums
Perhaps in your next you will tell us your
reasons for wishing him woe
And if it is not out of season the why-for of
hating him so
THE HUMAN BEM RETURNS
by Michael Wigodsky
Dear Sir: I went to the newsstand. I looked at
stacks of magazines. Then I went to the back of the
store. The owner was holding up copies of STARTLING
and (censored). Both were marked W. He saved
them for me.
I buy them and take them home. Naturally I read
STARTLING first Naturally I read ttie letter column,
first Naturally. I «anm«it:
There’s quite a row on.
So from now on
I win asperse
In verse.
The editorial
Touches on a subject immemorial,
Also the editor quoted Gilbert’s song
Wrong.
In the next issue:
Good stories, I will miss you.
On the subject of “Yaga, va khoseth,**
Poul Anderson cannot bhos(t)eth.
Double-talk I like
And you know my name is Mif^iael. not K£ke,
I will not write the rest of this letter in verse, it is
too much trouble.
I do not agree with Mrs. Burkhart To me, it se«ns
that a sequel would be a great disappointment Bok,
in the closing pages, worked up a great deal of sus-
pense. Any &ing he could possibly Ihlnk up to fellow
this would be far below the level of this story.
About that Captain Suture business, one of your
competitors beat you to it. They have a diaracter
called Old Doc Methuselah. He’s very popular too.
Huhi I can’t think of anything to say about T/5
James G. White’s letter!
If no story can be reprinted until it is at least ten
years old, I recommend that the HoF be kept imtil
May,* 1950, so that Kuttner’s BEAUTY AND THE
BEAST may be r^>rinted. It is a minor masterpiece.
It was printed in the April 1940 TWS.
Why is it that people try to explain all history widi
VIBRATES 133
pre-historic atomic bombs? Remember the time
Heinlein hinted that the mo<m craters were caused by
atomic bombs?
The last paragraph of Kirschnick’s letter sounds
like an attempt to start Mie of those “How do you
know that you know?” things. Remember Shaw’s
diatribe <m the distance between the sun and the
earth?
Lin Carter: Nothing can be said about Lin that Xhe
editor hasn’t punned before.
Thanks for the compliment. Shammy. 1*11 say that
you're on the beam sometime too. You aren’t in this
letter, however . . . bibbledy!; : !*
By the way, is sic an abbreviation of sick?
I just realized that I skipped ail the letters between
Sue Chadwick and Don Day. I go back.
To George Andrews: Remember Kipling’s **Who
can doubt ‘the secret hid imder Cheops pyramid* was
that the contractor did Cheops out of several mil-
lion!”
In my opinion the eariy TWS diould be turned
to for HofF selections.
Thm comes Steamboat (rmmd tiie bend) Sneary.
Let us sneer.
He (Roscoe E. Wright) is studying under Harold
Lloyd Roscoe, I mean FEWright. Or am I thinking of
Eric Frank Russell?
Did I forget to tell you that I (me? we?) moved to
Chicago?
Muleahee! Does it wrym wit lil b*lee?
W. E. Rose millions Urania. Has he heard lhat,
according to the INFORMATION P— E ALMANAC,
the principal use of Uranium at tiie present time is
in the ceramics industry?
I have a pome :
The boy stood on the burning deck, (of cards)
Burning STARTLINGs by the peck! (Query: What is
a peck?)
His father caHed him but he would not go,
(disobedittit)
Because he hated M — ^n so (Just like me!)
(Tm only kidding, kid!)
Alas! By Keller, I have only read STENOGRA-
PHER’S HANDS. THE LIFE DETOUR & THE BONE-
LESS HORROR
A John Van CJouvering is defined by Klebster as:
“The third transformatkHi in Glabning’s extrasion
scale.**
I was eleven when I wrote my first letter. I’m
twelve now. m be thirteen in May, May -23. Do you
want to send me a present?
JVC hints that I. Wigodsky, visually say nothing in
five lines. He also hints fliat in the Janiveery SS I
said nothing in fifty Ikies. There are rumors that
JVC has bwn known to say notiiing in 5(M) or even
5000 lines. So there!
ni send La Bullock a loaf of stale butter. ‘She.’
doesn’t.’ like.’ Lovecraft*
Oh! That was Jick d«nensy who made the crack
I attributed to JVC. But JVC said scMmething to the
same effect.
Then there’s this Harwood guy! I like Burroughs
too, but I think that the Burroughs worshippers (that
means you, V. D. Coriell) are crazy! There! I’ve said it
and rm glad! Glaad! Glahd!
Carolyn Duty berates me for my spelling! Hah! She
mispells her own name! Everyone knows her name is
Carlirm Duse.
Bolker has never read an uninteresting SS lead-
novel! Hah! What about THE GODS HATE KANSAS?
Groover called Weber a Neanderthal. He means, of
course, a Cro-Magnon.
Huh! For once. I’m not going to insult Connor. I
agree with him! A miracle!
Where’s Dr. Jekyll? He's tanning Gene A. Hyde.
(*Thanx to Jack Smith)
What do lapels have to do with bustles? What do
bustle have to do witii lapels? And what does either
one of them have to do with my spelling?
I will comment on two tilings in ROTSFFP. Slrst:
Who is Sprague de Campem? Second: When you said
that the poetry made me November GORGON spe-
cial, were you referring to my poem? (No! ED.)
Surprise: 1*11 now comment on tiie stories.
Kuttner was exceptional.
Zagat was fair.
Cummings was fair.
Long was fair.
Williams was fair.
Smith was fair.
Ernst was very good,
Feam was terrible.
As for the illustratkms, the least said the better.—
7744 Ridgeland Avenue. Chicago 49, IHinois.
134 STARTLING STORIES
We consulted the local G&S authority on
that quotation from “lolanthe,” Mikhael. He
is more hurt than you at being caught with
his breeks at half mast. Sic means so, exactly
so, so what or so that’s exactly how it is.
We too have a pome
We wish you’d take a moistened tampon
And wipe out ref. to Sprague de Campon
Then tell the ’sembled gals and boys
Just why you moved to Illinois.
And save our editorial muscles
From tying up lapels with bustles.
We’U leave your spelling out of it, Mikhael.
YELLOW HORROR
by Billie Lee Randolph
Dear Ed: What happened to Bergey? For awhile he
was improving so much, now he goes crazy again.
Look at that bright yellow background! And his babe
is not half as nice as she used to was.
I wish to know something about EKB, so I could add
my bit to all this info about the sun inside the earth.
Perhaps I could say something anyway. (I love to
talk about things 1 don’t know anything about) I have
thunk. Here is my glorious contribution. “Ahem . . .
hem” (Said self-consciously])
Now that we have gotten into the swing of things,
maybe I can say something sensible for a change.
(Keep quiet, you kibitzer) I bet you never had a
reader as crazy as 1 am!
The first letter I want to tear to pieces is one by
a horrible creature called jack elements. Not only
did he run myself into the ground, he maliciously
tells all feni-fans to go knit socks! Now is that nice?
Really, Jack, we're xuce kids, you should get to know
us a wee bit better.
According to Paul Anderson, most of the so-called
science-fiction is really fantasy. I disagree. I think a
story is SF if its plot is based on a scientific problem.
It's fantasy if the characters go around dashing into
other dimensions with only a wave of the hand and a
few magic words.
I agree with Rick Sneary that a lot of earth’s people
are getting pushed around a lot I wonder what a
super civilization on Mars or Venus would think of all
our puny quarrels.
I read in the paper lately that we now have a radio-
active cloud that is quite deadly. In the same article
they mentioned that the atom bomb is now outmoded.
Who wants to bet that stf will have to run some to
keep ahead of our bloodthirsty sclwitists?
My favorite story this ish was one of the shorts.
The House of Rising Winds made me shiver and then
cheer. I like stories with children as heroes and hero-
ines, they are the most lovable.
The Hall of Fame was fine this time. Like all the
old classics, it left the possibility of defeat in the air.
Only idiots believe that everything turns out all right
all the time.
I know that 1*11 be chopped to pieces by Kuttner
fans, but ITl risk anything for duty. I haven't liked
any Kuttner that I can remember. His style just don’t
click with me. — 3355 San Fernando Rd., Los Angeles
41, Calif.
Too bad about Kuttner and Bergey — but
don’t fret overmuch, Billie Lee. It is highly
doubtful that either will starve for some time
to come irregardless.
You gals reaUy seem to have bitten (as
well as been bitten by) elements. We have a
horrid suspicion things are working out as
intended by him. Maybe he simply wanted a
new pair of socks.
We’ll reserve opinion on the opinions of
Mars and Venus anent Tellur ean squabbles
until we get direct word from the planets
mentioned. Yours till the first radioactively
cloudy day.
DO TELL!
by Ed Cox
Dear Editor: The May issue of STARTLING
STORIES arrived today and it's getting so long now
that I have to write two letters on one issue! I have
only read the letter column and the fanzine review so
far but the rest of the mag surely looks wonderful.
The main reason I'm writing this letter is this:
LIFE DEFINITELY EXISTS ON MARSH By this time
you know all about that but now that we know th^t
mosses and lichens (probably bacteria, too) exirt,
what may have existed before and how is ^s dis-
covery going to effect die science-fiction stories that
authors will write about Mars in the future? There
are endless possibilities to be explored and written
about now;
How will the authors explain the life and what
might have inhabited Mars? True, many stories, so
very many, have been written on this subject, but now
that we KNOW, how will the authors ^eat this
subject?
The report says that there can't be any “monsters
from Mars’’ but what about the possibilify of a race
of Martians still living on the planet that have grad-
ually evolved over the centuries to a point where they
need not breathe air (by our standards) or very much
if there is enough left on the planet to breathe?
Now we know that th^e low forms of plant life
most probably exist. How do we know that they are
plant Ufe?! Many times in science fiction stories,
there have been highly evolved forms of plant life.
Maybe that life on Mars is like the “biopods” in Stan-
ley G. Weinbaum’s A MARTIAN ODYSSEY.
Well, I've said ^ough on this subject for now.
But wait until they get the two hundred incher turned
on Mars! Then we'll find out something! But wait
'till 1956 when Mars will be only 30,000,000 miles
away!!
Now for a few comments on the May SS. Ah,
haaa. . . I see you have a new, small size print in
TEV. Now there’s lotsa room for more letters! As the
current fad seems to be to take up letters separately,
here goes on a few.
Paul Anderson: I agree with our Ed. Ya can’t quite
classify stf and fantasy like diat! I’ll go into this
subject in some other letter.
(jerry de la Ree: interring info. And congrats
on LOKI!
Rick Sneary: Hamilton’s story was good! But Bok’s
wuz better!!
William E. Rose: Gad! Where’s muh dictiemary!
Cynthia Carey: Wow! You told ’em, but diere may
be other people who feel exactly the opposite about
his stories. Wonder what’ll happen, now?
Linda Blake: Trying to break into fandom??!!
Ra«h girl! Good luck!
Les and Es Cole: Yah. what’s SFTPOBEMOTCOFP?
Joe Kirschnick: That question! Man’s mind can’t
grasp it, that's all. (Ed. That wasn’t a mild pass at
Forp?, was it!!??!)
Lin Carter: You're right about the cover but Bok
can’t quite match Merritt A lot like him, but there’s
something in Merritt’s stories. . . .
Joe Schaumburger: Heyl Free verse! That was
good!! Do it again.
John Van Couvering: Oh. yah? I saw your pitcher.
You ain’t old!! Hah! I’ve betrayed you. . . . Don’t!
Don’t! (Blue pencil hovers . . .)
Jerri Bullock: Fitzgerald (Jenkins) I’ve heard, is
a scientist!! How can you say that about HPL??!!
And Merritt was best at stories like DWELLERS IN
THE MIRAGE and THE SHIP OF ISHTAR than at
SE\^N FOOTPRINTS TO SATAN, etc. And Cap Fu-
ture would do better than that!
jack elements: i’m going to write a letter with all
words in caps someday! i also agree with you about
rick, if he doesn’t do that on pupose, he’s a horned
genius!! but you're in for it on the fern idea, tho.
the more fannes, the better, congrats to all the ferns
that wrote letters this issue!
Well, Ed., this is all. I’ll write a letter on the
stories soon. Oops, I haven’t mentioned anything
about the fanzine review section yeti I agree with
135
THE ETHER VIBRATES
tile fellow (I fwgot who now) who asked for more
pages devoted to reviewing the fanzines. At best, all
you can do now is to give a sketch of the con-
tents of the fanzines. Now that I’m on this subject, I
can't think of anydaing else to say I
Now that I'm well on the third page, I want to say
a little about something tiiat has irked me no end for
many, many moons. It is the apparent lack of fans in
Maine. As far as I know, there are but four or five of
us. Huss Woodman, Norm Stanley and I are tiie only
ones that seem to be active at aH aiwi Norm Stanley
doesn’t seem to venture outside FAPA very mudi.
That just leaves two of us I
So, if tiiis letter sees print Maine fans, heed this:
Come on and get busy! Write in to the letter columns
and make yourselves known! Maine is way behind
most of the other states in fandom!! Come on, get
those letters in!! It’s fun writing ’em! (Tho Ye Olde
Editore may have other ideas about them when he
gets ’em!). S’long for now ”dream boat"! (I wondw
why }^ck called you that?!) — 4 Spring Street, Lubec,
Matne.
Don’t ask us, Ed! In fact, don’t ask us
anything at the moment. Let us just hold our
head in our two feet En passant, peasant,
that was quite a hunk of campfire speculation
on life on Mars. And — ^just to add a final
touch — has it ever occurred to any of you
alleged thinking machines that life might
exist on other planets but in such form that
no human being could recognize it — or vice
versa? In which case we would never know.
WOE IS US!
by Eunice Schaver
Dear Editor: I have just hnlshed the May issue of
Startling Stories, and having read also the letters
from the fans decided to drop you a guided missive
of my own. Look out when it l^ids.
As it seems to be the custom to class the stories and
articles I think I will take a ^ot at it. I especially like
the reader’s page or "Ether Vibrates” as it is called.
Strange as it may seem I agree witii Jack Clements
about the letters you get from the female fans. I say
they (meaidng the female fans, including me) surely
could write one letter to put the male fans in their
place. Woe is us. Haven’t we at least one intelligent
member on our side? Ccane on, girls, let’s show toem.
As for Joe Kirschnlck, I’d like to see more of hia
letters in print. He really has a sense of humor. Lin
Carter is good too. Eadie T. Smith ditto, ^cept for his
defence of Rick Sneary. Rick doesn’t know all the an-
swers, he only thinks he does What does he mean,
Weber should get lost in the Fields? He i^KiuId get
lost (meaning Rick Sneary) in Atlantis or some place.
He’s a tiirowback.
Now for the stories —
The Mask of C?irce — Something was missing and I don't
mean Jason.
The Simple Life — Good enough said.
The House of Rising Winds — Really, MR. Long, we
aren't children. UGH.
No Escape From Destiny — Number 1 triffic.
The Seekers — Swell.
Journey — I’m glad he wasn’t gone twenty years. I al-
ways like for the hero to get the girl.
The Microscopic Giants — Almost number 1.
After the Atom — Good but gruesome.
I guess I'd better close. I don’t want to fill your
waste basket with only one letter, because I intend to
write more. Keep up the good work. An old fan who
finally got the courage to write. — 1020 Sottfh Flores
Street. San Antonio, Texas.
Intelligent females wanted? Are you spoof-
ing? We were under the definite (if perhaps
erroneous) impression that Eadie was and is
a lady. Doesn’t the song say so?
As for the Weber & Fields fiasco, Eunice,
you can’t he so old if you missed that cme.
Keep writing, baby.
’ROUND AND AROUND AND
AROUND WE GO
by Keith Johnson
Dear Editor: When I saw the name oi Kpttner on the
lead novel, I knew that you had come up with another
good story, and I was right. The Mask of Circe was a
fantasy I couldn’t put down until I had finished it.
You notice the word fantasy? In my opinion all
science-fiction could be lumped into the broad category
called fantasy. Labeling a story as such merely means
that it is a product of imagination, and does not mean
that the story contains, or is in itself a basic untruth.
Enou^ for fantasy.
The ^ort stories were passable, and the H. of F.
story was one of the best you’ve printed for quite
awhile. Usually these so-called classics are a big bust.
The Ether Vibrates was lively as usual with a wealth
of good and bad ideas. Only criticism I have concern-
ing this is the tendency to print too many letters from
old standbys. A few are all right but I like to hear
from nev/ voices with new ideas, preferably someone
who never heard of Merritt and didn’t try to decide 11
Kuttner can take his place. Kuttner is good enough
to make a new niche for himself, and not just take
over an old one left vacant. — 326 W. Adorns St,
Macomb, UL
You make good sense on both sore subjects,
Keith. And if we run a number of “old
standbys” it’s because, in our humble opinion,
those we use more than once write interest-
ing and/or amusing letters. Next, please.
LIFE'S AMBITION
by Jim Coidfrank
Dear Ed: Believe it or not I’m beginning to rhyme,
I’ve wanted to do this all of the time!!
But the print on TEV’s pages is getting too ^all.
Won’t I be able to read it at ail???
That was just an exp^dment If you don’t like IT,
I promise on my ex-Boy Scout’s honor never to do it
again.
Well, I still say it and I’m right so far — Kuttner will
never, EVER, beat "The Daik Worid.” The "Mask”
didn’t auite live up to my expectations.
The best story in there is "The House of Rising
tYinds." The worst (three tied) "Journey,” "No Es-
cape From Destiny,” and "The Seekers.” But don’t
mistake me — toey were all good. Well, I just hope
‘"The Valley of Creation” is what you say it is, and
with this I shall say goodbye — so I’LL say it, GOOD-
BYE.— 1116 Fnlton St, Woodmere, N. Y.
Believe it or not, since you call that a rhyme
We’re glad that you DON’T do it all of the
time.
But if Kuttner ’s DARK WORLD gives you
such a big kick
You and la Zimmer should be quite a click.
COMES THE DELUGE
by Jerri Bullock
Dear Editor: Have just finished the May ish of
Startling and (ahem) TEV. You were waiting you
said, to read the scorching words the females would
pour in a deluge on Jack Clements? Well, you can’t
say he didn’t ask for it
"Gushy” females indeed! Is man’s conceit so great
that he considers himself the only bearer of wor^ (rf
wisdom? Is his silly prattling so different, not gwshy,
simply because he bears the title man? I think not. If
Jack will glance over TEV and TRS he will find quite
a few goofy — er-r-r — gushy males.
In re-reading mr. elements letter I find no gushi-
nes3, it’s true; but — and I trust you were waiting for
136 STARTLING STORIES
this — his rambling comments on. other people’s letters
was rather childish. (I bet he stays up nights think-
ing of clever things to say.) A person is entitled to
write and think what he wants to about another indi-
vidual, but what do we care?
I don't expect people to believe what I say is Gospel
truth — they have their opinions, I'll stick to mine. I
might try to persuade them, and they might try to
change my mind. But I am not in the habit of con-
tinually reversing my viewpoint as Jack so glibly
states.
And for your info. Jack. I wouldn’t get near knitting
needles with a ten foot pole. I can find much better
ways to pass time, such as planning cruel tortures for
the man-beast. I. E.: tying his hands down before he
tells a fish story.
This mild explosion doesn’t leave me much space
for comment on this ish, but the lack of wordage
doesn't mean I was disappointed. On the contrary:
“The Mask of Circe” i.s the finest thing Hank has done
in a long time. The others? Well, they were all good,
in my opinion, except for "The Simple Life.” “No Es-
cape From Destiny” was a little different from the
usual yam — a clever whodunit. Finlay’s “centaurs”
was the best illustration. — 22200 Lemon Ave., Hayward,
Calif.
Okay, Jerri, you made a meal of elements,
all right. As a matter of fact, modern psy-
chologists have advanced a very reasonable
theory to explain so-called mental change-
ability among the females of the species.
Their idea is that women, if anything,
change their minds with much less frequency
than men but that — thanks to their biological
role — they don’t like to commit themselves
and therefore are apt to indulge in a lot of
backing and filling before making up their
m.inds.
Once the decision is made, however,
women have a tendency to stick to it through
the proverbial hell and high water. Anyone
who has watched a woman try to select a
luncheon or dinner from a crowded menu
should get the idea.
Guess we men will have to wield the
knitting needles from now on. Knit one, purl
two, drop six — that’s us.
SOUNDS DULL
by Sam Bowne
Dear Editor: I don’t usually write to editors but I
want to congratulate you on publi^iing a Merritt-type
story without nsnnphomaniacs in “The Mask of Circe.”
The whole mag seems to be looking up since I started
reading it during the war and this ish is the high-
est point yet
Kuttner Is an excellent writer, but can you induce
him to get a new plot. This dual-personality-in-a-
strange-world thing has been done by Merritt, ad
nauseum by Van Vogt and even, I believe, by Shaver.
If he wishes to continue using this plot I have it
worked out in a neat formula. There are four possible
variations, all of which have been used.
Re Dan Muleahy’s letter in this ish, why don't you
cut out the Hall of Fame and enlarge even more your
fan facilities. Or even just scratch Hall of Fame. The
old writers don't stack up wito the new ones, you
yourself have said it and the latest offering is riper
than limburger.
First our hero shoots lead slugs thru the little man,
then he breaks his toe on him. After this the little
man sticks his hand right thru the hero, with no re-
sistance, and tiien picks up a corpse. That’s just a
start on the criticism.
Aside from this lemon, a swell issue. Please, more
G. O. Smith. Hiis isn’t his best, but we know what
he’s capable of and he writes a t3?^ of “pure” science-
fiction that Is dear to my heart. It’s good to see him
in print again. — 18 Lexington Avenue CamM.dge,
Massachusetts.
What — no nymphomaniacs! It seems to us
Kuttner substituted the real article — namely
nymphs themselves. Next time, send us your
four plot variations and we’ll try to add a few
more. Fanzine editors please copy.
CHICKEN HEARTED
by Marvin Williams
Dear Ed: Gad sir you have offended all that is sacred
to the glorious clan of STF. The MASK OF CIRCE
was about the best thing Hank ever turned out but it
was not scientifiction. It was purely and unquestion-
ably fantasy. I did like it though. Unique idea all
around. I have never worshipped Kuttner as some do
but I’m gradually changing my opinion.
The Finlay pics were swell too. He’s getting better
all the time. I agree with Sneary, thoiigh. Stevens is
good, better and best in the art line. I wonder what
would happen if the artists wrote the yams for one is-
sue and the writera did the art work. The probable
fesult would be the demolishing of both the magazine
and you.
I can’t start reading THE HOUSE OF RISING
WINDS because I'm too chicken-hearted to look at
that hideous concoction of flower-faced BE]^ on the
first page. I looked at it once while glancing through
the book and I’m still a little shaky. Oh well, maybe
when I attempt to start it next time I’ll cover up the
illo'. Of course I'm a little hardened to such things
after reading H. P. Lovecraft’s THE COLOUR OUT
OF SPACE. Infinity ran wild with that gL^.
By the way, I wrote Wilkie Conner a short curt let-
ter telling him what I thought of him for his views of
HPL and he wrote back and we’ve been regular cor-
rei^onders ever since. An odd way to start a friend-
ship but there couldn’t be a closer one, hindered as we
are by distance.
Rather a plentiful swarm of femme-fans’ letters in
TEV this ish. The femmes are all right I suppose but
too many of them louse up an otherwise good TEV
section. I agree with Miss (or Mrs.) Goldsworthy
about Oona. In fact I think anything St. Clair ever
wrote is corny.
She belongs in a woman s magazine of some kind.
She brings in the young house-wife’s views and blund-
ers very nicely but its too “ouy-gouy” for me. Es^
cially the one where she hides the space-port in-
vestigator under her pnuemoport (correct me if
that’s not spelled right). And then there was one part
I didn’t quite get. Was she going to cut the Dobridust
up with that jig-saw or the investigator? Maybe she
and you and Sneary know but T’m sure I don’t.
What happened to Clements? Maybe the shift key
broke on his typer or something Er — no— couldn’t,
did and about six other words were in caps. Anything
to attract attention I always say. But really JC car-
ried that philosophy a little too far there, don’t you
think? If he ever does it again set it ri^t anyway
and watch him burn.
Jerri Bullock had a tricky letter in this ish. HPL
was ail right no matter what people say. Her remark
about the C. Future comic strip might be a toought
over which to ponder.
(HEH. HEH) Rick Sneary’s bad spelling is off-set by
his gleeful antics. He’s a swell guy. I know him
from correspondence and if you think the way he spells
when he writes to you is bad, you should see the
way he spells in the letters he writes to me. He makes
an effort to spell right when he writes in to the mags.
Well, I’ll be looking forward to some swell issues of
both SS and TWS this year and I can’t wait ’til that
McDowell yam comes out. He’s really good and he's
been a favorite of mine for ages. — 1431 2nd Avenue
S. E.. Cedar Rapids, Iowa.
Scared of a Finlay BEM, eh? You’re a
character, un type, as our French cousins say.
THE ETHEB
SON OF A BEM
by Mrs. Eva Firestone
Dear Editor: *nie verse sent in and your rhymes in
answer are greatly enjoyed. Most of the letters are
so clever that my courage never became great enough
to join in the ftin until this May issue. There is one
Ethergram — Sir Clemency rushes in where Angels
fe^ to tread! Of all the futile-feuds, worse than re-
ligious war! I marvel at his intricate-intrepidity.
Jackie Boy, thinkest thou art Daniel of Bible fame?
Attention Girls! Genealogy is my avocation. If you
will send all known informaticm re the name Clements,
I will trace his lineage to scnne obnoxious BEfii,
and furnish photostatic proof.
Lin Carter — Pardon me, we ARE interested in com-
ments on the stori^ by ALL the letter writeis. Jc«
Ktochnick — about ten years ago an author stated,
via fiction, that the earth was a microbe in the blcMxi
^eam of a mi^ty giant, so perhaps space is that
fluid whidi circulates in the heart, arteries and veins
this Titan and his food of course would create space
— savvy?
The »3o over Merritt-Kuttner, 5^tasy-Stf — is it
possible for a normal mother to love one clUld more
than another? In April TWS G«Qe A. Hyde wanted
advice on how to rotate a cube simult^eously on
three axes. My request is much more simple — astron-
omers believe that our a^ar system is a part of the
Milky Way galaxy, and they have discovered no other
sun-star having planet sat^lites. In this ease, oar
earth is mi^ty important.
Now — if the universe Is a sphere, where is otH*
galaxy located, on the surface of tiie universe-sjrfbere
OP inside? And what about all tiie other galaxies?? —
P. O. Box #395, Upton, Wyoming
Little Eva, you sprang a couple of real
rugged questions in the tail of your epistle.
You’d better drop a letter to the head man at
Mt Palomar or to Professor Albert Einstein,
Mercer Street, Princeton, New Jersey.
Who says our old Sol has the only planets?
We’d like a double check on that
SOUR NOTE
by Philip Collins
Dear Ed; Why vrtiy <hd you haw to in
‘‘The Mask of Circe,” and “No Escape from Destiny’*t
If ymi ^fc my opinion, (Ycrti’re gcmna get It anyway)
they were a couple of grade B l^nons. Espi^aUy
"No Escape from Destiny," The plot was diHl and
it seemed that it would be better fitted in some
detective mystery magazine. I had to f<»ce mys^f to
plow throu^ it and when 1 was finished, it wasn't
worth the hxmble.
"The Mask of Circe" was a little better, but it was
slow and sticky too, and my childirii mind just
couldn’t understand what the dam thing was all
about. And, just to sound good and sour, I thought
that the ending was poor, and left you hanging in the
air, because I kept mumbling over and over, "What
happais to poor demented old Jay when he does get
back to the island?"
But, thank goodness, there was something to hold
up these two poor stories, and that was the short
stories. I thought that "The Microscopic Giants" was
one swell piece of writing, and I can easily understand
why it is a Hall of Fame Classic. But there was
just one thing wrong wifii it (as usual) and that
that I would sort of like to know what happened io
file little men, and what their life was like, way
down under all that rock. It certainly would be a
good idea if it were possible, if a sequel could be
done, even if it were not by the same author.
Well I guess that’s enough about the stories, and so
let’s talk about the illustrations. It se^ns that "Virgil
Finlay has a monopoly, and hardly anyone else got
any of iheir work in. It’S not that I don't like Fin-
lay’s work, but it seems to me that his drawings are
VIBRATES 137
sort of cluttered, and with tpo many lin^ in them.
In other words, his work just isn’t fre^-looking,
smd just to illustrate my point, take a look at the pic
illustrating “After the Atom," and that is what I
mean aboiit fresher work, although I doubt if any-
one win agree with me. But not on such a critical
side, I thought that this months STARTLING STORIES
0® fiae whole, pretty dam good reading. — 1381
Kmg Street, West, Toronto t Ontario.
Well, Philip-with-one-1, you’ve a right to
your opinions. In fact, we could make a
couple of suggestions about what you should
do with them — always excepting the one on
Astarita.
OUR OWN NON-KENTUCKY DERBY
by Peter Leyva
Dear Editor: Well, here I am again with another
epistolary clinker direct^ at your factory. I^et that
be wamiz^ enou^.
"You pays your money and you takes your choice,
was rmt said of the ^ort of kings alone. For, having
paid my twenty pfennigs fw: the current i^ue of May’s
STARTLING STORIES I deem it my constitutional
privilege to take (or make) my ciutice of stories in
the issue referred to.
My mention of the so-called “sport of kings" gives
me an idea of trying my hand at rating the May
numb^ in an equine (please, no gags) manner. Witii
your kind permission, then—
May Issue Handicap
Purse: 10,000 lUck &ieary lettors
HOBS^
Ihe Ma^ Of Qrce
The Microscopic Giants
No E^ape From Destiny
The House Rising Winds
Journey
After The Atom
The Seekers
Ilie Simpie Life
JOCKEY
ODDS
H. Kuttner
4-5
Pacd Ernst
2-1
A. L. Zagat
3-1
Fv B. Long
8-1
G. O. Smith
8-1
J. E. Feam
10-1
R. M. Williams
20-1
Say Cummings
6-1
HORSE COMMENT
The Mask Of C^rce Rates nod
The Micaroscopic Giants Steady going HofF entry
No Escape From Destiny Good if ready
The Hoise Of Riszi^ Win<b Can upset
Journey In and outer ^
After The Atixn Hard to figure
The Seekers docker’s tip
The Simple Life Not much of late
Note; Ere tiie race starts "Bet-A-Milli<ai" Leyva is
observed sneaking over to the two buck window and
investing a brace of iron m&\ on “T^e Mask Of
Circe" to show. Smug and confid^t he awaits the
result of file contest
Running Description: By dembake McCarthy.
"And they’re off!!! And it’s The Mask Of Circe
going to the front, closely followed by The Microscoj^c
Giants witii Journey running third. The others are
closely bunched. It’s a close race, so far, folks, but I
see they're starting to ^>en dayli^t between each
other now!
"Here comes Long on the House Of Rising Winds
passing the leaders like a cyclone! The favorite is
fading badly but Kuttner by great riding ability
manages to kej^ him in contention! And at the half
mile post it’s The House Of Rising Winds, one length
to tile good, over The Microscopic Giants, by two
lengths, over The Mask Of Circe, by half a lengto,
over Journey, by a head, over The Seekers, by five
lengths, over The Simple Life, by eight lengths, over
No Escape FrcHn Destiny, by tiiree lengths, over Aft^
The Atom!!
(Concluded on page 145)
REVIEW OF THE
SCIENCE FICTION FAN
TCELICATIONS
tr IS possible that we have been asking
for it all along — though we don’t see
just how. At any rate, this time the roof
fell in. We were getting just about our usual
quota of fanzines and stashing them in the
bottom desk drawer (the double one) for
perusal and review and minding our rather
multifarious other affairs and treating the
whole thing as routine.
Then came a big envelope from Charles
E. Burbee of the Los Angeles Burbees. Upon
opening it we discovered it packed with fan-
zines. This recalled to us that we had re-
ceived a similarly packed envelope some
months earlier (with no return address) and
had been holding it with modest impatience
as a tardy submission to our ill-fated fanzine
contest.
Actually, it seems, each batch was a com-
plete mailing of the Fantasy Amatexir Press
Association, sent in for review. This outfit
is known to the initiate as FAPA and shad be
so called henceforth in this column. Its mem-
bers apparently get up fanzines and mail
them around to other members as material
for critical letters which are included in
(and often completely monopolize) futxire
issues.
So there we were with two FAPA mailings
on top of our regular review material. Re-
gretfully (our foot!) we stashed the earlier
mailing as passe and decided to concentrate
on the latter group. Then came another slue
of fanzines, apparently from some lightweight
affiliate of FAPA called the SAPS (don’t ask
us what that stands for) — whose publishers
call their fanzines Sapzines. And finally we
got an SOS from the British Fantasy Library,
a laudable organization to which we are
going to give first place in the column that
follows.
We have waded through all the above men-
tioned mailings and have decided, in view of
the highly personal nature of most of the
Fapazines and Sapszines, to list them in toto
but to pass critical word only on the few
that seem outstandingly good.
So — to work.
Our friends in the British Isles have, as we
all know, been suffering from an acute stf
famine along with their other more serious a
(?) shortages. Since many of the books and
magazines published during the recent war
are virtually unobtainable, a group of lead-
ing fans has organized a library from which
members can borrow those publications and
books they desire to read.
Ron Holmes, 67 Lineside Road, Belle Vale,
Liverpool, is Librarian; Nigel Lindsay, 311
Babbacombe Road, Babbacombe, Torquay,
Devonshire, is Current Issues Department
Director and Captain K. F. Slater, of the
British Army, who may be reached through
Miss Joyce Teagle, Riverside, South Drink,
Wisbech, Cambridgeshire, is Liaison (infor-
mation) Director.
Mr. Holmes, along with a letter explain-
ing the purpose of the Library, has sent us
a handbook, a catalogue and full sets of re-
ports and library listings. He has done a
whale of a job but there are still a lot of
gaping holes in the stock of books and maga-
zines on hand.
“I think,” he saiys, “that you will agree
with me when I state that to a great measure
I have carried out what I set out to do. To
give fans that which they need at the lowest
possible cost to themselves by the only reaUy
applicable scheme, cooperation.”
We quite agree with him and hope that
some of you, perhaps with an embarrassment
of fan riches, will see fit to offer help in the
f jrm of magazines or books. As we cannot
print the catalogue we suggest you write
Mr. Holmes before sending him anything,
thus making sure you are offering needed
material — or you might address your letter
to Forrest J. Ackerman, 236% North New
Hampshire, Hollywood 4, California, who has
some of the handbooks and catalogues for
distribution in this country.
138
This is a good one to get aboard — ^you’ll
not only be doing a needed service but your
offerings will be gratefully received and
you’U have an unparalled opportunity to
widen your fan connections to an inter-
national scope. Go to it.
THE PAPA OFFERINGS
Heading the Faparade is THE FANTASY
AMATEUR, so-called official organ of the
association, containing news of interest to
members, announcements and an enclosed
poll- card on which the member is supposed
to list his favorite thisa and thata on various
elements of the ’zines put out by his fellows.
In hot pur suit come a highly mathematical
pamphlet on THE RATING OF ROCKET
FUELS by Thomas S. Gardner of Johnson
City, Tennessee — a page from a Harvard
University Mathematics examination, ap-
parently algebraic in origin and neatly
stamped at the bottom with No. 56 — a four-
pager by Ray C. Higgs of Connorsville, In-
diana, entitled LONE INDIAN FRATER-
NITY ORIGINATES AND SPONSORS
PLAN TO ABOLISH ADULT AND CHILD
DELINQUENCY (sounds dull, doesn’t it?) —
quotations from Spengler and comment on
that ancient vehicle of the cinema. Metropolis,
by Robert Raphael — something called A
VISIT FROM GRAHAM put out by Rick
Sneary of South Gate, California — a highly
useful FANTASY ANTHOLOGY INDEX
put out by Sam Moskowitz and Alex Osheroff
at 446 Jelliff Avenue. Newark 8, New Jersey
—and an obsolete 1947 DREAMLAND POLL
by Don Wilson and Howard Miller from 495
North Third Street, Banning, California.
Heterogeny, thy name is FAPA.
BURBLINGS. Charles Burbee, 1057 South Normandie
Avenue. Los Angeles 6. California.
BE IT KNOWNKE TO ALL. Harold W. Cheney Jr., no
visible address.
FAN-DANGO, Francis T. Laney, 816 Westboro Avenue,
Alhambra, California.
FAPASNIX, Walter A. Coslet, Box #6, Helena, Mon-
tana.
GLOM, Forrest J. Ackerman, 236*/^ North New Hamp-
shire, Hollywood 4, California.
GOSTAK, Don Bratton, no address visible.
H-1661, Hevelin, 3761 Third Street, Riverside, Cali-
fornia.
HORIZONS. Harry Warner Jr., 303 Bryan Place,-
Hagerstown, Maryland.
ICHOR, Dale Hart, Apt. 20, 1116 Georgia Street, Los
Angeles 15, California.
(reviewed later in A-list)
JABBERWOCKY, Paul Spencer. 88 Ardmore Hoad,
West Hartford, Connecticut.
MI SCRIBAS, Rick Sneary. 2962 Santa Ana Street,
South Gate, California.
(contains a portion of excellent magazine
bibliography in serial)
LIGHT, Leslie A. Croutch, Box #121, Parry Sound,
Ontario. Canada.
(reviewed later in A-list)
[Turn page]
139
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» A LAUGH ON EVERY PAGE OF
CARTOON HUMOR
Featuring America's Funniest Cartoonists
NOW ON SALE-25C AT ALL STANDSI
MASQUE, William Rotsler, Camarillo, California,
(reviewed later in A-list)
MOONSHINE, Len J. Moffatt, 5918 Lanto Street. Ball
Gardens, California.
(reviewed later in A-Iist)
EGO BEAST, Don Wilson, 495 North Third Street,
Banning. California.
OLD AND RARE, G. F. Caldwell, San Anselmo,
California.
ONE FAN’S OUTLOOK, Stan Woolston, 12832 South
West Street, Garden Grove, California.
PHANTEUR, D. B. Thompson, Imperial, Nebraska,
(reviewed later in A-list)
PLENUM, Milton A. Rothman, 2113 North Franklin
Street, Philadelphia 22, Pennsylvania.
(reviewed later in B-Ust.
SKY HOOK, Redd Boggs, 2215 Benjamin Street, N.E.,
Minneapolis 18, Minnesota.
(reviewed later in A-list)
SPARX, Henry M. Spelman III, Leverett House E-21,
Cambridge 38, Massachusetts.
(reviewed later in A-list)
SOlPDALGEIF, R. P. Graham, H. Miller. D. V/ilson,
R. Ward and C. Burbee, no address.
SYNAPSE, Jack Speer, 4518 16th N.E., Seattle 5,
Washington.
THREE EYE, no name or address listed.
YELLUM, Ron Maddox, c/o A. H. Garretson, Ministry
of Foreign Affiars, Addis Abba, Ethiopia.
Which takes care of the FAPA horror —
save for those magazines which Vv^e feel rate
an A-listing review. Now for that Sapszine
grue — we find at last that SAPS stands for
Spectator Amateur Press Society, whatever
that means!
BLUE BEM, Joe Kennedy, 84 Baker, Dover 2, New
Jersey.
EGOBOO. Joe Schaumburger, 1822 Bathgate Avenue,
Bronx 57, New York.
ESSENTIAL, no name or address listed.
BRILLIG, Joe Schaumburger, 1822 Bathgate Avenue,
Bronx 57, New York.
FROZINE, Phil Froeder, 448 Demarest Avenue. Closter,
New Jersey.
JOSE-PIEN, Joe Gross, no address listed.
NAMLEPS, Henry M. Spelman III, Leverett House
E-21, Cambridge 38, Massachusetts.
QUEER, Norm Storer, 1724 Mississippi Street, Lawrence
Kansas.
FLOOR. Walter A. Coslet, Box #6, Helena, Montana.
SUN SHINE, no name or address listed.
THE HANDS and OTPIERS, H. Cheney, Little Falls,
New York.
(somehow we think this little booklet got into
the SAPS by mistake)
TAILS OF PASSIONATE FANS, no name or address
listed.
TRUE FAN CONFESSIONS, Joe. Kennedy, 84 Baker
Avenue, Dover, New Jersey.
(rates a B-list review but won’t get it)
TWIN STAR PUBLICATIONS, no name or address
listed.
This is about as sub-sophomoric a gang of
amateur publications as we have run across
while sitting at this or any other desk. But,
since most of those who put in time and
energy composing these little gems are prob-
ably a bit on the sub-sophomore side( we
query the gentleman of Leverett House) they
undoubtedly get a belt out of the proceed-
ings. We hope somebody did.
But before hitting the A-B trail, we wish
to give a pat on the head to Captain K. F.
Slater for his OPERATION FANTAST, the
liveliest fanzine to come out of England in
too many a long moon. We hope that
wherever the gallant captain is sent on over*
140
seas duty he will be able to get at a printing
press or mimeograph machine. His efforts
for British and World fandom will be missed
otherwise.
Well, the A-list took a large upward leap
for itself this month, thanks in part to the
FAPA mailings. It’s one of the best we’ve
had to review.
CANADIAN FANDOM, No. 14, 118 St. George
Street, Toronto 5, Ontario. Editor, Beak Taylor.
Published irregularly, 10c per copy, 3 copies 25c,
Dr. David H. Keller’s THE LANDSLIDE, a new short
story by the eminent master, features this issue of a
very up-and-coming ’zine and other articles and
features are contributed by the editor, Fred Hxmfer Jr„
Barbara Brovad, Les Croutch, Bill Grant, Harry Moore,
D. J. Morantz and Alastair Cameron. Jim Gray and
an anonymous other contribute fair verse. Clipped to
the Issue like a pilot fish was a small and informative
booklet called TORQUE, giving dope on the Toronto
Fan convention of July Fourth weekend.
DREAM QUEST, 495 North Third Street, Ban-
ning, California. Editor, Don Wilson. Published
irregularly, 15c per copy, 2 copies 25c.
Another good issue chalked up for this crew, though
we found Laney’s Histo-Map of Fandom more a pro-
moter of utter confusion than elucidating. We liked
on the whole the somewhat exhaustive prozine review
of Gilbert Sweason, got a chuckle out of Arthur Rapp’s
remarks on our own Margaret St. Clair, found Sim-
mons a trifle pontiflcial for our taste and enjoyed
Rothman, Gordon Elliott and Thyril Ladd — ^finally
found ourselves inescapably perturbed by the final
verse of Marjorie Nuttall’s verse.
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FAN-DANGO, 816 Westboro Avenue, Alham-
bra, California. Editor, Francis T. Laney. Pub-
lished quarterly. No price listed.
The frenetic Fran Laney puts on a one-man show,
airing more Los Angeles fandirt than has been around
since the old SHANGRI D’AFFAIRES was toned down.
His open letter (after the style of such noted eplstleers
as Jimmy Fidler and Louella Parsons) is truly a gem.
He has some of the darnedest "friends” if the letter is
one eighth accurate.
FANTASY ADVEBTISER, 643 South , Bixel
Street, Los Angeles 14, California. Editor, Gus
Willmorth. Published bi-monthly, 50c per year,
2/6d in England.
Still the bible of the fancollector — enlivened^ this
time with an article on O. G. Estes, who drew illus-
trations for one of the E. E. Smith Skylark juveniles
which did not appear when it was published. Also
the pictures themselves, which are friendly amateur
Pauls. Cartoons, which are interspersed among the
various collectors’ lists, are generally bright and
amusing. Good stuif.
FANTASY REVIEW, 115 Wanstead Road, Il-
ford, Essex. Editor, Walter Gillings. Published
bi-monthly, 3/6d per annum in England & Do-
minions (except Canada). 75c in U. S. and Can-
ada. Single copies, 15c post free.
Just about the most adult, alert and Informed gazette
in the entire field — with a surprisingly Transatlantic
viewpoint. This time Editor Gillings’ feature article
is a well drawn if too-brlef typewriter sketch of what
happened to the motion picture In Germany between
1913 and 1933 — more specifically the prophetic motibn
picture. Dr. Siegfried Kracauer’s “From Caligari to
Hitler” supplies the basis for the piece. We wish we
had Gillins and a FANTASY REVIEW in this country
instead of what we are getting.
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FANTASY COMMENTATOR, 19 East 235th
Street, New York 66, New York. Editor, A.
Langley Searles. Published quarterly, 25c per
copy, five copies $1.00.
Livened (?) by pictures of the late H. P. Lovecraft’s
maternal grandparents and of the author as a little
boy (unlike Raymond Knight, he apparently failed
to pose as a little girl as well), this is the usual
scholarly, erudite and occasionally heavyweight fan-
zine entry. Sam Moskowitz’ colossal history of stfan-
dom carries on its intallment way and the rest of the
issue is given over to Lovecraftiana. Worth its list
price.
PAPASNIX, Box #6, Helena, Montana. Editor,
Walter A. Coslet. Published irregularly, 10c per
copy, four copies 25c.
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Best poetry ’zine we have seen in some time. Bright
all the way, if sophomoric in spots and with the best
cover of the current crop.
IF!, 705 West Kelso, Ingle-wood, California.
Editor, Conrad Pederson. Published irregularly.
10c per copy, six copies 50c.
Joe Kennedy, with a nostalgic entry, Sam Mosko-
witz, with a clever bit of pseudo-drama, and Don
Wilson, with a backhand slash at Mr. Derleth, head a
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LIGHT, Box #121, Parry Sound, Ontario,
Canada. Editor, Leslie A. Croutch, published
irregularly, 10c per copy.
Amusing amateur stuff surroimding the usual good
reviews of various books and pamphlets with stf
interest.
MASQUE, Camarillo, California. Editor, Wil-
liam Rotsler. Published irregularly. No price
listed.
Copy in this one is weighed down by an inter-
minabie essay on “art” — ^but the issue contains the
most imaginative and successful fan color printing
we have yet seen.
MOONSHINE, 5918 Lanto Street, Bell Gar-
dens, California. Editor, Len J. Moffatt. Pub-
lished quarterly, no price listed.
Sub-sub-sophomorlc fun in pictures, prose and
poerty which somehow manages to get by on its spirit,
to say nothing of what everyone seems to think is a
half dollar attached to the front cover (it isn’t).
MUTANT, 113 North Porter Street, Saginaw,
Michigan. Editor, Bill Groover. Published ir-
regularly, 10c per copy, six copies 50c.
George Young, Redd Boogs, Ben Singer and Marion
Zimmer kick the gong around In this one to their
own great amusement and the reader’s moderate same.
NECROMANCER, 1619 Eastern Avenue, Balti-
more 21, Maryland. Editor, David A. Macinnes,
10c per copy, six copies 50c.
Best item (and a darned good one) in this generally
excellent 'zine is an article on the Frank Reade Jr. stf
magazine of the nineties with a photo-offset repro-
duction of one of the covers. And Rex Ward comes up
with a plea for space opera via, of all things, a lauda-
tory review of our former companion magazine,
CAPTAIN FUTURE. Interesting.
PLENUM, 2113 North Franklin Street, Phila-
delptda 22, Pennsylvania. Editor, Milton A.
Rothman. Published irregularly, no price listed.
The former low Poobah of the Phllcon comes up
with a neat F'apazine in which he discusses the
semantic approach so dear to current stfans, carrying
it all the way to paranoia (the article, not the author) .
Thoughtful.
SHANGRI LA, Apartment #20, 1116 Georgia
Street, Los Angeles 14, California. Editor, Dale
Hart. Published bi-monthly, 10c per copy, six
copies 50c.
The erstwhile Shangri L’ Affaires puts on a sprightly
self imitation in its curtailed-title version with just
about as much (if not as lurid) controversial stuff as
ever. This group — ^the Los Angeles Science Society,
can get madder than anything.
SKY HOOK, 2215 Benjamin Street, N.K,
Minneapolis 18, Minnesota. Editor, Redd Boggs.
Published irregularly, no price listed.
Good thoughtful comment on fantopics which suffers
from a sea anchor in the form of some of the worst
verse ever (up to and including our own!).
SPARX, Leverett House E-21, Cambridge 38,
Massachusetts. Editor, Henry M. Spelman IH.
Published quarterly, 10c per copy.
Sophomorics by Jack Speer and Norman Schlecter
are compensated for by some good reviews and some
off-the-artn information of fanzine trading by Vincent
Williams. Just squeaks in on the A-list.
THE FANSCIENT, 3435 Northeast 38th Ave-
nue, Portland, Oregon. Editor, Don Day. Pub-
lished quarterly, 15c per copy, 50c per year.
This miniature mag packs plenty of meat for all its
mlcroscopia. Leading item is an essay on Beauty and
its penalties by Dr. Keller. We hope this one stays in
there.
THE GORGON, 4936 Grove Street, Denver 11,
Colorado. Editor, Stanley Mullen. Published bi-
monthly, 20c per copy, $1.00 per year.
Still a leading entry in the field despite an vmex-
pectedly dim printing job. Phil Rasch has some fasci-
nating background stuff on Merritt’s Brittany and Joe
Kennedy’s takeoff on Moskowitz’ fanhistory verges on
the riotous. Even Lloyd Arthur Eshbach of Fantasy
Press fame cuts in with a short verse on vampires of
the non-Clara Kimball Young variety.
VAMPIRE INDEX, 68 Madbury Road, Dur-
ham, New Hampshire. Editor, Boff Perry. Pub-
lished irregularly, 10c per copy.
A complete tabulation on what Joe Kennedy man-
aged to put between the covers of his famed and la-
mented fanzine. Makes us homesick.
Well, that’s the A-list and, we think, a
darned good one. We’re going to have to be
a bit brief with the B’s for reasons mentioned
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Fantasy Times, 101-02 Northern Boulevard, Corona,
New York. Editor, James V. Taurasi. Published bi-
monthly, 10c per copy. Good newsy ’zine, this time
featuring article on Dr. Keller by Jacob Hudson. Worth
the dime demanded.
Kluggf, 31 Linnaean Street Cambridge 38, Massa-
chusetts. Editor, Dave Thomas. Published irregularly,
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no price listed. A newcomer to us, featuring a rather
tripi^ story by Dennis Gillespie and the usual good
book reviews by Henry Spelman III,
Lunacy, 1115 San Anselmo Avenue, San Anselrao,
California. Editor, George Caldwell. Published irregu-
larly, 10c per copy. Frenetic fanzine which takes a
large bite out of Ackerman and offers the resultant
tasty morsel to Edgar Rice Burrough.s on an imitation
silver salver.
Opinion, no address listed. Editors, Don Wilson &
Howard Miller. Supplement to Dream Quest. Contains
interesting fan opinion poll on just about everything.
Despite listing of Jack Williamson (instead of Edmond
Hamilton) as author of Conquest of Two Worlds, a
generally accurate compendium.
Spaceteer, 1734 Newark Street South, St. Petersburg,
Florida. Editor, Lin Carter. Published bi-monthly, 10c
per copy, three copies, 25c. A good live ’zine which
would rate A-listing if it weren’t for the ghastly art-
work.
Spacewarp, 2120 Bay Street, Saginaw, Michigan.
Editor, Arthur H. Rapp. Published monthly, 10c per
copy, three copies 25c. Well, we presume the editor
and his colleagues had fun with these two issues.
Best' item in the April deal was Marion Zimmer’s
proselyting ad seeking famme fanpals. She pleads for
written words from shady lad — uh-nxih — we mean lady
shades.
Stfanatic, c/o YMCA, Warren, Arkansas. Editor,
Hugh Mclnnis. Published irregularly, 6V2C per copy.
A modest entrant in the ’zine field wWch falls heir to
most of the hekto woes known to fandom since time
immemorial.
The Rocket News Letter, 91 Pine Street, Riverside,
Illinois. Editor, Wayne Proell. Published bi-monthly,
15c per copy, SI. 50 per year. This one seems to be
slipping.
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The Spectator, nothing listed. A Sapzine that got
misplaced, 'null said.
Tympani, 514 West Vienna Avenue, Milwaukee 12,
Wisconsin. Editors, Robert L. Stein & Redd Boggs.
Published bi-weekly, 5c per copy, six copies 25c. Good
newszlne, this time accompanied by a supplement
called Tympimi, of which the title tells the story.
Which brings us to the end of the longest
review column we have written to date. Hope
you liked it!
—THE EDITOR.
A NOVEL OF THE FUTURE
MR.
ZYTZTZ
GOES TO
MARS
By NOEL LOOMIS
Featured in the August Issue of
THRILLING WONDER
STORIES
NOW ON SALE AT ALL STANDS!
144
THE ETHER VIBRATES
(Concluded from page 137)
“Now they've rounded the turn and are roaring up
the home stretch! Oh, the favorite has faded worse
than last year's S.S. cover and is now running a
bad fifth! The House Of Rising Winds still holds the
lead, by a length, bver — but tally ho! What is this
— ^it’s The Seekers, coming like crazy!!! He passes The
Microscopic Giants and challenges The House Of
Rising Winds for the lead!
“Jockey Long goes to the whip to ward off the
threat but The Seekers, like an old maid looking
underneath the bed for a burglar, will not be denied!
It’s a two horse race now, suck — er — ^folks! Here they
come, fighting it out to the wire! Wotta race! Wotta
race! But, look! The Seekers is pulling away! By a
nose, by a neck, by half a length! It's all over, folks!
It’s The Seekers by a length!! I”
Note: Above the roar of the madding crowd cometh
the sad sounds of Kuttner’s chalk players tearing up
their ducats.
Official result of the May Issue Handicap:
HORSE
The Seekers
The House Of Rising Winds
The Microscopic Giants
After The Atom
Journey
The Mask Of Circe
No Escape From Destiny
The Simple Life
LENGTHS
1
3
4
V2
nose
head
5
Note: The word “eds” in the place price of The
House Of Rising Winds stands for “edges” — not
“editors.” Feel better now?
So much for the races. May I comment a little
anent T.E.V. before you throw me out the door?
As per usual the hallowed sanctum sanctorum that
is T.E.V. boasted as neat a collection of screeds as
could be found this side of Alpha Centauri. But as
also per usual the remarkable Rick Sneary proved high
man again on the T.E.V. totem pole. By the rood, how
the lad can clamp a toehold on an adjective and
make it holler “uncle” in an entertaining way! Keep
it up, Rick. (Hey, editor! Ain’t there some way you
could get Sneary and Rob Le Roy to collaborate on a
story — unabridged and unedited? This I want to see.)
Other good letters were by Gerry de la Ree, Van
Couvering, Lin Carter, Kirschnick, Clements, etc. All
in all, a fine gathering of the clans enlivened, as
always, by the gay skirl of thy merry editorial bag-
pipe or dinna ye ken wha’ I say, Mac Gregor?
As for the illustrations the inside pic on page 93
was far superior to the rest of the art. Really a fine
piece of work. Cover okay except that it seems to
suffer a wee bit from yellow jaundice. Easy on the
saffron hues, will ya, Bergey?
Finlay’s pic on page 11 was okay also. After
studying it at great length I have suddenly become
unfond of flowers and the ancient Greek version of
the Hawaiian lei. And look at that dope Pan! All
the guy can find to do (with that bevy of femmes
around him) is to fool with a double-barreled pea
shooter whilst squatting next to a Hellenic spittoon.
Is this the sort of thing the Greeks had a word for?
Time (not the magazine) being of the essence and
the fact that I have overstayed my visa in T.E.V. I
judge it most wise to effect a hurried (though digni-
fied) exit ere you sic the office boy on me.
In the hope that you will continue your good
works indefinitely, I remain yours truly. — 221 So,
Victoria Ave.^ Atlantic City, N. J.
That was no spittoon, that was an amphora,
supposedly filled with wine of Ossa, gin of
Thessaly or rum from the Sea of Marmora.
Anyway, them nymphs were Aegian the eyes.
And so, spent by the thrills of the Leyva
Handicap, we once again take leave of the
Ether and its matchless Vibrations, sailing
into the sunset with the valiant little ship
Argo’s mink sails also set. Evoe and adios.
—THE EDITOR.
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